1. Home
  2. Search Results

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

2491504 Search Results

Caroline, queen consort of King George II of England. Steel engraving by J. Brown after a portrait by J.W. Wright from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868.
Caroline, queen consort of King George II of England. Steel engraving by J. Brown after a portrait by J.W. Wright from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868.

FLO4688890: Caroline, queen consort of King George II of England. Steel engraving by J. Brown after a portrait by J.W. Wright from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868. / Bridgeman Images

ID: FLO4688890

Caroline, queen consort of King George II of England. Steel engraving by J. Brown after a portrait by J.W. Wright from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868.

Medallion portrait of astronomer Sir William Herschel. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.
Medallion portrait of astronomer Sir William Herschel. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

FLO4688973: Medallion portrait of astronomer Sir William Herschel. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. / Bridgeman Images

ID: FLO4688973

Medallion portrait of astronomer Sir William Herschel. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

Basalt portrait of Rousseau. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.
Basalt portrait of Rousseau. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

FLO4688983: Basalt portrait of Rousseau. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. / Bridgeman Images

ID: FLO4688983

Basalt portrait of Rousseau. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

Black koty, 680-670 BC
Black koty, 680-670 BC

LRI4689007: Black koty, 680-670 BC, Etruscan, (7th century BC) / Bridgeman Images

ID: LRI4689007

Black koty, 680-670 BC

Etruscan, (7th century BC)

The Borghese Vase or the Campana Vase, decorated with foliage and reliefs of classical mythology. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.
The Borghese Vase or the Campana Vase, decorated with foliage and reliefs of classical mythology. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

FLO4689145: The Borghese Vase or the Campana Vase, decorated with foliage and reliefs of classical mythology. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. / Bridgeman Images

ID: FLO4689145

The Borghese Vase or the Campana Vase, decorated with foliage and reliefs of classical mythology. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

Etruscan civilization: decoree brown earth cup from Grosseto, Patigliano, Italy - 7th century BC (Etruscan art: cup decorated with statuettes, 7th century BC) Florence Museo Archeologico, inv 89852
Etruscan civilization: decoree brown earth cup from Grosseto, Patigliano, Italy - 7th century BC (Etruscan art: cup decorated with statuettes, 7th century BC) Florence Museo Archeologico, inv 89852

LRI4689155: Etruscan civilization: decoree brown earth cup from Grosseto, Patigliano, Italy - 7th century BC (Etruscan art: cup decorated with statuettes, 7th century BC) Florence Museo Archeologico, inv 89852, Etruscan, (7th century BC) / Bridgeman Images

ID: LRI4689155

Etruscan civilization: decoree brown earth cup from Grosseto, Patigliano, Italy - 7th century BC (Etruscan art: cup decorated with statuettes, 7th century BC) Florence Museo Archeologico, inv 89852

Etruscan, (7th century BC)

Etruscan civilization: small cup with handle from Tarquinia, Selciatello di Sopra, Italy - 8th century BC (Etruscan art: Capeduncola, 8th century BC) Dim 7 x diam 10,2 cm Florence, Museo Archeologico, inv 83652
Etruscan civilization: small cup with handle from Tarquinia, Selciatello di Sopra, Italy - 8th century BC (Etruscan art: Capeduncola, 8th century BC) Dim 7 x diam 10,2 cm Florence, Museo Archeologico, inv 83652

LRI4689161: Etruscan civilization: small cup with handle from Tarquinia, Selciatello di Sopra, Italy - 8th century BC (Etruscan art: Capeduncola, 8th century BC) Dim 7 x diam 10,2 cm Florence, Museo Archeologico, inv 83652, Etruscan, (8th century BC) / Bridgeman Images

ID: LRI4689161

Etruscan civilization: small cup with handle from Tarquinia, Selciatello di Sopra, Italy - 8th century BC (Etruscan art: Capeduncola, 8th century BC) Dim 7 x diam 10,2 cm Florence, Museo Archeologico, inv 83652

Etruscan, (8th century BC)

Jewish old clothesman with a bag of clothes over his shoulder, rags and hat in his hand. Handcoloured copperplate engraving from William Henry Pyne's The World in Miniature: England, Scotland and Ireland, Ackermann, 1827.
Jewish old clothesman with a bag of clothes over his shoulder, rags and hat in his hand. Handcoloured copperplate engraving from William Henry Pyne's The World in Miniature: England, Scotland and Ireland, Ackermann, 1827.

FLO4688688: Jewish old clothesman with a bag of clothes over his shoulder, rags and hat in his hand. Handcoloured copperplate engraving from William Henry Pyne's The World in Miniature: England, Scotland and Ireland, Ackermann, 1827. / Bridgeman Images

ID: FLO4688688

Jewish old clothesman with a bag of clothes over his shoulder, rags and hat in his hand. Handcoloured copperplate engraving from William Henry Pyne's The World in Miniature: England, Scotland and Ireland, Ackermann, 1827.

Joanna of Navarre, Queen of King Henry IV of England. Steel engraving from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868.
Joanna of Navarre, Queen of King Henry IV of England. Steel engraving from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868.

FLO4688809: Joanna of Navarre, Queen of King Henry IV of England. Steel engraving from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868. / Bridgeman Images

ID: FLO4688809

Joanna of Navarre, Queen of King Henry IV of England. Steel engraving from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868.

Anne Neville - Anne of Warwick, Queen of King Richard III of England. Steel engraving from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868.
Anne Neville - Anne of Warwick, Queen of King Richard III of England. Steel engraving from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868.

FLO4688831: Anne Neville - Anne of Warwick, Queen of King Richard III of England. Steel engraving from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868. / Bridgeman Images

ID: FLO4688831

Anne Neville - Anne of Warwick, Queen of King Richard III of England. Steel engraving from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868.

Elizabeth of York - Elizabeth of York, Queen of King Henry VII of England. Steel engraving by W.H. Egleton after a portrait by Edward Corbould from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868.
Elizabeth of York - Elizabeth of York, Queen of King Henry VII of England. Steel engraving by W.H. Egleton after a portrait by Edward Corbould from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868.

FLO4688838: Elizabeth of York - Elizabeth of York, Queen of King Henry VII of England. Steel engraving by W.H. Egleton after a portrait by Edward Corbould from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868. / Bridgeman Images

ID: FLO4688838

Elizabeth of York - Elizabeth of York, Queen of King Henry VII of England. Steel engraving by W.H. Egleton after a portrait by Edward Corbould from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868.

Piece of crater from Gravisca, 550-525 BC
Piece of crater from Gravisca, 550-525 BC

LRI4688858: Piece of crater from Gravisca, 550-525 BC, Etruscan, (6th century BC) / Bridgeman Images

ID: LRI4688858

Piece of crater from Gravisca, 550-525 BC

Etruscan, (6th century BC)

Cabbage rose, Rosa centifolia, from Robert Tyas' “Queen of Flowers, or Memoirs of the Rose,” London, 1840. Unsigned handcoloured lithograph, but probably by James Andrews. Little is known about the artist James Andrews (1801 ~ 1876) apart from his work. This gifted artist taught flower-painting to young ladies and published a treatise “” Lessons in Flower Painting”” in 1835. Blunt calls him “” an illustrator of sentimental flower books,””” but admits that he was “” very talented.”” His signature JA can be found in many botanical gift books for publisher Robert Tyas from “” The Sentiment of Flowers”” (1836) to “” Flowers from Foreign Lands”” (1853).
Cabbage rose, Rosa centifolia, from Robert Tyas' “Queen of Flowers, or Memoirs of the Rose,” London, 1840. Unsigned handcoloured lithograph, but probably by James Andrews. Little is known about the artist James Andrews (1801 ~ 1876) apart from his work. This gifted artist taught flower-painting to young ladies and published a treatise “” Lessons in Flower Painting”” in 1835. Blunt calls him “” an illustrator of sentimental flower books,””” but admits that he was “” very talented.”” His signature JA can be found in many botanical gift books for publisher Robert Tyas from “” The Sentiment of Flowers”” (1836) to “” Flowers from Foreign Lands”” (1853).

FLO4688891: Cabbage rose, Rosa centifolia, from Robert Tyas' “Queen of Flowers, or Memoirs of the Rose,” London, 1840. Unsigned handcoloured lithograph, but probably by James Andrews. Little is known about the artist James Andrews (1801 ~ 1876) apart from his work. This gifted artist taught flower-painting to young ladies and published a treatise “” Lessons in Flower Painting”” in 1835. Blunt calls him “” an illustrator of sentimental flower books,””” but admits that he was “” very talented.”” His signature JA can be found in many botanical gift books for publisher Robert Tyas from “” The Sentiment of Flowers”” (1836) to “” Flowers from Foreign Lands”” (1853). / Bridgeman Images

ID: FLO4688891

Cabbage rose, Rosa centifolia, from Robert Tyas' “Queen of Flowers, or Memoirs of the Rose,” London, 1840. Unsigned handcoloured lithograph, but probably by James Andrews. Little is known about the artist James Andrews (1801 ~ 1876) apart from his work. This gifted artist taught flower-painting to young ladies and published a treatise “” Lessons in Flower Painting”” in 1835. Blunt calls him “” an illustrator of sentimental flower books,””” but admits that he was “” very talented.”” His signature JA can be found in many botanical gift books for publisher Robert Tyas from “” The Sentiment of Flowers”” (1836) to “” Flowers from Foreign Lands”” (1853).

Plaque of Endymion on the rock Latmos. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.
Plaque of Endymion on the rock Latmos. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

FLO4688994: Plaque of Endymion on the rock Latmos. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. / Bridgeman Images

ID: FLO4688994

Plaque of Endymion on the rock Latmos. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

Chelsea Pensioner and Greenwich Pensioner. Army veteran in the redcoat uniform of the Chelsea Hospital holding a pipe, and Navy veteran in the blue uniform of Greenwich Hospital with pegleg holding a tankard. Handcoloured copperplate engraving from William Henry Pyne's The World in Miniature: England, Scotland and Ireland, Ackermann, 1827.
Chelsea Pensioner and Greenwich Pensioner. Army veteran in the redcoat uniform of the Chelsea Hospital holding a pipe, and Navy veteran in the blue uniform of Greenwich Hospital with pegleg holding a tankard. Handcoloured copperplate engraving from William Henry Pyne's The World in Miniature: England, Scotland and Ireland, Ackermann, 1827.

FLO4688662: Chelsea Pensioner and Greenwich Pensioner. Army veteran in the redcoat uniform of the Chelsea Hospital holding a pipe, and Navy veteran in the blue uniform of Greenwich Hospital with pegleg holding a tankard. Handcoloured copperplate engraving from William Henry Pyne's The World in Miniature: England, Scotland and Ireland, Ackermann, 1827. / Bridgeman Images

ID: FLO4688662

Chelsea Pensioner and Greenwich Pensioner. Army veteran in the redcoat uniform of the Chelsea Hospital holding a pipe, and Navy veteran in the blue uniform of Greenwich Hospital with pegleg holding a tankard. Handcoloured copperplate engraving from William Henry Pyne's The World in Miniature: England, Scotland and Ireland, Ackermann, 1827.

Etruscan civilization: gold earring with small ring - 4th-3rd century BC (Etruscan art: golden earring, 4th-3rd century BC) Florence Museo Archeologico, inv 15765
Etruscan civilization: gold earring with small ring - 4th-3rd century BC (Etruscan art: golden earring, 4th-3rd century BC) Florence Museo Archeologico, inv 15765

LRI4689017: Etruscan civilization: gold earring with small ring - 4th-3rd century BC (Etruscan art: golden earring, 4th-3rd century BC) Florence Museo Archeologico, inv 15765, Etruscan, (4th century BC) / Bridgeman Images

ID: LRI4689017

Etruscan civilization: gold earring with small ring - 4th-3rd century BC (Etruscan art: golden earring, 4th-3rd century BC) Florence Museo Archeologico, inv 15765

Etruscan, (4th century BC)

Eleanor of Castile, queen consort of King Edward I of England. Steel engraving by W.H. Egleton after a portrait by J.W. Wright from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868.
Eleanor of Castile, queen consort of King Edward I of England. Steel engraving by W.H. Egleton after a portrait by J.W. Wright from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868.

FLO4688743: Eleanor of Castile, queen consort of King Edward I of England. Steel engraving by W.H. Egleton after a portrait by J.W. Wright from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868. / Bridgeman Images

ID: FLO4688743

Eleanor of Castile, queen consort of King Edward I of England. Steel engraving by W.H. Egleton after a portrait by J.W. Wright from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868.

Terracotta crater, 5th century BC
Terracotta crater, 5th century BC

LRI4689087: Terracotta crater, 5th century BC, Etruscan, (5th century BC) / Bridgeman Images

ID: LRI4689087

Terracotta crater, 5th century BC

Etruscan, (5th century BC)

Funerary bed made with three tuff blocks, 6th century BC
Funerary bed made with three tuff blocks, 6th century BC

LRI4689123: Funerary bed made with three tuff blocks, 6th century BC, Etruscan, (6th century BC) / Bridgeman Images

ID: LRI4689123

Funerary bed made with three tuff blocks, 6th century BC

Etruscan, (6th century BC)

Double white rose, Rosa alba, from Robert Tyas' “” Queen of Flowers, or Memoirs of the Rose,”” London, 1840. Unsigned handcoloured lithograph, but probably by James Andrews. Little is known about the artist James Andrews (1801 ~ 1876) apart from his work. This gifted artist taught flower-painting to young ladies and published a treatise “” Lessons in Flower Painting”” in 1835. Blunt calls him “” an illustrator of sentimental flower books,””” but admits that he was “” very talented.”” His signature JA can be found in many botanical gift books for publisher Robert Tyas from “” The Sentiment of Flowers”” (1836) to “” Flowers from Foreign Lands”” (1853).
Double white rose, Rosa alba, from Robert Tyas' “” Queen of Flowers, or Memoirs of the Rose,”” London, 1840. Unsigned handcoloured lithograph, but probably by James Andrews. Little is known about the artist James Andrews (1801 ~ 1876) apart from his work. This gifted artist taught flower-painting to young ladies and published a treatise “” Lessons in Flower Painting”” in 1835. Blunt calls him “” an illustrator of sentimental flower books,””” but admits that he was “” very talented.”” His signature JA can be found in many botanical gift books for publisher Robert Tyas from “” The Sentiment of Flowers”” (1836) to “” Flowers from Foreign Lands”” (1853).

FLO4688896: Double white rose, Rosa alba, from Robert Tyas' “” Queen of Flowers, or Memoirs of the Rose,”” London, 1840. Unsigned handcoloured lithograph, but probably by James Andrews. Little is known about the artist James Andrews (1801 ~ 1876) apart from his work. This gifted artist taught flower-painting to young ladies and published a treatise “” Lessons in Flower Painting”” in 1835. Blunt calls him “” an illustrator of sentimental flower books,””” but admits that he was “” very talented.”” His signature JA can be found in many botanical gift books for publisher Robert Tyas from “” The Sentiment of Flowers”” (1836) to “” Flowers from Foreign Lands”” (1853). / Bridgeman Images

ID: FLO4688896

Double white rose, Rosa alba, from Robert Tyas' “” Queen of Flowers, or Memoirs of the Rose,”” London, 1840. Unsigned handcoloured lithograph, but probably by James Andrews. Little is known about the artist James Andrews (1801 ~ 1876) apart from his work. This gifted artist taught flower-painting to young ladies and published a treatise “” Lessons in Flower Painting”” in 1835. Blunt calls him “” an illustrator of sentimental flower books,””” but admits that he was “” very talented.”” His signature JA can be found in many botanical gift books for publisher Robert Tyas from “” The Sentiment of Flowers”” (1836) to “” Flowers from Foreign Lands”” (1853).

The Portland Vase or Barberini Vase. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.
The Portland Vase or Barberini Vase. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

FLO4688915: The Portland Vase or Barberini Vase. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. / Bridgeman Images

ID: FLO4688915

The Portland Vase or Barberini Vase. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

Etruscan civilization: silver dragon fibule from the necropolis of Banditella, Marsigliana d'Albegna, Italy, 675-650 BC (Etruscan art: silver fibula, 675-650 BC) Dim 15.5 cm Florence museo archeologico inv 20982
Etruscan civilization: silver dragon fibule from the necropolis of Banditella, Marsigliana d'Albegna, Italy, 675-650 BC (Etruscan art: silver fibula, 675-650 BC) Dim 15.5 cm Florence museo archeologico inv 20982

LRI4688995: Etruscan civilization: silver dragon fibule from the necropolis of Banditella, Marsigliana d'Albegna, Italy, 675-650 BC (Etruscan art: silver fibula, 675-650 BC) Dim 15.5 cm Florence museo archeologico inv 20982, Etruscan, (7th century BC) / Bridgeman Images

ID: LRI4688995

Etruscan civilization: silver dragon fibule from the necropolis of Banditella, Marsigliana d'Albegna, Italy, 675-650 BC (Etruscan art: silver fibula, 675-650 BC) Dim 15.5 cm Florence museo archeologico inv 20982

Etruscan, (7th century BC)

Little silver vase with snakes, 675-650 BC
Little silver vase with snakes, 675-650 BC

LRI4689046: Little silver vase with snakes, 675-650 BC, Etruscan, (7th century BC) / Bridgeman Images

ID: LRI4689046

Little silver vase with snakes, 675-650 BC

Etruscan, (7th century BC)

Golden brooch, 480 BC
Golden brooch, 480 BC

LRI4689053: Golden brooch, 480 BC, Etruscan, (5th century BC) / Bridgeman Images

ID: LRI4689053

Golden brooch, 480 BC

Etruscan, (5th century BC)

Etruscan civilization: terracotta fusaioli from Tomb 1 of San Cerbone, Populonia - 7th century BC (Etruscan art: spindle whorls, 7th century BC) Florence, Museo Archeologico, inv 163016-163028, 163044-163046
Etruscan civilization: terracotta fusaioli from Tomb 1 of San Cerbone, Populonia - 7th century BC (Etruscan art: spindle whorls, 7th century BC) Florence, Museo Archeologico, inv 163016-163028, 163044-163046

LRI4689063: Etruscan civilization: terracotta fusaioli from Tomb 1 of San Cerbone, Populonia - 7th century BC (Etruscan art: spindle whorls, 7th century BC) Florence, Museo Archeologico, inv 163016-163028, 163044-163046, Etruscan, (7th century BC) / Bridgeman Images

ID: LRI4689063

Etruscan civilization: terracotta fusaioli from Tomb 1 of San Cerbone, Populonia - 7th century BC (Etruscan art: spindle whorls, 7th century BC) Florence, Museo Archeologico, inv 163016-163028, 163044-163046

Etruscan, (7th century BC)

Portrait medallions of King Louis XVI of France (blue), Marie Antoinette (blue), Duke of Bridgewater (black), Edmund Burke (pink) and William Pitt (blue). Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.
Portrait medallions of King Louis XVI of France (blue), Marie Antoinette (blue), Duke of Bridgewater (black), Edmund Burke (pink) and William Pitt (blue). Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

FLO4689189: Portrait medallions of King Louis XVI of France (blue), Marie Antoinette (blue), Duke of Bridgewater (black), Edmund Burke (pink) and William Pitt (blue). Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. / Bridgeman Images

ID: FLO4689189

Portrait medallions of King Louis XVI of France (blue), Marie Antoinette (blue), Duke of Bridgewater (black), Edmund Burke (pink) and William Pitt (blue). Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

Medallions mounted in gold and steel. Subjects include nymphs sacrificing to Peace, Apollo with lyre, Cupid on a swan, Cancer Zodiac sign, Bourbonnais shepherd, etc. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.
Medallions mounted in gold and steel. Subjects include nymphs sacrificing to Peace, Apollo with lyre, Cupid on a swan, Cancer Zodiac sign, Bourbonnais shepherd, etc. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

FLO4689241: Medallions mounted in gold and steel. Subjects include nymphs sacrificing to Peace, Apollo with lyre, Cupid on a swan, Cancer Zodiac sign, Bourbonnais shepherd, etc. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. / Bridgeman Images

ID: FLO4689241

Medallions mounted in gold and steel. Subjects include nymphs sacrificing to Peace, Apollo with lyre, Cupid on a swan, Cancer Zodiac sign, Bourbonnais shepherd, etc. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

Coffee pot showing the infant academy, Chocolate pot with acanthus foliage, and Coffee pot with women and children. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.
Coffee pot showing the infant academy, Chocolate pot with acanthus foliage, and Coffee pot with women and children. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

FLO4689315: Coffee pot showing the infant academy, Chocolate pot with acanthus foliage, and Coffee pot with women and children. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. / Bridgeman Images

ID: FLO4689315

Coffee pot showing the infant academy, Chocolate pot with acanthus foliage, and Coffee pot with women and children. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

Etruscan civilization: carved terracotta pediment - From the tomb Montagnola a Quinto Fiorentino, Italy - 470-460 BC (Etruscan art: terracotta pediment, 470-460 BC) Arezzo, Museo Archeologico G Clinio Mecenate
Etruscan civilization: carved terracotta pediment - From the tomb Montagnola a Quinto Fiorentino, Italy - 470-460 BC (Etruscan art: terracotta pediment, 470-460 BC) Arezzo, Museo Archeologico G Clinio Mecenate

LRI4689403: Etruscan civilization: carved terracotta pediment - From the tomb Montagnola a Quinto Fiorentino, Italy - 470-460 BC (Etruscan art: terracotta pediment, 470-460 BC) Arezzo, Museo Archeologico G Clinio Mecenate, Etruscan, (5th century BC) / Bridgeman Images

ID: LRI4689403

Etruscan civilization: carved terracotta pediment - From the tomb Montagnola a Quinto Fiorentino, Italy - 470-460 BC (Etruscan art: terracotta pediment, 470-460 BC) Arezzo, Museo Archeologico G Clinio Mecenate

Etruscan, (5th century BC)

Etruscan civilization: female bronze statuette from Brolio. 550 BC. Florence, Museo Archeologico, inv. 561
Etruscan civilization: female bronze statuette from Brolio. 550 BC. Florence, Museo Archeologico, inv. 561

LRI4689433: Etruscan civilization: female bronze statuette from Brolio. 550 BC. Florence, Museo Archeologico, inv. 561, Etruscan, (6th century BC) / Bridgeman Images

ID: LRI4689433

Etruscan civilization: female bronze statuette from Brolio. 550 BC. Florence, Museo Archeologico, inv. 561

Etruscan, (6th century BC)

Statuette representing Fufluns or Puphluns. Circa 480 BC (bronze)
Statuette representing Fufluns or Puphluns. Circa 480 BC (bronze)

LRI4689251: Statuette representing Fufluns or Puphluns. Circa 480 BC (bronze), Etruscan, (5th century BC) / Bridgeman Images

ID: LRI4689251

Statuette representing Fufluns or Puphluns. Circa 480 BC (bronze)

Etruscan, (5th century BC)

Medallions with nymph, Calliope as Hope, Cupid on a swan, and Cupid shaping his bow. Mounted pieces including gold box with cameo of Catherine II, buckle with Bonnie Prince Charlie, scent flacon with Jupiter and the eagle, and toothpick boxes. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.
Medallions with nymph, Calliope as Hope, Cupid on a swan, and Cupid shaping his bow. Mounted pieces including gold box with cameo of Catherine II, buckle with Bonnie Prince Charlie, scent flacon with Jupiter and the eagle, and toothpick boxes. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

FLO4689288: Medallions with nymph, Calliope as Hope, Cupid on a swan, and Cupid shaping his bow. Mounted pieces including gold box with cameo of Catherine II, buckle with Bonnie Prince Charlie, scent flacon with Jupiter and the eagle, and toothpick boxes. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. / Bridgeman Images

ID: FLO4689288

Medallions with nymph, Calliope as Hope, Cupid on a swan, and Cupid shaping his bow. Mounted pieces including gold box with cameo of Catherine II, buckle with Bonnie Prince Charlie, scent flacon with Jupiter and the eagle, and toothpick boxes. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

Rosier musque, with double flowers - Eau forte de Charlin, d'une illustration de Pierre Joseph Redoute (1759-1840), extract from Les Roses, 1817 - Semi-double musk rose, Rosa moschata var. plena (Rosa moschata flore semi-pleno) - Handcoloured stipple copperplate engraving by Charlin after an illustration by Pierre-Joseph Redoute from “” Les Roses,” Firmin Dot , Paris, 1817
Rosier musque, with double flowers - Eau forte de Charlin, d'une illustration de Pierre Joseph Redoute (1759-1840), extract from Les Roses, 1817 - Semi-double musk rose, Rosa moschata var. plena (Rosa moschata flore semi-pleno) - Handcoloured stipple copperplate engraving by Charlin after an illustration by Pierre-Joseph Redoute from “” Les Roses,” Firmin Dot , Paris, 1817

FLO4689326: Rosier musque, with double flowers - Eau forte de Charlin, d'une illustration de Pierre Joseph Redoute (1759-1840), extract from Les Roses, 1817 - Semi-double musk rose, Rosa moschata var. plena (Rosa moschata flore semi-pleno) - Handcoloured stipple copperplate engraving by Charlin after an illustration by Pierre-Joseph Redoute from “” Les Roses,” Firmin Dot , Paris, 1817, Redouté, Pierre Joseph (1759-1840) / Bridgeman Images

ID: FLO4689326

Rosier musque, with double flowers - Eau forte de Charlin, d'une illustration de Pierre Joseph Redoute (1759-1840), extract from Les Roses, 1817 - Semi-double musk rose, Rosa moschata var. plena (Rosa moschata flore semi-pleno) - Handcoloured stipple copperplate engraving by Charlin after an illustration by Pierre-Joseph Redoute from “” Les Roses,” Firmin Dot , Paris, 1817

Redouté, Pierre Joseph (1759-1840)

Etruscan civilization: ciborium lid in bucchero from Cerveteri Italy Dim 19.5 cm diam 8th century BC (Etruscan art: bucchero ciborium lid) 8th century BC Florence, Museo Archeologico, inv 11817
Etruscan civilization: ciborium lid in bucchero from Cerveteri Italy Dim 19.5 cm diam 8th century BC (Etruscan art: bucchero ciborium lid) 8th century BC Florence, Museo Archeologico, inv 11817

LRI4689351: Etruscan civilization: ciborium lid in bucchero from Cerveteri Italy Dim 19.5 cm diam 8th century BC (Etruscan art: bucchero ciborium lid) 8th century BC Florence, Museo Archeologico, inv 11817, Etruscan, (8th century BC) / Bridgeman Images

ID: LRI4689351

Etruscan civilization: ciborium lid in bucchero from Cerveteri Italy Dim 19.5 cm diam 8th century BC (Etruscan art: bucchero ciborium lid) 8th century BC Florence, Museo Archeologico, inv 11817

Etruscan, (8th century BC)

Morel mushrooms, Morchella vulgaris and Morchella costata. Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910.
Morel mushrooms, Morchella vulgaris and Morchella costata. Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910.

FLO4689647: Morel mushrooms, Morchella vulgaris and Morchella costata. Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910. / Bridgeman Images

ID: FLO4689647

Morel mushrooms, Morchella vulgaris and Morchella costata. Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910.

Malay girl with hair tied up carrying sneakers from a yoke. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.
Malay girl with hair tied up carrying sneakers from a yoke. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.

FLO4690797: Malay girl with hair tied up carrying sneakers from a yoke. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836., Brodtmann, Karl Joseph (1787-1862) / Bridgeman Images

ID: FLO4690797

Malay girl with hair tied up carrying sneakers from a yoke. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.

Brodtmann, Karl Joseph (1787-1862)


Back to top