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Ballota frutescens/Acanthoprasium frutescens/Bush ballote/Spinous ballote/
Ballota frutescens/Acanthoprasium frutescens/Bush ballote/Spinous ballote/

HFE4471989: Ballota frutescens/Acanthoprasium frutescens/Bush ballote/Spinous ballote/ / Bridgeman Images

ID: HFE4471989

Ballota frutescens/Acanthoprasium frutescens/Bush ballote/Spinous ballote/

Tephroseris integrifolia subsp. integrifolia/Whole leaf Tephroseris/Senecon orange/Field Fleawort
Tephroseris integrifolia subsp. integrifolia/Whole leaf Tephroseris/Senecon orange/Field Fleawort

HFE4471991: Tephroseris integrifolia subsp. integrifolia/Whole leaf Tephroseris/Senecon orange/Field Fleawort / Bridgeman Images

ID: HFE4471991

Tephroseris integrifolia subsp. integrifolia/Whole leaf Tephroseris/Senecon orange/Field Fleawort

Ononis cristata/Bugrane to crete/Bugrane du mont Cenis/Mount Cenis Restharrow
Ononis cristata/Bugrane to crete/Bugrane du mont Cenis/Mount Cenis Restharrow

HFE4471993: Ononis cristata/Bugrane to crete/Bugrane du mont Cenis/Mount Cenis Restharrow / Bridgeman Images

ID: HFE4471993

Ononis cristata/Bugrane to crete/Bugrane du mont Cenis/Mount Cenis Restharrow

Tephroseris integrifolia subsp. integrifolia/Whole leaf Tephroseris/Senecon orange/Field Fleawort
Tephroseris integrifolia subsp. integrifolia/Whole leaf Tephroseris/Senecon orange/Field Fleawort

HFE4471994: Tephroseris integrifolia subsp. integrifolia/Whole leaf Tephroseris/Senecon orange/Field Fleawort / Bridgeman Images

ID: HFE4471994

Tephroseris integrifolia subsp. integrifolia/Whole leaf Tephroseris/Senecon orange/Field Fleawort

Minuartia rupestris subsp. rupestris/Minuartie des rocks
Minuartia rupestris subsp. rupestris/Minuartie des rocks

HFE4471995: Minuartia rupestris subsp. rupestris/Minuartie des rocks / Bridgeman Images

ID: HFE4471995

Minuartia rupestris subsp. rupestris/Minuartie des rocks

Delphinium fissum subsp. fissum/Split lark's foot/Split dolphinel
Delphinium fissum subsp. fissum/Split lark's foot/Split dolphinel

HFE4472002: Delphinium fissum subsp. fissum/Split lark's foot/Split dolphinel / Bridgeman Images

ID: HFE4472002

Delphinium fissum subsp. fissum/Split lark's foot/Split dolphinel

Tephroseris integrifolia subsp. capitata/Senecon a heads
Tephroseris integrifolia subsp. capitata/Senecon a heads

HFE4472004: Tephroseris integrifolia subsp. capitata/Senecon a heads / Bridgeman Images

ID: HFE4472004

Tephroseris integrifolia subsp. capitata/Senecon a heads

Astragalus alopecurus/Centralpine Astragalus/Fox-tail Astragalus/Vulpine Astragalus
Astragalus alopecurus/Centralpine Astragalus/Fox-tail Astragalus/Vulpine Astragalus

HFE4472007: Astragalus alopecurus/Centralpine Astragalus/Fox-tail Astragalus/Vulpine Astragalus / Bridgeman Images

ID: HFE4472007

Astragalus alopecurus/Centralpine Astragalus/Fox-tail Astragalus/Vulpine Astragalus

The structure of the nave which includes thirteen farms of the cathedrale Notre-Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc -
The structure of the nave which includes thirteen farms of the cathedrale Notre-Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc -

ITR4553492: The structure of the nave which includes thirteen farms of the cathedrale Notre-Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc - / Bridgeman Images

ID: ITR4553492

The structure of the nave which includes thirteen farms of the cathedrale Notre-Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc -

The structure of the nave which includes thirteen farms of the cathedrale Notre-Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc -
The structure of the nave which includes thirteen farms of the cathedrale Notre-Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc -

ITR4553499: The structure of the nave which includes thirteen farms of the cathedrale Notre-Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc - / Bridgeman Images

ID: ITR4553499

The structure of the nave which includes thirteen farms of the cathedrale Notre-Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc -

The structure of the nave which includes thirteen farms of the cathedrale Notre-Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc -
The structure of the nave which includes thirteen farms of the cathedrale Notre-Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc -

ITR4553507: The structure of the nave which includes thirteen farms of the cathedrale Notre-Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc - / Bridgeman Images

ID: ITR4553507

The structure of the nave which includes thirteen farms of the cathedrale Notre-Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc -

Chorus view of the Notre-Dame Cathedral of Paris, from the cloitre coast. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -
Chorus view of the Notre-Dame Cathedral of Paris, from the cloitre coast. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -

ITR4553742: Chorus view of the Notre-Dame Cathedral of Paris, from the cloitre coast. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc - / Bridgeman Images

ID: ITR4553742

Chorus view of the Notre-Dame Cathedral of Paris, from the cloitre coast. Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -

The structure of the nave which includes thirteen farms of the cathedrale Notre-Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc -
The structure of the nave which includes thirteen farms of the cathedrale Notre-Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc -

ITR4553521: The structure of the nave which includes thirteen farms of the cathedrale Notre-Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc - / Bridgeman Images

ID: ITR4553521

The structure of the nave which includes thirteen farms of the cathedrale Notre-Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc -

The bedside of Notre-Dame, the addition of the radiant chapels and the refection of the buttoned arches give a particularly refined appearance outside the cathedrale Notre-Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -
The bedside of Notre-Dame, the addition of the radiant chapels and the refection of the buttoned arches give a particularly refined appearance outside the cathedrale Notre-Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -

ITR4553540: The bedside of Notre-Dame, the addition of the radiant chapels and the refection of the buttoned arches give a particularly refined appearance outside the cathedrale Notre-Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc - / Bridgeman Images

ID: ITR4553540

The bedside of Notre-Dame, the addition of the radiant chapels and the refection of the buttoned arches give a particularly refined appearance outside the cathedrale Notre-Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, rehabilitation by Viollet-le-Duc -

Detail of the central portal vaults. Angelots occupy the first two vaults while in the next two patriarchs, prophets and teachers of the Church took place. The carved characters in the vaults follow the curve of the archivolt while the angelots look at the scene of the eardrum as arms in the baustrade of Heaven. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc -
Detail of the central portal vaults. Angelots occupy the first two vaults while in the next two patriarchs, prophets and teachers of the Church took place. The carved characters in the vaults follow the curve of the archivolt while the angelots look at the scene of the eardrum as arms in the baustrade of Heaven. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc -

ITR4553824: Detail of the central portal vaults. Angelots occupy the first two vaults while in the next two patriarchs, prophets and teachers of the Church took place. The carved characters in the vaults follow the curve of the archivolt while the angelots look at the scene of the eardrum as arms in the baustrade of Heaven. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc - / Bridgeman Images

ID: ITR4553824

Detail of the central portal vaults. Angelots occupy the first two vaults while in the next two patriarchs, prophets and teachers of the Church took place. The carved characters in the vaults follow the curve of the archivolt while the angelots look at the scene of the eardrum as arms in the baustrade of Heaven. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc -

In the eardrum of the central portal, Christ Judge, surrounded by two angels carrying the cross, nails and spear, appears as the Redeemer. At her side, the Virgin and Saint John kneeling plead for divine misericord. Below, the archangel Michael weighing souls separates the elected from the damns. The Cathedrale Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, Rehabilitation by Viollet-le-Duc -
In the eardrum of the central portal, Christ Judge, surrounded by two angels carrying the cross, nails and spear, appears as the Redeemer. At her side, the Virgin and Saint John kneeling plead for divine misericord. Below, the archangel Michael weighing souls separates the elected from the damns. The Cathedrale Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, Rehabilitation by Viollet-le-Duc -

ITR4553844: In the eardrum of the central portal, Christ Judge, surrounded by two angels carrying the cross, nails and spear, appears as the Redeemer. At her side, the Virgin and Saint John kneeling plead for divine misericord. Below, the archangel Michael weighing souls separates the elected from the damns. The Cathedrale Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, Rehabilitation by Viollet-le-Duc - / Bridgeman Images

ID: ITR4553844

In the eardrum of the central portal, Christ Judge, surrounded by two angels carrying the cross, nails and spear, appears as the Redeemer. At her side, the Virgin and Saint John kneeling plead for divine misericord. Below, the archangel Michael weighing souls separates the elected from the damns. The Cathedrale Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXth, Rehabilitation by Viollet-le-Duc -

Voute de l'apse de la Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc -
Voute de l'apse de la Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc -

ITR4553602: Voute de l'apse de la Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc - / Bridgeman Images

ID: ITR4553602

Voute de l'apse de la Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc -

Voute de l'apse de la Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc -
Voute de l'apse de la Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc -

ITR4553611: Voute de l'apse de la Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc - / Bridgeman Images

ID: ITR4553611

Voute de l'apse de la Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc -

Apse view of Notre de Dame of paris, France(photo)
Apse view of Notre de Dame of paris, France(photo)

ITR4553618: Apse view of Notre de Dame of paris, France(photo) / Bridgeman Images

ID: ITR4553618

Apse view of Notre de Dame of paris, France(photo)

Made shortly after the middle of the 13th century, the roses of transpt are works of exeption, exceeding in diameter all those produced by the French Gothic. This is the representation of an angel. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc -
Made shortly after the middle of the 13th century, the roses of transpt are works of exeption, exceeding in diameter all those produced by the French Gothic. This is the representation of an angel. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc -

ITR4553628: Made shortly after the middle of the 13th century, the roses of transpt are works of exeption, exceeding in diameter all those produced by the French Gothic. This is the representation of an angel. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc - / Bridgeman Images

ID: ITR4553628

Made shortly after the middle of the 13th century, the roses of transpt are works of exeption, exceeding in diameter all those produced by the French Gothic. This is the representation of an angel. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc -

View, from the stands, of the high glass of the nave, not figurative and coloured, made by Jacques Le Chevallier in the 1960s. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc -
View, from the stands, of the high glass of the nave, not figurative and coloured, made by Jacques Le Chevallier in the 1960s. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc -

ITR4553983: View, from the stands, of the high glass of the nave, not figurative and coloured, made by Jacques Le Chevallier in the 1960s. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc - / Bridgeman Images

ID: ITR4553983

View, from the stands, of the high glass of the nave, not figurative and coloured, made by Jacques Le Chevallier in the 1960s. Notre Dame de Paris Cathedrale Notre Dame de Paris - Paris 4 - XIIIth, XIIIth, XIXeme, rehabilitation by Viollet-le-Duc -

Graphic effect
Graphic effect

TEC4558341: Graphic effect / Bridgeman Images

ID: TEC4558341

Graphic effect

Graphic effect
Graphic effect

TEC4558383: Graphic effect / Bridgeman Images

ID: TEC4558383

Graphic effect

Graphic effect
Graphic effect

TEC4558388: Graphic effect / Bridgeman Images

ID: TEC4558388

Graphic effect

Graphic effect
Graphic effect

TEC4558395: Graphic effect / Bridgeman Images

ID: TEC4558395

Graphic effect

Graphic effect
Graphic effect

TEC4558397: Graphic effect / Bridgeman Images

ID: TEC4558397

Graphic effect

Graphic effect
Graphic effect

TEC4558398: Graphic effect / Bridgeman Images

ID: TEC4558398

Graphic effect

Hotel Lutetia in Paris. Architects Louis-Charles (Louis Charles) Boileau (1837-1914) and Henri Tauzin (?) , construction 1911.
Hotel Lutetia in Paris. Architects Louis-Charles (Louis Charles) Boileau (1837-1914) and Henri Tauzin (?) , construction 1911.

TEC4598122: Hotel Lutetia in Paris. Architects Louis-Charles (Louis Charles) Boileau (1837-1914) and Henri Tauzin (?) , construction 1911. / Bridgeman Images

ID: TEC4598122

Hotel Lutetia in Paris. Architects Louis-Charles (Louis Charles) Boileau (1837-1914) and Henri Tauzin (?) , construction 1911.

Boat near the Pont des Arts, Paris 6th arrondissement. The Passerelle des Arts, the first iron bridge in Paris, had the mission of joining the Institut de France and the Louvre, which was then called the Palais des Arts. Reserved for pawns, it was built from 1801 to 1804. It initially consisted of nine arches. Following numerous river accidents, its reconstruction was decided in 1981 but two arches were removed to line them up on the Pont Neuf.
Boat near the Pont des Arts, Paris 6th arrondissement. The Passerelle des Arts, the first iron bridge in Paris, had the mission of joining the Institut de France and the Louvre, which was then called the Palais des Arts. Reserved for pawns, it was built from 1801 to 1804. It initially consisted of nine arches. Following numerous river accidents, its reconstruction was decided in 1981 but two arches were removed to line them up on the Pont Neuf.

TEC4598187: Boat near the Pont des Arts, Paris 6th arrondissement. The Passerelle des Arts, the first iron bridge in Paris, had the mission of joining the Institut de France and the Louvre, which was then called the Palais des Arts. Reserved for pawns, it was built from 1801 to 1804. It initially consisted of nine arches. Following numerous river accidents, its reconstruction was decided in 1981 but two arches were removed to line them up on the Pont Neuf. / Bridgeman Images

ID: TEC4598187

Boat near the Pont des Arts, Paris 6th arrondissement. The Passerelle des Arts, the first iron bridge in Paris, had the mission of joining the Institut de France and the Louvre, which was then called the Palais des Arts. Reserved for pawns, it was built from 1801 to 1804. It initially consisted of nine arches. Following numerous river accidents, its reconstruction was decided in 1981 but two arches were removed to line them up on the Pont Neuf.

The Palais des Etudes of the Ecole Nationale Superieure des Beaux Arts in Paris. Architects Felix Duban (1797-1872) and Francois Debret (1777-1850), reconstructions 1816. The building occupies what remains of the convent of the Petites Augustins (17th century) and the hotel de Chimay (1635), to which buildings were assistant in the 19th century.
The Palais des Etudes of the Ecole Nationale Superieure des Beaux Arts in Paris. Architects Felix Duban (1797-1872) and Francois Debret (1777-1850), reconstructions 1816. The building occupies what remains of the convent of the Petites Augustins (17th century) and the hotel de Chimay (1635), to which buildings were assistant in the 19th century.

TEC4598248: The Palais des Etudes of the Ecole Nationale Superieure des Beaux Arts in Paris. Architects Felix Duban (1797-1872) and Francois Debret (1777-1850), reconstructions 1816. The building occupies what remains of the convent of the Petites Augustins (17th century) and the hotel de Chimay (1635), to which buildings were assistant in the 19th century. / Bridgeman Images

ID: TEC4598248

The Palais des Etudes of the Ecole Nationale Superieure des Beaux Arts in Paris. Architects Felix Duban (1797-1872) and Francois Debret (1777-1850), reconstructions 1816. The building occupies what remains of the convent of the Petites Augustins (17th century) and the hotel de Chimay (1635), to which buildings were assistant in the 19th century.

The Ecole Nationale Superieure des Mines de Paris, 60 boulevard Saint-Michel.
The Ecole Nationale Superieure des Mines de Paris, 60 boulevard Saint-Michel.

TEC4598324: The Ecole Nationale Superieure des Mines de Paris, 60 boulevard Saint-Michel. / Bridgeman Images

ID: TEC4598324

The Ecole Nationale Superieure des Mines de Paris, 60 boulevard Saint-Michel.

Building rue Vavin in in Paris, built in 1911-1912 by Henri Sauvage (1876-1932). It is a building with bleachers, covered with ceramics, like the building of the rue des Amiraux in Paris.
Building rue Vavin in in Paris, built in 1911-1912 by Henri Sauvage (1876-1932). It is a building with bleachers, covered with ceramics, like the building of the rue des Amiraux in Paris.

TEC4598336: Building rue Vavin in in Paris, built in 1911-1912 by Henri Sauvage (1876-1932). It is a building with bleachers, covered with ceramics, like the building of the rue des Amiraux in Paris. / Bridgeman Images

ID: TEC4598336

Building rue Vavin in in Paris, built in 1911-1912 by Henri Sauvage (1876-1932). It is a building with bleachers, covered with ceramics, like the building of the rue des Amiraux in Paris.

Building rue Vavin in in Paris, built in 1911-1912 by Henri Sauvage (1876-1932). It is a building with bleachers, covered with ceramics, like the building of the rue des Amiraux in Paris.
Building rue Vavin in in Paris, built in 1911-1912 by Henri Sauvage (1876-1932). It is a building with bleachers, covered with ceramics, like the building of the rue des Amiraux in Paris.

TEC4598414: Building rue Vavin in in Paris, built in 1911-1912 by Henri Sauvage (1876-1932). It is a building with bleachers, covered with ceramics, like the building of the rue des Amiraux in Paris. / Bridgeman Images

ID: TEC4598414

Building rue Vavin in in Paris, built in 1911-1912 by Henri Sauvage (1876-1932). It is a building with bleachers, covered with ceramics, like the building of the rue des Amiraux in Paris.

Church Saint Sulpice, Place Saint Sulpice Paris 6th arrondissement. To cope with the growth of the population of the faubourg Saint Germain, the church of Saint Sulpice was rebuilt. From 1646, Queen Anne of Austria laid the first stone. But the troubles of the sling and the problems of financing slowed down the construction of the Church, which was not definitively completed until 1780, by architect Jean Nicolas Servandoni (1695-1766).
Church Saint Sulpice, Place Saint Sulpice Paris 6th arrondissement. To cope with the growth of the population of the faubourg Saint Germain, the church of Saint Sulpice was rebuilt. From 1646, Queen Anne of Austria laid the first stone. But the troubles of the sling and the problems of financing slowed down the construction of the Church, which was not definitively completed until 1780, by architect Jean Nicolas Servandoni (1695-1766).

TEC4598450: Church Saint Sulpice, Place Saint Sulpice Paris 6th arrondissement. To cope with the growth of the population of the faubourg Saint Germain, the church of Saint Sulpice was rebuilt. From 1646, Queen Anne of Austria laid the first stone. But the troubles of the sling and the problems of financing slowed down the construction of the Church, which was not definitively completed until 1780, by architect Jean Nicolas Servandoni (1695-1766). / Bridgeman Images

ID: TEC4598450

Church Saint Sulpice, Place Saint Sulpice Paris 6th arrondissement. To cope with the growth of the population of the faubourg Saint Germain, the church of Saint Sulpice was rebuilt. From 1646, Queen Anne of Austria laid the first stone. But the troubles of the sling and the problems of financing slowed down the construction of the Church, which was not definitively completed until 1780, by architect Jean Nicolas Servandoni (1695-1766).

Drugstore Publicis Saint Germain in Paris, launched in 1965 to ceder the place in 2002 to the fashion emperor Armani. Photography 1995.
Drugstore Publicis Saint Germain in Paris, launched in 1965 to ceder the place in 2002 to the fashion emperor Armani. Photography 1995.

OMG4599644: Drugstore Publicis Saint Germain in Paris, launched in 1965 to ceder the place in 2002 to the fashion emperor Armani. Photography 1995. / Bridgeman Images

ID: OMG4599644

Drugstore Publicis Saint Germain in Paris, launched in 1965 to ceder the place in 2002 to the fashion emperor Armani. Photography 1995.

Cafe des Deux Magots (1875), 6 place Saint Germain des Pres, Paris 6th arrondissement. The cafe takes its name from the two stunned figures of Extreme Orient, the two magots, which served as a sign for the Chinese silk and fabric trade. Since the last century, a large number of intellectuals have frequented this place, from Verlaine to Rimbaud to Surrealists, Picasso, Giraudoux, not to mention Jean Paul Sartre and Simone de Beauvoir who came to write two hours a day for many years. Photography 1995.
Cafe des Deux Magots (1875), 6 place Saint Germain des Pres, Paris 6th arrondissement. The cafe takes its name from the two stunned figures of Extreme Orient, the two magots, which served as a sign for the Chinese silk and fabric trade. Since the last century, a large number of intellectuals have frequented this place, from Verlaine to Rimbaud to Surrealists, Picasso, Giraudoux, not to mention Jean Paul Sartre and Simone de Beauvoir who came to write two hours a day for many years. Photography 1995.

OMG4599676: Cafe des Deux Magots (1875), 6 place Saint Germain des Pres, Paris 6th arrondissement. The cafe takes its name from the two stunned figures of Extreme Orient, the two magots, which served as a sign for the Chinese silk and fabric trade. Since the last century, a large number of intellectuals have frequented this place, from Verlaine to Rimbaud to Surrealists, Picasso, Giraudoux, not to mention Jean Paul Sartre and Simone de Beauvoir who came to write two hours a day for many years. Photography 1995. / Bridgeman Images

ID: OMG4599676

Cafe des Deux Magots (1875), 6 place Saint Germain des Pres, Paris 6th arrondissement. The cafe takes its name from the two stunned figures of Extreme Orient, the two magots, which served as a sign for the Chinese silk and fabric trade. Since the last century, a large number of intellectuals have frequented this place, from Verlaine to Rimbaud to Surrealists, Picasso, Giraudoux, not to mention Jean Paul Sartre and Simone de Beauvoir who came to write two hours a day for many years. Photography 1995.


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