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Ribband fish, unknown species. Illustration copied from George Edwards from a specimen sent from the Caribbean islands. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1799.
Ribband fish, unknown species. Illustration copied from George Edwards from a specimen sent from the Caribbean islands. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1799.

FLO4640575: Ribband fish, unknown species. Illustration copied from George Edwards from a specimen sent from the Caribbean islands. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1799. / Bridgeman Images

ID: FLO4640575

Ribband fish, unknown species. Illustration copied from George Edwards from a specimen sent from the Caribbean islands. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1799.

Goldenrod or Aaron's wand or Jewish grass - Lithography by F. Guimpel, extracted from medical botany by Friedrich Gottlob Haynes (1763-1832), Berlin, 1822 - European goldenrod, Solidago virgaurea - Handcoloured copperplate by F. Guimpel from Dr. F. G. Hayne's Medical Botany, Berlin, 1822
Goldenrod or Aaron's wand or Jewish grass - Lithography by F. Guimpel, extracted from medical botany by Friedrich Gottlob Haynes (1763-1832), Berlin, 1822 - European goldenrod, Solidago virgaurea - Handcoloured copperplate by F. Guimpel from Dr. F. G. Hayne's Medical Botany, Berlin, 1822

FLO4642129: Goldenrod or Aaron's wand or Jewish grass - Lithography by F. Guimpel, extracted from medical botany by Friedrich Gottlob Haynes (1763-1832), Berlin, 1822 - European goldenrod, Solidago virgaurea - Handcoloured copperplate by F. Guimpel from Dr. F. G. Hayne's Medical Botany, Berlin, 1822 / Bridgeman Images

ID: FLO4642129

Goldenrod or Aaron's wand or Jewish grass - Lithography by F. Guimpel, extracted from medical botany by Friedrich Gottlob Haynes (1763-1832), Berlin, 1822 - European goldenrod, Solidago virgaurea - Handcoloured copperplate by F. Guimpel from Dr. F. G. Hayne's Medical Botany, Berlin, 1822

Big-eyed lamprey, Petromyzon big eye and Red lamprey, Ammocete rouge, Petromyzon ruber. Handcoloured copperplate stipple engraving from Jussieu's “” Dictionary of Natural Sciences”” 1816-1830. The volumes on fish and reptiles were edited by Hippolyte Cloquet, natural historian and doctor of medicine. Illustration by J.G. Pretre, engraved by Prudhon, directed by Turpin, and published by F. G. Levrault.
Big-eyed lamprey, Petromyzon big eye and Red lamprey, Ammocete rouge, Petromyzon ruber. Handcoloured copperplate stipple engraving from Jussieu's “” Dictionary of Natural Sciences”” 1816-1830. The volumes on fish and reptiles were edited by Hippolyte Cloquet, natural historian and doctor of medicine. Illustration by J.G. Pretre, engraved by Prudhon, directed by Turpin, and published by F. G. Levrault.

FLO4644797: Big-eyed lamprey, Petromyzon big eye and Red lamprey, Ammocete rouge, Petromyzon ruber. Handcoloured copperplate stipple engraving from Jussieu's “” Dictionary of Natural Sciences”” 1816-1830. The volumes on fish and reptiles were edited by Hippolyte Cloquet, natural historian and doctor of medicine. Illustration by J.G. Pretre, engraved by Prudhon, directed by Turpin, and published by F. G. Levrault. / Bridgeman Images

ID: FLO4644797

Big-eyed lamprey, Petromyzon big eye and Red lamprey, Ammocete rouge, Petromyzon ruber. Handcoloured copperplate stipple engraving from Jussieu's “” Dictionary of Natural Sciences”” 1816-1830. The volumes on fish and reptiles were edited by Hippolyte Cloquet, natural historian and doctor of medicine. Illustration by J.G. Pretre, engraved by Prudhon, directed by Turpin, and published by F. G. Levrault.

Outfit of the French troops at all times: Trumpets (litho)
Outfit of the French troops at all times: Trumpets (litho)

JLJ4640893: Outfit of the French troops at all times: Trumpets (litho), Job, pseudonym for Onfray de Breville, Jacques (1858-1931) / Bridgeman Images

ID: JLJ4640893

Outfit of the French troops at all times: Trumpets (litho)

Job, pseudonym for Onfray de Breville, Jacques (1858-1931)

Wedding menu with Illustration of balls in costumes and galantes scenes, 1900 (engraving)
Wedding menu with Illustration of balls in costumes and galantes scenes, 1900 (engraving)

JLJ4643338: Wedding menu with Illustration of balls in costumes and galantes scenes, 1900 (engraving), Leloir, Maurice (1853-1940) / Bridgeman Images

ID: JLJ4643338

Wedding menu with Illustration of balls in costumes and galantes scenes, 1900 (engraving)

Leloir, Maurice (1853-1940)

Outfit of French troops at all times: Arms of Troops, Group 1 (litho)
Outfit of French troops at all times: Arms of Troops, Group 1 (litho)

JLJ4641032: Outfit of French troops at all times: Arms of Troops, Group 1 (litho), Job, pseudonym for Onfray de Breville, Jacques (1858-1931) / Bridgeman Images

ID: JLJ4641032

Outfit of French troops at all times: Arms of Troops, Group 1 (litho)

Job, pseudonym for Onfray de Breville, Jacques (1858-1931)

Outfit of the French troops at all times: Dragons de France (1814-1815) (litho)
Outfit of the French troops at all times: Dragons de France (1814-1815) (litho)

JLJ4640794: Outfit of the French troops at all times: Dragons de France (1814-1815) (litho), Job, pseudonym for Onfray de Breville, Jacques (1858-1931) / Bridgeman Images

ID: JLJ4640794

Outfit of the French troops at all times: Dragons de France (1814-1815) (litho)

Job, pseudonym for Onfray de Breville, Jacques (1858-1931)

Hunting scene ran. The riders are heading towards the doe seized by the dogs, detail,, 18th century (oil on canvas)
Hunting scene ran. The riders are heading towards the doe seized by the dogs, detail,, 18th century (oil on canvas)

JLJ4643437: Hunting scene ran. The riders are heading towards the doe seized by the dogs, detail,, 18th century (oil on canvas), French School, (18th century) / Bridgeman Images

ID: JLJ4643437

Hunting scene ran. The riders are heading towards the doe seized by the dogs, detail,, 18th century (oil on canvas)

French School, (18th century)

View of the military maneuvers camp established under the command of the Prince of Conde, 1788 (oil on canvas)
View of the military maneuvers camp established under the command of the Prince of Conde, 1788 (oil on canvas)

JLJ4643822: View of the military maneuvers camp established under the command of the Prince of Conde, 1788 (oil on canvas), Swebach, Jacques Francois Joseph (1769-1823) / Bridgeman Images

ID: JLJ4643822

View of the military maneuvers camp established under the command of the Prince of Conde, 1788 (oil on canvas)

Swebach, Jacques Francois Joseph (1769-1823)

Detail of
Detail of

JLJ4644720: Detail of "The beginning of the model" A young shy model dared to be (painting), Fragonard, Jean-Honore (1732-1806) / Bridgeman Images

ID: JLJ4644720

Detail of "The beginning of the model" A young shy model dared to be (painting)

Fragonard, Jean-Honore (1732-1806)

The entrance to Berlin (the troops of Napoleon 1st entered Berlin victorious in 1806) (litho)
The entrance to Berlin (the troops of Napoleon 1st entered Berlin victorious in 1806) (litho)

JLJ4641326: The entrance to Berlin (the troops of Napoleon 1st entered Berlin victorious in 1806) (litho), Job, pseudonym for Onfray de Breville, Jacques (1858-1931) / Bridgeman Images

ID: JLJ4641326

The entrance to Berlin (the troops of Napoleon 1st entered Berlin victorious in 1806) (litho)

Job, pseudonym for Onfray de Breville, Jacques (1858-1931)

Young girls wrestling a satyre Young women having fun with a satyre's beard, 18th century (drawing)
Young girls wrestling a satyre Young women having fun with a satyre's beard, 18th century (drawing)

JLJ4644440: Young girls wrestling a satyre Young women having fun with a satyre's beard, 18th century (drawing), Fragonard, Jean-Honore (1732-1806) / Bridgeman Images

ID: JLJ4644440

Young girls wrestling a satyre Young women having fun with a satyre's beard, 18th century (drawing)

Fragonard, Jean-Honore (1732-1806)

The Chamber of Commerce, 40 Rue Pointcarre in Nancy (Meurthe and Moselle). Architects EmiletousSaint (1872-1914) and Louis Marchal (1879-1954), 1908. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.
The Chamber of Commerce, 40 Rue Pointcarre in Nancy (Meurthe and Moselle). Architects EmiletousSaint (1872-1914) and Louis Marchal (1879-1954), 1908. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.

LBY4640675: The Chamber of Commerce, 40 Rue Pointcarre in Nancy (Meurthe and Moselle). Architects EmiletousSaint (1872-1914) and Louis Marchal (1879-1954), 1908. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today., Marchal, Louis (1879-1954) / Bridgeman Images

ID: LBY4640675

The Chamber of Commerce, 40 Rue Pointcarre in Nancy (Meurthe and Moselle). Architects EmiletousSaint (1872-1914) and Louis Marchal (1879-1954), 1908. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.

Marchal, Louis (1879-1954)

The Chamber of Commerce, 40 Rue Pointcarre (Architect Toussaint et Marchal, 1908) in Nancy (Meurthe et Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, iron, architecture, etc. are part of this vast movement of renovation of decorative arts that still marks the city today.
The Chamber of Commerce, 40 Rue Pointcarre (Architect Toussaint et Marchal, 1908) in Nancy (Meurthe et Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, iron, architecture, etc. are part of this vast movement of renovation of decorative arts that still marks the city today.

LBY4640700: The Chamber of Commerce, 40 Rue Pointcarre (Architect Toussaint et Marchal, 1908) in Nancy (Meurthe et Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, iron, architecture, etc. are part of this vast movement of renovation of decorative arts that still marks the city today., Marchal, Louis (1879-1954) / Bridgeman Images

ID: LBY4640700

The Chamber of Commerce, 40 Rue Pointcarre (Architect Toussaint et Marchal, 1908) in Nancy (Meurthe et Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, iron, architecture, etc. are part of this vast movement of renovation of decorative arts that still marks the city today.

Marchal, Louis (1879-1954)

La Villa Majorelle, 1 Rue Majorelle in Nancy (Meurthe and Moslle). Architect Henri Sauvage (1873-1932), 1898-1902. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.
La Villa Majorelle, 1 Rue Majorelle in Nancy (Meurthe and Moslle). Architect Henri Sauvage (1873-1932), 1898-1902. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.

LBY4640525: La Villa Majorelle, 1 Rue Majorelle in Nancy (Meurthe and Moslle). Architect Henri Sauvage (1873-1932), 1898-1902. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today., Sauvage, Henri (1873-1932) / Bridgeman Images

ID: LBY4640525

La Villa Majorelle, 1 Rue Majorelle in Nancy (Meurthe and Moslle). Architect Henri Sauvage (1873-1932), 1898-1902. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.

Sauvage, Henri (1873-1932)

A concierge lodge, 2 rue des Brices (architects Emile Andre and Joseph Hornecker, 1903) in Nancy (Meurthe and Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.
A concierge lodge, 2 rue des Brices (architects Emile Andre and Joseph Hornecker, 1903) in Nancy (Meurthe and Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.

LBY4640922: A concierge lodge, 2 rue des Brices (architects Emile Andre and Joseph Hornecker, 1903) in Nancy (Meurthe and Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today., André, Emile (1871-1933) / Bridgeman Images

ID: LBY4640922

A concierge lodge, 2 rue des Brices (architects Emile Andre and Joseph Hornecker, 1903) in Nancy (Meurthe and Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.

André, Emile (1871-1933)

Architect house, detail, 33 rue du General Clinchant (architect Felicien Cesar, 1910), in Nancy (Meurthe and Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.
Architect house, detail, 33 rue du General Clinchant (architect Felicien Cesar, 1910), in Nancy (Meurthe and Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.

LBY4640825: Architect house, detail, 33 rue du General Clinchant (architect Felicien Cesar, 1910), in Nancy (Meurthe and Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today., César, Félicien (1849-1930) / Bridgeman Images

ID: LBY4640825

Architect house, detail, 33 rue du General Clinchant (architect Felicien Cesar, 1910), in Nancy (Meurthe and Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.

César, Félicien (1849-1930)

Villa Majorelle, 1 Rue Majorelle in Nancy (Meurthe et Moselle). Architect Henri Sauvage (1873-1932), 1902. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.
Villa Majorelle, 1 Rue Majorelle in Nancy (Meurthe et Moselle). Architect Henri Sauvage (1873-1932), 1902. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.

LBY4640581: Villa Majorelle, 1 Rue Majorelle in Nancy (Meurthe et Moselle). Architect Henri Sauvage (1873-1932), 1902. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today., Sauvage, Henri (1873-1932) / Bridgeman Images

ID: LBY4640581

Villa Majorelle, 1 Rue Majorelle in Nancy (Meurthe et Moselle). Architect Henri Sauvage (1873-1932), 1902. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.

Sauvage, Henri (1873-1932)

The Brewery Excelsior, 3 rue Mazagran in Nancy (Meurthe and Moselle). Architects Lucien Weissenburger (1860-1929) and Alexandre Mienville, 1911. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.
The Brewery Excelsior, 3 rue Mazagran in Nancy (Meurthe and Moselle). Architects Lucien Weissenburger (1860-1929) and Alexandre Mienville, 1911. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.

LBY4640736: The Brewery Excelsior, 3 rue Mazagran in Nancy (Meurthe and Moselle). Architects Lucien Weissenburger (1860-1929) and Alexandre Mienville, 1911. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today., Weissenburger, Lucien (1860-1929) / Bridgeman Images

ID: LBY4640736

The Brewery Excelsior, 3 rue Mazagran in Nancy (Meurthe and Moselle). Architects Lucien Weissenburger (1860-1929) and Alexandre Mienville, 1911. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.

Weissenburger, Lucien (1860-1929)

Old Neapolitan trades: a fishing boat - 19th century watercolour - Naples Museo Nazionale di San Martino
Old Neapolitan trades: a fishing boat - 19th century watercolour - Naples Museo Nazionale di San Martino

LRI4644212: Old Neapolitan trades: a fishing boat - 19th century watercolour - Naples Museo Nazionale di San Martino, Italian School, (19th century) / Bridgeman Images

ID: LRI4644212

Old Neapolitan trades: a fishing boat - 19th century watercolour - Naples Museo Nazionale di San Martino

Italian School, (19th century)

Place of the court of the Vicaria in Naples at the time of the revolution of Masaniello Criminals are judges before the entrance - Detail representing fish vendors - Painting by Ascanio Luciani (ca. 1621-1706) Naples, Museo Nazionale di San Martino
Place of the court of the Vicaria in Naples at the time of the revolution of Masaniello Criminals are judges before the entrance - Detail representing fish vendors - Painting by Ascanio Luciani (ca. 1621-1706) Naples, Museo Nazionale di San Martino

LRI4643474: Place of the court of the Vicaria in Naples at the time of the revolution of Masaniello Criminals are judges before the entrance - Detail representing fish vendors - Painting by Ascanio Luciani (ca. 1621-1706) Naples, Museo Nazionale di San Martino, Luciani, Ascanio (c.1621-1706) / Bridgeman Images

ID: LRI4643474

Place of the court of the Vicaria in Naples at the time of the revolution of Masaniello Criminals are judges before the entrance - Detail representing fish vendors - Painting by Ascanio Luciani (ca. 1621-1706) Naples, Museo Nazionale di San Martino

Luciani, Ascanio (c.1621-1706)

Campaign of Italy 1859: The charge of the Piemontese cavalry. 19th century (painting)
Campaign of Italy 1859: The charge of the Piemontese cavalry. 19th century (painting)

LRI4644000: Campaign of Italy 1859: The charge of the Piemontese cavalry. 19th century (painting), Fattori, Giovanni (1825-1908) / Bridgeman Images

ID: LRI4644000

Campaign of Italy 1859: The charge of the Piemontese cavalry. 19th century (painting)

Fattori, Giovanni (1825-1908)

The Duke Vittorio Amedeo II di Savoia in Carmagnola, detail (Painting, 1863)
The Duke Vittorio Amedeo II di Savoia in Carmagnola, detail (Painting, 1863)

LRI4643505: The Duke Vittorio Amedeo II di Savoia in Carmagnola, detail (Painting, 1863), Gamba, Enrico (1831-83) / Bridgeman Images

ID: LRI4643505

The Duke Vittorio Amedeo II di Savoia in Carmagnola, detail (Painting, 1863)

Gamba, Enrico (1831-83)

A ship from Alexandria in the port of Ostia (mosaic, 1st century BC-1st century AD)
A ship from Alexandria in the port of Ostia (mosaic, 1st century BC-1st century AD)

LRI4643142: A ship from Alexandria in the port of Ostia (mosaic, 1st century BC-1st century AD), Roman, (1st century BC) / Bridgeman Images

ID: LRI4643142

A ship from Alexandria in the port of Ostia (mosaic, 1st century BC-1st century AD)

Roman, (1st century BC)

Cupids playing with Hippogriffs (fresco, 1st century AD)
Cupids playing with Hippogriffs (fresco, 1st century AD)

LRI4642880: Cupids playing with Hippogriffs (fresco, 1st century AD), Roman, (1st century AD) / Bridgeman Images

ID: LRI4642880

Cupids playing with Hippogriffs (fresco, 1st century AD)

Roman, (1st century AD)

Risorgimento: constitution proclaimed by King Ferdinand II of the Two Sicilies (1810-1859) in 1847. Naples, Museo Nazionale di San Martino Italy
Risorgimento: constitution proclaimed by King Ferdinand II of the Two Sicilies (1810-1859) in 1847. Naples, Museo Nazionale di San Martino Italy

LRI4643945: Risorgimento: constitution proclaimed by King Ferdinand II of the Two Sicilies (1810-1859) in 1847. Naples, Museo Nazionale di San Martino Italy, Italian School, (19th century) / Bridgeman Images

ID: LRI4643945

Risorgimento: constitution proclaimed by King Ferdinand II of the Two Sicilies (1810-1859) in 1847. Naples, Museo Nazionale di San Martino Italy

Italian School, (19th century)

Neapolitan small metiers: the seller of chestnuts - (Old trade: chestnut seller) Watercolour of the 19th century - Naples Museo Nazionale di San Martino
Neapolitan small metiers: the seller of chestnuts - (Old trade: chestnut seller) Watercolour of the 19th century - Naples Museo Nazionale di San Martino

LRI4644284: Neapolitan small metiers: the seller of chestnuts - (Old trade: chestnut seller) Watercolour of the 19th century - Naples Museo Nazionale di San Martino, Italian School, (19th century) / Bridgeman Images

ID: LRI4644284

Neapolitan small metiers: the seller of chestnuts - (Old trade: chestnut seller) Watercolour of the 19th century - Naples Museo Nazionale di San Martino

Italian School, (19th century)

Orchard oriole, Icterus spurius. (American nightingale, Icterus minor) Illustration copied from George Edwards. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1802.
Orchard oriole, Icterus spurius. (American nightingale, Icterus minor) Illustration copied from George Edwards. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1802.

FLO4641252: Orchard oriole, Icterus spurius. (American nightingale, Icterus minor) Illustration copied from George Edwards. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1802. / Bridgeman Images

ID: FLO4641252

Orchard oriole, Icterus spurius. (American nightingale, Icterus minor) Illustration copied from George Edwards. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1802.

Woman in prayer, wearing a dress and a veil, 1420-1460, after a tombstone from the church of Heilsbronn (Germany) - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for her book “Costumes, crafts and instruments from the Middle Ages at the end of the 18th century”, published by Heinrich Keller, Franceller, Fort, 1883
Woman in prayer, wearing a dress and a veil, 1420-1460, after a tombstone from the church of Heilsbronn (Germany) - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for her book “Costumes, crafts and instruments from the Middle Ages at the end of the 18th century”, published by Heinrich Keller, Franceller, Fort, 1883

FLO4643872: Woman in prayer, wearing a dress and a veil, 1420-1460, after a tombstone from the church of Heilsbronn (Germany) - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for her book “Costumes, crafts and instruments from the Middle Ages at the end of the 18th century”, published by Heinrich Keller, Franceller, Fort, 1883 / Bridgeman Images

ID: FLO4643872

Woman in prayer, wearing a dress and a veil, 1420-1460, after a tombstone from the church of Heilsbronn (Germany) - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for her book “Costumes, crafts and instruments from the Middle Ages at the end of the 18th century”, published by Heinrich Keller, Franceller, Fort, 1883

Melchior von Graenroth, Vicedom of Aschaffenburg, kneeling in full armour on his gauntlets, died 1573. After a sculpture by caster Hieronymus Hack. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.
Melchior von Graenroth, Vicedom of Aschaffenburg, kneeling in full armour on his gauntlets, died 1573. After a sculpture by caster Hieronymus Hack. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.

FLO4644336: Melchior von Graenroth, Vicedom of Aschaffenburg, kneeling in full armour on his gauntlets, died 1573. After a sculpture by caster Hieronymus Hack. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher. / Bridgeman Images

ID: FLO4644336

Melchior von Graenroth, Vicedom of Aschaffenburg, kneeling in full armour on his gauntlets, died 1573. After a sculpture by caster Hieronymus Hack. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.

Garden or great tiger moth, Arctia caja. Illustration copied from Moses Harris. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1799.
Garden or great tiger moth, Arctia caja. Illustration copied from Moses Harris. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1799.

FLO4640340: Garden or great tiger moth, Arctia caja. Illustration copied from Moses Harris. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1799. / Bridgeman Images

ID: FLO4640340

Garden or great tiger moth, Arctia caja. Illustration copied from Moses Harris. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1799.

White throated sparrow, Zonotrichia albicollis (Passe pennsylvanica). Illustration copied from George Edwards after Mr. William Bartram of Philadelphia. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1799.
White throated sparrow, Zonotrichia albicollis (Passe pennsylvanica). Illustration copied from George Edwards after Mr. William Bartram of Philadelphia. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1799.

FLO4641269: White throated sparrow, Zonotrichia albicollis (Passe pennsylvanica). Illustration copied from George Edwards after Mr. William Bartram of Philadelphia. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1799. / Bridgeman Images

ID: FLO4641269

White throated sparrow, Zonotrichia albicollis (Passe pennsylvanica). Illustration copied from George Edwards after Mr. William Bartram of Philadelphia. Handcoloured copperplate engraving from “” The Naturalist's Pocket Magazine,”” Harrison, London, 1799.

Twig of a shrub Cornucopia (Copianthus indica), description of flowers, leaves, stem and fruit. Eau forte en couleurs, drawing by P.Maioli (or Majoli), engraving by Giuseppe Bianchi, published in 1786, in John Hill's Decade of Curious and Elegant Trees and Plants (new edition).
Twig of a shrub Cornucopia (Copianthus indica), description of flowers, leaves, stem and fruit. Eau forte en couleurs, drawing by P.Maioli (or Majoli), engraving by Giuseppe Bianchi, published in 1786, in John Hill's Decade of Curious and Elegant Trees and Plants (new edition).

FLO4644481: Twig of a shrub Cornucopia (Copianthus indica), description of flowers, leaves, stem and fruit. Eau forte en couleurs, drawing by P.Maioli (or Majoli), engraving by Giuseppe Bianchi, published in 1786, in John Hill's Decade of Curious and Elegant Trees and Plants (new edition). / Bridgeman Images

ID: FLO4644481

Twig of a shrub Cornucopia (Copianthus indica), description of flowers, leaves, stem and fruit. Eau forte en couleurs, drawing by P.Maioli (or Majoli), engraving by Giuseppe Bianchi, published in 1786, in John Hill's Decade of Curious and Elegant Trees and Plants (new edition).

Wood duck, Aix sponsa. (Summer duck, Anas sponsa.) Handcoloured copperplate engraving of an illustration by William Hayes from Portraits of Rare and Curious Birds from the Menagery of Osterly Park (London: Bulmer, 1794).
Wood duck, Aix sponsa. (Summer duck, Anas sponsa.) Handcoloured copperplate engraving of an illustration by William Hayes from Portraits of Rare and Curious Birds from the Menagery of Osterly Park (London: Bulmer, 1794).

FLO4643290: Wood duck, Aix sponsa. (Summer duck, Anas sponsa.) Handcoloured copperplate engraving of an illustration by William Hayes from Portraits of Rare and Curious Birds from the Menagery of Osterly Park (London: Bulmer, 1794)., Hayes, William (1735-1802) / Bridgeman Images

ID: FLO4643290

Wood duck, Aix sponsa. (Summer duck, Anas sponsa.) Handcoloured copperplate engraving of an illustration by William Hayes from Portraits of Rare and Curious Birds from the Menagery of Osterly Park (London: Bulmer, 1794).

Hayes, William (1735-1802)

Bohemian waxwing, Bombycilla garrulus. (Waxen chatterer, Ampelis garrulus) Handcoloured copperplate engraving of an illustration by A (Ann) Hayes from William Hayes' Portraits of Rare and Curious Birds from the Menagery of Osterly Park, London: Bulmer, 1794.
Bohemian waxwing, Bombycilla garrulus. (Waxen chatterer, Ampelis garrulus) Handcoloured copperplate engraving of an illustration by A (Ann) Hayes from William Hayes' Portraits of Rare and Curious Birds from the Menagery of Osterly Park, London: Bulmer, 1794.

FLO4643184: Bohemian waxwing, Bombycilla garrulus. (Waxen chatterer, Ampelis garrulus) Handcoloured copperplate engraving of an illustration by A (Ann) Hayes from William Hayes' Portraits of Rare and Curious Birds from the Menagery of Osterly Park, London: Bulmer, 1794., Hayes, William (1735-1802) / Bridgeman Images

ID: FLO4643184

Bohemian waxwing, Bombycilla garrulus. (Waxen chatterer, Ampelis garrulus) Handcoloured copperplate engraving of an illustration by A (Ann) Hayes from William Hayes' Portraits of Rare and Curious Birds from the Menagery of Osterly Park, London: Bulmer, 1794.

Hayes, William (1735-1802)

White Sandalwood - Lithography by F. Guimpel, extracted from medical botany by Friedrich Gottlob Haynes (1763-1832), Berlin, 1822 - Indian sandalwood, Santalum album - Handcoloured copperplate by F. Guimpel from Dr. F. G. Hayne's Medical Botany, Berlin, 1822
White Sandalwood - Lithography by F. Guimpel, extracted from medical botany by Friedrich Gottlob Haynes (1763-1832), Berlin, 1822 - Indian sandalwood, Santalum album - Handcoloured copperplate by F. Guimpel from Dr. F. G. Hayne's Medical Botany, Berlin, 1822

FLO4642368: White Sandalwood - Lithography by F. Guimpel, extracted from medical botany by Friedrich Gottlob Haynes (1763-1832), Berlin, 1822 - Indian sandalwood, Santalum album - Handcoloured copperplate by F. Guimpel from Dr. F. G. Hayne's Medical Botany, Berlin, 1822 / Bridgeman Images

ID: FLO4642368

White Sandalwood - Lithography by F. Guimpel, extracted from medical botany by Friedrich Gottlob Haynes (1763-1832), Berlin, 1822 - Indian sandalwood, Santalum album - Handcoloured copperplate by F. Guimpel from Dr. F. G. Hayne's Medical Botany, Berlin, 1822


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