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Equiyer a horse, in complete armor, weapon of his spear, a con shield and his helm. (From the back). Her skirt and the saddle of her horse wear her colors: crimson and gold. The squire was the coat of arms of a knight. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Equiyer a horse, in complete armor, weapon of his spear, a con shield and his helm. (From the back). Her skirt and the saddle of her horse wear her colors: crimson and gold. The squire was the coat of arms of a knight. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707072: Equiyer a horse, in complete armor, weapon of his spear, a con shield and his helm. (From the back). Her skirt and the saddle of her horse wear her colors: crimson and gold. The squire was the coat of arms of a knight. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707072

Equiyer a horse, in complete armor, weapon of his spear, a con shield and his helm. (From the back). Her skirt and the saddle of her horse wear her colors: crimson and gold. The squire was the coat of arms of a knight. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Portrait of Argentine writer Jorge Luis Borges in Rome, 1981.
Portrait of Argentine writer Jorge Luis Borges in Rome, 1981.

MME4707469: Portrait of Argentine writer Jorge Luis Borges in Rome, 1981., Mencarini, Marcello / Bridgeman Images

ID: MME4707469

Portrait of Argentine writer Jorge Luis Borges in Rome, 1981.

Mencarini, Marcello

Portrait of Argentine writer Jorge Luis Borges in Rome, 1981.
Portrait of Argentine writer Jorge Luis Borges in Rome, 1981.

MME4707483: Portrait of Argentine writer Jorge Luis Borges in Rome, 1981., Mencarini, Marcello / Bridgeman Images

ID: MME4707483

Portrait of Argentine writer Jorge Luis Borges in Rome, 1981.

Mencarini, Marcello

Musee Picasso a Paris Musee Picasso, 5 rue de Thorigny, Paris 75003. Architecture by Roland Simounet, 1976-1985. Photography 1986.
Musee Picasso a Paris Musee Picasso, 5 rue de Thorigny, Paris 75003. Architecture by Roland Simounet, 1976-1985. Photography 1986.

TEC4707497: Musee Picasso a Paris Musee Picasso, 5 rue de Thorigny, Paris 75003. Architecture by Roland Simounet, 1976-1985. Photography 1986., Picasso, Pablo (1881-1973) / Bridgeman Images

ID: TEC4707497

Musee Picasso a Paris Musee Picasso, 5 rue de Thorigny, Paris 75003. Architecture by Roland Simounet, 1976-1985. Photography 1986.

Picasso, Pablo (1881-1973)

Portrait of the French composer and conductor Pierre Bouez in 1985.
Portrait of the French composer and conductor Pierre Bouez in 1985.

MME4707550: Portrait of the French composer and conductor Pierre Bouez in 1985., Mencarini, Marcello / Bridgeman Images

ID: MME4707550

Portrait of the French composer and conductor Pierre Bouez in 1985.

Mencarini, Marcello

The orchestra of the Ensemble intercontemporain directed by conductor Pierre Bouez in 1991.
The orchestra of the Ensemble intercontemporain directed by conductor Pierre Bouez in 1991.

MME4707591: The orchestra of the Ensemble intercontemporain directed by conductor Pierre Bouez in 1991., Mencarini, Marcello / Bridgeman Images

ID: MME4707591

The orchestra of the Ensemble intercontemporain directed by conductor Pierre Bouez in 1991.

Mencarini, Marcello

Soldiers' hairstyle: some tied their hair behind their heads, others, the chiefs, over their skull, like a feather to make themselves more terrifying (79). From the 8th century onwards, leather plastrons protect the chest of soldiers or in stitches (80). (Copy of a tomb of the church of the abbey of Bonneval in Beauce, France). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Soldiers' hairstyle: some tied their hair behind their heads, others, the chiefs, over their skull, like a feather to make themselves more terrifying (79). From the 8th century onwards, leather plastrons protect the chest of soldiers or in stitches (80). (Copy of a tomb of the church of the abbey of Bonneval in Beauce, France). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707624: Soldiers' hairstyle: some tied their hair behind their heads, others, the chiefs, over their skull, like a feather to make themselves more terrifying (79). From the 8th century onwards, leather plastrons protect the chest of soldiers or in stitches (80). (Copy of a tomb of the church of the abbey of Bonneval in Beauce, France). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707624

Soldiers' hairstyle: some tied their hair behind their heads, others, the chiefs, over their skull, like a feather to make themselves more terrifying (79). From the 8th century onwards, leather plastrons protect the chest of soldiers or in stitches (80). (Copy of a tomb of the church of the abbey of Bonneval in Beauce, France). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Soldier in boots with a sword (55), soldier wearing shoes and slippers (56) and noble of high rank dressed in red trousers tied with strings (57). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Soldier in boots with a sword (55), soldier wearing shoes and slippers (56) and noble of high rank dressed in red trousers tied with strings (57). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707435: Soldier in boots with a sword (55), soldier wearing shoes and slippers (56) and noble of high rank dressed in red trousers tied with strings (57). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707435

Soldier in boots with a sword (55), soldier wearing shoes and slippers (56) and noble of high rank dressed in red trousers tied with strings (57). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

English man of the 16th century. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Cesare Vecellio's Habiti Antichi e moderni, Venice, 1590
English man of the 16th century. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Cesare Vecellio's Habiti Antichi e moderni, Venice, 1590

FLO4706247: English man of the 16th century. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Cesare Vecellio's Habiti Antichi e moderni, Venice, 1590 / Bridgeman Images

ID: FLO4706247

English man of the 16th century. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Cesare Vecellio's Habiti Antichi e moderni, Venice, 1590

Portrait of the Greek composer and architect Yannis Xenakis or Iannis) in 1982.
Portrait of the Greek composer and architect Yannis Xenakis or Iannis) in 1982.

MME4706296: Portrait of the Greek composer and architect Yannis Xenakis or Iannis) in 1982., Mencarini, Marcello / Bridgeman Images

ID: MME4706296

Portrait of the Greek composer and architect Yannis Xenakis or Iannis) in 1982.

Mencarini, Marcello

Sir Philip Sydney, poet, wearing tight shorts breeches and mittens, 1586. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837
Sir Philip Sydney, poet, wearing tight shorts breeches and mittens, 1586. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837

FLO4706455: Sir Philip Sydney, poet, wearing tight shorts breeches and mittens, 1586. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837 / Bridgeman Images

ID: FLO4706455

Sir Philip Sydney, poet, wearing tight shorts breeches and mittens, 1586. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837

A goth warrior, in helmet and armor, coat and fur panties, entirely weapon: swords, spears, bow and arrows. The Goths were born for war, using all the weapons from the javelin to the club, sometimes fighting on foot but favouring fighting on horseback. Their pleasure was the looting and maintenance of their weapons. The Swabian is described with his distinctive hat, wearing a metal chest and legs, weapon of his sword, with a fur coat on his shoulders. The Swabians were made up of an alliance of different German and Lombard peoples. They distinguished themselves from other German peoples by their headdresses, they tied their hair in bun to their heads. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
A goth warrior, in helmet and armor, coat and fur panties, entirely weapon: swords, spears, bow and arrows. The Goths were born for war, using all the weapons from the javelin to the club, sometimes fighting on foot but favouring fighting on horseback. Their pleasure was the looting and maintenance of their weapons. The Swabian is described with his distinctive hat, wearing a metal chest and legs, weapon of his sword, with a fur coat on his shoulders. The Swabians were made up of an alliance of different German and Lombard peoples. They distinguished themselves from other German peoples by their headdresses, they tied their hair in bun to their heads. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4706751: A goth warrior, in helmet and armor, coat and fur panties, entirely weapon: swords, spears, bow and arrows. The Goths were born for war, using all the weapons from the javelin to the club, sometimes fighting on foot but favouring fighting on horseback. Their pleasure was the looting and maintenance of their weapons. The Swabian is described with his distinctive hat, wearing a metal chest and legs, weapon of his sword, with a fur coat on his shoulders. The Swabians were made up of an alliance of different German and Lombard peoples. They distinguished themselves from other German peoples by their headdresses, they tied their hair in bun to their heads. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4706751

A goth warrior, in helmet and armor, coat and fur panties, entirely weapon: swords, spears, bow and arrows. The Goths were born for war, using all the weapons from the javelin to the club, sometimes fighting on foot but favouring fighting on horseback. Their pleasure was the looting and maintenance of their weapons. The Swabian is described with his distinctive hat, wearing a metal chest and legs, weapon of his sword, with a fur coat on his shoulders. The Swabians were made up of an alliance of different German and Lombard peoples. They distinguished themselves from other German peoples by their headdresses, they tied their hair in bun to their heads. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Portrait of Argentine writer Jorge Luis Borges in Rome, 1981.
Portrait of Argentine writer Jorge Luis Borges in Rome, 1981.

MME4707345: Portrait of Argentine writer Jorge Luis Borges in Rome, 1981., Mencarini, Marcello / Bridgeman Images

ID: MME4707345

Portrait of Argentine writer Jorge Luis Borges in Rome, 1981.

Mencarini, Marcello

Portrait of jazz saxophonist Anthony Braxton in 1981.
Portrait of jazz saxophonist Anthony Braxton in 1981.

MME4707741: Portrait of jazz saxophonist Anthony Braxton in 1981., Mencarini, Marcello / Bridgeman Images

ID: MME4707741

Portrait of jazz saxophonist Anthony Braxton in 1981.

Mencarini, Marcello

Private Marcomanni (5), wearing a checkerboard tunic and his shield, he wears a crown, according to the practice of several ancient peoples to wear one before fighting. The Marcomanni lived between the Rhine and the Danube and rallied with the Moravian Quadi (6) to attack the Romans. The Quadi wears armor that covers it entirely, of a type that comes from ancient times. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Private Marcomanni (5), wearing a checkerboard tunic and his shield, he wears a crown, according to the practice of several ancient peoples to wear one before fighting. The Marcomanni lived between the Rhine and the Danube and rallied with the Moravian Quadi (6) to attack the Romans. The Quadi wears armor that covers it entirely, of a type that comes from ancient times. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707509: Private Marcomanni (5), wearing a checkerboard tunic and his shield, he wears a crown, according to the practice of several ancient peoples to wear one before fighting. The Marcomanni lived between the Rhine and the Danube and rallied with the Moravian Quadi (6) to attack the Romans. The Quadi wears armor that covers it entirely, of a type that comes from ancient times. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707509

Private Marcomanni (5), wearing a checkerboard tunic and his shield, he wears a crown, according to the practice of several ancient peoples to wear one before fighting. The Marcomanni lived between the Rhine and the Danube and rallied with the Moravian Quadi (6) to attack the Romans. The Quadi wears armor that covers it entirely, of a type that comes from ancient times. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Musee Picasso a Paris Musee Picasso, 5 rue de Thorigny, Paris 75003. Architecture by Roland Simounet, 1976-1985. Photography 1986.
Musee Picasso a Paris Musee Picasso, 5 rue de Thorigny, Paris 75003. Architecture by Roland Simounet, 1976-1985. Photography 1986.

TEC4707582: Musee Picasso a Paris Musee Picasso, 5 rue de Thorigny, Paris 75003. Architecture by Roland Simounet, 1976-1985. Photography 1986., Picasso, Pablo (1881-1973) / Bridgeman Images

ID: TEC4707582

Musee Picasso a Paris Musee Picasso, 5 rue de Thorigny, Paris 75003. Architecture by Roland Simounet, 1976-1985. Photography 1986.

Picasso, Pablo (1881-1973)

Three low-class Danes. One of which carries a stick (Figure 74)), symbol of the judiciary. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Three low-class Danes. One of which carries a stick (Figure 74)), symbol of the judiciary. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707586: Three low-class Danes. One of which carries a stick (Figure 74)), symbol of the judiciary. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707586

Three low-class Danes. One of which carries a stick (Figure 74)), symbol of the judiciary. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

King Lothaire (941-986) (Figure 95), King Louis V (967-987) (Figure 96) and Emma (948-988) (Figure 98), wife of Lothaire and his son Eudes (or Otto, 970-985) (Figure 97). The Franks wore in the city as in wartime a short tunic that fell above their knees, held by a wide belt. Sometimes they wore two tunics, one on top of the other, as described in the engraving. Eudes is wearing a red dress.
King Lothaire (941-986) (Figure 95), King Louis V (967-987) (Figure 96) and Emma (948-988) (Figure 98), wife of Lothaire and his son Eudes (or Otto, 970-985) (Figure 97). The Franks wore in the city as in wartime a short tunic that fell above their knees, held by a wide belt. Sometimes they wore two tunics, one on top of the other, as described in the engraving. Eudes is wearing a red dress.

FLO4707714: King Lothaire (941-986) (Figure 95), King Louis V (967-987) (Figure 96) and Emma (948-988) (Figure 98), wife of Lothaire and his son Eudes (or Otto, 970-985) (Figure 97). The Franks wore in the city as in wartime a short tunic that fell above their knees, held by a wide belt. Sometimes they wore two tunics, one on top of the other, as described in the engraving. Eudes is wearing a red dress. / Bridgeman Images

ID: FLO4707714

King Lothaire (941-986) (Figure 95), King Louis V (967-987) (Figure 96) and Emma (948-988) (Figure 98), wife of Lothaire and his son Eudes (or Otto, 970-985) (Figure 97). The Franks wore in the city as in wartime a short tunic that fell above their knees, held by a wide belt. Sometimes they wore two tunics, one on top of the other, as described in the engraving. Eudes is wearing a red dress.

Diana the hunter with bow and arrow, and Dido (Didon) in Phrygian dress. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).
Diana the hunter with bow and arrow, and Dido (Didon) in Phrygian dress. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).

FLO4703656: Diana the hunter with bow and arrow, and Dido (Didon) in Phrygian dress. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796). / Bridgeman Images

ID: FLO4703656

Diana the hunter with bow and arrow, and Dido (Didon) in Phrygian dress. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).

Singer and actress Liza Minnelli with Gregory Peck in 1990
Singer and actress Liza Minnelli with Gregory Peck in 1990

MME4704041: Singer and actress Liza Minnelli with Gregory Peck in 1990, Mencarini, Marcello / Bridgeman Images

ID: MME4704041

Singer and actress Liza Minnelli with Gregory Peck in 1990

Mencarini, Marcello

Spanish and Spanish woman with shield and spears. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1797).
Spanish and Spanish woman with shield and spears. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1797).

FLO4704188: Spanish and Spanish woman with shield and spears. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1797). / Bridgeman Images

ID: FLO4704188

Spanish and Spanish woman with shield and spears. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1797).

Three Roman men wearing the toga in different ways. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1798).
Three Roman men wearing the toga in different ways. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1798).

FLO4704548: Three Roman men wearing the toga in different ways. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1798). / Bridgeman Images

ID: FLO4704548

Three Roman men wearing the toga in different ways. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1798).

Unknown artist, Sarcophagus with the myth of Prometheus, Campania, Italy 4th Century (white marble, high relief)
Unknown artist, Sarcophagus with the myth of Prometheus, Campania, Italy 4th Century (white marble, high relief)

MEP4704283: Unknown artist, Sarcophagus with the myth of Prometheus, Campania, Italy 4th Century (white marble, high relief) / Bridgeman Images

ID: MEP4704283

Unknown artist, Sarcophagus with the myth of Prometheus, Campania, Italy 4th Century (white marble, high relief)

Violinist Isaac Stern in 1995.
Violinist Isaac Stern in 1995.

MME4704539: Violinist Isaac Stern in 1995., Mencarini, Marcello / Bridgeman Images

ID: MME4704539

Violinist Isaac Stern in 1995.

Mencarini, Marcello

Portrait of the German composer Karlheinz Stockhausen, 1989.
Portrait of the German composer Karlheinz Stockhausen, 1989.

MME4704960: Portrait of the German composer Karlheinz Stockhausen, 1989., Mencarini, Marcello / Bridgeman Images

ID: MME4704960

Portrait of the German composer Karlheinz Stockhausen, 1989.

Mencarini, Marcello

A young woman of Friesland. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837
A young woman of Friesland. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837

FLO4705227: A young woman of Friesland. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837 / Bridgeman Images

ID: FLO4705227

A young woman of Friesland. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837

Woman of Silesia, in golden crown and silk dress, 1577. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757.
Woman of Silesia, in golden crown and silk dress, 1577. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757.

FLO4705495: Woman of Silesia, in golden crown and silk dress, 1577. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757. / Bridgeman Images

ID: FLO4705495

Woman of Silesia, in golden crown and silk dress, 1577. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757.

Portrait of the French realizer Bertrand Tavernier in 1986.
Portrait of the French realizer Bertrand Tavernier in 1986.

MME4705624: Portrait of the French realizer Bertrand Tavernier in 1986., Mencarini, Marcello / Bridgeman Images

ID: MME4705624

Portrait of the French realizer Bertrand Tavernier in 1986.

Mencarini, Marcello

Portrait of jazz trumpeter Luigi Toth.
Portrait of jazz trumpeter Luigi Toth.

MME4705780: Portrait of jazz trumpeter Luigi Toth., Mencarini, Marcello / Bridgeman Images

ID: MME4705780

Portrait of jazz trumpeter Luigi Toth.

Mencarini, Marcello

Portrait of jazz saxophonist Anthony Braxton on stage in 1981.
Portrait of jazz saxophonist Anthony Braxton on stage in 1981.

MME4707811: Portrait of jazz saxophonist Anthony Braxton on stage in 1981., Mencarini, Marcello / Bridgeman Images

ID: MME4707811

Portrait of jazz saxophonist Anthony Braxton on stage in 1981.

Mencarini, Marcello

Portrait of the Italian composer Sylvano Bussotti, circa 1980
Portrait of the Italian composer Sylvano Bussotti, circa 1980

MME4707965: Portrait of the Italian composer Sylvano Bussotti, circa 1980, Mencarini, Marcello / Bridgeman Images

ID: MME4707965

Portrait of the Italian composer Sylvano Bussotti, circa 1980

Mencarini, Marcello

Clerge costumes: an abbess at the end of the 12th century (143), his suit is very simple: long tunic with long sleeves, probably linen, worn on a black dress the same length as the tunic. The hood completely covers the back of his head. A priest (144) in choir dress. A monk (145) holding a book and pointing to the sky, wearing the monastic costume in use in the 12th century. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Clerge costumes: an abbess at the end of the 12th century (143), his suit is very simple: long tunic with long sleeves, probably linen, worn on a black dress the same length as the tunic. The hood completely covers the back of his head. A priest (144) in choir dress. A monk (145) holding a book and pointing to the sky, wearing the monastic costume in use in the 12th century. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4708125: Clerge costumes: an abbess at the end of the 12th century (143), his suit is very simple: long tunic with long sleeves, probably linen, worn on a black dress the same length as the tunic. The hood completely covers the back of his head. A priest (144) in choir dress. A monk (145) holding a book and pointing to the sky, wearing the monastic costume in use in the 12th century. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4708125

Clerge costumes: an abbess at the end of the 12th century (143), his suit is very simple: long tunic with long sleeves, probably linen, worn on a black dress the same length as the tunic. The hood completely covers the back of his head. A priest (144) in choir dress. A monk (145) holding a book and pointing to the sky, wearing the monastic costume in use in the 12th century. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

The French comedian and comedian Coluche (Michel Colucci) transvestite in Cannes, 1986.
The French comedian and comedian Coluche (Michel Colucci) transvestite in Cannes, 1986.

MME4709295: The French comedian and comedian Coluche (Michel Colucci) transvestite in Cannes, 1986., Mencarini, Marcello / Bridgeman Images

ID: MME4709295

The French comedian and comedian Coluche (Michel Colucci) transvestite in Cannes, 1986.

Mencarini, Marcello

Gold mounted amber jewelry including cigarette tube, cigarette cutter, cigarette case and pocket knife. Chromolithograph from Edwin Street's Gems Catalog, Bond Street, London, circa 1895
Gold mounted amber jewelry including cigarette tube, cigarette cutter, cigarette case and pocket knife. Chromolithograph from Edwin Street's Gems Catalog, Bond Street, London, circa 1895

FLO4709422: Gold mounted amber jewelry including cigarette tube, cigarette cutter, cigarette case and pocket knife. Chromolithograph from Edwin Street's Gems Catalog, Bond Street, London, circa 1895 / Bridgeman Images

ID: FLO4709422

Gold mounted amber jewelry including cigarette tube, cigarette cutter, cigarette case and pocket knife. Chromolithograph from Edwin Street's Gems Catalog, Bond Street, London, circa 1895

Cape white diamond crystal (South Africa). Chromolithography, in Precious Stones and Gems by Edwin Streeter, published in London, England, by George Bell and Sons, 1892.
Cape white diamond crystal (South Africa). Chromolithography, in Precious Stones and Gems by Edwin Streeter, published in London, England, by George Bell and Sons, 1892.

FLO4709322: Cape white diamond crystal (South Africa). Chromolithography, in Precious Stones and Gems by Edwin Streeter, published in London, England, by George Bell and Sons, 1892. / Bridgeman Images

ID: FLO4709322

Cape white diamond crystal (South Africa). Chromolithography, in Precious Stones and Gems by Edwin Streeter, published in London, England, by George Bell and Sons, 1892.

Sporting brooches mounted in diamonds: dog, horse, hansom cab, pheasant, and cat. Chromolithograph from Edwin Street's Gems Catalog, Bond Street, London, circa 1895
Sporting brooches mounted in diamonds: dog, horse, hansom cab, pheasant, and cat. Chromolithograph from Edwin Street's Gems Catalog, Bond Street, London, circa 1895

FLO4709583: Sporting brooches mounted in diamonds: dog, horse, hansom cab, pheasant, and cat. Chromolithograph from Edwin Street's Gems Catalog, Bond Street, London, circa 1895 / Bridgeman Images

ID: FLO4709583

Sporting brooches mounted in diamonds: dog, horse, hansom cab, pheasant, and cat. Chromolithograph from Edwin Street's Gems Catalog, Bond Street, London, circa 1895


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