1. Home
  2. Search Results

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

2490882 Search Results

Panoramic view of the Roman Forum (foro romano) Rome, Italy
Panoramic view of the Roman Forum (foro romano) Rome, Italy

MME4709094: Panoramic view of the Roman Forum (foro romano) Rome, Italy, Mencarini, Marcello / Bridgeman Images

ID: MME4709094

Panoramic view of the Roman Forum (foro romano) Rome, Italy

Mencarini, Marcello

Portrait of the American pop singer child Nikka Costa in 1981.
Portrait of the American pop singer child Nikka Costa in 1981.

MME4709404: Portrait of the American pop singer child Nikka Costa in 1981., Mencarini, Marcello / Bridgeman Images

ID: MME4709404

Portrait of the American pop singer child Nikka Costa in 1981.

Mencarini, Marcello

Portrait of American poet Gregory Corso, member of the Beat Generation in Rome in 1980.
Portrait of American poet Gregory Corso, member of the Beat Generation in Rome in 1980.

MME4709335: Portrait of American poet Gregory Corso, member of the Beat Generation in Rome in 1980., Mencarini, Marcello / Bridgeman Images

ID: MME4709335

Portrait of American poet Gregory Corso, member of the Beat Generation in Rome in 1980.

Mencarini, Marcello

Portrait of Italian cartoonist Guido Crepax in 1980.
Portrait of Italian cartoonist Guido Crepax in 1980.

MME4709459: Portrait of Italian cartoonist Guido Crepax in 1980., Crepax, Guido (1933-2003) / Bridgeman Images

ID: MME4709459

Portrait of Italian cartoonist Guido Crepax in 1980.

Crepax, Guido (1933-2003)

Ten guinea jewels: brooch, pendant, bracelet, ring in sapphire, opal, diamond, jade, and enamel. Chromolithograph from Edwin Street's Gems Catalog, Bond Street, London, circa 1895
Ten guinea jewels: brooch, pendant, bracelet, ring in sapphire, opal, diamond, jade, and enamel. Chromolithograph from Edwin Street's Gems Catalog, Bond Street, London, circa 1895

FLO4709518: Ten guinea jewels: brooch, pendant, bracelet, ring in sapphire, opal, diamond, jade, and enamel. Chromolithograph from Edwin Street's Gems Catalog, Bond Street, London, circa 1895 / Bridgeman Images

ID: FLO4709518

Ten guinea jewels: brooch, pendant, bracelet, ring in sapphire, opal, diamond, jade, and enamel. Chromolithograph from Edwin Street's Gems Catalog, Bond Street, London, circa 1895

Gem brooches in diamond, pearl, enamel, opal and sapphire. Chromolithograph from Edwin Street's Gems Catalog, Bond Street, London, circa 1895.
Gem brooches in diamond, pearl, enamel, opal and sapphire. Chromolithograph from Edwin Street's Gems Catalog, Bond Street, London, circa 1895.

FLO4709559: Gem brooches in diamond, pearl, enamel, opal and sapphire. Chromolithograph from Edwin Street's Gems Catalog, Bond Street, London, circa 1895. / Bridgeman Images

ID: FLO4709559

Gem brooches in diamond, pearl, enamel, opal and sapphire. Chromolithograph from Edwin Street's Gems Catalog, Bond Street, London, circa 1895.

Cartoon of demon adorned with a predominantly Norman with long sleeves, attached to the sleeves and tail, to its sides, a Norman woman seated and veiled, wearing a baby, and another Norman woman with long braid hair, clothed with one above all. Hand-coloured copper engraving, in “Images historique des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. Cartoon of demon wearing a Norman long sleeved surtout tied at the sleeves and tails, seated Norman woman in veil holding a baby, and Norman woman with long plaited hair in a surtout. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).
Cartoon of demon adorned with a predominantly Norman with long sleeves, attached to the sleeves and tail, to its sides, a Norman woman seated and veiled, wearing a baby, and another Norman woman with long braid hair, clothed with one above all. Hand-coloured copper engraving, in “Images historique des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. Cartoon of demon wearing a Norman long sleeved surtout tied at the sleeves and tails, seated Norman woman in veil holding a baby, and Norman woman with long plaited hair in a surtout. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).

FLO4707988: Cartoon of demon adorned with a predominantly Norman with long sleeves, attached to the sleeves and tail, to its sides, a Norman woman seated and veiled, wearing a baby, and another Norman woman with long braid hair, clothed with one above all. Hand-coloured copper engraving, in “Images historique des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. Cartoon of demon wearing a Norman long sleeved surtout tied at the sleeves and tails, seated Norman woman in veil holding a baby, and Norman woman with long plaited hair in a surtout. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796). / Bridgeman Images

ID: FLO4707988

Cartoon of demon adorned with a predominantly Norman with long sleeves, attached to the sleeves and tail, to its sides, a Norman woman seated and veiled, wearing a baby, and another Norman woman with long braid hair, clothed with one above all. Hand-coloured copper engraving, in “Images historique des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. Cartoon of demon wearing a Norman long sleeved surtout tied at the sleeves and tails, seated Norman woman in veil holding a baby, and Norman woman with long plaited hair in a surtout. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).

Portrait of the Spanish actresses Montserrat Caballe and Italian renata Tebaldi in 1983.
Portrait of the Spanish actresses Montserrat Caballe and Italian renata Tebaldi in 1983.

MME4708086: Portrait of the Spanish actresses Montserrat Caballe and Italian renata Tebaldi in 1983., Mencarini, Marcello / Bridgeman Images

ID: MME4708086

Portrait of the Spanish actresses Montserrat Caballe and Italian renata Tebaldi in 1983.

Mencarini, Marcello

The Norman cavalry: a slightly weapon with a sword and a shield, the other heavily weapon with a chain armor and a spear. Both of a mostly military. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
The Norman cavalry: a slightly weapon with a sword and a shield, the other heavily weapon with a chain armor and a spear. Both of a mostly military. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4708149: The Norman cavalry: a slightly weapon with a sword and a shield, the other heavily weapon with a chain armor and a spear. Both of a mostly military. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4708149

The Norman cavalry: a slightly weapon with a sword and a shield, the other heavily weapon with a chain armor and a spear. Both of a mostly military. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Portrait of composer and poet John Cage, 1982.
Portrait of composer and poet John Cage, 1982.

MME4708169: Portrait of composer and poet John Cage, 1982., Mencarini, Marcello / Bridgeman Images

ID: MME4708169

Portrait of composer and poet John Cage, 1982.

Mencarini, Marcello

Costumes of Anglo-Saxon women: in coat (63), in coat with a loose veil, whose edges fall on her shoulders, revealing the neckline of her dress (64), in tunic with coloured borders and wide sleeves, embroidered with needle (65). Different variations of tunics worn from the 9th to the 11th century. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Costumes of Anglo-Saxon women: in coat (63), in coat with a loose veil, whose edges fall on her shoulders, revealing the neckline of her dress (64), in tunic with coloured borders and wide sleeves, embroidered with needle (65). Different variations of tunics worn from the 9th to the 11th century. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707517: Costumes of Anglo-Saxon women: in coat (63), in coat with a loose veil, whose edges fall on her shoulders, revealing the neckline of her dress (64), in tunic with coloured borders and wide sleeves, embroidered with needle (65). Different variations of tunics worn from the 9th to the 11th century. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707517

Costumes of Anglo-Saxon women: in coat (63), in coat with a loose veil, whose edges fall on her shoulders, revealing the neckline of her dress (64), in tunic with coloured borders and wide sleeves, embroidered with needle (65). Different variations of tunics worn from the 9th to the 11th century. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Portrait of jazz saxophonist Anthony Braxton in 1981.
Portrait of jazz saxophonist Anthony Braxton in 1981.

MME4707705: Portrait of jazz saxophonist Anthony Braxton in 1981., Mencarini, Marcello / Bridgeman Images

ID: MME4707705

Portrait of jazz saxophonist Anthony Braxton in 1981.

Mencarini, Marcello

Portrait of the French maker Robert Bresson with his wife in 1980
Portrait of the French maker Robert Bresson with his wife in 1980

MME4707845: Portrait of the French maker Robert Bresson with his wife in 1980, Mencarini, Marcello / Bridgeman Images

ID: MME4707845

Portrait of the French maker Robert Bresson with his wife in 1980

Mencarini, Marcello

King Robert (II of France, known as Le Pieux, 972-1031) kneels, wearing a striped tunic and a mantle of remarkable cut, with his crown laid on the ground and King Dagobert 1st (v.600-639) king of Austrasia (623 to 629), king of all the Franks (629 to 634), king of Neustria and Burgundy (634) a 639), sitting on a throne. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
King Robert (II of France, known as Le Pieux, 972-1031) kneels, wearing a striped tunic and a mantle of remarkable cut, with his crown laid on the ground and King Dagobert 1st (v.600-639) king of Austrasia (623 to 629), king of all the Franks (629 to 634), king of Neustria and Burgundy (634) a 639), sitting on a throne. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707670: King Robert (II of France, known as Le Pieux, 972-1031) kneels, wearing a striped tunic and a mantle of remarkable cut, with his crown laid on the ground and King Dagobert 1st (v.600-639) king of Austrasia (623 to 629), king of all the Franks (629 to 634), king of Neustria and Burgundy (634) a 639), sitting on a throne. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707670

King Robert (II of France, known as Le Pieux, 972-1031) kneels, wearing a striped tunic and a mantle of remarkable cut, with his crown laid on the ground and King Dagobert 1st (v.600-639) king of Austrasia (623 to 629), king of all the Franks (629 to 634), king of Neustria and Burgundy (634) a 639), sitting on a throne. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Portrait of jazz saxophonist Anthony Braxton in 1981.
Portrait of jazz saxophonist Anthony Braxton in 1981.

MME4707724: Portrait of jazz saxophonist Anthony Braxton in 1981., Mencarini, Marcello / Bridgeman Images

ID: MME4707724

Portrait of jazz saxophonist Anthony Braxton in 1981.

Mencarini, Marcello

Italo Calvino, Venice Lido, Italy, 1981 (photo)
Italo Calvino, Venice Lido, Italy, 1981 (photo)

MME4708412: Italo Calvino, Venice Lido, Italy, 1981 (photo), Mencarini, Marcello / Bridgeman Images

ID: MME4708412

Italo Calvino, Venice Lido, Italy, 1981 (photo)

Mencarini, Marcello

Portrait of the French artist Cesar Baldaccini called Cesar at the Venice Art Biennale in 1995.
Portrait of the French artist Cesar Baldaccini called Cesar at the Venice Art Biennale in 1995.

MME4708647: Portrait of the French artist Cesar Baldaccini called Cesar at the Venice Art Biennale in 1995., Cesar (Cesar Baldaccini) (1921-98) / Bridgeman Images

ID: MME4708647

Portrait of the French artist Cesar Baldaccini called Cesar at the Venice Art Biennale in 1995.

Cesar (Cesar Baldaccini) (1921-98)

Portrait of musician and singer Ray Charles in 1990.
Portrait of musician and singer Ray Charles in 1990.

MME4708705: Portrait of musician and singer Ray Charles in 1990., Mencarini, Marcello / Bridgeman Images

ID: MME4708705

Portrait of musician and singer Ray Charles in 1990.

Mencarini, Marcello

Three Norman men of the 12th century, one wearing a talar (dress in fashion at the end of the 12th century), another vetu of the talar above her, and the third wearing a conical cap. Hand-coloured copper engraving, in “Images historique des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. Three Norman men of the 12th century; one in a surtout and carrying a talar (a robe in fashion at the end of the 12th century), one wearing a talar over his especially, and one in a conical bonnet. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).
Three Norman men of the 12th century, one wearing a talar (dress in fashion at the end of the 12th century), another vetu of the talar above her, and the third wearing a conical cap. Hand-coloured copper engraving, in “Images historique des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. Three Norman men of the 12th century; one in a surtout and carrying a talar (a robe in fashion at the end of the 12th century), one wearing a talar over his especially, and one in a conical bonnet. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).

FLO4707909: Three Norman men of the 12th century, one wearing a talar (dress in fashion at the end of the 12th century), another vetu of the talar above her, and the third wearing a conical cap. Hand-coloured copper engraving, in “Images historique des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. Three Norman men of the 12th century; one in a surtout and carrying a talar (a robe in fashion at the end of the 12th century), one wearing a talar over his especially, and one in a conical bonnet. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796). / Bridgeman Images

ID: FLO4707909

Three Norman men of the 12th century, one wearing a talar (dress in fashion at the end of the 12th century), another vetu of the talar above her, and the third wearing a conical cap. Hand-coloured copper engraving, in “Images historique des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. Three Norman men of the 12th century; one in a surtout and carrying a talar (a robe in fashion at the end of the 12th century), one wearing a talar over his especially, and one in a conical bonnet. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).

Representation of a Norman in the church of Danbury (Count of Essex, England). Probably older than that of leaf 62, and serious in wood, in a very good state of conservation, given the little attention paid to it. Strutt (who made the copy) noted the perfection of the executed work, which is an enigma, compared to its equivalents of the same period, which lack precision and taste.
Representation of a Norman in the church of Danbury (Count of Essex, England). Probably older than that of leaf 62, and serious in wood, in a very good state of conservation, given the little attention paid to it. Strutt (who made the copy) noted the perfection of the executed work, which is an enigma, compared to its equivalents of the same period, which lack precision and taste.

FLO4708048: Representation of a Norman in the church of Danbury (Count of Essex, England). Probably older than that of leaf 62, and serious in wood, in a very good state of conservation, given the little attention paid to it. Strutt (who made the copy) noted the perfection of the executed work, which is an enigma, compared to its equivalents of the same period, which lack precision and taste. / Bridgeman Images

ID: FLO4708048

Representation of a Norman in the church of Danbury (Count of Essex, England). Probably older than that of leaf 62, and serious in wood, in a very good state of conservation, given the little attention paid to it. Strutt (who made the copy) noted the perfection of the executed work, which is an enigma, compared to its equivalents of the same period, which lack precision and taste.

Portrait of composer and poet John Cage holding a photograph of him taken the previous year, 1983.
Portrait of composer and poet John Cage holding a photograph of him taken the previous year, 1983.

MME4708222: Portrait of composer and poet John Cage holding a photograph of him taken the previous year, 1983., Mencarini, Marcello / Bridgeman Images

ID: MME4708222

Portrait of composer and poet John Cage holding a photograph of him taken the previous year, 1983.

Mencarini, Marcello

Italo Calvino, Venice Lido, Italy, 1981 (photo)
Italo Calvino, Venice Lido, Italy, 1981 (photo)

MME4708329: Italo Calvino, Venice Lido, Italy, 1981 (photo), Mencarini, Marcello / Bridgeman Images

ID: MME4708329

Italo Calvino, Venice Lido, Italy, 1981 (photo)

Mencarini, Marcello

Knight of Malta in war suit (red jacket decoree with a large white cross on the chest). The Order of the Knights of Malta came from the Knights Hospitaller, a military order founded in 1099 to protect and treat the pelerins in Palestine. Following their expulsion from the Holy Land, the order was established on the island of Rhodes (1310-1523) before establishing itself in Malta in 1530. The order ruled the island until 1798, until Napoleon averted them. Today it survives under the name Sovereign Military Order of Malta.
Knight of Malta in war suit (red jacket decoree with a large white cross on the chest). The Order of the Knights of Malta came from the Knights Hospitaller, a military order founded in 1099 to protect and treat the pelerins in Palestine. Following their expulsion from the Holy Land, the order was established on the island of Rhodes (1310-1523) before establishing itself in Malta in 1530. The order ruled the island until 1798, until Napoleon averted them. Today it survives under the name Sovereign Military Order of Malta.

FLO4708583: Knight of Malta in war suit (red jacket decoree with a large white cross on the chest). The Order of the Knights of Malta came from the Knights Hospitaller, a military order founded in 1099 to protect and treat the pelerins in Palestine. Following their expulsion from the Holy Land, the order was established on the island of Rhodes (1310-1523) before establishing itself in Malta in 1530. The order ruled the island until 1798, until Napoleon averted them. Today it survives under the name Sovereign Military Order of Malta. / Bridgeman Images

ID: FLO4708583

Knight of Malta in war suit (red jacket decoree with a large white cross on the chest). The Order of the Knights of Malta came from the Knights Hospitaller, a military order founded in 1099 to protect and treat the pelerins in Palestine. Following their expulsion from the Holy Land, the order was established on the island of Rhodes (1310-1523) before establishing itself in Malta in 1530. The order ruled the island until 1798, until Napoleon averted them. Today it survives under the name Sovereign Military Order of Malta.

Cuff links and shirt studs in gold and enamel, opal, sapphire, diamond, turquoise and ruby. Chromolithograph from Edwin Street's Gems Catalog, Bond Street, London, circa 1895
Cuff links and shirt studs in gold and enamel, opal, sapphire, diamond, turquoise and ruby. Chromolithograph from Edwin Street's Gems Catalog, Bond Street, London, circa 1895

FLO4709366: Cuff links and shirt studs in gold and enamel, opal, sapphire, diamond, turquoise and ruby. Chromolithograph from Edwin Street's Gems Catalog, Bond Street, London, circa 1895 / Bridgeman Images

ID: FLO4709366

Cuff links and shirt studs in gold and enamel, opal, sapphire, diamond, turquoise and ruby. Chromolithograph from Edwin Street's Gems Catalog, Bond Street, London, circa 1895

Portrait of American comedian Matt Dillon, 1984
Portrait of American comedian Matt Dillon, 1984

MME4709629: Portrait of American comedian Matt Dillon, 1984, Mencarini, Marcello / Bridgeman Images

ID: MME4709629

Portrait of American comedian Matt Dillon, 1984

Mencarini, Marcello

Diamond stars and brooches. Chromolithograph from Edwin Street's Gems Catalog, Bond Street, London, circa 1895.
Diamond stars and brooches. Chromolithograph from Edwin Street's Gems Catalog, Bond Street, London, circa 1895.

FLO4709676: Diamond stars and brooches. Chromolithograph from Edwin Street's Gems Catalog, Bond Street, London, circa 1895. / Bridgeman Images

ID: FLO4709676

Diamond stars and brooches. Chromolithograph from Edwin Street's Gems Catalog, Bond Street, London, circa 1895.

Portrait of the philosopher Hans Georg Gadamer in 1997.
Portrait of the philosopher Hans Georg Gadamer in 1997.

MME4709697: Portrait of the philosopher Hans Georg Gadamer in 1997., Mencarini, Marcello / Bridgeman Images

ID: MME4709697

Portrait of the philosopher Hans Georg Gadamer in 1997.

Mencarini, Marcello

Portrait of writer Vladimir Karpov, veteran of the Second War in the Russian Army, 1990
Portrait of writer Vladimir Karpov, veteran of the Second War in the Russian Army, 1990

MME4709851: Portrait of writer Vladimir Karpov, veteran of the Second War in the Russian Army, 1990, Mencarini, Marcello / Bridgeman Images

ID: MME4709851

Portrait of writer Vladimir Karpov, veteran of the Second War in the Russian Army, 1990

Mencarini, Marcello

Portrait of Latvian conductor and violinist Gidon Kremer.
Portrait of Latvian conductor and violinist Gidon Kremer.

MME4710142: Portrait of Latvian conductor and violinist Gidon Kremer., Mencarini, Marcello / Bridgeman Images

ID: MME4710142

Portrait of Latvian conductor and violinist Gidon Kremer.

Mencarini, Marcello

Honeyweed or Siberian motherwort, Leonurus sibiricus. Handcoloured copperplate engraving by Weddell after a botanical illustration by Edward Dalton Smith from Robert Sweet's The British Flower Garden, Ridgeway, London, 1827.
Honeyweed or Siberian motherwort, Leonurus sibiricus. Handcoloured copperplate engraving by Weddell after a botanical illustration by Edward Dalton Smith from Robert Sweet's The British Flower Garden, Ridgeway, London, 1827.

FLO4710180: Honeyweed or Siberian motherwort, Leonurus sibiricus. Handcoloured copperplate engraving by Weddell after a botanical illustration by Edward Dalton Smith from Robert Sweet's The British Flower Garden, Ridgeway, London, 1827. / Bridgeman Images

ID: FLO4710180

Honeyweed or Siberian motherwort, Leonurus sibiricus. Handcoloured copperplate engraving by Weddell after a botanical illustration by Edward Dalton Smith from Robert Sweet's The British Flower Garden, Ridgeway, London, 1827.

Portrait of the French historian Jacques Le Goff in 1995.
Portrait of the French historian Jacques Le Goff in 1995.

MME4710290: Portrait of the French historian Jacques Le Goff in 1995., Mencarini, Marcello / Bridgeman Images

ID: MME4710290

Portrait of the French historian Jacques Le Goff in 1995.

Mencarini, Marcello

Portrait of the Dutch conductor and organist Gustav Leonhardt, 1992
Portrait of the Dutch conductor and organist Gustav Leonhardt, 1992

MME4710458: Portrait of the Dutch conductor and organist Gustav Leonhardt, 1992, Mencarini, Marcello / Bridgeman Images

ID: MME4710458

Portrait of the Dutch conductor and organist Gustav Leonhardt, 1992

Mencarini, Marcello

Reflexed-leaved lychnidea, Phlox reflexa. Handcoloured copperplate engraving by Weddell after a botanical illustration by Edward Dalton Smith from Robert Sweet's The British Flower Garden, Ridgeway, London, 1827.
Reflexed-leaved lychnidea, Phlox reflexa. Handcoloured copperplate engraving by Weddell after a botanical illustration by Edward Dalton Smith from Robert Sweet's The British Flower Garden, Ridgeway, London, 1827.

FLO4710461: Reflexed-leaved lychnidea, Phlox reflexa. Handcoloured copperplate engraving by Weddell after a botanical illustration by Edward Dalton Smith from Robert Sweet's The British Flower Garden, Ridgeway, London, 1827. / Bridgeman Images

ID: FLO4710461

Reflexed-leaved lychnidea, Phlox reflexa. Handcoloured copperplate engraving by Weddell after a botanical illustration by Edward Dalton Smith from Robert Sweet's The British Flower Garden, Ridgeway, London, 1827.

Portrait of the Italian diver Enzo Maiorca in 1989
Portrait of the Italian diver Enzo Maiorca in 1989

MME4710537: Portrait of the Italian diver Enzo Maiorca in 1989, Mencarini, Marcello / Bridgeman Images

ID: MME4710537

Portrait of the Italian diver Enzo Maiorca in 1989

Mencarini, Marcello

Penstemon atropurpureus (Dark purple chelone, Chelone atropurpurea). Handcoloured copperplate engraving by Weddell after a botanical illustration by Edward Dalton Smith from Robert Sweet's The British Flower Garden, Ridgeway, London, 1828.
Penstemon atropurpureus (Dark purple chelone, Chelone atropurpurea). Handcoloured copperplate engraving by Weddell after a botanical illustration by Edward Dalton Smith from Robert Sweet's The British Flower Garden, Ridgeway, London, 1828.

FLO4710558: Penstemon atropurpureus (Dark purple chelone, Chelone atropurpurea). Handcoloured copperplate engraving by Weddell after a botanical illustration by Edward Dalton Smith from Robert Sweet's The British Flower Garden, Ridgeway, London, 1828. / Bridgeman Images

ID: FLO4710558

Penstemon atropurpureus (Dark purple chelone, Chelone atropurpurea). Handcoloured copperplate engraving by Weddell after a botanical illustration by Edward Dalton Smith from Robert Sweet's The British Flower Garden, Ridgeway, London, 1828.

Elegant cup-flower, Scyphanthus elegans. Handcoloured copperplate engraving by Weddell after a botanical illustration by Edward Dalton Smith from Robert Sweet's The British Flower Garden, Ridgeway, London, 1828.
Elegant cup-flower, Scyphanthus elegans. Handcoloured copperplate engraving by Weddell after a botanical illustration by Edward Dalton Smith from Robert Sweet's The British Flower Garden, Ridgeway, London, 1828.

FLO4710600: Elegant cup-flower, Scyphanthus elegans. Handcoloured copperplate engraving by Weddell after a botanical illustration by Edward Dalton Smith from Robert Sweet's The British Flower Garden, Ridgeway, London, 1828. / Bridgeman Images

ID: FLO4710600

Elegant cup-flower, Scyphanthus elegans. Handcoloured copperplate engraving by Weddell after a botanical illustration by Edward Dalton Smith from Robert Sweet's The British Flower Garden, Ridgeway, London, 1828.


Back to top