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Portrait of American comedian and director John Cassavetes in 1984.
Portrait of American comedian and director John Cassavetes in 1984.

MME4708547: Portrait of American comedian and director John Cassavetes in 1984., Mencarini, Marcello / Bridgeman Images

Grand Master of the Hospital Order of Saint John of Jerusalem, or knight of Malta in his ordinary costume and a knight of the rank of Grand Cross of the Order of Malta. The Knights Hospitallers or the Order of Saint John of Jerusalem, was established in 1118, by Frere Gerard or Pierre Gerard de Martigues (around 1040-1120, mistakenly called Gerard Tenque). Their original purpose was to treat sick pelerins, but the order evolved into a military order around 1140. After their expulsion from the Holy Land, the order evoluted and became the Knights of Malta.
Grand Master of the Hospital Order of Saint John of Jerusalem, or knight of Malta in his ordinary costume and a knight of the rank of Grand Cross of the Order of Malta. The Knights Hospitallers or the Order of Saint John of Jerusalem, was established in 1118, by Frere Gerard or Pierre Gerard de Martigues (around 1040-1120, mistakenly called Gerard Tenque). Their original purpose was to treat sick pelerins, but the order evolved into a military order around 1140. After their expulsion from the Holy Land, the order evoluted and became the Knights of Malta.

FLO4708607: Grand Master of the Hospital Order of Saint John of Jerusalem, or knight of Malta in his ordinary costume and a knight of the rank of Grand Cross of the Order of Malta. The Knights Hospitallers or the Order of Saint John of Jerusalem, was established in 1118, by Frere Gerard or Pierre Gerard de Martigues (around 1040-1120, mistakenly called Gerard Tenque). Their original purpose was to treat sick pelerins, but the order evolved into a military order around 1140. After their expulsion from the Holy Land, the order evoluted and became the Knights of Malta. / Bridgeman Images

Strawberry tree with flowers and fruit, Arbutus unedo. Handcoloured botanical illustration drawn from nature by Mrs. Rebecca Hey from her own “Spirit of the Woods,” London, Longman, Rees, 1837. Rebecca Hey was a Victorian writer, poet and artist who wrote “” Moral of Flowers” 1833 and “” Recollections of the Lakes”” 1841. The plates were probably engraved by William Clark, former draughtsman to the London Horticultural Society, and engraver on Hey's previous book.
Strawberry tree with flowers and fruit, Arbutus unedo. Handcoloured botanical illustration drawn from nature by Mrs. Rebecca Hey from her own “Spirit of the Woods,” London, Longman, Rees, 1837. Rebecca Hey was a Victorian writer, poet and artist who wrote “” Moral of Flowers” 1833 and “” Recollections of the Lakes”” 1841. The plates were probably engraved by William Clark, former draughtsman to the London Horticultural Society, and engraver on Hey's previous book.

FLO4708680: Strawberry tree with flowers and fruit, Arbutus unedo. Handcoloured botanical illustration drawn from nature by Mrs. Rebecca Hey from her own “Spirit of the Woods,” London, Longman, Rees, 1837. Rebecca Hey was a Victorian writer, poet and artist who wrote “” Moral of Flowers” 1833 and “” Recollections of the Lakes”” 1841. The plates were probably engraved by William Clark, former draughtsman to the London Horticultural Society, and engraver on Hey's previous book. / Bridgeman Images

Portrait of South Coreen Conductor Chung Myung-whun (Myung whun)
Portrait of South Coreen Conductor Chung Myung-whun (Myung whun)

MME4708725: Portrait of South Coreen Conductor Chung Myung-whun (Myung whun), Mencarini, Marcello / Bridgeman Images

Panoramic view of the amphitheatre, archeological site of Ostia antica (Ostia), ancient port of ancient Rome. Italy
Panoramic view of the amphitheatre, archeological site of Ostia antica (Ostia), ancient port of ancient Rome. Italy

MME4708764: Panoramic view of the amphitheatre, archeological site of Ostia antica (Ostia), ancient port of ancient Rome. Italy, Mencarini, Marcello / Bridgeman Images

Panoramic view of the interior of the pyramid of the Louvre Museum in Paris. Architect of the pyramid: Ieoh Ming Pei.
Panoramic view of the interior of the pyramid of the Louvre Museum in Paris. Architect of the pyramid: Ieoh Ming Pei.

MME4708800: Panoramic view of the interior of the pyramid of the Louvre Museum in Paris. Architect of the pyramid: Ieoh Ming Pei., Pei, Ieoh Ming (1917-2019) & Macary, Michel (b.1936) & Wilmotte, Jean-Michel (b.1948) / Bridgeman Images

Panoramic view of the amphitheatre, archeological site of Ostia antica (Ostia), ancient port of ancient Rome. Italy
Panoramic view of the amphitheatre, archeological site of Ostia antica (Ostia), ancient port of ancient Rome. Italy

MME4708746: Panoramic view of the amphitheatre, archeological site of Ostia antica (Ostia), ancient port of ancient Rome. Italy, Mencarini, Marcello / Bridgeman Images

Panoramic view of the interior of the Musee d'Orsay (former station) Paris
Panoramic view of the interior of the Musee d'Orsay (former station) Paris

MME4708801: Panoramic view of the interior of the Musee d'Orsay (former station) Paris, Mencarini, Marcello / Bridgeman Images

Panoramic view of the interior of the pyramid of the Louvre Museum in Paris. Architect of the pyramid: Ieoh Ming Pei.
Panoramic view of the interior of the pyramid of the Louvre Museum in Paris. Architect of the pyramid: Ieoh Ming Pei.

MME4708836: Panoramic view of the interior of the pyramid of the Louvre Museum in Paris. Architect of the pyramid: Ieoh Ming Pei., Pei, Ieoh Ming (1917-2019) & Macary, Michel (b.1936) & Wilmotte, Jean-Michel (b.1948) / Bridgeman Images

Panoramic view of Piazza Venezia with the monument to Victor Emmanuel II (Victor Emmanuel) (Vittorio Emanuele) (right) (writing machine) (Vittoriano) and the Palace of Venice (Palazzo Venezia) (left) with the altar of the Fatherland (Altare della Patria). Rome Italy
Panoramic view of Piazza Venezia with the monument to Victor Emmanuel II (Victor Emmanuel) (Vittorio Emanuele) (right) (writing machine) (Vittoriano) and the Palace of Venice (Palazzo Venezia) (left) with the altar of the Fatherland (Altare della Patria). Rome Italy

MME4708994: Panoramic view of Piazza Venezia with the monument to Victor Emmanuel II (Victor Emmanuel) (Vittorio Emanuele) (right) (writing machine) (Vittoriano) and the Palace of Venice (Palazzo Venezia) (left) with the altar of the Fatherland (Altare della Patria). Rome Italy, Mencarini, Marcello / Bridgeman Images

Trinita dei monti, Rome, Italy (photo)
Trinita dei monti, Rome, Italy (photo)

MME4709083: Trinita dei monti, Rome, Italy (photo), Mencarini, Marcello / Bridgeman Images

Panoramic view of Rome covered with snow, taken from Gianicolo Hill, Rome
Panoramic view of Rome covered with snow, taken from Gianicolo Hill, Rome

MME4709133: Panoramic view of Rome covered with snow, taken from Gianicolo Hill, Rome, Mencarini, Marcello / Bridgeman Images

Turquoise in its matrix, 1892 (Chromolithograph)
Turquoise in its matrix, 1892 (Chromolithograph)

FLO4709244: Turquoise in its matrix, 1892 (Chromolithograph) / Bridgeman Images

Gem scarf pins with diamond, ruby, sapphire, pearl, and cat's eye. Chromolithograph from Edwin Street's Gems Catalog, Bond Street, London, circa 1895.
Gem scarf pins with diamond, ruby, sapphire, pearl, and cat's eye. Chromolithograph from Edwin Street's Gems Catalog, Bond Street, London, circa 1895.

FLO4709293: Gem scarf pins with diamond, ruby, sapphire, pearl, and cat's eye. Chromolithograph from Edwin Street's Gems Catalog, Bond Street, London, circa 1895. / Bridgeman Images

Portrait of Beat Generation Poets Gregory Corso and Amiri Baraka (LeRoi Jones) in Rome in 1979.
Portrait of Beat Generation Poets Gregory Corso and Amiri Baraka (LeRoi Jones) in Rome in 1979.

MME4709376: Portrait of Beat Generation Poets Gregory Corso and Amiri Baraka (LeRoi Jones) in Rome in 1979., Mencarini, Marcello / Bridgeman Images

Gold muff chains with amethyst beads, enamel bars, etc. Chromolithograph from Edwin Street's Gems Catalog, Bond Street, London, circa 1895.
Gold muff chains with amethyst beads, enamel bars, etc. Chromolithograph from Edwin Street's Gems Catalog, Bond Street, London, circa 1895.

FLO4709412: Gold muff chains with amethyst beads, enamel bars, etc. Chromolithograph from Edwin Street's Gems Catalog, Bond Street, London, circa 1895. / Bridgeman Images

Farm girl of Belluno, Italy, wearing sandals on her bare feet. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Cesare Vecellio's Habiti Antichi e moderni, Venice, 1590
Farm girl of Belluno, Italy, wearing sandals on her bare feet. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Cesare Vecellio's Habiti Antichi e moderni, Venice, 1590

FLO4705985: Farm girl of Belluno, Italy, wearing sandals on her bare feet. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Cesare Vecellio's Habiti Antichi e moderni, Venice, 1590 / Bridgeman Images

Czech realizer Jiri Weiss in 1990.
Czech realizer Jiri Weiss in 1990.

MME4706132: Czech realizer Jiri Weiss in 1990., Mencarini, Marcello / Bridgeman Images

King Henry VIII of England, 1520. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837
King Henry VIII of England, 1520. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837

FLO4706412: King Henry VIII of England, 1520. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837 / Bridgeman Images

Woman of Bohemia in the fashion of the 16th century. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Cesare Vecellio's Habiti Antichi e moderni, Venice, 1590
Woman of Bohemia in the fashion of the 16th century. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Cesare Vecellio's Habiti Antichi e moderni, Venice, 1590

FLO4706261: Woman of Bohemia in the fashion of the 16th century. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Cesare Vecellio's Habiti Antichi e moderni, Venice, 1590 / Bridgeman Images

Noblewoman of England, 1577. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837
Noblewoman of England, 1577. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837

FLO4706418: Noblewoman of England, 1577. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837 / Bridgeman Images

English lady, 1577. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837
English lady, 1577. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837

FLO4706497: English lady, 1577. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837 / Bridgeman Images

Portrait of French chief operator Henri Alekan in 1989.
Portrait of French chief operator Henri Alekan in 1989.

MME4706861: Portrait of French chief operator Henri Alekan in 1989., Mencarini, Marcello / Bridgeman Images

Knight of the Order of Saint Michael. French Order of Chivalry established in 1469 by Louis XI of France, known as Le Prudent (1423-1483). It was originally reserved to 36 members and was extended to 100 knights by Louis XIV of France (1638-1715) in 1665. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Knight of the Order of Saint Michael. French Order of Chivalry established in 1469 by Louis XI of France, known as Le Prudent (1423-1483). It was originally reserved to 36 members and was extended to 100 knights by Louis XIV of France (1638-1715) in 1665. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4706858: Knight of the Order of Saint Michael. French Order of Chivalry established in 1469 by Louis XI of France, known as Le Prudent (1423-1483). It was originally reserved to 36 members and was extended to 100 knights by Louis XIV of France (1638-1715) in 1665. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

Knight Gate Sword or Brother of the Sword. The militia of Christ of Livonia or Livonian Order was founded in 1202 by Albert Buxhoeveden, Eveque of Riga or Eveque Prince of Livonia (present-day Latvia). Order is called chastete, poverty and obedience and war against the infideles of Livonia. The order became very rich and joined the Teutonic order in 1228, then separated in 1525, before disappearing shortly afterwards. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Knight Gate Sword or Brother of the Sword. The militia of Christ of Livonia or Livonian Order was founded in 1202 by Albert Buxhoeveden, Eveque of Riga or Eveque Prince of Livonia (present-day Latvia). Order is called chastete, poverty and obedience and war against the infideles of Livonia. The order became very rich and joined the Teutonic order in 1228, then separated in 1525, before disappearing shortly afterwards. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4706804: Knight Gate Sword or Brother of the Sword. The militia of Christ of Livonia or Livonian Order was founded in 1202 by Albert Buxhoeveden, Eveque of Riga or Eveque Prince of Livonia (present-day Latvia). Order is called chastete, poverty and obedience and war against the infideles of Livonia. The order became very rich and joined the Teutonic order in 1228, then separated in 1525, before disappearing shortly afterwards. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

Knight of the Order of the Garter. It is the most honorary British order of chivalry, founded in 1344 by Edward III of England (1312-1377). Its members are limited to the sovereign, the Prince of Wales and 24 companions. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Knight of the Order of the Garter. It is the most honorary British order of chivalry, founded in 1344 by Edward III of England (1312-1377). Its members are limited to the sovereign, the Prince of Wales and 24 companions. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4706850: Knight of the Order of the Garter. It is the most honorary British order of chivalry, founded in 1344 by Edward III of England (1312-1377). Its members are limited to the sovereign, the Prince of Wales and 24 companions. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

Grand Master of the Order of Our Lady of Mount Carmel, 1796 (engraving)
Grand Master of the Order of Our Lady of Mount Carmel, 1796 (engraving)

FLO4706994: Grand Master of the Order of Our Lady of Mount Carmel, 1796 (engraving) / Bridgeman Images

Portrait of the Spanish director Pedro Almodovar in 1988.
Portrait of the Spanish director Pedro Almodovar in 1988.

MME4706960: Portrait of the Spanish director Pedro Almodovar in 1988., Mencarini, Marcello / Bridgeman Images

Portrait of French comedian Sandrine Bonnaire in 1985.
Portrait of French comedian Sandrine Bonnaire in 1985.

MME4706991: Portrait of French comedian Sandrine Bonnaire in 1985., Mencarini, Marcello / Bridgeman Images

Portrait of Argentine writer Jorge Luis Borges in Rome, 1981.
Portrait of Argentine writer Jorge Luis Borges in Rome, 1981.

MME4707028: Portrait of Argentine writer Jorge Luis Borges in Rome, 1981., Mencarini, Marcello / Bridgeman Images

Two knights mounted and armed, competing in a tournament, in the battle with the club. The club is attached to the knight's chest by a chain. The one on the left is very sober blue and a helmet adorned with a man's figure has its top. The one on the right has its mount decoree of black lions crawling on a yellow floor and its helm is decorated with a lion sitting between two horns. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Two knights mounted and armed, competing in a tournament, in the battle with the club. The club is attached to the knight's chest by a chain. The one on the left is very sober blue and a helmet adorned with a man's figure has its top. The one on the right has its mount decoree of black lions crawling on a yellow floor and its helm is decorated with a lion sitting between two horns. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707182: Two knights mounted and armed, competing in a tournament, in the battle with the club. The club is attached to the knight's chest by a chain. The one on the left is very sober blue and a helmet adorned with a man's figure has its top. The one on the right has its mount decoree of black lions crawling on a yellow floor and its helm is decorated with a lion sitting between two horns. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

Two knights and teams in battle with the noose rope during a tournament. The one on the right wraps his rope around his opponent's neck, the swords lie on the ground. The left knight wears a black skirt and ribbons on his horn helm. The one on the right, has a purple skirt and ribbons matching his helmet.
Two knights and teams in battle with the noose rope during a tournament. The one on the right wraps his rope around his opponent's neck, the swords lie on the ground. The left knight wears a black skirt and ribbons on his horn helm. The one on the right, has a purple skirt and ribbons matching his helmet.

FLO4707234: Two knights and teams in battle with the noose rope during a tournament. The one on the right wraps his rope around his opponent's neck, the swords lie on the ground. The left knight wears a black skirt and ribbons on his horn helm. The one on the right, has a purple skirt and ribbons matching his helmet. / Bridgeman Images

Portrait of Argentine writer Jorge Luis Borges in Rome, 1981.
Portrait of Argentine writer Jorge Luis Borges in Rome, 1981.

MME4707278: Portrait of Argentine writer Jorge Luis Borges in Rome, 1981., Mencarini, Marcello / Bridgeman Images

Knight of the Order of the Black Eagle. The greatest order of chivalry in the kingdom of Prussia was founded in 1701 by the elector prince Frederic III of Brandenburg (or Frederic I of Prussia, 1657-1713). The ceremonial costume consisted of a red velvet cape, doubled with blue, with an embroidered star on the left shoulder. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Knight of the Order of the Black Eagle. The greatest order of chivalry in the kingdom of Prussia was founded in 1701 by the elector prince Frederic III of Brandenburg (or Frederic I of Prussia, 1657-1713). The ceremonial costume consisted of a red velvet cape, doubled with blue, with an embroidered star on the left shoulder. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4706926: Knight of the Order of the Black Eagle. The greatest order of chivalry in the kingdom of Prussia was founded in 1701 by the elector prince Frederic III of Brandenburg (or Frederic I of Prussia, 1657-1713). The ceremonial costume consisted of a red velvet cape, doubled with blue, with an embroidered star on the left shoulder. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

Knight of the Order of Saint Lazarus of Jerusalem, 1796 (engraving)
Knight of the Order of Saint Lazarus of Jerusalem, 1796 (engraving)

FLO4706992: Knight of the Order of Saint Lazarus of Jerusalem, 1796 (engraving) / Bridgeman Images

Portrait of Argentine writer Jorge Luis Borges in Rome, 1981.
Portrait of Argentine writer Jorge Luis Borges in Rome, 1981.

MME4707001: Portrait of Argentine writer Jorge Luis Borges in Rome, 1981., Mencarini, Marcello / Bridgeman Images


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