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Design for a cover for an album, 1867
Design for a cover for an album, 1867

BCC423452: Design for a cover for an album, 1867, Monighetti, Hippolyte (1819-78) / Bridgeman Images

ID: BCC423452

Design for a cover for an album, 1867

Monighetti, Hippolyte (1819-78)

Pl. 34 A View of the Bridge at Ilionpoor over the River Goomty from 'Select Views in India', pub. 1785-88 (coloured etching with aquatint)
Pl. 34 A View of the Bridge at Ilionpoor over the River Goomty from 'Select Views in India', pub. 1785-88 (coloured etching with aquatint)

STC423814: Pl. 34 A View of the Bridge at Ilionpoor over the River Goomty from 'Select Views in India', pub. 1785-88 (coloured etching with aquatint), Hodges, William (1744-97) / Bridgeman Images

ID: STC423814

Pl. 34 A View of the Bridge at Ilionpoor over the River Goomty from 'Select Views in India', pub. 1785-88 (coloured etching with aquatint)

Hodges, William (1744-97)

Roman Citizen, a folio from 'L'Antique Rome', engraved by Labrousse, pub. 1796 (colour litho)
Roman Citizen, a folio from 'L'Antique Rome', engraved by Labrousse, pub. 1796 (colour litho)

STC423818: Roman Citizen, a folio from 'L'Antique Rome', engraved by Labrousse, pub. 1796 (colour litho), Grasset de Saint-Sauveur, Jacques (1757-1810) (after) / Bridgeman Images

ID: STC423818

Roman Citizen, a folio from 'L'Antique Rome', engraved by Labrousse, pub. 1796 (colour litho)

Grasset de Saint-Sauveur, Jacques (1757-1810) (after)

Pl. 12 A View of the Mosque at Futtipoor Sicri, from 'Select Views in India', pub. 1785-88 (coloured etching with aquatint)
Pl. 12 A View of the Mosque at Futtipoor Sicri, from 'Select Views in India', pub. 1785-88 (coloured etching with aquatint)

STC423819: Pl. 12 A View of the Mosque at Futtipoor Sicri, from 'Select Views in India', pub. 1785-88 (coloured etching with aquatint), Hodges, William (1744-97) / Bridgeman Images

ID: STC423819

Pl. 12 A View of the Mosque at Futtipoor Sicri, from 'Select Views in India', pub. 1785-88 (coloured etching with aquatint)

Hodges, William (1744-97)

Vol II Pl. 57 Gonqui Hottentots of the Cape 'whose skin is lighter than other Hottentots, and their noses less flat, and they are taller', from 'Le Costume Ancien et Moderne' c.1820-39 (colour litho)
Vol II Pl. 57 Gonqui Hottentots of the Cape 'whose skin is lighter than other Hottentots, and their noses less flat, and they are taller', from 'Le Costume Ancien et Moderne' c.1820-39 (colour litho)

STC423828: Vol II Pl. 57 Gonqui Hottentots of the Cape 'whose skin is lighter than other Hottentots, and their noses less flat, and they are taller', from 'Le Costume Ancien et Moderne' c.1820-39 (colour litho), Gallina, Gallo (1796-1874) / Bridgeman Images

ID: STC423828

Vol II Pl. 57 Gonqui Hottentots of the Cape 'whose skin is lighter than other Hottentots, and their noses less flat, and they are taller', from 'Le Costume Ancien et Moderne' c.1820-39 (colour litho)

Gallina, Gallo (1796-1874)

Geronimo, Chief of the Apache, as an old man in 1907 (photogravure)
Geronimo, Chief of the Apache, as an old man in 1907 (photogravure)

STC423832: Geronimo, Chief of the Apache, as an old man in 1907 (photogravure), Curtis, Edward Sheriff (1868-1952) / Bridgeman Images

ID: STC423832

Geronimo, Chief of the Apache, as an old man in 1907 (photogravure)

Curtis, Edward Sheriff (1868-1952)

Cairo: Decoration of the El Bordeyny Mosque: geometric patterns of the mosaic of the Mihrab, 19th century (chromolitho)
Cairo: Decoration of the El Bordeyny Mosque: geometric patterns of the mosaic of the Mihrab, 19th century (chromolitho)

STC423858: Cairo: Decoration of the El Bordeyny Mosque: geometric patterns of the mosaic of the Mihrab, 19th century (chromolitho), Prisse d'Avennes, Emile (1807-79) / Bridgeman Images

ID: STC423858

Cairo: Decoration of the El Bordeyny Mosque: geometric patterns of the mosaic of the Mihrab, 19th century (chromolitho)

Prisse d'Avennes, Emile (1807-79)

Cairo: Mandarah: Reception Room, ground floor, with pool and fountain, 19th century (colour litho)
Cairo: Mandarah: Reception Room, ground floor, with pool and fountain, 19th century (colour litho)

STC423864: Cairo: Mandarah: Reception Room, ground floor, with pool and fountain, 19th century (colour litho), Prisse d'Avennes, Emile (1807-79) / Bridgeman Images

ID: STC423864

Cairo: Mandarah: Reception Room, ground floor, with pool and fountain, 19th century (colour litho)

Prisse d'Avennes, Emile (1807-79)

Pl 87 Architecture Moderne I, 19th or 20th century (print)
Pl 87 Architecture Moderne I, 19th or 20th century (print)

STC423867: Pl 87 Architecture Moderne I, 19th or 20th century (print), Muller, Richard (1874-1930) / Bridgeman Images

ID: STC423867

Pl 87 Architecture Moderne I, 19th or 20th century (print)

Muller, Richard (1874-1930)

Mosaic on the domed ceiling of St John's Baptistry, Florence (mosaic)
Mosaic on the domed ceiling of St John's Baptistry, Florence (mosaic)

BAT423891: Mosaic on the domed ceiling of St John's Baptistry, Florence (mosaic), Florentine School / Bridgeman Images

ID: BAT423891

Mosaic on the domed ceiling of St John's Baptistry, Florence (mosaic)

Florentine School

John the Baptist proclaims Christ (mosaic)
John the Baptist proclaims Christ (mosaic)

BAT423897: John the Baptist proclaims Christ (mosaic), Florentine School / Bridgeman Images

ID: BAT423897

John the Baptist proclaims Christ (mosaic)

Florentine School

The Baptist's sermon (mosaic)
The Baptist's sermon (mosaic)

BAT423898: The Baptist's sermon (mosaic), Florentine School / Bridgeman Images

ID: BAT423898

The Baptist's sermon (mosaic)

Florentine School

North East View of the Surrey Theatre, formerly The Royal Circus, near the Obelisk, Great Surrey Street, engraved by William Wise (fl.1790-1818), pub. by Robert Wilkinson, London (engraving)
North East View of the Surrey Theatre, formerly The Royal Circus, near the Obelisk, Great Surrey Street, engraved by William Wise (fl.1790-1818), pub. by Robert Wilkinson, London (engraving)

STC425170: North East View of the Surrey Theatre, formerly The Royal Circus, near the Obelisk, Great Surrey Street, engraved by William Wise (fl.1790-1818), pub. by Robert Wilkinson, London (engraving), Shepherd, George (fl.1800-30) (after) / Bridgeman Images

ID: STC425170

North East View of the Surrey Theatre, formerly The Royal Circus, near the Obelisk, Great Surrey Street, engraved by William Wise (fl.1790-1818), pub. by Robert Wilkinson, London (engraving)

Shepherd, George (fl.1800-30) (after)

Church of the Nativity of the Holy Mother of God and of St Anne, Moscow (b/w photo)
Church of the Nativity of the Holy Mother of God and of St Anne, Moscow (b/w photo)

BCC425216: Church of the Nativity of the Holy Mother of God and of St Anne, Moscow (b/w photo), Russian Photographer, (19th century) / Bridgeman Images

ID: BCC425216

Church of the Nativity of the Holy Mother of God and of St Anne, Moscow (b/w photo)

Russian Photographer, (19th century)

Pavilion of the Charitable Institutions, All-Russian Exhibition of Industry and Art, Nizhny Novgorod, 1896 (b/w photo)
Pavilion of the Charitable Institutions, All-Russian Exhibition of Industry and Art, Nizhny Novgorod, 1896 (b/w photo)

BCC425226: Pavilion of the Charitable Institutions, All-Russian Exhibition of Industry and Art, Nizhny Novgorod, 1896 (b/w photo), Russian Photographer, (19th century) / Bridgeman Images

ID: BCC425226

Pavilion of the Charitable Institutions, All-Russian Exhibition of Industry and Art, Nizhny Novgorod, 1896 (b/w photo)

Russian Photographer, (19th century)

Parish church and school designed for the All-Russian Exhibition of Industry and Art, Nizhny Novgorod, 1896 (b/w photo)
Parish church and school designed for the All-Russian Exhibition of Industry and Art, Nizhny Novgorod, 1896 (b/w photo)

BCC425228: Parish church and school designed for the All-Russian Exhibition of Industry and Art, Nizhny Novgorod, 1896 (b/w photo), Russian Photographer, (19th century) / Bridgeman Images

ID: BCC425228

Parish church and school designed for the All-Russian Exhibition of Industry and Art, Nizhny Novgorod, 1896 (b/w photo)

Russian Photographer, (19th century)

Design for a linen cupboard, c.1870s (litho)
Design for a linen cupboard, c.1870s (litho)

BCC425235: Design for a linen cupboard, c.1870s (litho), Gun, Andrej Leont'evic (1841-1924) / Bridgeman Images

ID: BCC425235

Design for a linen cupboard, c.1870s (litho)

Gun, Andrej Leont'evic (1841-1924)

Bedroom in the Bashmakov apartment, St Petersburg, c.1870s (engraving)
Bedroom in the Bashmakov apartment, St Petersburg, c.1870s (engraving)

BCC425237: Bedroom in the Bashmakov apartment, St Petersburg, c.1870s (engraving), Gun, Andrej Leont'evic (1841-1924) / Bridgeman Images

ID: BCC425237

Bedroom in the Bashmakov apartment, St Petersburg, c.1870s (engraving)

Gun, Andrej Leont'evic (1841-1924)

Susanna and the elders, engraved by Pietro Monaco, c.1740 (engraving)
Susanna and the elders, engraved by Pietro Monaco, c.1740 (engraving)

XJF425302: Susanna and the elders, engraved by Pietro Monaco, c.1740 (engraving), Carracci, Annibale (1560-1609) (after) / Bridgeman Images

ID: XJF425302

Susanna and the elders, engraved by Pietro Monaco, c.1740 (engraving)

Carracci, Annibale (1560-1609) (after)

Frontispiece to a series of hunting scenes, 1609 (etching)
Frontispiece to a series of hunting scenes, 1609 (etching)

XJF425307: Frontispiece to a series of hunting scenes, 1609 (etching), Tempesta, Antonio (1555-1630) / Bridgeman Images

ID: XJF425307

Frontispiece to a series of hunting scenes, 1609 (etching)

Tempesta, Antonio (1555-1630)

The Signing of the Marriage Attestation Deed, March 10th 1863, published 1864 (litho)
The Signing of the Marriage Attestation Deed, March 10th 1863, published 1864 (litho)

XCF425309: The Signing of the Marriage Attestation Deed, March 10th 1863, published 1864 (litho), Dudley, Robert Charles (1826-1909) / Bridgeman Images

ID: XCF425309

The Signing of the Marriage Attestation Deed, March 10th 1863, published 1864 (litho)

Dudley, Robert Charles (1826-1909)

Henry Flood, engraved by James Heath, 1811 (engraving)
Henry Flood, engraved by James Heath, 1811 (engraving)

XJF425314: Henry Flood, engraved by James Heath, 1811 (engraving), Comerford, John (1773-1835) (after) / Bridgeman Images

ID: XJF425314

Henry Flood, engraved by James Heath, 1811 (engraving)

Comerford, John (1773-1835) (after)

Daily Life in Brazil, from 'Travels in Brazil', lithographed by Thierry Freres, 1839 (litho)
Daily Life in Brazil, from 'Travels in Brazil', lithographed by Thierry Freres, 1839 (litho)

XJF425315: Daily Life in Brazil, from 'Travels in Brazil', lithographed by Thierry Freres, 1839 (litho), Debret, Jean Baptiste (1768-1848) (after) / Bridgeman Images

ID: XJF425315

Daily Life in Brazil, from 'Travels in Brazil', lithographed by Thierry Freres, 1839 (litho)

Debret, Jean Baptiste (1768-1848) (after)

Harvesting - Member of the Leicester Women's Volunteer Reserve helping a farmer, War Office photographs, 1916 (b/w photo)
Harvesting - Member of the Leicester Women's Volunteer Reserve helping a farmer, War Office photographs, 1916 (b/w photo)

XJF425318: Harvesting - Member of the Leicester Women's Volunteer Reserve helping a farmer, War Office photographs, 1916 (b/w photo), English Photographer, (20th century) / Bridgeman Images

ID: XJF425318

Harvesting - Member of the Leicester Women's Volunteer Reserve helping a farmer, War Office photographs, 1916 (b/w photo)

English Photographer, (20th century)

'A quadruple wheel rules this fiery work', Emblem XVII from 'Atlanta Fugiens' by Michael Maier, 1617 (engraving)
'A quadruple wheel rules this fiery work', Emblem XVII from 'Atlanta Fugiens' by Michael Maier, 1617 (engraving)

XJF425334: 'A quadruple wheel rules this fiery work', Emblem XVII from 'Atlanta Fugiens' by Michael Maier, 1617 (engraving), German School, (17th century) / Bridgeman Images

ID: XJF425334

'A quadruple wheel rules this fiery work', Emblem XVII from 'Atlanta Fugiens' by Michael Maier, 1617 (engraving)

German School, (17th century)

Frontispiece to the 'Memoirs of Count Grammont' showing a portrait of the author, Antoine Hamilton, engraved by William Nelson Gardiner, english edition, 1809 (engraving)
Frontispiece to the 'Memoirs of Count Grammont' showing a portrait of the author, Antoine Hamilton, engraved by William Nelson Gardiner, english edition, 1809 (engraving)

XJF425356: Frontispiece to the 'Memoirs of Count Grammont' showing a portrait of the author, Antoine Hamilton, engraved by William Nelson Gardiner, english edition, 1809 (engraving), English School, (19th century) / Bridgeman Images

ID: XJF425356

Frontispiece to the 'Memoirs of Count Grammont' showing a portrait of the author, Antoine Hamilton, engraved by William Nelson Gardiner, english edition, 1809 (engraving)

English School, (19th century)

Johann Georg Fuchs (engraving)
Johann Georg Fuchs (engraving)

XJF425361: Johann Georg Fuchs (engraving), German School, (17th century) / Bridgeman Images

ID: XJF425361

Johann Georg Fuchs (engraving)

German School, (17th century)

Edward VI granting the Charter for Bridewell Hospital to Sir George Barnes in 1553 (engraving)
Edward VI granting the Charter for Bridewell Hospital to Sir George Barnes in 1553 (engraving)

XJF425377: Edward VI granting the Charter for Bridewell Hospital to Sir George Barnes in 1553 (engraving), Vertue, George (1684-1756) / Bridgeman Images

ID: XJF425377

Edward VI granting the Charter for Bridewell Hospital to Sir George Barnes in 1553 (engraving)

Vertue, George (1684-1756)

Allegorical portrait of Cornelis Tromp, 1688 (engraving)
Allegorical portrait of Cornelis Tromp, 1688 (engraving)

XJF425380: Allegorical portrait of Cornelis Tromp, 1688 (engraving), Vianen, Jan van (1660-1726) / Bridgeman Images

ID: XJF425380

Allegorical portrait of Cornelis Tromp, 1688 (engraving)

Vianen, Jan van (1660-1726)

John Gale, alias Dumb Jack, from 'Portraits and Faces of Remarkable and Eccentric Characters of London', 1819 (engraving)
John Gale, alias Dumb Jack, from 'Portraits and Faces of Remarkable and Eccentric Characters of London', 1819 (engraving)

XJF425388: John Gale, alias Dumb Jack, from 'Portraits and Faces of Remarkable and Eccentric Characters of London', 1819 (engraving), English School, (19th century) / Bridgeman Images

ID: XJF425388

John Gale, alias Dumb Jack, from 'Portraits and Faces of Remarkable and Eccentric Characters of London', 1819 (engraving)

English School, (19th century)

Richard of York, 3rd Duke of York, published in 1792 (engraving)
Richard of York, 3rd Duke of York, published in 1792 (engraving)

XJF425396: Richard of York, 3rd Duke of York, published in 1792 (engraving), English School, (18th century) / Bridgeman Images

ID: XJF425396

Richard of York, 3rd Duke of York, published in 1792 (engraving)

English School, (18th century)

Australian farmers
Australian farmers

LLM456844: Australian farmers, Scarpelli, Tancredi (1866-1937) / Bridgeman Images

ID: LLM456844

Australian farmers

Scarpelli, Tancredi (1866-1937)

Asian marriage ceremony
Asian marriage ceremony

LLM456851: Asian marriage ceremony, Scarpelli, Tancredi (1866-1937) / Bridgeman Images

ID: LLM456851

Asian marriage ceremony

Scarpelli, Tancredi (1866-1937)

Persian costumes
Persian costumes

LLM456855: Persian costumes, Scarpelli, Tancredi (1866-1937) / Bridgeman Images

ID: LLM456855

Persian costumes

Scarpelli, Tancredi (1866-1937)

Asian costumes
Asian costumes

LLM456857: Asian costumes, Scarpelli, Tancredi (1866-1937) / Bridgeman Images

ID: LLM456857

Asian costumes

Scarpelli, Tancredi (1866-1937)

Chinese costumes - Emperor, Mandarin, and Military Mandarin
Chinese costumes - Emperor, Mandarin, and Military Mandarin

LLM456858: Chinese costumes - Emperor, Mandarin, and Military Mandarin, Scarpelli, Tancredi (1866-1937) / Bridgeman Images

ID: LLM456858

Chinese costumes - Emperor, Mandarin, and Military Mandarin

Scarpelli, Tancredi (1866-1937)


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