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Dagger hakea, Hakea teretifolia, prickly shrub native to Australia. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.
Dagger hakea, Hakea teretifolia, prickly shrub native to Australia. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

FLO4569572: Dagger hakea, Hakea teretifolia, prickly shrub native to Australia. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century. / Bridgeman Images

ID: FLO4569572

Dagger hakea, Hakea teretifolia, prickly shrub native to Australia. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

Bushy triggerplant, Stylidium glandulosum, native to Australia. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.
Bushy triggerplant, Stylidium glandulosum, native to Australia. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

FLO4569828: Bushy triggerplant, Stylidium glandulosum, native to Australia. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century. / Bridgeman Images

ID: FLO4569828

Bushy triggerplant, Stylidium glandulosum, native to Australia. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

Honeybell, Freylinia lanceolata, native to South Africa. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.
Honeybell, Freylinia lanceolata, native to South Africa. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

FLO4569966: Honeybell, Freylinia lanceolata, native to South Africa. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century. / Bridgeman Images

ID: FLO4569966

Honeybell, Freylinia lanceolata, native to South Africa. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

Ceylon hill gooseberry, Rhodomyrtus tomentosa, native to Asia. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.
Ceylon hill gooseberry, Rhodomyrtus tomentosa, native to Asia. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

FLO4569979: Ceylon hill gooseberry, Rhodomyrtus tomentosa, native to Asia. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century. / Bridgeman Images

ID: FLO4569979

Ceylon hill gooseberry, Rhodomyrtus tomentosa, native to Asia. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

Golden dew drop, Duranta erecta, native to the Americas. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.
Golden dew drop, Duranta erecta, native to the Americas. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

FLO4569997: Golden dew drop, Duranta erecta, native to the Americas. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century. / Bridgeman Images

ID: FLO4569997

Golden dew drop, Duranta erecta, native to the Americas. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

Buttonbush, Cephalanthus occidentalis, native to North America. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.
Buttonbush, Cephalanthus occidentalis, native to North America. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

FLO4570021: Buttonbush, Cephalanthus occidentalis, native to North America. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century. / Bridgeman Images

ID: FLO4570021

Buttonbush, Cephalanthus occidentalis, native to North America. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

Michaelmas daisy, Aster calendulaefolius, native to Europe. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.
Michaelmas daisy, Aster calendulaefolius, native to Europe. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

FLO4570026: Michaelmas daisy, Aster calendulaefolius, native to Europe. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century. / Bridgeman Images

ID: FLO4570026

Michaelmas daisy, Aster calendulaefolius, native to Europe. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

Comete Ikeya - Zhang and Andromede Galaxy - Comet Ikeya - Zhang near Andromeda galaxy - April 6, 2002 - Japo
Comete Ikeya - Zhang and Andromede Galaxy - Comet Ikeya - Zhang near Andromeda galaxy - April 6, 2002 - Japo

PIX4570180: Comete Ikeya - Zhang and Andromede Galaxy - Comet Ikeya - Zhang near Andromeda galaxy - April 6, 2002 - Japo / Bridgeman Images

ID: PIX4570180

Comete Ikeya - Zhang and Andromede Galaxy - Comet Ikeya - Zhang near Andromeda galaxy - April 6, 2002 - Japo

Alain Chartier, French writer and poet, 1386-1430. He wears a hat tied over his shoulders with a long scarf. Handcoloured lithograph by Leopold Massard after a figure in Jehan Mansel's manuscript Fleur des histoires (Nicolas Xavier Willemin II 171) from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
Alain Chartier, French writer and poet, 1386-1430. He wears a hat tied over his shoulders with a long scarf. Handcoloured lithograph by Leopold Massard after a figure in Jehan Mansel's manuscript Fleur des histoires (Nicolas Xavier Willemin II 171) from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4570302: Alain Chartier, French writer and poet, 1386-1430. He wears a hat tied over his shoulders with a long scarf. Handcoloured lithograph by Leopold Massard after a figure in Jehan Mansel's manuscript Fleur des histoires (Nicolas Xavier Willemin II 171) from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4570302

Alain Chartier, French writer and poet, 1386-1430. He wears a hat tied over his shoulders with a long scarf. Handcoloured lithograph by Leopold Massard after a figure in Jehan Mansel's manuscript Fleur des histoires (Nicolas Xavier Willemin II 171) from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Massard, Leopold (1812-1889)

Jean Jacques, doctor and later chancellor of the Faculty of Medicine at Montpelier 1394. Handcoloured lithograph by Leopold Massard after manuscript 5070 in the Bibliotheque Nationale from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
Jean Jacques, doctor and later chancellor of the Faculty of Medicine at Montpelier 1394. Handcoloured lithograph by Leopold Massard after manuscript 5070 in the Bibliotheque Nationale from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4570310: Jean Jacques, doctor and later chancellor of the Faculty of Medicine at Montpelier 1394. Handcoloured lithograph by Leopold Massard after manuscript 5070 in the Bibliotheque Nationale from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4570310

Jean Jacques, doctor and later chancellor of the Faculty of Medicine at Montpelier 1394. Handcoloured lithograph by Leopold Massard after manuscript 5070 in the Bibliotheque Nationale from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Massard, Leopold (1812-1889)

French medieval gold coins with coat of arms: ecu a la couronne 1, ecu-helaume 2, royaux 3 and saluts 4. Handcoloured lithograph from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
French medieval gold coins with coat of arms: ecu a la couronne 1, ecu-helaume 2, royaux 3 and saluts 4. Handcoloured lithograph from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4570326: French medieval gold coins with coat of arms: ecu a la couronne 1, ecu-helaume 2, royaux 3 and saluts 4. Handcoloured lithograph from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852. / Bridgeman Images

ID: FLO4570326

French medieval gold coins with coat of arms: ecu a la couronne 1, ecu-helaume 2, royaux 3 and saluts 4. Handcoloured lithograph from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

French medieval silver (argent) and copper (billon) coins with coat of arms: gros tournaments 1,2, blanc 3,4, liard 5, and obole 6. Handcoloured lithograph from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
French medieval silver (argent) and copper (billon) coins with coat of arms: gros tournaments 1,2, blanc 3,4, liard 5, and obole 6. Handcoloured lithograph from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4570346: French medieval silver (argent) and copper (billon) coins with coat of arms: gros tournaments 1,2, blanc 3,4, liard 5, and obole 6. Handcoloured lithograph from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852. / Bridgeman Images

ID: FLO4570346

French medieval silver (argent) and copper (billon) coins with coat of arms: gros tournaments 1,2, blanc 3,4, liard 5, and obole 6. Handcoloured lithograph from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Jean Dunois, Count of Orleans and Longueville, Baszard of Orleans, Chamberlain of France, 1402-1468. Handcoloured lithograph by Leopold Massard after a portrait in oil in Roger de Gaignieres' portfolio VII 9 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
Jean Dunois, Count of Orleans and Longueville, Baszard of Orleans, Chamberlain of France, 1402-1468. Handcoloured lithograph by Leopold Massard after a portrait in oil in Roger de Gaignieres' portfolio VII 9 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4570424: Jean Dunois, Count of Orleans and Longueville, Baszard of Orleans, Chamberlain of France, 1402-1468. Handcoloured lithograph by Leopold Massard after a portrait in oil in Roger de Gaignieres' portfolio VII 9 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4570424

Jean Dunois, Count of Orleans and Longueville, Baszard of Orleans, Chamberlain of France, 1402-1468. Handcoloured lithograph by Leopold Massard after a portrait in oil in Roger de Gaignieres' portfolio VII 9 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Massard, Leopold (1812-1889)

Waterfall gladiolus, Gladiolus cardinalis, native to South Africa. Handcoloured stipple engraving on copper by le Jeunese from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,”” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.
Waterfall gladiolus, Gladiolus cardinalis, native to South Africa. Handcoloured stipple engraving on copper by le Jeunese from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,”” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

FLO4570084: Waterfall gladiolus, Gladiolus cardinalis, native to South Africa. Handcoloured stipple engraving on copper by le Jeunese from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,”” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century. / Bridgeman Images

ID: FLO4570084

Waterfall gladiolus, Gladiolus cardinalis, native to South Africa. Handcoloured stipple engraving on copper by le Jeunese from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,”” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

John the Fearless, John I of Burgundy, John Without Fears, Count of Nevers, Duke of Burgundy, 1371-1419. Handcoloured lithograph by Leopold Massard after an original portrait in Roger de Gaignieres' portfolio Maisons Etrangeres XI 21 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
John the Fearless, John I of Burgundy, John Without Fears, Count of Nevers, Duke of Burgundy, 1371-1419. Handcoloured lithograph by Leopold Massard after an original portrait in Roger de Gaignieres' portfolio Maisons Etrangeres XI 21 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4570223: John the Fearless, John I of Burgundy, John Without Fears, Count of Nevers, Duke of Burgundy, 1371-1419. Handcoloured lithograph by Leopold Massard after an original portrait in Roger de Gaignieres' portfolio Maisons Etrangeres XI 21 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4570223

John the Fearless, John I of Burgundy, John Without Fears, Count of Nevers, Duke of Burgundy, 1371-1419. Handcoloured lithograph by Leopold Massard after an original portrait in Roger de Gaignieres' portfolio Maisons Etrangeres XI 21 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Massard, Leopold (1812-1889)

Catherine de Vendome, wife of John I, Count of La Marche, d.1412. Handcoloured lithograph by Leopold Massard after a stainless-glass window in the chapel of Vendome, Chartres Cathedral, in Roger de Gaignieres' portfolio V 33 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
Catherine de Vendome, wife of John I, Count of La Marche, d.1412. Handcoloured lithograph by Leopold Massard after a stainless-glass window in the chapel of Vendome, Chartres Cathedral, in Roger de Gaignieres' portfolio V 33 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4570248: Catherine de Vendome, wife of John I, Count of La Marche, d.1412. Handcoloured lithograph by Leopold Massard after a stainless-glass window in the chapel of Vendome, Chartres Cathedral, in Roger de Gaignieres' portfolio V 33 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4570248

Catherine de Vendome, wife of John I, Count of La Marche, d.1412. Handcoloured lithograph by Leopold Massard after a stainless-glass window in the chapel of Vendome, Chartres Cathedral, in Roger de Gaignieres' portfolio V 33 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Massard, Leopold (1812-1889)

Putto's head (Drawing, 16th century)
Putto's head (Drawing, 16th century)

LRI4570398: Putto's head (Drawing, 16th century), Sarto, Andrea del (1486-1530) / Bridgeman Images

ID: LRI4570398

Putto's head (Drawing, 16th century)

Sarto, Andrea del (1486-1530)

Antoine de Vergy, Count of Dammartin d. 1439. Handcoloured lithograph by Leopold Massard after a portrait in Roger de Gaignieres' portfolio VI 150 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
Antoine de Vergy, Count of Dammartin d. 1439. Handcoloured lithograph by Leopold Massard after a portrait in Roger de Gaignieres' portfolio VI 150 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4570553: Antoine de Vergy, Count of Dammartin d. 1439. Handcoloured lithograph by Leopold Massard after a portrait in Roger de Gaignieres' portfolio VI 150 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4570553

Antoine de Vergy, Count of Dammartin d. 1439. Handcoloured lithograph by Leopold Massard after a portrait in Roger de Gaignieres' portfolio VI 150 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Massard, Leopold (1812-1889)

Man of the people, 15th century, in casaque or cassock over a surtout and hose. Handcoloured lithograph by Leopold Massard after a miniature in the manuscript Histoire du Comte Gerard de Nevers in Roger de Gaignieres' portfolio VI 97 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
Man of the people, 15th century, in casaque or cassock over a surtout and hose. Handcoloured lithograph by Leopold Massard after a miniature in the manuscript Histoire du Comte Gerard de Nevers in Roger de Gaignieres' portfolio VI 97 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4570589: Man of the people, 15th century, in casaque or cassock over a surtout and hose. Handcoloured lithograph by Leopold Massard after a miniature in the manuscript Histoire du Comte Gerard de Nevers in Roger de Gaignieres' portfolio VI 97 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4570589

Man of the people, 15th century, in casaque or cassock over a surtout and hose. Handcoloured lithograph by Leopold Massard after a miniature in the manuscript Histoire du Comte Gerard de Nevers in Roger de Gaignieres' portfolio VI 97 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Massard, Leopold (1812-1889)

Blessed Margaret of Lorraine, Duchess of Alencon, Marguerite of Lorraine, Duchess of Alencon 1463-1521. Handcoloured lithograph by Leopold Massard after a miniature in a pair of Hours in Roger de Gaignieres' portfolio VII 5 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
Blessed Margaret of Lorraine, Duchess of Alencon, Marguerite of Lorraine, Duchess of Alencon 1463-1521. Handcoloured lithograph by Leopold Massard after a miniature in a pair of Hours in Roger de Gaignieres' portfolio VII 5 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4570667: Blessed Margaret of Lorraine, Duchess of Alencon, Marguerite of Lorraine, Duchess of Alencon 1463-1521. Handcoloured lithograph by Leopold Massard after a miniature in a pair of Hours in Roger de Gaignieres' portfolio VII 5 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4570667

Blessed Margaret of Lorraine, Duchess of Alencon, Marguerite of Lorraine, Duchess of Alencon 1463-1521. Handcoloured lithograph by Leopold Massard after a miniature in a pair of Hours in Roger de Gaignieres' portfolio VII 5 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Massard, Leopold (1812-1889)

Jeanne de Bar, only daughter of Robert de Bar, wife of Louis de Luxembourg, 1415-1462. Handcoloured lithograph after an old portrait from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
Jeanne de Bar, only daughter of Robert de Bar, wife of Louis de Luxembourg, 1415-1462. Handcoloured lithograph after an old portrait from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4570691: Jeanne de Bar, only daughter of Robert de Bar, wife of Louis de Luxembourg, 1415-1462. Handcoloured lithograph after an old portrait from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4570691

Jeanne de Bar, only daughter of Robert de Bar, wife of Louis de Luxembourg, 1415-1462. Handcoloured lithograph after an old portrait from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Massard, Leopold (1812-1889)

King Francis I of France. Francois I, King of France, 1494-1547. He wears a white coat and black cassock over a tunic pourpoint. Drawn and lithographed by Leopold Massard after an original portrait in Roger de Gaignieres' portfolio VIII 1 and 2 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
King Francis I of France. Francois I, King of France, 1494-1547. He wears a white coat and black cassock over a tunic pourpoint. Drawn and lithographed by Leopold Massard after an original portrait in Roger de Gaignieres' portfolio VIII 1 and 2 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

FLO4570964: King Francis I of France. Francois I, King of France, 1494-1547. He wears a white coat and black cassock over a tunic pourpoint. Drawn and lithographed by Leopold Massard after an original portrait in Roger de Gaignieres' portfolio VIII 1 and 2 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852., Massard, Leopold (1812-1889) / Bridgeman Images

ID: FLO4570964

King Francis I of France. Francois I, King of France, 1494-1547. He wears a white coat and black cassock over a tunic pourpoint. Drawn and lithographed by Leopold Massard after an original portrait in Roger de Gaignieres' portfolio VIII 1 and 2 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Massard, Leopold (1812-1889)

Drill snow. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Snowdrop, Galanthus nivalis. Handcoloured copperplate engraving from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.
Drill snow. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Snowdrop, Galanthus nivalis. Handcoloured copperplate engraving from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

FLO4567279: Drill snow. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Snowdrop, Galanthus nivalis. Handcoloured copperplate engraving from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854. / Bridgeman Images

ID: FLO4567279

Drill snow. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Snowdrop, Galanthus nivalis. Handcoloured copperplate engraving from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

Sunshade ornithogale. Coloured copper engraving from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Star of Bethlehem, Ornithogalum umbellatum. Handcoloured copperplate engraving from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.
Sunshade ornithogale. Coloured copper engraving from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Star of Bethlehem, Ornithogalum umbellatum. Handcoloured copperplate engraving from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

FLO4566054: Sunshade ornithogale. Coloured copper engraving from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Star of Bethlehem, Ornithogalum umbellatum. Handcoloured copperplate engraving from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854. / Bridgeman Images

ID: FLO4566054

Sunshade ornithogale. Coloured copper engraving from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Star of Bethlehem, Ornithogalum umbellatum. Handcoloured copperplate engraving from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

Balsamine of the woods. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Touch me not, Impatiens noli-me-tangere. Handcoloured copperplate engraving by WE Albutt of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.
Balsamine of the woods. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Touch me not, Impatiens noli-me-tangere. Handcoloured copperplate engraving by WE Albutt of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

FLO4566061: Balsamine of the woods. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Touch me not, Impatiens noli-me-tangere. Handcoloured copperplate engraving by WE Albutt of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854. / Bridgeman Images

ID: FLO4566061

Balsamine of the woods. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Touch me not, Impatiens noli-me-tangere. Handcoloured copperplate engraving by WE Albutt of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

Traveller Gance. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Wild madder, Rubia peregrina. Handcoloured copperplate engraving by Charles Mathews of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.
Traveller Gance. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Wild madder, Rubia peregrina. Handcoloured copperplate engraving by Charles Mathews of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

FLO4566131: Traveller Gance. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Wild madder, Rubia peregrina. Handcoloured copperplate engraving by Charles Mathews of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854. / Bridgeman Images

ID: FLO4566131

Traveller Gance. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Wild madder, Rubia peregrina. Handcoloured copperplate engraving by Charles Mathews of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

Still green boxwood. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Box tree, Buxus sempervirens. Handcoloured copperplate engraving by Charles Mathews of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.
Still green boxwood. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Box tree, Buxus sempervirens. Handcoloured copperplate engraving by Charles Mathews of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

FLO4566190: Still green boxwood. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Box tree, Buxus sempervirens. Handcoloured copperplate engraving by Charles Mathews of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854. / Bridgeman Images

ID: FLO4566190

Still green boxwood. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Box tree, Buxus sempervirens. Handcoloured copperplate engraving by Charles Mathews of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

Blue polemoine or Greek valerian. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Blue Jacob's ladder, Polemonium caeruleum. Handcoloured copperplate engraving by Charles Mathews of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.
Blue polemoine or Greek valerian. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Blue Jacob's ladder, Polemonium caeruleum. Handcoloured copperplate engraving by Charles Mathews of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

FLO4566225: Blue polemoine or Greek valerian. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Blue Jacob's ladder, Polemonium caeruleum. Handcoloured copperplate engraving by Charles Mathews of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854. / Bridgeman Images

ID: FLO4566225

Blue polemoine or Greek valerian. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Blue Jacob's ladder, Polemonium caeruleum. Handcoloured copperplate engraving by Charles Mathews of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

Marsh caltha, population or water marigold. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Marsh marigold, Caltha palustris. Handcoloured copperplate engraving by Whessell of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.
Marsh caltha, population or water marigold. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Marsh marigold, Caltha palustris. Handcoloured copperplate engraving by Whessell of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

FLO4566245: Marsh caltha, population or water marigold. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Marsh marigold, Caltha palustris. Handcoloured copperplate engraving by Whessell of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854. / Bridgeman Images

ID: FLO4566245

Marsh caltha, population or water marigold. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Marsh marigold, Caltha palustris. Handcoloured copperplate engraving by Whessell of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

Pulicaria Dysenteric - Common flea-bane, Pulicaria dysenterica - Handcoloured copperplate engraved by Charles Mathews from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835
Pulicaria Dysenteric - Common flea-bane, Pulicaria dysenterica - Handcoloured copperplate engraved by Charles Mathews from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835

FLO4566381: Pulicaria Dysenteric - Common flea-bane, Pulicaria dysenterica - Handcoloured copperplate engraved by Charles Mathews from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835 / Bridgeman Images

ID: FLO4566381

Pulicaria Dysenteric - Common flea-bane, Pulicaria dysenterica - Handcoloured copperplate engraved by Charles Mathews from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835

Solid-rooted corydalis, Corydalis solida - Handcoloured copperplate engraving by Charles Mathews from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany” 1836
Solid-rooted corydalis, Corydalis solida - Handcoloured copperplate engraving by Charles Mathews from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany” 1836

FLO4566556: Solid-rooted corydalis, Corydalis solida - Handcoloured copperplate engraving by Charles Mathews from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany” 1836 / Bridgeman Images

ID: FLO4566556

Solid-rooted corydalis, Corydalis solida - Handcoloured copperplate engraving by Charles Mathews from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany” 1836

Letter from Giambattista Martini certifying having examined the compositions of the young Mozart in 1770 (Recto)
Letter from Giambattista Martini certifying having examined the compositions of the young Mozart in 1770 (Recto)

LRI4566605: Letter from Giambattista Martini certifying having examined the compositions of the young Mozart in 1770 (Recto), Martini, Giambattista (1706-1784) / Bridgeman Images

ID: LRI4566605

Letter from Giambattista Martini certifying having examined the compositions of the young Mozart in 1770 (Recto)

Martini, Giambattista (1706-1784)

Sheet music page for Querite primum regnum Dei by Mozart to obtain the title of Accademia filarmonico, version corrected by father Martini (1770)
Sheet music page for Querite primum regnum Dei by Mozart to obtain the title of Accademia filarmonico, version corrected by father Martini (1770)

LRI4566666: Sheet music page for Querite primum regnum Dei by Mozart to obtain the title of Accademia filarmonico, version corrected by father Martini (1770), Mozart, Wolfgang Amadeus (1756-91) / Bridgeman Images

ID: LRI4566666

Sheet music page for Querite primum regnum Dei by Mozart to obtain the title of Accademia filarmonico, version corrected by father Martini (1770)

Mozart, Wolfgang Amadeus (1756-91)

Pastel des dyinturiers - Dyer's wood or woad, Isatis tinctoria - Handcoloured copperplate engraving by Charles Mathews from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1836
Pastel des dyinturiers - Dyer's wood or woad, Isatis tinctoria - Handcoloured copperplate engraving by Charles Mathews from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1836

FLO4566719: Pastel des dyinturiers - Dyer's wood or woad, Isatis tinctoria - Handcoloured copperplate engraving by Charles Mathews from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1836 / Bridgeman Images

ID: FLO4566719

Pastel des dyinturiers - Dyer's wood or woad, Isatis tinctoria - Handcoloured copperplate engraving by Charles Mathews from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1836

Aquatic Limoselle - Common mudwort, Limosella aquatica - Handcoloured copperplate drawn and engraved by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1836
Aquatic Limoselle - Common mudwort, Limosella aquatica - Handcoloured copperplate drawn and engraved by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1836

FLO4566731: Aquatic Limoselle - Common mudwort, Limosella aquatica - Handcoloured copperplate drawn and engraved by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1836 / Bridgeman Images

ID: FLO4566731

Aquatic Limoselle - Common mudwort, Limosella aquatica - Handcoloured copperplate drawn and engraved by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1836

Frontispice of “” Essay sur la musique ancienne et moderne”” by Jean Benjamin de Laborde (Jean-Benjamin de La Borde) (1734-1794) 1780 Bologna, civico museo musicale
Frontispice of “” Essay sur la musique ancienne et moderne”” by Jean Benjamin de Laborde (Jean-Benjamin de La Borde) (1734-1794) 1780 Bologna, civico museo musicale

LRI4566775: Frontispice of “” Essay sur la musique ancienne et moderne”” by Jean Benjamin de Laborde (Jean-Benjamin de La Borde) (1734-1794) 1780 Bologna, civico museo musicale, Unknown artist, (18th century) / Bridgeman Images

ID: LRI4566775

Frontispice of “” Essay sur la musique ancienne et moderne”” by Jean Benjamin de Laborde (Jean-Benjamin de La Borde) (1734-1794) 1780 Bologna, civico museo musicale

Unknown artist, (18th century)


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