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Native lady riding in her curtained palkee (palanquin), borne by two servants in loincloth and turban. Handcoloured copperplate engraving by an unknown artist from “” Asiatic Costumes,”” Ackermann, London, 1828.
Native lady riding in her curtained palkee (palanquin), borne by two servants in loincloth and turban. Handcoloured copperplate engraving by an unknown artist from “” Asiatic Costumes,”” Ackermann, London, 1828.

FLO4565427: Native lady riding in her curtained palkee (palanquin), borne by two servants in loincloth and turban. Handcoloured copperplate engraving by an unknown artist from “” Asiatic Costumes,”” Ackermann, London, 1828. / Bridgeman Images

European woman in a tonjon, or ladies carriage, carried by Indian bearers in loincloth, and attended by an umbrella carrier. Handcoloured copperplate engraving by an unknown artist from “” Asiatic Costumes,”” Ackermann, London, 1828.
European woman in a tonjon, or ladies carriage, carried by Indian bearers in loincloth, and attended by an umbrella carrier. Handcoloured copperplate engraving by an unknown artist from “” Asiatic Costumes,”” Ackermann, London, 1828.

FLO4565436: European woman in a tonjon, or ladies carriage, carried by Indian bearers in loincloth, and attended by an umbrella carrier. Handcoloured copperplate engraving by an unknown artist from “” Asiatic Costumes,”” Ackermann, London, 1828. / Bridgeman Images

Indian nobleman on a palanquin on an elephant in embroidered silk drapery. Handcoloured copperplate engraving by an unknown artist from “” Asiatic Costumes,”” Ackermann, London, 1828.
Indian nobleman on a palanquin on an elephant in embroidered silk drapery. Handcoloured copperplate engraving by an unknown artist from “” Asiatic Costumes,”” Ackermann, London, 1828.

FLO4565444: Indian nobleman on a palanquin on an elephant in embroidered silk drapery. Handcoloured copperplate engraving by an unknown artist from “” Asiatic Costumes,”” Ackermann, London, 1828. / Bridgeman Images

Lobelia has crimson red flowers, Lobelia cardinalis. Illustration by Clarissa Badger (nee Munger, 1806-1889), lithography published in “Wildflowers, dessinees et mises en couleur par la nature”, New York (USA), 1859.
Lobelia has crimson red flowers, Lobelia cardinalis. Illustration by Clarissa Badger (nee Munger, 1806-1889), lithography published in “Wildflowers, dessinees et mises en couleur par la nature”, New York (USA), 1859.

FLO4565628: Lobelia has crimson red flowers, Lobelia cardinalis. Illustration by Clarissa Badger (nee Munger, 1806-1889), lithography published in “Wildflowers, dessinees et mises en couleur par la nature”, New York (USA), 1859. / Bridgeman Images

Moonshee, pundit or interpreter, in muslin vest, trousers, tunic and turban. Handcoloured copperplate engraving by an unknown artist from “” Asiatic Costumes,”” Ackermann, London, 1828.
Moonshee, pundit or interpreter, in muslin vest, trousers, tunic and turban. Handcoloured copperplate engraving by an unknown artist from “” Asiatic Costumes,”” Ackermann, London, 1828.

FLO4565449: Moonshee, pundit or interpreter, in muslin vest, trousers, tunic and turban. Handcoloured copperplate engraving by an unknown artist from “” Asiatic Costumes,”” Ackermann, London, 1828. / Bridgeman Images

Portrait of Giuseppe Verdi (b/w photo)
Portrait of Giuseppe Verdi (b/w photo)

LRI4565624: Portrait of Giuseppe Verdi (b/w photo), Unknown photographer, (19th century) / Bridgeman Images

Galaxies Superamas - Artist View - Supercluster of galaxies. Artwor
Galaxies Superamas - Artist View - Supercluster of galaxies. Artwor

PIX4565762: Galaxies Superamas - Artist View - Supercluster of galaxies. Artwor / Bridgeman Images

Stages in the formation of the foetal skull. Copperplate engraving by Edward Mitchell after an anatomical illustration by Jean-Joseph Sue from John Barclay's A Series of Engravings of the Human Skeleton, MacLachlan and Stewart, Edinburgh, 1824.
Stages in the formation of the foetal skull. Copperplate engraving by Edward Mitchell after an anatomical illustration by Jean-Joseph Sue from John Barclay's A Series of Engravings of the Human Skeleton, MacLachlan and Stewart, Edinburgh, 1824.

FLO4565769: Stages in the formation of the foetal skull. Copperplate engraving by Edward Mitchell after an anatomical illustration by Jean-Joseph Sue from John Barclay's A Series of Engravings of the Human Skeleton, MacLachlan and Stewart, Edinburgh, 1824. / Bridgeman Images

A young woman, dressed in a chiffon dress, apprehended to take a curative bath, a maid held a towel and another woman watched them (Bath, England) - Eau forte by Francis Eginton (1737-1805), from The New Bath Guide or Memories of the Blunderhead Family, published in 1807 - (Young fashionable woman dressing in muslin robe to take a healing spa in Regency Bath, an attendant holds a towel while another woman looks on - Handcoloured copperplate engraving by Francis Eginton from Christopher Anstey's “” The New Bath Guide,”” John Browne, 1807)
A young woman, dressed in a chiffon dress, apprehended to take a curative bath, a maid held a towel and another woman watched them (Bath, England) - Eau forte by Francis Eginton (1737-1805), from The New Bath Guide or Memories of the Blunderhead Family, published in 1807 - (Young fashionable woman dressing in muslin robe to take a healing spa in Regency Bath, an attendant holds a towel while another woman looks on - Handcoloured copperplate engraving by Francis Eginton from Christopher Anstey's “” The New Bath Guide,”” John Browne, 1807)

FLO4565842: A young woman, dressed in a chiffon dress, apprehended to take a curative bath, a maid held a towel and another woman watched them (Bath, England) - Eau forte by Francis Eginton (1737-1805), from The New Bath Guide or Memories of the Blunderhead Family, published in 1807 - (Young fashionable woman dressing in muslin robe to take a healing spa in Regency Bath, an attendant holds a towel while another woman looks on - Handcoloured copperplate engraving by Francis Eginton from Christopher Anstey's “” The New Bath Guide,”” John Browne, 1807) / Bridgeman Images

Side view of human skeleton and horse skeleton. Copperplate engraving by Edward Mitchell after anatomical illustrations by Bernhard Siegfried Albinus and George Stubbs from John Barclay's A Series of Engravings of the Human Skeleton, MacLachlan and Stewart, Edinburgh, 1824.
Side view of human skeleton and horse skeleton. Copperplate engraving by Edward Mitchell after anatomical illustrations by Bernhard Siegfried Albinus and George Stubbs from John Barclay's A Series of Engravings of the Human Skeleton, MacLachlan and Stewart, Edinburgh, 1824.

FLO4565764: Side view of human skeleton and horse skeleton. Copperplate engraving by Edward Mitchell after anatomical illustrations by Bernhard Siegfried Albinus and George Stubbs from John Barclay's A Series of Engravings of the Human Skeleton, MacLachlan and Stewart, Edinburgh, 1824. / Bridgeman Images

Portrait of Eugene Ysaye (b/w photo)
Portrait of Eugene Ysaye (b/w photo)

LRI4565785: Portrait of Eugene Ysaye (b/w photo), Unknown photographer, (20th century) / Bridgeman Images

A gentleman and two elegant women, wearing feather heats, gloves and eventails at a ball, in the fashion of the English Regence (1811-1820) (Bath, England) - Eau forte by Francis Eginton (1737-1805), from Le nouveau guide de Bath or Memoires de la famille Blunderhead, published in 1807 - (Regency gentleman and two elegant ladies with feather headdresses, fans and gloves at a ball - Handcoloured copperplate engraving by Francis Eginton from Christopher Anstein's “” The New Bath Guide,”” John Browne, 1807)
A gentleman and two elegant women, wearing feather heats, gloves and eventails at a ball, in the fashion of the English Regence (1811-1820) (Bath, England) - Eau forte by Francis Eginton (1737-1805), from Le nouveau guide de Bath or Memoires de la famille Blunderhead, published in 1807 - (Regency gentleman and two elegant ladies with feather headdresses, fans and gloves at a ball - Handcoloured copperplate engraving by Francis Eginton from Christopher Anstein's “” The New Bath Guide,”” John Browne, 1807)

FLO4565848: A gentleman and two elegant women, wearing feather heats, gloves and eventails at a ball, in the fashion of the English Regence (1811-1820) (Bath, England) - Eau forte by Francis Eginton (1737-1805), from Le nouveau guide de Bath or Memoires de la famille Blunderhead, published in 1807 - (Regency gentleman and two elegant ladies with feather headdresses, fans and gloves at a ball - Handcoloured copperplate engraving by Francis Eginton from Christopher Anstein's “” The New Bath Guide,”” John Browne, 1807) / Bridgeman Images

A gentleman, vetu in the fashion of the English Regence (1811-1820), sits in front of his writings to write a poem in the pen (Bath, England) - Eau forte by Francis Eginton (1737-1805), extracted from Le nouveau guide de Bath or Memoires de la famille Blunderhead, published in 1807 - (Regency gentleman seated at an ecritoire with a feather pen writing a poem - Handcoloured copperplate engraving by Francis Eginton from Christopher Anstein's “” The New Bath Guide,””” John Browne, 1807)
A gentleman, vetu in the fashion of the English Regence (1811-1820), sits in front of his writings to write a poem in the pen (Bath, England) - Eau forte by Francis Eginton (1737-1805), extracted from Le nouveau guide de Bath or Memoires de la famille Blunderhead, published in 1807 - (Regency gentleman seated at an ecritoire with a feather pen writing a poem - Handcoloured copperplate engraving by Francis Eginton from Christopher Anstein's “” The New Bath Guide,””” John Browne, 1807)

FLO4565902: A gentleman, vetu in the fashion of the English Regence (1811-1820), sits in front of his writings to write a poem in the pen (Bath, England) - Eau forte by Francis Eginton (1737-1805), extracted from Le nouveau guide de Bath or Memoires de la famille Blunderhead, published in 1807 - (Regency gentleman seated at an ecritoire with a feather pen writing a poem - Handcoloured copperplate engraving by Francis Eginton from Christopher Anstein's “” The New Bath Guide,””” John Browne, 1807) / Bridgeman Images

Crawling quenches. Coloured copper engraving from a drawing by C. Mathews from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Creeping wheat grass, TritiCum repens. Handcoloured copperplate drawn and engraved by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.
Crawling quenches. Coloured copper engraving from a drawing by C. Mathews from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Creeping wheat grass, TritiCum repens. Handcoloured copperplate drawn and engraved by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

FLO4565983: Crawling quenches. Coloured copper engraving from a drawing by C. Mathews from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Creeping wheat grass, TritiCum repens. Handcoloured copperplate drawn and engraved by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854. / Bridgeman Images

If armeria or silene has bouquet. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Lobel's catchfly, Silene armeria. Handcoloured copperplate engraving of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.
If armeria or silene has bouquet. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Lobel's catchfly, Silene armeria. Handcoloured copperplate engraving of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

FLO4566028: If armeria or silene has bouquet. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Lobel's catchfly, Silene armeria. Handcoloured copperplate engraving of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854. / Bridgeman Images

Fritillary guinea fowl or checkerboard. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Snake's head fritillary, Fritillaria meleagris. Handcoloured copperplate engraving from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.
Fritillary guinea fowl or checkerboard. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Snake's head fritillary, Fritillaria meleagris. Handcoloured copperplate engraving from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

FLO4565874: Fritillary guinea fowl or checkerboard. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Snake's head fritillary, Fritillaria meleagris. Handcoloured copperplate engraving from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854. / Bridgeman Images

Waterfall. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Water pimpernel, Samolus valerandi. Handcoloured copperplate engraving from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.
Waterfall. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Water pimpernel, Samolus valerandi. Handcoloured copperplate engraving from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

FLO4565942: Waterfall. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Water pimpernel, Samolus valerandi. Handcoloured copperplate engraving from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854. / Bridgeman Images

Clematite of hedges. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Common traveller's joy, Clematis vitalba. Handcoloured copperplate engraving by I. Whessell of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.
Clematite of hedges. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Common traveller's joy, Clematis vitalba. Handcoloured copperplate engraving by I. Whessell of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

FLO4566091: Clematite of hedges. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Common traveller's joy, Clematis vitalba. Handcoloured copperplate engraving by I. Whessell of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854. / Bridgeman Images

Musical score of I briganti opera by Mercadante (1836)
Musical score of I briganti opera by Mercadante (1836)

LRI4566128: Musical score of I briganti opera by Mercadante (1836), Mercadante, Saverio (1795-1870) / Bridgeman Images

Autumn crocus or saffron with bare flowers. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Naked flowering crocus, Crocus nudiflorus. Handcoloured copperplate engraving by I. Whessell of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.
Autumn crocus or saffron with bare flowers. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Naked flowering crocus, Crocus nudiflorus. Handcoloured copperplate engraving by I. Whessell of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

FLO4566144: Autumn crocus or saffron with bare flowers. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Naked flowering crocus, Crocus nudiflorus. Handcoloured copperplate engraving by I. Whessell of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854. / Bridgeman Images

Seneque grass or fragrant oats. Coloured copper engraving from a drawing by C. Mathews from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Northern holy grass, Hierochloe borealis. Handcoloured copperplate drawn and engraved by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.
Seneque grass or fragrant oats. Coloured copper engraving from a drawing by C. Mathews from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Northern holy grass, Hierochloe borealis. Handcoloured copperplate drawn and engraved by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

FLO4566223: Seneque grass or fragrant oats. Coloured copper engraving from a drawing by C. Mathews from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Northern holy grass, Hierochloe borealis. Handcoloured copperplate drawn and engraved by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854. / Bridgeman Images

Polycarp has four leaves. Coloured copper engraving from a drawing by C. Mathews from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Four leaved all seed, Polycarpon tetraphyllum. Handcoloured copperplate drawn and engraved by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.
Polycarp has four leaves. Coloured copper engraving from a drawing by C. Mathews from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Four leaved all seed, Polycarpon tetraphyllum. Handcoloured copperplate drawn and engraved by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

FLO4566258: Polycarp has four leaves. Coloured copper engraving from a drawing by C. Mathews from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Four leaved all seed, Polycarpon tetraphyllum. Handcoloured copperplate drawn and engraved by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854. / Bridgeman Images

Doronic kills panthere. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Great leopard's bane, Doronicum pardalianches. Handcoloured copperplate engraving by I. Whessell of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.
Doronic kills panthere. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Great leopard's bane, Doronicum pardalianches. Handcoloured copperplate engraving by I. Whessell of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

FLO4566270: Doronic kills panthere. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Great leopard's bane, Doronicum pardalianches. Handcoloured copperplate engraving by I. Whessell of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854. / Bridgeman Images

Lavatere tree or royal purple. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Tree mallow, Lavatera arborea. Handcoloured copperplate engraving by WE Albutt of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.
Lavatere tree or royal purple. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Tree mallow, Lavatera arborea. Handcoloured copperplate engraving by WE Albutt of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

FLO4565926: Lavatere tree or royal purple. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Tree mallow, Lavatera arborea. Handcoloured copperplate engraving by WE Albutt of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854. / Bridgeman Images

European charcoal. Coloured copper engraving from a drawing by C. Mathews from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Common spindle tree, Euonymus europaeus. Handcoloured copperplate engraving by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.
European charcoal. Coloured copper engraving from a drawing by C. Mathews from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Common spindle tree, Euonymus europaeus. Handcoloured copperplate engraving by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

FLO4566050: European charcoal. Coloured copper engraving from a drawing by C. Mathews from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Common spindle tree, Euonymus europaeus. Handcoloured copperplate engraving by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854. / Bridgeman Images

Sainfoin grows. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Common sainfoin, Onobrychis sativa. Handcoloured copperplate engraving by Charles Mathews of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.
Sainfoin grows. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Common sainfoin, Onobrychis sativa. Handcoloured copperplate engraving by Charles Mathews of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

FLO4566122: Sainfoin grows. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Common sainfoin, Onobrychis sativa. Handcoloured copperplate engraving by Charles Mathews of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854. / Bridgeman Images

Petasite officinal or vulgar phybrid or devil's hat. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Common butterbur, Petasites vulgaris. Handcoloured copperplate engraving by Charles Mathews of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.
Petasite officinal or vulgar phybrid or devil's hat. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Common butterbur, Petasites vulgaris. Handcoloured copperplate engraving by Charles Mathews of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

FLO4566157: Petasite officinal or vulgar phybrid or devil's hat. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Common butterbur, Petasites vulgaris. Handcoloured copperplate engraving by Charles Mathews of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854. / Bridgeman Images

Dandelion - Common dandelion, Taraxacum officinale, Leontodon taraxacum - Handcoloured copperplate engraving by Charles Mathews from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834
Dandelion - Common dandelion, Taraxacum officinale, Leontodon taraxacum - Handcoloured copperplate engraving by Charles Mathews from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834

FLO4566321: Dandelion - Common dandelion, Taraxacum officinale, Leontodon taraxacum - Handcoloured copperplate engraving by Charles Mathews from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834 / Bridgeman Images

Wolf's muflier - Great snapdragon, Antirrhinum majus - Handcoloured copperplate engraved by J. Whessell from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835
Wolf's muflier - Great snapdragon, Antirrhinum majus - Handcoloured copperplate engraved by J. Whessell from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835

FLO4566368: Wolf's muflier - Great snapdragon, Antirrhinum majus - Handcoloured copperplate engraved by J. Whessell from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835 / Bridgeman Images

Marsh narthecy - Lancashire bog asphodel, Narthecium ossifragum - Handcoloured copperplate drawn and engraved by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1836
Marsh narthecy - Lancashire bog asphodel, Narthecium ossifragum - Handcoloured copperplate drawn and engraved by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1836

FLO4566510: Marsh narthecy - Lancashire bog asphodel, Narthecium ossifragum - Handcoloured copperplate drawn and engraved by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1836 / Bridgeman Images

Hemp agrimony, Eupatorium cannabinum - Handcoloured copperplate engraving by Charles Mathews from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1836
Hemp agrimony, Eupatorium cannabinum - Handcoloured copperplate engraving by Charles Mathews from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1836

FLO4566447: Hemp agrimony, Eupatorium cannabinum - Handcoloured copperplate engraving by Charles Mathews from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1836 / Bridgeman Images

Sagine couchee - Procumbent or birdeye pearlwort, Sagina procumbens - Handcoloured copperplate drawn and engraved by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1836
Sagine couchee - Procumbent or birdeye pearlwort, Sagina procumbens - Handcoloured copperplate drawn and engraved by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1836

FLO4566619: Sagine couchee - Procumbent or birdeye pearlwort, Sagina procumbens - Handcoloured copperplate drawn and engraved by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1836 / Bridgeman Images

Common grass - Common butterwort, Pinguicula vulgaris - Handcoloured copperplate engraving by J. Whessell from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1836
Common grass - Common butterwort, Pinguicula vulgaris - Handcoloured copperplate engraving by J. Whessell from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1836

FLO4566712: Common grass - Common butterwort, Pinguicula vulgaris - Handcoloured copperplate engraving by J. Whessell from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1836 / Bridgeman Images

Tofieldie a calicle - Scottish asphodel, Tofieldia palustris - Handcoloured copperplate engraving from William Baxter's “” British Phaenogamous Botany”” 1837
Tofieldie a calicle - Scottish asphodel, Tofieldia palustris - Handcoloured copperplate engraving from William Baxter's “” British Phaenogamous Botany”” 1837

FLO4566848: Tofieldie a calicle - Scottish asphodel, Tofieldia palustris - Handcoloured copperplate engraving from William Baxter's “” British Phaenogamous Botany”” 1837 / Bridgeman Images

Page of musical score of Te deum by G F Handel
Page of musical score of Te deum by G F Handel

LRI4566975: Page of musical score of Te deum by G F Handel / Bridgeman Images

Absinthe or Sagebrush (Artemisia absinthium) - Botanical Plate by Isaac Russell, engraved by Charles Matthews, taken from “English Botanical Phenomenes” by William Baxter (1788-1871), 1837
Absinthe or Sagebrush (Artemisia absinthium) - Botanical Plate by Isaac Russell, engraved by Charles Matthews, taken from “English Botanical Phenomenes” by William Baxter (1788-1871), 1837

FLO4567358: Absinthe or Sagebrush (Artemisia absinthium) - Botanical Plate by Isaac Russell, engraved by Charles Matthews, taken from “English Botanical Phenomenes” by William Baxter (1788-1871), 1837 / Bridgeman Images


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