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Astley's Amphitheatre, London, Scene in the circus (engraving)
Astley's Amphitheatre, London, Scene in the circus (engraving)

XJF869837: Astley's Amphitheatre, London, Scene in the circus (engraving), English School, (19th century) / Bridgeman Images

New Hungerford Market, 1833 (lithograph)
New Hungerford Market, 1833 (lithograph)

XJF869839: New Hungerford Market, 1833 (lithograph), English School, (19th century) / Bridgeman Images

Savoy Palace, 1661 (etching)
Savoy Palace, 1661 (etching)

XJF869845: Savoy Palace, 1661 (etching), English School, (17th century) / Bridgeman Images

Clark the English Posture Maker, taken from the series
Clark the English Posture Maker, taken from the series

XJF869863: Clark the English Posture Maker, taken from the series "The Cryes of the City of London Drawne after the Life", engraving after Marcellus Laroon II, published by Pierce Tempest, 1688 (engraving), American School, (17th century) / Bridgeman Images

Portrait Gallery of British Costume, published with the
Portrait Gallery of British Costume, published with the

XJF869879: Portrait Gallery of British Costume, published with the "Tailor and Cutter" by John Williamson, 1872 (engraving), English School, (19th century) / Bridgeman Images

Portrait Gallery of British Costume, presenting the Kings of Spain and Italy and General Prim, published with the Tailor and Cutter, 1871 (engraving)
Portrait Gallery of British Costume, presenting the Kings of Spain and Italy and General Prim, published with the Tailor and Cutter, 1871 (engraving)

XJF869894: Portrait Gallery of British Costume, presenting the Kings of Spain and Italy and General Prim, published with the Tailor and Cutter, 1871 (engraving), English School, (19th century) / Bridgeman Images

Le Bon Genre - Le Chapeau en Ballen, published by Pierre La Mesangere, 1812-1813 (etching)
Le Bon Genre - Le Chapeau en Ballen, published by Pierre La Mesangere, 1812-1813 (etching)

XJF869901: Le Bon Genre - Le Chapeau en Ballen, published by Pierre La Mesangere, 1812-1813 (etching), French School, (19th century) / Bridgeman Images

Fatal Seizure of the Earl of Chatham in the House of Lords, 1778 (engraving)
Fatal Seizure of the Earl of Chatham in the House of Lords, 1778 (engraving)

XJF869909: Fatal Seizure of the Earl of Chatham in the House of Lords, 1778 (engraving), English School, (19th century) / Bridgeman Images

Banquet Given by Bartolomeo Colleoni for King Christian I of Denmark, 1520-30 (fresco) (detail of 154940)
Banquet Given by Bartolomeo Colleoni for King Christian I of Denmark, 1520-30 (fresco) (detail of 154940)

XIR869974: Banquet Given by Bartolomeo Colleoni for King Christian I of Denmark, 1520-30 (fresco) (detail of 154940), Romanino, Girolamo (c.1485-c.1566) (attr.to) / Bridgeman Images

Shooting the Chutes, with Murray & Mack (colour litho)
Shooting the Chutes, with Murray & Mack (colour litho)

SNG870120: Shooting the Chutes, with Murray & Mack (colour litho), American School / Bridgeman Images

'He's Happy & Satisfied - Are You?', British WWI recruitment poster, 1914-18 (colour litho)
'He's Happy & Satisfied - Are You?', British WWI recruitment poster, 1914-18 (colour litho)

SNG870122: 'He's Happy & Satisfied - Are You?', British WWI recruitment poster, 1914-18 (colour litho), English School, (20th century) / Bridgeman Images

Retribution, 1924 (coloured chalks on paper)
Retribution, 1924 (coloured chalks on paper)

CH870140: Retribution, 1924 (coloured chalks on paper), Nightingale, Basil J. (1864-1940) / Bridgeman Images

Square Dial of a Charles II Thirty Hour Longcase Clock, c.1680 (mixed media)
Square Dial of a Charles II Thirty Hour Longcase Clock, c.1680 (mixed media)

CH870171: Square Dial of a Charles II Thirty Hour Longcase Clock, c.1680 (mixed media) , Tompion, Thomas (1639-1713) / Bridgeman Images

Portrait of a Philosopher (oil on canvas)
Portrait of a Philosopher (oil on canvas)

CH871633: Portrait of a Philosopher (oil on canvas), Brandl, Pitr (1660-1735) / Bridgeman Images

View of the Temples of Paestum (litho)
View of the Temples of Paestum (litho)

GIA871721: View of the Temples of Paestum (litho), Piranesi, Giovanni Battista (1720-78) / Bridgeman Images

The Crosby Garrett helmet, late 1st-2nd century AD (bronze) (see also 871728-34, 396159, 482018 & 413093-94)
The Crosby Garrett helmet, late 1st-2nd century AD (bronze) (see also 871728-34, 396159, 482018 & 413093-94)

CH871730: The Crosby Garrett helmet, late 1st-2nd century AD (bronze) (see also 871728-34, 396159, 482018 & 413093-94), Roman / Bridgeman Images

The Crosby Garrett helmet, late 1st-2nd century AD (bronze) (see also 871728-34, 396159, 482018 & 413093-94)
The Crosby Garrett helmet, late 1st-2nd century AD (bronze) (see also 871728-34, 396159, 482018 & 413093-94)

CH871731: The Crosby Garrett helmet, late 1st-2nd century AD (bronze) (see also 871728-34, 396159, 482018 & 413093-94), Roman / Bridgeman Images

The Crosby Garrett helmet, late 1st-2nd century AD (bronze) (see also 871728-34, 396159, 482018 & 413093-94)
The Crosby Garrett helmet, late 1st-2nd century AD (bronze) (see also 871728-34, 396159, 482018 & 413093-94)

CH871732: The Crosby Garrett helmet, late 1st-2nd century AD (bronze) (see also 871728-34, 396159, 482018 & 413093-94), Roman / Bridgeman Images

Natives gathered round them (colour litho)
Natives gathered round them (colour litho)

IL871938: Natives gathered round them (colour litho), Skelton, Joseph Ratcliffe (1865-1927) / Bridgeman Images

On the way to Mount Hopeless (colour litho)
On the way to Mount Hopeless (colour litho)

IL871963: On the way to Mount Hopeless (colour litho), Lambert, George Washington (1873-1930) / Bridgeman Images

There seemed little hope (colour litho)
There seemed little hope (colour litho)

IL871967: There seemed little hope (colour litho), Lambert, George Washington (1873-1930) / Bridgeman Images

The Secret, 1885 (oil on canvas)
The Secret, 1885 (oil on canvas)

XCK877179: The Secret, 1885 (oil on canvas), Bremen, Meyer von (1813-86) / Bridgeman Images

Breton Bathers, 1889 (zincograph on yellow wove paper)
Breton Bathers, 1889 (zincograph on yellow wove paper)

XCK877188: Breton Bathers, 1889 (zincograph on yellow wove paper), Gauguin, Paul (1848-1903) / Bridgeman Images

Human Misery, 1889 (zincograph printed in reddish-brown ink with borderlines in graphite on yellow wove paper)
Human Misery, 1889 (zincograph printed in reddish-brown ink with borderlines in graphite on yellow wove paper)

XCK877190: Human Misery, 1889 (zincograph printed in reddish-brown ink with borderlines in graphite on yellow wove paper), Gauguin, Paul (1848-1903) / Bridgeman Images

Washerwomen, 1889 (zincograph)
Washerwomen, 1889 (zincograph)

XCK877191: Washerwomen, 1889 (zincograph), Gauguin, Paul (1848-1903) / Bridgeman Images

Dramas of the Sea: Brittany, 1889 (zincograph)
Dramas of the Sea: Brittany, 1889 (zincograph)

XCK877192: Dramas of the Sea: Brittany, 1889 (zincograph), Gauguin, Paul (1848-1903) / Bridgeman Images

Maruru: Thanks, April 1891-Sept. 1893 (woodcut printed in brown-black & other colors on Japan paper pasted down on a piece of cardboard)
Maruru: Thanks, April 1891-Sept. 1893 (woodcut printed in brown-black & other colors on Japan paper pasted down on a piece of cardboard)

XCK877200: Maruru: Thanks, April 1891-Sept. 1893 (woodcut printed in brown-black & other colors on Japan paper pasted down on a piece of cardboard), Gauguin, Paul (1848-1903) / Bridgeman Images

Verso of Man Smoking a Pipe: Portrait of Dr. Gachet, 1890 (etching on laid paper)
Verso of Man Smoking a Pipe: Portrait of Dr. Gachet, 1890 (etching on laid paper)

XCK877203: Verso of Man Smoking a Pipe: Portrait of Dr. Gachet, 1890 (etching on laid paper), Gogh, Vincent van (1853-90) / Bridgeman Images

Rue Saint-Romain, Rouen, 1st plate, 1896 (litho on paper)
Rue Saint-Romain, Rouen, 1st plate, 1896 (litho on paper)

XCK877224: Rue Saint-Romain, Rouen, 1st plate, 1896 (litho on paper), Pissarro, Camille (1830-1903) / Bridgeman Images

Study for Undertow, c.1886 (etching, open-bite, stopping out & scraping on cream simili-Japanese vellum)
Study for Undertow, c.1886 (etching, open-bite, stopping out & scraping on cream simili-Japanese vellum)

XCK877227: Study for Undertow, c.1886 (etching, open-bite, stopping out & scraping on cream simili-Japanese vellum), Homer, Winslow (1836-1910) / Bridgeman Images

The Virgin and Child Enthroned, c.1500 (oil on panel)
The Virgin and Child Enthroned, c.1500 (oil on panel)

XCK877236: The Virgin and Child Enthroned, c.1500 (oil on panel), Master of the Embroidered Foliage (fl.1495-1500) / Bridgeman Images

Fly Fishing, Saranac Lake, 1889 (etching & aquatint on beige wove paper)
Fly Fishing, Saranac Lake, 1889 (etching & aquatint on beige wove paper)

XCK877250: Fly Fishing, Saranac Lake, 1889 (etching & aquatint on beige wove paper), Homer, Winslow (1836-1910) / Bridgeman Images

Saved, 1889 (etching on cream wove paper)
Saved, 1889 (etching on cream wove paper)

XCK877258: Saved, 1889 (etching on cream wove paper), Homer, Winslow (1836-1910) / Bridgeman Images

Scene from the Tale of Genji by Madame Murasaki, 1856 (color woodblock print)
Scene from the Tale of Genji by Madame Murasaki, 1856 (color woodblock print)

XCK877273: Scene from the Tale of Genji by Madame Murasaki, 1856 (color woodblock print), Kunisada, Utagawa (Toyokuni III) (1786-1865) / Bridgeman Images

La Concha Beach, San Sebastián, 1906 (oil on panel)
La Concha Beach, San Sebastián, 1906 (oil on panel)

XCK877283: La Concha Beach, San Sebastián, 1906 (oil on panel), Sorolla y Bastida, Joaquin (1863-1923) / Bridgeman Images

Bathing pool in the casino, Palm Beach, Florida, c.1905 (b/w photo)
Bathing pool in the casino, Palm Beach, Florida, c.1905 (b/w photo)

XOS867588: Bathing pool in the casino, Palm Beach, Florida, c.1905 (b/w photo), Detroit Publishing Co. (1880-1920) / Bridgeman Images


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