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Chateau et jardins de Vaux Le Visomte (Vaux-Le-Vicomte) in Maincy (Seine et Marne). Architect Louis Le Vau (1612-1670), construction 1656-1659, gardens landscaped by Andre le Notre (1613-1700).
Chateau et jardins de Vaux Le Visomte (Vaux-Le-Vicomte) in Maincy (Seine et Marne). Architect Louis Le Vau (1612-1670), construction 1656-1659, gardens landscaped by Andre le Notre (1613-1700).

ITR4578614: Chateau et jardins de Vaux Le Visomte (Vaux-Le-Vicomte) in Maincy (Seine et Marne). Architect Louis Le Vau (1612-1670), construction 1656-1659, gardens landscaped by Andre le Notre (1613-1700). / Bridgeman Images

Interior decor by Charles Le Brun (1619-1690).Chateau de Vaux Le Visomte (Vaux-Le-Vicomte) in Maincy (Seine et Marne). Architect Louis Le Vau (1612-1670), construction 1656-1659.
Interior decor by Charles Le Brun (1619-1690).Chateau de Vaux Le Visomte (Vaux-Le-Vicomte) in Maincy (Seine et Marne). Architect Louis Le Vau (1612-1670), construction 1656-1659.

ITR4578678: Interior decor by Charles Le Brun (1619-1690).Chateau de Vaux Le Visomte (Vaux-Le-Vicomte) in Maincy (Seine et Marne). Architect Louis Le Vau (1612-1670), construction 1656-1659. / Bridgeman Images

The city of Carcassonne (Aude). Medieval city restored in the 19th century by Eugene Viollet Le Duc (1814-1879).
The city of Carcassonne (Aude). Medieval city restored in the 19th century by Eugene Viollet Le Duc (1814-1879).

TEC4578906: The city of Carcassonne (Aude). Medieval city restored in the 19th century by Eugene Viollet Le Duc (1814-1879). / Bridgeman Images

The city of Carcassonne (Aude). Medieval city restored in the 19th century by Eugene Viollet Le Duc (1814-1879).
The city of Carcassonne (Aude). Medieval city restored in the 19th century by Eugene Viollet Le Duc (1814-1879).

TEC4578932: The city of Carcassonne (Aude). Medieval city restored in the 19th century by Eugene Viollet Le Duc (1814-1879). / Bridgeman Images

Principaut of Monaco. Photography 15/10/06.
Principaut of Monaco. Photography 15/10/06.

TEC4579545: Principaut of Monaco. Photography 15/10/06. / Bridgeman Images

A roof in Beausoleil (Alpes Maritimes).
A roof in Beausoleil (Alpes Maritimes).

TEC4579593: A roof in Beausoleil (Alpes Maritimes). / Bridgeman Images

The seaside of Cap d'Ail (Maritime Alps).
The seaside of Cap d'Ail (Maritime Alps).

TEC4579599: The seaside of Cap d'Ail (Maritime Alps). / Bridgeman Images

Roquebrune Cap Martin (Alpes Maritimes).
Roquebrune Cap Martin (Alpes Maritimes).

TEC4579633: Roquebrune Cap Martin (Alpes Maritimes). / Bridgeman Images

Hotel particulier, 5 avenue Van Dyck, Paris 8th arrondissement. Built for the industrialist Emile Justin Menier (1826-1852) in the Louis XIV style, in 1867, architect Henri Parent (1819-1895).
Hotel particulier, 5 avenue Van Dyck, Paris 8th arrondissement. Built for the industrialist Emile Justin Menier (1826-1852) in the Louis XIV style, in 1867, architect Henri Parent (1819-1895).

TEC4595388: Hotel particulier, 5 avenue Van Dyck, Paris 8th arrondissement. Built for the industrialist Emile Justin Menier (1826-1852) in the Louis XIV style, in 1867, architect Henri Parent (1819-1895). / Bridgeman Images

Avenue Montaigne, Paris 8th arrondissement.
Avenue Montaigne, Paris 8th arrondissement.

TEC4595408: Avenue Montaigne, Paris 8th arrondissement. / Bridgeman Images

Restaurant Laurent, Jardin des Champs Elysees, 41 avenue Gabriel, Paris 8th arrondissement. Architect Jakob Hittorff (1792-1867), construction 1842.
Restaurant Laurent, Jardin des Champs Elysees, 41 avenue Gabriel, Paris 8th arrondissement. Architect Jakob Hittorff (1792-1867), construction 1842.

TEC4595463: Restaurant Laurent, Jardin des Champs Elysees, 41 avenue Gabriel, Paris 8th arrondissement. Architect Jakob Hittorff (1792-1867), construction 1842. / Bridgeman Images

Restaurant Laurent, Jardin des Champs Elysees, 41 avenue Gabriel, Paris 8th arrondissement. Architect Jakob Hittorff (1792-1867), construction 1842.
Restaurant Laurent, Jardin des Champs Elysees, 41 avenue Gabriel, Paris 8th arrondissement. Architect Jakob Hittorff (1792-1867), construction 1842.

TEC4595472: Restaurant Laurent, Jardin des Champs Elysees, 41 avenue Gabriel, Paris 8th arrondissement. Architect Jakob Hittorff (1792-1867), construction 1842. / Bridgeman Images

Restaurant Le Doyen, Jardin des Champs Elysees, Paris. Architect Jakob Hittorff (1792-1867), construction 1848.
Restaurant Le Doyen, Jardin des Champs Elysees, Paris. Architect Jakob Hittorff (1792-1867), construction 1848.

TEC4595508: Restaurant Le Doyen, Jardin des Champs Elysees, Paris. Architect Jakob Hittorff (1792-1867), construction 1848. / Bridgeman Images

L'institut de France, College des quatre nations, 21 quai de Conti, Paris 6th arrondissement. Cardinal Jules Mazarin (1602-1661) left in his will in 1661 a legacy to build a college and academy for the education of children born in the four nations. In 1806, the Institut de France took possession of the former college. Architect Louis Le Vau (1612-1670), construction 1662-1688.
L'institut de France, College des quatre nations, 21 quai de Conti, Paris 6th arrondissement. Cardinal Jules Mazarin (1602-1661) left in his will in 1661 a legacy to build a college and academy for the education of children born in the four nations. In 1806, the Institut de France took possession of the former college. Architect Louis Le Vau (1612-1670), construction 1662-1688.

TEC4595557: L'institut de France, College des quatre nations, 21 quai de Conti, Paris 6th arrondissement. Cardinal Jules Mazarin (1602-1661) left in his will in 1661 a legacy to build a college and academy for the education of children born in the four nations. In 1806, the Institut de France took possession of the former college. Architect Louis Le Vau (1612-1670), construction 1662-1688. / Bridgeman Images

Le Village royal, Paris 8th arrondissement.
Le Village royal, Paris 8th arrondissement.

TEC4595580: Le Village royal, Paris 8th arrondissement. / Bridgeman Images

The door of Meknes on the Place de la Concorde, Paris 8th arrondissement. Plastic intervention by Catherine Feff, during “Le Temps du Maroc” during 1999, Moroccan and French artists reproduced in the spring, on Place de la Concorde, the door of Meknes, in full size, one of the jewels of Moroccan architecture: 3,000 square meters of canvas designed and made in France dress a scaffolding of 40 metres wide, 15 metres high and 25 metres deep. Photography 1999.
The door of Meknes on the Place de la Concorde, Paris 8th arrondissement. Plastic intervention by Catherine Feff, during “Le Temps du Maroc” during 1999, Moroccan and French artists reproduced in the spring, on Place de la Concorde, the door of Meknes, in full size, one of the jewels of Moroccan architecture: 3,000 square meters of canvas designed and made in France dress a scaffolding of 40 metres wide, 15 metres high and 25 metres deep. Photography 1999.

TEC4595723: The door of Meknes on the Place de la Concorde, Paris 8th arrondissement. Plastic intervention by Catherine Feff, during “Le Temps du Maroc” during 1999, Moroccan and French artists reproduced in the spring, on Place de la Concorde, the door of Meknes, in full size, one of the jewels of Moroccan architecture: 3,000 square meters of canvas designed and made in France dress a scaffolding of 40 metres wide, 15 metres high and 25 metres deep. Photography 1999. / Bridgeman Images

The door of Meknes on the Place de la Concorde, Paris 8th arrondissement. Plastic intervention by Catherine Feff, during “Le Temps du Maroc” during 1999, Moroccan and French artists reproduced in the spring, on Place de la Concorde, the door of Meknes, in full size, one of the jewels of Moroccan architecture: 3,000 square meters of canvas designed and made in France dress a scaffolding of 40 metres wide, 15 metres high and 25 metres deep. Photography 1999.
The door of Meknes on the Place de la Concorde, Paris 8th arrondissement. Plastic intervention by Catherine Feff, during “Le Temps du Maroc” during 1999, Moroccan and French artists reproduced in the spring, on Place de la Concorde, the door of Meknes, in full size, one of the jewels of Moroccan architecture: 3,000 square meters of canvas designed and made in France dress a scaffolding of 40 metres wide, 15 metres high and 25 metres deep. Photography 1999.

TEC4595852: The door of Meknes on the Place de la Concorde, Paris 8th arrondissement. Plastic intervention by Catherine Feff, during “Le Temps du Maroc” during 1999, Moroccan and French artists reproduced in the spring, on Place de la Concorde, the door of Meknes, in full size, one of the jewels of Moroccan architecture: 3,000 square meters of canvas designed and made in France dress a scaffolding of 40 metres wide, 15 metres high and 25 metres deep. Photography 1999. / Bridgeman Images

Le PeuPalais, avenue Winston Churchill, Paris 8th arrondissement. The building was built for the 1900 Universal Exhibition, by architect Charles Girault (1851-1932). It now houses the Musee des Beaux Arts of the City of Paris, which includes many works of Antiquite in the 19th century. Photography 25/08/05.
Le PeuPalais, avenue Winston Churchill, Paris 8th arrondissement. The building was built for the 1900 Universal Exhibition, by architect Charles Girault (1851-1932). It now houses the Musee des Beaux Arts of the City of Paris, which includes many works of Antiquite in the 19th century. Photography 25/08/05.

TEC4595939: Le PeuPalais, avenue Winston Churchill, Paris 8th arrondissement. The building was built for the 1900 Universal Exhibition, by architect Charles Girault (1851-1932). It now houses the Musee des Beaux Arts of the City of Paris, which includes many works of Antiquite in the 19th century. Photography 25/08/05. / Bridgeman Images

The fountains of the Rivers on the Place de la Concorde in Paris. Designed by Jacques Ange Gabriel (1698-1782) as a French garden, it is one of the most beautiful French squares. Inaugurated in 1763 as Place Louis XV, it became the place of the Revolution from 1792 to become the place of capital executions. Louis Philippe (1773-1850) gave it back its current name. In 1836 he called the architect Jakob Hittorff (1792-1867), to redesign the square with the eight statues of the big cities of France and the fountains surrounding the obelisque of Luksor, realisation 1835-1840. Phototorgpahie 10/09/04.
The fountains of the Rivers on the Place de la Concorde in Paris. Designed by Jacques Ange Gabriel (1698-1782) as a French garden, it is one of the most beautiful French squares. Inaugurated in 1763 as Place Louis XV, it became the place of the Revolution from 1792 to become the place of capital executions. Louis Philippe (1773-1850) gave it back its current name. In 1836 he called the architect Jakob Hittorff (1792-1867), to redesign the square with the eight statues of the big cities of France and the fountains surrounding the obelisque of Luksor, realisation 1835-1840. Phototorgpahie 10/09/04.

TEC4595952: The fountains of the Rivers on the Place de la Concorde in Paris. Designed by Jacques Ange Gabriel (1698-1782) as a French garden, it is one of the most beautiful French squares. Inaugurated in 1763 as Place Louis XV, it became the place of the Revolution from 1792 to become the place of capital executions. Louis Philippe (1773-1850) gave it back its current name. In 1836 he called the architect Jakob Hittorff (1792-1867), to redesign the square with the eight statues of the big cities of France and the fountains surrounding the obelisque of Luksor, realisation 1835-1840. Phototorgpahie 10/09/04. / Bridgeman Images

Fauchon, 30 place de la Madeleine Paris 8th arrondissement.
Fauchon, 30 place de la Madeleine Paris 8th arrondissement.

TEC4595987: Fauchon, 30 place de la Madeleine Paris 8th arrondissement. / Bridgeman Images

Hermes, 24 rue du Faubourg Saint Honore, Paris 8th arrondissement.
Hermes, 24 rue du Faubourg Saint Honore, Paris 8th arrondissement.

TEC4596101: Hermes, 24 rue du Faubourg Saint Honore, Paris 8th arrondissement. / Bridgeman Images

Luxury boutiques rue du Faubourg Saint Honore, Paris 8th arrondissement.
Luxury boutiques rue du Faubourg Saint Honore, Paris 8th arrondissement.

TEC4596124: Luxury boutiques rue du Faubourg Saint Honore, Paris 8th arrondissement. / Bridgeman Images

La rue du Faubourg Saint Honore, Paris 8th arrondissement.
La rue du Faubourg Saint Honore, Paris 8th arrondissement.

TEC4596164: La rue du Faubourg Saint Honore, Paris 8th arrondissement. / Bridgeman Images

La rue du Faubourg Saint Honore, Paris 8th arrondissement.
La rue du Faubourg Saint Honore, Paris 8th arrondissement.

TEC4596211: La rue du Faubourg Saint Honore, Paris 8th arrondissement. / Bridgeman Images

Sotheby's, 76 rue du Faubourg Saint Honore, Paris 8th arrondissement.
Sotheby's, 76 rue du Faubourg Saint Honore, Paris 8th arrondissement.

TEC4596213: Sotheby's, 76 rue du Faubourg Saint Honore, Paris 8th arrondissement. / Bridgeman Images

Sotheby's, 76 rue du Faubourg Saint Honore, Paris 8th arrondissement.
Sotheby's, 76 rue du Faubourg Saint Honore, Paris 8th arrondissement.

TEC4596245: Sotheby's, 76 rue du Faubourg Saint Honore, Paris 8th arrondissement. / Bridgeman Images

Le Pepetit Palais de nuit, Avenue Winston Churchill, Paris 8th arrondissement. The building was built for the 1900 World Exhibition. Today it houses the Musee des Beaux-Arts of the City of Paris, which includes many works of Antiquite in the 19th century, architect Charles Girault (1821-1932).
Le Pepetit Palais de nuit, Avenue Winston Churchill, Paris 8th arrondissement. The building was built for the 1900 World Exhibition. Today it houses the Musee des Beaux-Arts of the City of Paris, which includes many works of Antiquite in the 19th century, architect Charles Girault (1821-1932).

OMG4597105: Le Pepetit Palais de nuit, Avenue Winston Churchill, Paris 8th arrondissement. The building was built for the 1900 World Exhibition. Today it houses the Musee des Beaux-Arts of the City of Paris, which includes many works of Antiquite in the 19th century, architect Charles Girault (1821-1932). / Bridgeman Images

The institute of art and archeology, 3 rue Michelet, Paris 6th arrondissement, hosts the universites of Paris 1 and Paris 4, was built in 1927 by Paul Bigot (1870-1942) in Moorish style.
The institute of art and archeology, 3 rue Michelet, Paris 6th arrondissement, hosts the universites of Paris 1 and Paris 4, was built in 1927 by Paul Bigot (1870-1942) in Moorish style.

TEC4597591: The institute of art and archeology, 3 rue Michelet, Paris 6th arrondissement, hosts the universites of Paris 1 and Paris 4, was built in 1927 by Paul Bigot (1870-1942) in Moorish style. / Bridgeman Images

The institute of art and archeology, 3 rue Michelet, Paris 6th arrondissement, hosts the universites of Paris 1 and Paris 4, was built in 1927 by Paul Bigot (1870-1942) in Moorish style.
The institute of art and archeology, 3 rue Michelet, Paris 6th arrondissement, hosts the universites of Paris 1 and Paris 4, was built in 1927 by Paul Bigot (1870-1942) in Moorish style.

TEC4597596: The institute of art and archeology, 3 rue Michelet, Paris 6th arrondissement, hosts the universites of Paris 1 and Paris 4, was built in 1927 by Paul Bigot (1870-1942) in Moorish style. / Bridgeman Images

Fontaine Saint Michel, Place Saint Michel, Paris 6th arrondisement. Built between 1858-1860, by order of Baron Georges Eugene Haussmann (1809-1891) by Gabriel Davioud (1824-1881) to close the prospect of Boulevard du Palais.
Fontaine Saint Michel, Place Saint Michel, Paris 6th arrondisement. Built between 1858-1860, by order of Baron Georges Eugene Haussmann (1809-1891) by Gabriel Davioud (1824-1881) to close the prospect of Boulevard du Palais.

TEC4597643: Fontaine Saint Michel, Place Saint Michel, Paris 6th arrondisement. Built between 1858-1860, by order of Baron Georges Eugene Haussmann (1809-1891) by Gabriel Davioud (1824-1881) to close the prospect of Boulevard du Palais. / Bridgeman Images

Boulevard Saint Michel, Paris 6th arrondissement.
Boulevard Saint Michel, Paris 6th arrondissement.

TEC4597676: Boulevard Saint Michel, Paris 6th arrondissement. / Bridgeman Images

Place Saint Andre des Arts, Paris 6th arrondissement.
Place Saint Andre des Arts, Paris 6th arrondissement.

TEC4597741: Place Saint Andre des Arts, Paris 6th arrondissement. / Bridgeman Images

Rue de l'Abbaye in Paris 6th arrondissement.
Rue de l'Abbaye in Paris 6th arrondissement.

TEC4597766: Rue de l'Abbaye in Paris 6th arrondissement. / Bridgeman Images

Place de l'Odeon in Paris 6th arrondissement. Architect Marie Joseph Peyre (1730-1785) and Charles De Wailly (1730-1798), 1779.
Place de l'Odeon in Paris 6th arrondissement. Architect Marie Joseph Peyre (1730-1785) and Charles De Wailly (1730-1798), 1779.

TEC4597866: Place de l'Odeon in Paris 6th arrondissement. Architect Marie Joseph Peyre (1730-1785) and Charles De Wailly (1730-1798), 1779. / Bridgeman Images

A building entrance in Paris.
A building entrance in Paris.

TEC4597939: A building entrance in Paris. / Bridgeman Images

Cafe des Deux Magots (1875), 6 place Saint Germain des Pres, Paris 6th arrondissement. The cafe takes its name from the two stunned figures of the Extreme Orient: the two magots, which served as a sign for the Chinese silk and fabric trade. Since the last century, a large number of intellectuals have frequented Les Deux Magots, from Verlaine to Rimbaud, surrealists, Picasso, Giraudoux, not to mention Jean-Paul Sartre and Simone de Beauvoir who came to write two hours a day for long years.
Cafe des Deux Magots (1875), 6 place Saint Germain des Pres, Paris 6th arrondissement. The cafe takes its name from the two stunned figures of the Extreme Orient: the two magots, which served as a sign for the Chinese silk and fabric trade. Since the last century, a large number of intellectuals have frequented Les Deux Magots, from Verlaine to Rimbaud, surrealists, Picasso, Giraudoux, not to mention Jean-Paul Sartre and Simone de Beauvoir who came to write two hours a day for long years.

TEC4597973: Cafe des Deux Magots (1875), 6 place Saint Germain des Pres, Paris 6th arrondissement. The cafe takes its name from the two stunned figures of the Extreme Orient: the two magots, which served as a sign for the Chinese silk and fabric trade. Since the last century, a large number of intellectuals have frequented Les Deux Magots, from Verlaine to Rimbaud, surrealists, Picasso, Giraudoux, not to mention Jean-Paul Sartre and Simone de Beauvoir who came to write two hours a day for long years. / Bridgeman Images


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