NTE6424405:
View of the North Beach from the Counsel House, Prince of Wale's (sic) Island, c.1820 (coloured aquatint), Smith, Robert of the Bengal Engineers (1787-1853) (after) / Bridgeman Images
ID: NTE6424405
View of the North Beach from the Counsel House, Prince of Wale's (sic) Island, c.1820 (coloured aquatint)
Smith, Robert of the Bengal Engineers (1787-1853) (after)
NTE6424411:
Portrait of a gentleman, said to be Lionel Cranfield, 3rd Earl of Middlesex (oil on canvas), Lely, Peter (1618-80) / Bridgeman Images
ID: NTE6424411
Portrait of a gentleman, said to be Lionel Cranfield, 3rd Earl of Middlesex (oil on canvas)
Lely, Peter (1618-80)
NTE6424420:
Travellers resting near a cottage with a dog and a horse, 1615-88 (oil on panel), Wouwermans or Wouvermans, Philips (1619-68) / Bridgeman Images
ID: NTE6424420
Travellers resting near a cottage with a dog and a horse, 1615-88 (oil on panel)
Wouwermans or Wouvermans, Philips (1619-68)
NTE6424447:
A traveller on a bridge in a rocky river landscape, 1590-1630 (oil on panel), Flemish School, (17th century) / Bridgeman Images
ID: NTE6424447
A traveller on a bridge in a rocky river landscape, 1590-1630 (oil on panel)
Flemish School, (17th century)
NTE6424481:
View of the Clyde from Ardgowan, the Isles of Bute and Arran in the distance, c.1821 (oil on panel), Barnicle, James (fl.1821–45) / Bridgeman Images
ID: NTE6424481
View of the Clyde from Ardgowan, the Isles of Bute and Arran in the distance, c.1821 (oil on panel)
Barnicle, James (fl.1821–45)
BST6424487:
No. 50, Ontake, from the series The Sixty-nine Stations of the Kisokaidô Road (Kisokaidô rokujûkyû tsugi no uchi) Japanese, Edo period, about 1835–38 (Tenpô 6–9), Hiroshige, Ando or Utagawa (1797-1858) / Bridgeman Images
ID: BST6424487
No. 50, Ontake, from the series The Sixty-nine Stations of the Kisokaidô Road (Kisokaidô rokujûkyû tsugi no uchi) Japanese, Edo period, about 1835–38 (Tenpô 6–9)
Hiroshige, Ando or Utagawa (1797-1858)
BTO6424307:
Come with Us to China, c.1985 / Bridgeman Images
ID: BTO6424307
Come with Us to China, c.1985
NTE6424428:
Landscape with buildings in a forest (oil on mill board), Giles, James (1801-70) (circle of) / Bridgeman Images
ID: NTE6424428
Landscape with buildings in a forest (oil on mill board)
Giles, James (1801-70) (circle of)
NTE6424467:
A portrait of a man (oil on panel), Rembrandt Harmensz. van Rijn (1606-69) (style of) / Bridgeman Images
ID: NTE6424467
A portrait of a man (oil on panel)
Rembrandt Harmensz. van Rijn (1606-69) (style of)
NTE6424476:
An extensive landscape with a village by a river and figures in the foreground, 1690-1710 (oil on panel), Flemish School, (17th-18th century) / Bridgeman Images
ID: NTE6424476
An extensive landscape with a village by a river and figures in the foreground, 1690-1710 (oil on panel)
Flemish School, (17th-18th century)
BST6424488:
No. 57, Akasaka, from the series The Sixty-nine Stations of the Kisokaidô Road (Kisokaidô rokujûkyû tsugi no uchi) Japanese, Edo period, about 1835–38 (Tenpô 6–9), Hiroshige, Ando or Utagawa (1797-1858) / Bridgeman Images
ID: BST6424488
No. 57, Akasaka, from the series The Sixty-nine Stations of the Kisokaidô Road (Kisokaidô rokujûkyû tsugi no uchi) Japanese, Edo period, about 1835–38 (Tenpô 6–9)
Hiroshige, Ando or Utagawa (1797-1858)
BST6424497:
No. 66 [sic; actually 67], Musa, from the series The Sixty-nine Stations of the Kisokaidô Road (Kisokaidô rokujûkyû tsugi no uchi) Japanese, Edo period, about 1835–38 (Tenpô 6–9), Hiroshige, Ando or Utagawa (1797-1858) / Bridgeman Images
ID: BST6424497
No. 66 [sic; actually 67], Musa, from the series The Sixty-nine Stations of the Kisokaidô Road (Kisokaidô rokujûkyû tsugi no uchi) Japanese, Edo period, about 1835–38 (Tenpô 6–9)
Hiroshige, Ando or Utagawa (1797-1858)
NTE6424518:
Portrait of Hugh Percy, 1st Duke of Northumberland, 1766-86 (oil on canvas), Barry, James (1741-1806) / Bridgeman Images
ID: NTE6424518
Portrait of Hugh Percy, 1st Duke of Northumberland, 1766-86 (oil on canvas)
Barry, James (1741-1806)
OSN6424521:
Famingo and rose bush, 2021 (digital), Osborne, Neale / Bridgeman Images