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Buenos Aires, Sarmiento Avenue, Three February Park. Engraving by Tofani, to illustrate the story Voyage a la Plata, in 1886, by Emile Daireaux, in le tour du monde 1888, directed by Edouard Charton (1807-1890), Hachette, Paris.
Buenos Aires, Sarmiento Avenue, Three February Park. Engraving by Tofani, to illustrate the story Voyage a la Plata, in 1886, by Emile Daireaux, in le tour du monde 1888, directed by Edouard Charton (1807-1890), Hachette, Paris.

LSE4334543: Buenos Aires, Sarmiento Avenue, Three February Park. Engraving by Tofani, to illustrate the story Voyage a la Plata, in 1886, by Emile Daireaux, in le tour du monde 1888, directed by Edouard Charton (1807-1890), Hachette, Paris., Tofani, Oswaldo (1849-1915) / Bridgeman Images

ID: LSE4334543

Buenos Aires, Sarmiento Avenue, Three February Park. Engraving by Tofani, to illustrate the story Voyage a la Plata, in 1886, by Emile Daireaux, in le tour du monde 1888, directed by Edouard Charton (1807-1890), Hachette, Paris.

Tofani, Oswaldo (1849-1915)

The fountain of the Rossello, in Sassari (Italy). Daily activities, woman filling a criche and water bearers with their donkeys, filling their barrels. Engraving and story “” La Sardaigne”” by Gaston Vuillier (1845-1915), in 1890, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 2nd semester 1891, edition Hachette, Paris.
The fountain of the Rossello, in Sassari (Italy). Daily activities, woman filling a criche and water bearers with their donkeys, filling their barrels. Engraving and story “” La Sardaigne”” by Gaston Vuillier (1845-1915), in 1890, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 2nd semester 1891, edition Hachette, Paris.

LSE4335548: The fountain of the Rossello, in Sassari (Italy). Daily activities, woman filling a criche and water bearers with their donkeys, filling their barrels. Engraving and story “” La Sardaigne”” by Gaston Vuillier (1845-1915), in 1890, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 2nd semester 1891, edition Hachette, Paris., Vuillier, Gaston (1847-1915) / Bridgeman Images

ID: LSE4335548

The fountain of the Rossello, in Sassari (Italy). Daily activities, woman filling a criche and water bearers with their donkeys, filling their barrels. Engraving and story “” La Sardaigne”” by Gaston Vuillier (1845-1915), in 1890, in Le tour du monde, nouveau journal des voyages, under the direction of Edouard Charton (1807-1890), 2nd semester 1891, edition Hachette, Paris.

Vuillier, Gaston (1847-1915)

A young woman dances with an antelope under a large basket of flowers - Vignette illustree, claimed for the International Exhibition of Modern Decorative and Industrial Arts, Paris, 1925
A young woman dances with an antelope under a large basket of flowers - Vignette illustree, claimed for the International Exhibition of Modern Decorative and Industrial Arts, Paris, 1925

LEG4335781: A young woman dances with an antelope under a large basket of flowers - Vignette illustree, claimed for the International Exhibition of Modern Decorative and Industrial Arts, Paris, 1925 / Bridgeman Images

ID: LEG4335781

A young woman dances with an antelope under a large basket of flowers - Vignette illustree, claimed for the International Exhibition of Modern Decorative and Industrial Arts, Paris, 1925

A roaring lion - Vignette illustree, claim for the Lyon fair, 20th century
A roaring lion - Vignette illustree, claim for the Lyon fair, 20th century

LEG4335959: A roaring lion - Vignette illustree, claim for the Lyon fair, 20th century / Bridgeman Images

ID: LEG4335959

A roaring lion - Vignette illustree, claim for the Lyon fair, 20th century

A lion and the face of Hermes with a helmet with wings (red and blue colors) - Illuminated vignette, claimed for the Lyon fair from October 1st to 15th, 20th century
A lion and the face of Hermes with a helmet with wings (red and blue colors) - Illuminated vignette, claimed for the Lyon fair from October 1st to 15th, 20th century

LEG4336469: A lion and the face of Hermes with a helmet with wings (red and blue colors) - Illuminated vignette, claimed for the Lyon fair from October 1st to 15th, 20th century / Bridgeman Images

ID: LEG4336469

A lion and the face of Hermes with a helmet with wings (red and blue colors) - Illuminated vignette, claimed for the Lyon fair from October 1st to 15th, 20th century

A fish catches a fishing line and a fishing boat - A vignette illustree, reclaimed for tourism in Chile, 20th century
A fish catches a fishing line and a fishing boat - A vignette illustree, reclaimed for tourism in Chile, 20th century

LEG4336526: A fish catches a fishing line and a fishing boat - A vignette illustree, reclaimed for tourism in Chile, 20th century / Bridgeman Images

ID: LEG4336526

A fish catches a fishing line and a fishing boat - A vignette illustree, reclaimed for tourism in Chile, 20th century

A Heraut, accompanied by his gun pursuer and a dog, makes an announcement in a medievale street, for the celebrations of Jeanne Laisne or Fourquet, known as Hachette (1456-?) , emblem of resistance against Charles the Temeraire - Vignette illustrated by MF, after Antoine Louis Manceaux (1862-1939), reclaimed for the Fetes de Jeanne Hachette, in Beauvais, 1931
A Heraut, accompanied by his gun pursuer and a dog, makes an announcement in a medievale street, for the celebrations of Jeanne Laisne or Fourquet, known as Hachette (1456-?) , emblem of resistance against Charles the Temeraire - Vignette illustrated by MF, after Antoine Louis Manceaux (1862-1939), reclaimed for the Fetes de Jeanne Hachette, in Beauvais, 1931

LEG4336661: A Heraut, accompanied by his gun pursuer and a dog, makes an announcement in a medievale street, for the celebrations of Jeanne Laisne or Fourquet, known as Hachette (1456-?) , emblem of resistance against Charles the Temeraire - Vignette illustrated by MF, after Antoine Louis Manceaux (1862-1939), reclaimed for the Fetes de Jeanne Hachette, in Beauvais, 1931 / Bridgeman Images

ID: LEG4336661

A Heraut, accompanied by his gun pursuer and a dog, makes an announcement in a medievale street, for the celebrations of Jeanne Laisne or Fourquet, known as Hachette (1456-?) , emblem of resistance against Charles the Temeraire - Vignette illustrated by MF, after Antoine Louis Manceaux (1862-1939), reclaimed for the Fetes de Jeanne Hachette, in Beauvais, 1931

The silhouette of a red horse on a big car - Vignette illustree, claimed for the 6th Geneva International Motor and Cycle Show, 1929
The silhouette of a red horse on a big car - Vignette illustree, claimed for the 6th Geneva International Motor and Cycle Show, 1929

LEG4337246: The silhouette of a red horse on a big car - Vignette illustree, claimed for the 6th Geneva International Motor and Cycle Show, 1929 / Bridgeman Images

ID: LEG4337246

The silhouette of a red horse on a big car - Vignette illustree, claimed for the 6th Geneva International Motor and Cycle Show, 1929

A Muslim prays in the face of the rising sun, in the desert, near a camel harness - Vignette illustree, claimed for the colonial, agricultural and industrial exhibition of Strasbourg (France), 1924
A Muslim prays in the face of the rising sun, in the desert, near a camel harness - Vignette illustree, claimed for the colonial, agricultural and industrial exhibition of Strasbourg (France), 1924

LEG4337318: A Muslim prays in the face of the rising sun, in the desert, near a camel harness - Vignette illustree, claimed for the colonial, agricultural and industrial exhibition of Strasbourg (France), 1924 / Bridgeman Images

ID: LEG4337318

A Muslim prays in the face of the rising sun, in the desert, near a camel harness - Vignette illustree, claimed for the colonial, agricultural and industrial exhibition of Strasbourg (France), 1924

A fisherman resting in his boat on the banks of Le Havre, with the coat of arms of the city - Vignette illustree, claimed for the gastronomic fair of Normandy, Le Havre (France), 1925
A fisherman resting in his boat on the banks of Le Havre, with the coat of arms of the city - Vignette illustree, claimed for the gastronomic fair of Normandy, Le Havre (France), 1925

LEG4337709: A fisherman resting in his boat on the banks of Le Havre, with the coat of arms of the city - Vignette illustree, claimed for the gastronomic fair of Normandy, Le Havre (France), 1925 / Bridgeman Images

ID: LEG4337709

A fisherman resting in his boat on the banks of Le Havre, with the coat of arms of the city - Vignette illustree, claimed for the gastronomic fair of Normandy, Le Havre (France), 1925

Let's get associated (join us) a rider of the Pony Express, in full gallop, carries the bags of American mail - Illustree vignette, claimed for the Pony Express (USA), 1860-1861
Let's get associated (join us) a rider of the Pony Express, in full gallop, carries the bags of American mail - Illustree vignette, claimed for the Pony Express (USA), 1860-1861

LEG4338070: Let's get associated (join us) a rider of the Pony Express, in full gallop, carries the bags of American mail - Illustree vignette, claimed for the Pony Express (USA), 1860-1861 / Bridgeman Images

ID: LEG4338070

Let's get associated (join us) a rider of the Pony Express, in full gallop, carries the bags of American mail - Illustree vignette, claimed for the Pony Express (USA), 1860-1861

A young woman with skis and a whip directs a horse to which she is attached so that he can pull it on the snow (red and blue colors) - Illustrated vignette, claimed for sporting goods, by C. Wagner and Co, Munich (Germany), early 20th century
A young woman with skis and a whip directs a horse to which she is attached so that he can pull it on the snow (red and blue colors) - Illustrated vignette, claimed for sporting goods, by C. Wagner and Co, Munich (Germany), early 20th century

LEG4338442: A young woman with skis and a whip directs a horse to which she is attached so that he can pull it on the snow (red and blue colors) - Illustrated vignette, claimed for sporting goods, by C. Wagner and Co, Munich (Germany), early 20th century / Bridgeman Images

ID: LEG4338442

A young woman with skis and a whip directs a horse to which she is attached so that he can pull it on the snow (red and blue colors) - Illustrated vignette, claimed for sporting goods, by C. Wagner and Co, Munich (Germany), early 20th century

Bullfighting: the matador executes the faena, series of passes with the muleta, before the estocade at the sword, recalling for the bullfighting of Nerva (Andalusia), 23 September 1947 - Plate predecoupee of Capones de racionamento (rationing coupons, exchange vouchers, paper with no cash value in replacement of banknotes, issued during the civil war), 21x29,7 cm, divisible into coupons of 10 coupons to cut, Spain, 1947
Bullfighting: the matador executes the faena, series of passes with the muleta, before the estocade at the sword, recalling for the bullfighting of Nerva (Andalusia), 23 September 1947 - Plate predecoupee of Capones de racionamento (rationing coupons, exchange vouchers, paper with no cash value in replacement of banknotes, issued during the civil war), 21x29,7 cm, divisible into coupons of 10 coupons to cut, Spain, 1947

LEG4338964: Bullfighting: the matador executes the faena, series of passes with the muleta, before the estocade at the sword, recalling for the bullfighting of Nerva (Andalusia), 23 September 1947 - Plate predecoupee of Capones de racionamento (rationing coupons, exchange vouchers, paper with no cash value in replacement of banknotes, issued during the civil war), 21x29,7 cm, divisible into coupons of 10 coupons to cut, Spain, 1947 / Bridgeman Images

ID: LEG4338964

Bullfighting: the matador executes the faena, series of passes with the muleta, before the estocade at the sword, recalling for the bullfighting of Nerva (Andalusia), 23 September 1947 - Plate predecoupee of Capones de racionamento (rationing coupons, exchange vouchers, paper with no cash value in replacement of banknotes, issued during the civil war), 21x29,7 cm, divisible into coupons of 10 coupons to cut, Spain, 1947

An elegant couple plays tennis - Illustree vignette, claimed for the writing material from Schwan (Germany), beginning 20th century
An elegant couple plays tennis - Illustree vignette, claimed for the writing material from Schwan (Germany), beginning 20th century

LEG4339248: An elegant couple plays tennis - Illustree vignette, claimed for the writing material from Schwan (Germany), beginning 20th century / Bridgeman Images

ID: LEG4339248

An elegant couple plays tennis - Illustree vignette, claimed for the writing material from Schwan (Germany), beginning 20th century

Advertizing for Dunkirk, early 20th century (print)
Advertizing for Dunkirk, early 20th century (print)

LEG4339256: Advertizing for Dunkirk, early 20th century (print) / Bridgeman Images

ID: LEG4339256

Advertizing for Dunkirk, early 20th century (print)

Flying condors - Vignette illuminated for the Amsterdam Olympiad (Netherlands) 1928
Flying condors - Vignette illuminated for the Amsterdam Olympiad (Netherlands) 1928

LEG4339349: Flying condors - Vignette illuminated for the Amsterdam Olympiad (Netherlands) 1928 / Bridgeman Images

ID: LEG4339349

Flying condors - Vignette illuminated for the Amsterdam Olympiad (Netherlands) 1928

The ogre turns into an elephant, then the ogre turns into a mouse, as soon as the cat sees it, he throws himself on it and beats her. From the Cat boot or the master cat, taken from the tales of my mother the oye (1695), taken up by Charles Perrault (1628-1703) in 1697.
The ogre turns into an elephant, then the ogre turns into a mouse, as soon as the cat sees it, he throws himself on it and beats her. From the Cat boot or the master cat, taken from the tales of my mother the oye (1695), taken up by Charles Perrault (1628-1703) in 1697.

LOD4353337: The ogre turns into an elephant, then the ogre turns into a mouse, as soon as the cat sees it, he throws himself on it and beats her. From the Cat boot or the master cat, taken from the tales of my mother the oye (1695), taken up by Charles Perrault (1628-1703) in 1697. / Bridgeman Images

ID: LOD4353337

The ogre turns into an elephant, then the ogre turns into a mouse, as soon as the cat sees it, he throws himself on it and beats her. From the Cat boot or the master cat, taken from the tales of my mother the oye (1695), taken up by Charles Perrault (1628-1703) in 1697.

Satirical drawing depicting Western tourists surrounded by donkeys and their drivers - Illustration from the Atlas of Egypt, 1881 Private collection
Satirical drawing depicting Western tourists surrounded by donkeys and their drivers - Illustration from the Atlas of Egypt, 1881 Private collection

MAJ4354537: Satirical drawing depicting Western tourists surrounded by donkeys and their drivers - Illustration from the Atlas of Egypt, 1881 Private collection / Bridgeman Images

ID: MAJ4354537

Satirical drawing depicting Western tourists surrounded by donkeys and their drivers - Illustration from the Atlas of Egypt, 1881 Private collection

Egyptian antiquite: influence of the moon on the soul - Illustration from the Atlas of Egypt, 1881 Private Collection
Egyptian antiquite: influence of the moon on the soul - Illustration from the Atlas of Egypt, 1881 Private Collection

MAJ4354586: Egyptian antiquite: influence of the moon on the soul - Illustration from the Atlas of Egypt, 1881 Private Collection / Bridgeman Images

ID: MAJ4354586

Egyptian antiquite: influence of the moon on the soul - Illustration from the Atlas of Egypt, 1881 Private Collection

Legend of the wolf of Gubbio, tame by Saint Francois of Assisi and fed by the inhabitants of the city (one pretends that the animal became vegetarian) - detail of an engraving of the Illustrous World (1882) after a painting (1877) by Luc Olivier Merson (1846-1920) - a butcher gives him a piece of meat, a girl (little girl) caresses it the look softened by his mother -
Legend of the wolf of Gubbio, tame by Saint Francois of Assisi and fed by the inhabitants of the city (one pretends that the animal became vegetarian) - detail of an engraving of the Illustrous World (1882) after a painting (1877) by Luc Olivier Merson (1846-1920) - a butcher gives him a piece of meat, a girl (little girl) caresses it the look softened by his mother -

PCT4294424: Legend of the wolf of Gubbio, tame by Saint Francois of Assisi and fed by the inhabitants of the city (one pretends that the animal became vegetarian) - detail of an engraving of the Illustrous World (1882) after a painting (1877) by Luc Olivier Merson (1846-1920) - a butcher gives him a piece of meat, a girl (little girl) caresses it the look softened by his mother - / Bridgeman Images

ID: PCT4294424

Legend of the wolf of Gubbio, tame by Saint Francois of Assisi and fed by the inhabitants of the city (one pretends that the animal became vegetarian) - detail of an engraving of the Illustrous World (1882) after a painting (1877) by Luc Olivier Merson (1846-1920) - a butcher gives him a piece of meat, a girl (little girl) caresses it the look softened by his mother -

Wolf's Head: Engraving by Huyot in “” The Illustree Hunt”” 1872
Wolf's Head: Engraving by Huyot in “” The Illustree Hunt”” 1872

PCT4294445: Wolf's Head: Engraving by Huyot in “” The Illustree Hunt”” 1872 / Bridgeman Images

ID: PCT4294445

Wolf's Head: Engraving by Huyot in “” The Illustree Hunt”” 1872

Traveller on Horseback attacked by a Pack of Wolves, 1858 (engraving)
Traveller on Horseback attacked by a Pack of Wolves, 1858 (engraving)

PCT4294476: Traveller on Horseback attacked by a Pack of Wolves, 1858 (engraving), Ansdell, Richard (1815-85) / Bridgeman Images

ID: PCT4294476

Traveller on Horseback attacked by a Pack of Wolves, 1858 (engraving)

Ansdell, Richard (1815-85)

The legendary wolf collects and breastfeed the twins Remus and Romulus (Romolo e Remo, founders of Rome) found on the banks of the Tiber. A bird brings fruit to them - detail of an engraving after a painting by Rubens -
The legendary wolf collects and breastfeed the twins Remus and Romulus (Romolo e Remo, founders of Rome) found on the banks of the Tiber. A bird brings fruit to them - detail of an engraving after a painting by Rubens -

PCT4294506: The legendary wolf collects and breastfeed the twins Remus and Romulus (Romolo e Remo, founders of Rome) found on the banks of the Tiber. A bird brings fruit to them - detail of an engraving after a painting by Rubens - / Bridgeman Images

ID: PCT4294506

The legendary wolf collects and breastfeed the twins Remus and Romulus (Romolo e Remo, founders of Rome) found on the banks of the Tiber. A bird brings fruit to them - detail of an engraving after a painting by Rubens -

The fear of the wolf: a wolf ventured into the streets of a village, causing the panic of the inhabitants - engraving by Paredes in “La France illustree”” 1886 -
The fear of the wolf: a wolf ventured into the streets of a village, causing the panic of the inhabitants - engraving by Paredes in “La France illustree”” 1886 -

PCT4294522: The fear of the wolf: a wolf ventured into the streets of a village, causing the panic of the inhabitants - engraving by Paredes in “La France illustree”” 1886 - / Bridgeman Images

ID: PCT4294522

The fear of the wolf: a wolf ventured into the streets of a village, causing the panic of the inhabitants - engraving by Paredes in “La France illustree”” 1886 -

Child and bucolic picture 19th century: two children, boy and girl in the countryside, under a tree, in the middle of flowers, each holding a bird on their hand - the boy is dressed in blue, the girl is pink - differenciation, genre -
Child and bucolic picture 19th century: two children, boy and girl in the countryside, under a tree, in the middle of flowers, each holding a bird on their hand - the boy is dressed in blue, the girl is pink - differenciation, genre -

PCT4295119: Child and bucolic picture 19th century: two children, boy and girl in the countryside, under a tree, in the middle of flowers, each holding a bird on their hand - the boy is dressed in blue, the girl is pink - differenciation, genre - / Bridgeman Images

ID: PCT4295119

Child and bucolic picture 19th century: two children, boy and girl in the countryside, under a tree, in the middle of flowers, each holding a bird on their hand - the boy is dressed in blue, the girl is pink - differenciation, genre -

Locusts Invasion in Agadir (Morocco) perched on poles and electric wires, November 26, 1956 (26-11-56) - Grasshoppers are one of the ten wounds of Egypt (eighth) in the Book of Exodus: “”... And they covered the face of all the earth, and the earth was in darkness, and they devorted all the plants of the earth, and all the fruits of the trees... and there remained no greenery for the trees or the plants of the field throughout all the land.”” Exodus 10:13 -14,19 - In the Maghreb countries, these insects eat grates, once the wings are taken off, mlanged with argan and flour - Photo Jean Manuel -
Locusts Invasion in Agadir (Morocco) perched on poles and electric wires, November 26, 1956 (26-11-56) - Grasshoppers are one of the ten wounds of Egypt (eighth) in the Book of Exodus: “”... And they covered the face of all the earth, and the earth was in darkness, and they devorted all the plants of the earth, and all the fruits of the trees... and there remained no greenery for the trees or the plants of the field throughout all the land.”” Exodus 10:13 -14,19 - In the Maghreb countries, these insects eat grates, once the wings are taken off, mlanged with argan and flour - Photo Jean Manuel -

PCT4295215: Locusts Invasion in Agadir (Morocco) perched on poles and electric wires, November 26, 1956 (26-11-56) - Grasshoppers are one of the ten wounds of Egypt (eighth) in the Book of Exodus: “”... And they covered the face of all the earth, and the earth was in darkness, and they devorted all the plants of the earth, and all the fruits of the trees... and there remained no greenery for the trees or the plants of the field throughout all the land.”” Exodus 10:13 -14,19 - In the Maghreb countries, these insects eat grates, once the wings are taken off, mlanged with argan and flour - Photo Jean Manuel - / Bridgeman Images

ID: PCT4295215

Locusts Invasion in Agadir (Morocco) perched on poles and electric wires, November 26, 1956 (26-11-56) - Grasshoppers are one of the ten wounds of Egypt (eighth) in the Book of Exodus: “”... And they covered the face of all the earth, and the earth was in darkness, and they devorted all the plants of the earth, and all the fruits of the trees... and there remained no greenery for the trees or the plants of the field throughout all the land.”” Exodus 10:13 -14,19 - In the Maghreb countries, these insects eat grates, once the wings are taken off, mlanged with argan and flour - Photo Jean Manuel -

Church of Saint-Nectaire (Saint Nectaire, Puy-de-Dome, Auvergne): stone capital representing a man riding a goat, facing a donkey covered with scales playing lyre. The animal grabbing a musical instrument, but being unable to play it, becomes an image of sin, stupidity and pride - Romanesque art auvergnat 12th century - Photo Patrice Cartier -
Church of Saint-Nectaire (Saint Nectaire, Puy-de-Dome, Auvergne): stone capital representing a man riding a goat, facing a donkey covered with scales playing lyre. The animal grabbing a musical instrument, but being unable to play it, becomes an image of sin, stupidity and pride - Romanesque art auvergnat 12th century - Photo Patrice Cartier -

PCT4296071: Church of Saint-Nectaire (Saint Nectaire, Puy-de-Dome, Auvergne): stone capital representing a man riding a goat, facing a donkey covered with scales playing lyre. The animal grabbing a musical instrument, but being unable to play it, becomes an image of sin, stupidity and pride - Romanesque art auvergnat 12th century - Photo Patrice Cartier - / Bridgeman Images

ID: PCT4296071

Church of Saint-Nectaire (Saint Nectaire, Puy-de-Dome, Auvergne): stone capital representing a man riding a goat, facing a donkey covered with scales playing lyre. The animal grabbing a musical instrument, but being unable to play it, becomes an image of sin, stupidity and pride - Romanesque art auvergnat 12th century - Photo Patrice Cartier -

Animals during the First World War 1914-1918 (14-18), cavalry: letter from an officer requesting the Miilitary Authority (Minister of War) in 1919 to examine the procedure for buying horses in demand. This officer takes note of his attachment to his own horse, which he wishes to keep with him once peace has returned - hunter, requisition, ride commission -
Animals during the First World War 1914-1918 (14-18), cavalry: letter from an officer requesting the Miilitary Authority (Minister of War) in 1919 to examine the procedure for buying horses in demand. This officer takes note of his attachment to his own horse, which he wishes to keep with him once peace has returned - hunter, requisition, ride commission -

PCT4296717: Animals during the First World War 1914-1918 (14-18), cavalry: letter from an officer requesting the Miilitary Authority (Minister of War) in 1919 to examine the procedure for buying horses in demand. This officer takes note of his attachment to his own horse, which he wishes to keep with him once peace has returned - hunter, requisition, ride commission - / Bridgeman Images

ID: PCT4296717

Animals during the First World War 1914-1918 (14-18), cavalry: letter from an officer requesting the Miilitary Authority (Minister of War) in 1919 to examine the procedure for buying horses in demand. This officer takes note of his attachment to his own horse, which he wishes to keep with him once peace has returned - hunter, requisition, ride commission -

Animals during the First World War 1914-1918 (14-18), cavalry: letter from an officer requesting the Miilitary Authority (Minister of War) in 1919 to examine the procedure for buying horses in demand. This officer takes note of his attachment to his own horse, which he wishes to keep with him once peace has returned - hunter, requisition, ride commission, mate in arms -
Animals during the First World War 1914-1918 (14-18), cavalry: letter from an officer requesting the Miilitary Authority (Minister of War) in 1919 to examine the procedure for buying horses in demand. This officer takes note of his attachment to his own horse, which he wishes to keep with him once peace has returned - hunter, requisition, ride commission, mate in arms -

PCT4296723: Animals during the First World War 1914-1918 (14-18), cavalry: letter from an officer requesting the Miilitary Authority (Minister of War) in 1919 to examine the procedure for buying horses in demand. This officer takes note of his attachment to his own horse, which he wishes to keep with him once peace has returned - hunter, requisition, ride commission, mate in arms - / Bridgeman Images

ID: PCT4296723

Animals during the First World War 1914-1918 (14-18), cavalry: letter from an officer requesting the Miilitary Authority (Minister of War) in 1919 to examine the procedure for buying horses in demand. This officer takes note of his attachment to his own horse, which he wishes to keep with him once peace has returned - hunter, requisition, ride commission, mate in arms -

A scene from the silent film Pathe by Gaston Vell (1909) “La hen aux eggs d'or””, inspired by the fable of Esope taken over by La Fontaine: incited by the Devil (Mephisto, Mephistopheles), the farmer killed his hen to recover the golden eggs inside his body - colourful postcard of the period - greed, so-
A scene from the silent film Pathe by Gaston Vell (1909) “La hen aux eggs d'or””, inspired by the fable of Esope taken over by La Fontaine: incited by the Devil (Mephisto, Mephistopheles), the farmer killed his hen to recover the golden eggs inside his body - colourful postcard of the period - greed, so-

PCT4297154: A scene from the silent film Pathe by Gaston Vell (1909) “La hen aux eggs d'or””, inspired by the fable of Esope taken over by La Fontaine: incited by the Devil (Mephisto, Mephistopheles), the farmer killed his hen to recover the golden eggs inside his body - colourful postcard of the period - greed, so- / Bridgeman Images

ID: PCT4297154

A scene from the silent film Pathe by Gaston Vell (1909) “La hen aux eggs d'or””, inspired by the fable of Esope taken over by La Fontaine: incited by the Devil (Mephisto, Mephistopheles), the farmer killed his hen to recover the golden eggs inside his body - colourful postcard of the period - greed, so-

War of 14-18 (First World War 1914-1918): French soldier on the front who tame a wild animal: a young fox fox) - animal friend, company - digitization of a stereoscopic glass plate of the period -
War of 14-18 (First World War 1914-1918): French soldier on the front who tame a wild animal: a young fox fox) - animal friend, company - digitization of a stereoscopic glass plate of the period -

PCT4297274: War of 14-18 (First World War 1914-1918): French soldier on the front who tame a wild animal: a young fox fox) - animal friend, company - digitization of a stereoscopic glass plate of the period - / Bridgeman Images

ID: PCT4297274

War of 14-18 (First World War 1914-1918): French soldier on the front who tame a wild animal: a young fox fox) - animal friend, company - digitization of a stereoscopic glass plate of the period -

A Nightmare, bad wolf, 19th century (Epinal print)
A Nightmare, bad wolf, 19th century (Epinal print)

PCT4297654: A Nightmare, bad wolf, 19th century (Epinal print) / Bridgeman Images

ID: PCT4297654

A Nightmare, bad wolf, 19th century (Epinal print)

First World War 14-18 (1914-1918): three French soldiers bury a dead horse - photograph on glass plate -
First World War 14-18 (1914-1918): three French soldiers bury a dead horse - photograph on glass plate -

PCT4297719: First World War 14-18 (1914-1918): three French soldiers bury a dead horse - photograph on glass plate - / Bridgeman Images

ID: PCT4297719

First World War 14-18 (1914-1918): three French soldiers bury a dead horse - photograph on glass plate -

Beauty and bete: a lady of good French society makes charm to a bear symbolizing the communist regime of the Sovietic Union (USSR) - “Come, my darling, we will end up making you a beautiful little teddy bear well leche” - socialism, communism, Bolshevism, - Caricature by Ralph Soupault (1904-1962) published has the headline of the extreme right “” I am everywhere”” No. 662, April 21, 1944 -
Beauty and bete: a lady of good French society makes charm to a bear symbolizing the communist regime of the Sovietic Union (USSR) - “Come, my darling, we will end up making you a beautiful little teddy bear well leche” - socialism, communism, Bolshevism, - Caricature by Ralph Soupault (1904-1962) published has the headline of the extreme right “” I am everywhere”” No. 662, April 21, 1944 -

PCT4297842: Beauty and bete: a lady of good French society makes charm to a bear symbolizing the communist regime of the Sovietic Union (USSR) - “Come, my darling, we will end up making you a beautiful little teddy bear well leche” - socialism, communism, Bolshevism, - Caricature by Ralph Soupault (1904-1962) published has the headline of the extreme right “” I am everywhere”” No. 662, April 21, 1944 - / Bridgeman Images

ID: PCT4297842

Beauty and bete: a lady of good French society makes charm to a bear symbolizing the communist regime of the Sovietic Union (USSR) - “Come, my darling, we will end up making you a beautiful little teddy bear well leche” - socialism, communism, Bolshevism, - Caricature by Ralph Soupault (1904-1962) published has the headline of the extreme right “” I am everywhere”” No. 662, April 21, 1944 -

Les octopeuvres de Paris by Pierre Zaccone, 1875 (engraving)
Les octopeuvres de Paris by Pierre Zaccone, 1875 (engraving)

PCT4298202: Les octopeuvres de Paris by Pierre Zaccone, 1875 (engraving), Stablo (19th century) / Bridgeman Images

ID: PCT4298202

Les octopeuvres de Paris by Pierre Zaccone, 1875 (engraving)

Stablo (19th century)

Sperm whales in “” Painting Encyclopedique et Methodique des trois Regnes de la Nature”” by Pierre Joseph Bonnaterre (1762-1804). Paris 1784.
Sperm whales in “” Painting Encyclopedique et Methodique des trois Regnes de la Nature”” by Pierre Joseph Bonnaterre (1762-1804). Paris 1784.

FAT4299955: Sperm whales in “” Painting Encyclopedique et Methodique des trois Regnes de la Nature”” by Pierre Joseph Bonnaterre (1762-1804). Paris 1784. / Bridgeman Images

ID: FAT4299955

Sperm whales in “” Painting Encyclopedique et Methodique des trois Regnes de la Nature”” by Pierre Joseph Bonnaterre (1762-1804). Paris 1784.


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