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Saint Cloud (Hauts de Seine).
Saint Cloud (Hauts de Seine).

TEC4565513: Saint Cloud (Hauts de Seine). / Bridgeman Images

Front view of the human trunk skeleton including spine, ribs and pelvis. Copperplate engraving by Edward Mitchell after an anatomical illustration by Jean-Joseph Suefrom John Barclay's A Series of Engravings of the Human Skeleton, MacLachlan and Stewart, Edinburgh, 1824.
Front view of the human trunk skeleton including spine, ribs and pelvis. Copperplate engraving by Edward Mitchell after an anatomical illustration by Jean-Joseph Suefrom John Barclay's A Series of Engravings of the Human Skeleton, MacLachlan and Stewart, Edinburgh, 1824.

FLO4565690: Front view of the human trunk skeleton including spine, ribs and pelvis. Copperplate engraving by Edward Mitchell after an anatomical illustration by Jean-Joseph Suefrom John Barclay's A Series of Engravings of the Human Skeleton, MacLachlan and Stewart, Edinburgh, 1824. / Bridgeman Images

Detail of the interior decoration. Painting on wood with floral motifs. Chateau de Rambouillet (Les Yvelines).
Detail of the interior decoration. Painting on wood with floral motifs. Chateau de Rambouillet (Les Yvelines).

ITR4565717: Detail of the interior decoration. Painting on wood with floral motifs. Chateau de Rambouillet (Les Yvelines). / Bridgeman Images

Musician playing the saringee (Indian violin) wearing muslin or cotton robes, turban and sash. Handcoloured copperplate engraving by an unknown artist from “” Asiatic Costumes,”” Ackermann, London, 1828.
Musician playing the saringee (Indian violin) wearing muslin or cotton robes, turban and sash. Handcoloured copperplate engraving by an unknown artist from “” Asiatic Costumes,”” Ackermann, London, 1828.

FLO4565735: Musician playing the saringee (Indian violin) wearing muslin or cotton robes, turban and sash. Handcoloured copperplate engraving by an unknown artist from “” Asiatic Costumes,”” Ackermann, London, 1828. / Bridgeman Images

Detail of the galleries with arcades. Chateau de Dampierre en Yvelines (Les Yvelines). Chateau-Manoir of the 13th century metamorphosis from 1682 to 1685 by Jules Hardouin Mansart (1646-1708).
Detail of the galleries with arcades. Chateau de Dampierre en Yvelines (Les Yvelines). Chateau-Manoir of the 13th century metamorphosis from 1682 to 1685 by Jules Hardouin Mansart (1646-1708).

ITR4565774: Detail of the galleries with arcades. Chateau de Dampierre en Yvelines (Les Yvelines). Chateau-Manoir of the 13th century metamorphosis from 1682 to 1685 by Jules Hardouin Mansart (1646-1708). / Bridgeman Images

A young woman, dressed in a chiffon dress, apprehended to take a curative bath, a maid held a towel and another woman watched them (Bath, England) - Eau forte by Francis Eginton (1737-1805), from The New Bath Guide or Memories of the Blunderhead Family, published in 1807 - (Young fashionable woman dressing in muslin robe to take a healing spa in Regency Bath, an attendant holds a towel while another woman looks on - Handcoloured copperplate engraving by Francis Eginton from Christopher Anstey's “” The New Bath Guide,”” John Browne, 1807)
A young woman, dressed in a chiffon dress, apprehended to take a curative bath, a maid held a towel and another woman watched them (Bath, England) - Eau forte by Francis Eginton (1737-1805), from The New Bath Guide or Memories of the Blunderhead Family, published in 1807 - (Young fashionable woman dressing in muslin robe to take a healing spa in Regency Bath, an attendant holds a towel while another woman looks on - Handcoloured copperplate engraving by Francis Eginton from Christopher Anstey's “” The New Bath Guide,”” John Browne, 1807)

FLO4565842: A young woman, dressed in a chiffon dress, apprehended to take a curative bath, a maid held a towel and another woman watched them (Bath, England) - Eau forte by Francis Eginton (1737-1805), from The New Bath Guide or Memories of the Blunderhead Family, published in 1807 - (Young fashionable woman dressing in muslin robe to take a healing spa in Regency Bath, an attendant holds a towel while another woman looks on - Handcoloured copperplate engraving by Francis Eginton from Christopher Anstey's “” The New Bath Guide,”” John Browne, 1807) / Bridgeman Images

Detail of the Chateau de Maisons Laffitte (Yvelines), architect Francois Mansart (1598-1666), in 1640.
Detail of the Chateau de Maisons Laffitte (Yvelines), architect Francois Mansart (1598-1666), in 1640.

ITR4565865: Detail of the Chateau de Maisons Laffitte (Yvelines), architect Francois Mansart (1598-1666), in 1640. / Bridgeman Images

Fritillary guinea fowl or checkerboard. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Snake's head fritillary, Fritillaria meleagris. Handcoloured copperplate engraving from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.
Fritillary guinea fowl or checkerboard. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Snake's head fritillary, Fritillaria meleagris. Handcoloured copperplate engraving from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

FLO4565874: Fritillary guinea fowl or checkerboard. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Snake's head fritillary, Fritillaria meleagris. Handcoloured copperplate engraving from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854. / Bridgeman Images

European charcoal. Coloured copper engraving from a drawing by C. Mathews from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Common spindle tree, Euonymus europaeus. Handcoloured copperplate engraving by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.
European charcoal. Coloured copper engraving from a drawing by C. Mathews from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Common spindle tree, Euonymus europaeus. Handcoloured copperplate engraving by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

FLO4566050: European charcoal. Coloured copper engraving from a drawing by C. Mathews from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Common spindle tree, Euonymus europaeus. Handcoloured copperplate engraving by Charles Mathews from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854. / Bridgeman Images

A fox Zoology board from 'Natural History', 19th century (engraving)
A fox Zoology board from 'Natural History', 19th century (engraving)

JLJ4566063: A fox Zoology board from 'Natural History', 19th century (engraving), French School, (19th century) / Bridgeman Images

Pellegrina lakes, Monviso mountain, Po valley, Piedmont, Italy.
Pellegrina lakes, Monviso mountain, Po valley, Piedmont, Italy.

CUB4533380: Pellegrina lakes, Monviso mountain, Po valley, Piedmont, Italy. / Bridgeman Images

Mountaineers on Gran Paradiso mountain, Valle d'Aosta, Italy.
Mountaineers on Gran Paradiso mountain, Valle d'Aosta, Italy.

CUB4533390: Mountaineers on Gran Paradiso mountain, Valle d'Aosta, Italy. / Bridgeman Images

Po river, Po valley, Piedmont, Italy.
Po river, Po valley, Piedmont, Italy.

CUB4533431: Po river, Po valley, Piedmont, Italy. / Bridgeman Images

Landscape, Pian del Re, Po valley, Piedmont, Italy.
Landscape, Pian del Re, Po valley, Piedmont, Italy.

CUB4533476: Landscape, Pian del Re, Po valley, Piedmont, Italy. / Bridgeman Images

Watershed between Po valley and Pellice valley, Barge, Piedmont, Italy.
Watershed between Po valley and Pellice valley, Barge, Piedmont, Italy.

CUB4533495: Watershed between Po valley and Pellice valley, Barge, Piedmont, Italy. / Bridgeman Images

Alpinists, Piz Zupo, Bernina group, Lombardy, Italy
Alpinists, Piz Zupo, Bernina group, Lombardy, Italy

CUB4533510: Alpinists, Piz Zupo, Bernina group, Lombardy, Italy / Bridgeman Images

Ski on Monviso, Piedmont, Italy
Ski on Monviso, Piedmont, Italy

CUB4533548: Ski on Monviso, Piedmont, Italy / Bridgeman Images

Chabod refuge, Gran Paradiso, Valle d'Aosta, Italy
Chabod refuge, Gran Paradiso, Valle d'Aosta, Italy

CUB4533567: Chabod refuge, Gran Paradiso, Valle d'Aosta, Italy / Bridgeman Images

Alpinists, Monte Rosa group, Valle d'Aosta, Italy
Alpinists, Monte Rosa group, Valle d'Aosta, Italy

CUB4533637: Alpinists, Monte Rosa group, Valle d'Aosta, Italy / Bridgeman Images

Canal, Lodi, Lombardy, Italy
Canal, Lodi, Lombardy, Italy

CUB4533681: Canal, Lodi, Lombardy, Italy / Bridgeman Images

Museum Carla Sozzani, Milan, Lombardy, Italy
Museum Carla Sozzani, Milan, Lombardy, Italy

CUB4533686: Museum Carla Sozzani, Milan, Lombardy, Italy / Bridgeman Images

Orta lake, Piedmont, Italy
Orta lake, Piedmont, Italy

CUB4533705: Orta lake, Piedmont, Italy / Bridgeman Images

Dummy in front of Castello Sforzesco, Milan, Lombardy, Italy
Dummy in front of Castello Sforzesco, Milan, Lombardy, Italy

CUB4533740: Dummy in front of Castello Sforzesco, Milan, Lombardy, Italy / Bridgeman Images

Port, Trieste, Friuli Venezia Giulia, Italy
Port, Trieste, Friuli Venezia Giulia, Italy

CUB4533757: Port, Trieste, Friuli Venezia Giulia, Italy / Bridgeman Images

Rose, Italy
Rose, Italy

CUB4533820: Rose, Italy / Bridgeman Images

Louvre Museum, Paris, France, Europe
Louvre Museum, Paris, France, Europe

CUB4533902: Louvre Museum, Paris, France, Europe / Bridgeman Images

The Royal Monastery of San Lorenzo de El Escorial, Madrid, Spain, Europe
The Royal Monastery of San Lorenzo de El Escorial, Madrid, Spain, Europe

CUB4533920: The Royal Monastery of San Lorenzo de El Escorial, Madrid, Spain, Europe / Bridgeman Images

Wienzeilehauser, Salzburg, Austria, Europe
Wienzeilehauser, Salzburg, Austria, Europe

CUB4533942: Wienzeilehauser, Salzburg, Austria, Europe / Bridgeman Images

Sainfoin grows. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Common sainfoin, Onobrychis sativa. Handcoloured copperplate engraving by Charles Mathews of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.
Sainfoin grows. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Common sainfoin, Onobrychis sativa. Handcoloured copperplate engraving by Charles Mathews of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

FLO4566122: Sainfoin grows. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Common sainfoin, Onobrychis sativa. Handcoloured copperplate engraving by Charles Mathews of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854. / Bridgeman Images

Petasite officinal or vulgar phybrid or devil's hat. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Common butterbur, Petasites vulgaris. Handcoloured copperplate engraving by Charles Mathews of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.
Petasite officinal or vulgar phybrid or devil's hat. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Common butterbur, Petasites vulgaris. Handcoloured copperplate engraving by Charles Mathews of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

FLO4566157: Petasite officinal or vulgar phybrid or devil's hat. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Common butterbur, Petasites vulgaris. Handcoloured copperplate engraving by Charles Mathews of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854. / Bridgeman Images

Meeting of journalist Henry Morton Stanley and David Livingstone, British doctor and explorer, on 10/11/1871 in Tanzania, 19th century (engraving)
Meeting of journalist Henry Morton Stanley and David Livingstone, British doctor and explorer, on 10/11/1871 in Tanzania, 19th century (engraving)

JLJ4566243: Meeting of journalist Henry Morton Stanley and David Livingstone, British doctor and explorer, on 10/11/1871 in Tanzania, 19th century (engraving), Anonymous / Bridgeman Images

Pianist in concert dress playing piano for Pugnot Musique, trade sign in Paris.
Pianist in concert dress playing piano for Pugnot Musique, trade sign in Paris.

TEC4566266: Pianist in concert dress playing piano for Pugnot Musique, trade sign in Paris. / Bridgeman Images

Doronic kills panthere. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Great leopard's bane, Doronicum pardalianches. Handcoloured copperplate engraving by I. Whessell of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.
Doronic kills panthere. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Great leopard's bane, Doronicum pardalianches. Handcoloured copperplate engraving by I. Whessell of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854.

FLO4566270: Doronic kills panthere. Coloured copper engraving from a drawing by Isaac Russell from William Baxter's book “English Botanical Phenomenes””, 1834. William Baxter (1788-1871) was the curator of the Oxford Botanical Garden from 1813 to 1854. Great leopard's bane, Doronicum pardalianches. Handcoloured copperplate engraving by I. Whessell of a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1835. Scotsman William Baxter (1788-1871) was the curator of the Oxford Botanic Garden from 1813 to 1854. / Bridgeman Images

Dandelion - Common dandelion, Taraxacum officinale, Leontodon taraxacum - Handcoloured copperplate engraving by Charles Mathews from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834
Dandelion - Common dandelion, Taraxacum officinale, Leontodon taraxacum - Handcoloured copperplate engraving by Charles Mathews from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834

FLO4566321: Dandelion - Common dandelion, Taraxacum officinale, Leontodon taraxacum - Handcoloured copperplate engraving by Charles Mathews from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1834 / Bridgeman Images

Visitation: Mary visits Elisabeth, Statuette of the Trojan school of the 16th century (marble)
Visitation: Mary visits Elisabeth, Statuette of the Trojan school of the 16th century (marble)

JLJ4566408: Visitation: Mary visits Elisabeth, Statuette of the Trojan school of the 16th century (marble), French School, (16th century) / Bridgeman Images

Hemp agrimony, Eupatorium cannabinum - Handcoloured copperplate engraving by Charles Mathews from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1836
Hemp agrimony, Eupatorium cannabinum - Handcoloured copperplate engraving by Charles Mathews from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1836

FLO4566447: Hemp agrimony, Eupatorium cannabinum - Handcoloured copperplate engraving by Charles Mathews from a drawing by Isaac Russell from William Baxter's “” British Phaenogamous Botany”” 1836 / Bridgeman Images


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