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Apodyterium or changing room for the Tepidarium or warm bath in the Forum Thermae, Pompeii. Serving with oil vase and towel standing next to a table. The walls have figures of Thelamon and niches for personal effects. Chromolithograph by D. Capri after an illustration by G. Discanno from Antonio Niccoliniõs Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Zucchi & De Luca, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr.
Apodyterium or changing room for the Tepidarium or warm bath in the Forum Thermae, Pompeii. Serving with oil vase and towel standing next to a table. The walls have figures of Thelamon and niches for personal effects. Chromolithograph by D. Capri after an illustration by G. Discanno from Antonio Niccoliniõs Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Zucchi & De Luca, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr.

FLO4688287: Apodyterium or changing room for the Tepidarium or warm bath in the Forum Thermae, Pompeii. Serving with oil vase and towel standing next to a table. The walls have figures of Thelamon and niches for personal effects. Chromolithograph by D. Capri after an illustration by G. Discanno from Antonio Niccoliniõs Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Zucchi & De Luca, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr. / Bridgeman Images

ID: FLO4688287

Apodyterium or changing room for the Tepidarium or warm bath in the Forum Thermae, Pompeii. Serving with oil vase and towel standing next to a table. The walls have figures of Thelamon and niches for personal effects. Chromolithograph by D. Capri after an illustration by G. Discanno from Antonio Niccoliniõs Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Zucchi & De Luca, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr.

A woman of the Tuda race of the Nilagiri hills in India, wearing sari, veil, necklace and earrings. Handcoloured lithograph from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.
A woman of the Tuda race of the Nilagiri hills in India, wearing sari, veil, necklace and earrings. Handcoloured lithograph from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

FLO4688357: A woman of the Tuda race of the Nilagiri hills in India, wearing sari, veil, necklace and earrings. Handcoloured lithograph from James Cowles Prichard's Natural History of Man, Balliere, London, 1855. / Bridgeman Images

ID: FLO4688357

A woman of the Tuda race of the Nilagiri hills in India, wearing sari, veil, necklace and earrings. Handcoloured lithograph from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

Aboriginals of King George Sound (Albany, South West Australia). Men in cloak and loincloth. Copied from d'Urville. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.
Aboriginals of King George Sound (Albany, South West Australia). Men in cloak and loincloth. Copied from d'Urville. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

FLO4688518: Aboriginals of King George Sound (Albany, South West Australia). Men in cloak and loincloth. Copied from d'Urville. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855. / Bridgeman Images

ID: FLO4688518

Aboriginals of King George Sound (Albany, South West Australia). Men in cloak and loincloth. Copied from d'Urville. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

Ram Ruttun, companion and secretary to Ram-Mohun-Roy, a Brahman of India. Handcoloured lithograph by J. Bull after an illustration by Branwhite from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.
Ram Ruttun, companion and secretary to Ram-Mohun-Roy, a Brahman of India. Handcoloured lithograph by J. Bull after an illustration by Branwhite from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

FLO4688568: Ram Ruttun, companion and secretary to Ram-Mohun-Roy, a Brahman of India. Handcoloured lithograph by J. Bull after an illustration by Branwhite from James Cowles Prichard's Natural History of Man, Balliere, London, 1855. / Bridgeman Images

ID: FLO4688568

Ram Ruttun, companion and secretary to Ram-Mohun-Roy, a Brahman of India. Handcoloured lithograph by J. Bull after an illustration by Branwhite from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

Stool used during rituals. 850-800 BC (bronze)
Stool used during rituals. 850-800 BC (bronze)

LRI4688717: Stool used during rituals. 850-800 BC (bronze), Etruscan / Bridgeman Images

ID: LRI4688717

Stool used during rituals. 850-800 BC (bronze)

Etruscan

Basalt vase for a lamp. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.
Basalt vase for a lamp. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

FLO4689079: Basalt vase for a lamp. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. / Bridgeman Images

ID: FLO4689079

Basalt vase for a lamp. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

Etruscan art: geometric cut in clay from Tarquinia. Dim. 6,9x11,8 cm 8th century before JC. Museo archeologico Florence Italy
Etruscan art: geometric cut in clay from Tarquinia. Dim. 6,9x11,8 cm 8th century before JC. Museo archeologico Florence Italy

LRI4688840: Etruscan art: geometric cut in clay from Tarquinia. Dim. 6,9x11,8 cm 8th century before JC. Museo archeologico Florence Italy, Etruscan, (8th century BC) / Bridgeman Images

ID: LRI4688840

Etruscan art: geometric cut in clay from Tarquinia. Dim. 6,9x11,8 cm 8th century before JC. Museo archeologico Florence Italy

Etruscan, (8th century BC)

Terracotta crater, 5th century BC
Terracotta crater, 5th century BC

LRI4689087: Terracotta crater, 5th century BC, Etruscan, (5th century BC) / Bridgeman Images

ID: LRI4689087

Terracotta crater, 5th century BC

Etruscan, (5th century BC)

Caroline, queen consort of King George II of England. Steel engraving by J. Brown after a portrait by J.W. Wright from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868.
Caroline, queen consort of King George II of England. Steel engraving by J. Brown after a portrait by J.W. Wright from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868.

FLO4688890: Caroline, queen consort of King George II of England. Steel engraving by J. Brown after a portrait by J.W. Wright from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868. / Bridgeman Images

ID: FLO4688890

Caroline, queen consort of King George II of England. Steel engraving by J. Brown after a portrait by J.W. Wright from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868.

Funerary bed made with three tuff blocks, 6th century BC
Funerary bed made with three tuff blocks, 6th century BC

LRI4689123: Funerary bed made with three tuff blocks, 6th century BC, Etruscan, (6th century BC) / Bridgeman Images

ID: LRI4689123

Funerary bed made with three tuff blocks, 6th century BC

Etruscan, (6th century BC)

Portrait medallions of King Louis XVI of France (blue), Marie Antoinette (blue), Duke of Bridgewater (black), Edmund Burke (pink) and William Pitt (blue). Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.
Portrait medallions of King Louis XVI of France (blue), Marie Antoinette (blue), Duke of Bridgewater (black), Edmund Burke (pink) and William Pitt (blue). Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

FLO4689189: Portrait medallions of King Louis XVI of France (blue), Marie Antoinette (blue), Duke of Bridgewater (black), Edmund Burke (pink) and William Pitt (blue). Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. / Bridgeman Images

ID: FLO4689189

Portrait medallions of King Louis XVI of France (blue), Marie Antoinette (blue), Duke of Bridgewater (black), Edmund Burke (pink) and William Pitt (blue). Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

Basalt portrait of Rousseau. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.
Basalt portrait of Rousseau. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

FLO4688983: Basalt portrait of Rousseau. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. / Bridgeman Images

ID: FLO4688983

Basalt portrait of Rousseau. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

Etruscan civilization: terracotta amphora from a tomb of Poggio Sala, Italy 4th century BC Dim 48 cm (clay amphora) 4th century BC Florence, Museo Archeologico, inv 4461
Etruscan civilization: terracotta amphora from a tomb of Poggio Sala, Italy 4th century BC Dim 48 cm (clay amphora) 4th century BC Florence, Museo Archeologico, inv 4461

LRI4689252: Etruscan civilization: terracotta amphora from a tomb of Poggio Sala, Italy 4th century BC Dim 48 cm (clay amphora) 4th century BC Florence, Museo Archeologico, inv 4461, Etruscan, (4th century BC) / Bridgeman Images

ID: LRI4689252

Etruscan civilization: terracotta amphora from a tomb of Poggio Sala, Italy 4th century BC Dim 48 cm (clay amphora) 4th century BC Florence, Museo Archeologico, inv 4461

Etruscan, (4th century BC)

Hunters of San Francisco Bay, 19th century. Both wear topknots and earrings, one in a loincloth preparing to fire an arrow, the other with arrows in a quiver made from an animal skin. After Louis Choris' “” Cholovonis a la chasse”” from “” Picturesque Journey Around the World,”” 1822. Handcoloured lithograph from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.
Hunters of San Francisco Bay, 19th century. Both wear topknots and earrings, one in a loincloth preparing to fire an arrow, the other with arrows in a quiver made from an animal skin. After Louis Choris' “” Cholovonis a la chasse”” from “” Picturesque Journey Around the World,”” 1822. Handcoloured lithograph from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

FLO4688590: Hunters of San Francisco Bay, 19th century. Both wear topknots and earrings, one in a loincloth preparing to fire an arrow, the other with arrows in a quiver made from an animal skin. After Louis Choris' “” Cholovonis a la chasse”” from “” Picturesque Journey Around the World,”” 1822. Handcoloured lithograph from James Cowles Prichard's Natural History of Man, Balliere, London, 1855. / Bridgeman Images

ID: FLO4688590

Hunters of San Francisco Bay, 19th century. Both wear topknots and earrings, one in a loincloth preparing to fire an arrow, the other with arrows in a quiver made from an animal skin. After Louis Choris' “” Cholovonis a la chasse”” from “” Picturesque Journey Around the World,”” 1822. Handcoloured lithograph from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

Coffee pot showing the infant academy, Chocolate pot with acanthus foliage, and Coffee pot with women and children. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.
Coffee pot showing the infant academy, Chocolate pot with acanthus foliage, and Coffee pot with women and children. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

FLO4689315: Coffee pot showing the infant academy, Chocolate pot with acanthus foliage, and Coffee pot with women and children. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. / Bridgeman Images

ID: FLO4689315

Coffee pot showing the infant academy, Chocolate pot with acanthus foliage, and Coffee pot with women and children. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

Isabelle d'Angouleme - Isabella of Angouleme, queen consort of King John of England. Steel engraving by B. Eyles after a portrait by A. Bouvier from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868.
Isabelle d'Angouleme - Isabella of Angouleme, queen consort of King John of England. Steel engraving by B. Eyles after a portrait by A. Bouvier from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868.

FLO4688729: Isabelle d'Angouleme - Isabella of Angouleme, queen consort of King John of England. Steel engraving by B. Eyles after a portrait by A. Bouvier from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868. / Bridgeman Images

ID: FLO4688729

Isabelle d'Angouleme - Isabella of Angouleme, queen consort of King John of England. Steel engraving by B. Eyles after a portrait by A. Bouvier from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868.

Victorian women, in a botanical greenhouse with exotic plants - Engraving by Gabry, from The Book of Perfumes by Eugene Rimmel (1820-1887), England, 1865 - Victorian women in a botanical hothouse - Woodcut engraving by Lambert from Eugene Rimmel's The Book of Perfumes, London, Chapman and Hall, 1865
Victorian women, in a botanical greenhouse with exotic plants - Engraving by Gabry, from The Book of Perfumes by Eugene Rimmel (1820-1887), England, 1865 - Victorian women in a botanical hothouse - Woodcut engraving by Lambert from Eugene Rimmel's The Book of Perfumes, London, Chapman and Hall, 1865

FLO4689446: Victorian women, in a botanical greenhouse with exotic plants - Engraving by Gabry, from The Book of Perfumes by Eugene Rimmel (1820-1887), England, 1865 - Victorian women in a botanical hothouse - Woodcut engraving by Lambert from Eugene Rimmel's The Book of Perfumes, London, Chapman and Hall, 1865 / Bridgeman Images

ID: FLO4689446

Victorian women, in a botanical greenhouse with exotic plants - Engraving by Gabry, from The Book of Perfumes by Eugene Rimmel (1820-1887), England, 1865 - Victorian women in a botanical hothouse - Woodcut engraving by Lambert from Eugene Rimmel's The Book of Perfumes, London, Chapman and Hall, 1865

Yellow bramble rose, Rosa lutea, from Robert Tyas' “Queen of Flowers, or Memoirs of the Rose,” London, 1840. Unsigned handcoloured lithograph, but probably by James Andrews. Little is known about the artist James Andrews (1801 ~ 1876) apart from his work. This gifted artist taught flower-painting to young ladies and published a treatise “” Lessons in Flower Painting”” in 1835. Blunt calls him “” an illustrator of sentimental flower books,””” but admits that he was “” very talented.”” His signature JA can be found in many botanical gift books for publisher Robert Tyas from “” The Sentiment of Flowers”” (1836) to “” Flowers from Foreign Lands”” (1853).
Yellow bramble rose, Rosa lutea, from Robert Tyas' “Queen of Flowers, or Memoirs of the Rose,” London, 1840. Unsigned handcoloured lithograph, but probably by James Andrews. Little is known about the artist James Andrews (1801 ~ 1876) apart from his work. This gifted artist taught flower-painting to young ladies and published a treatise “” Lessons in Flower Painting”” in 1835. Blunt calls him “” an illustrator of sentimental flower books,””” but admits that he was “” very talented.”” His signature JA can be found in many botanical gift books for publisher Robert Tyas from “” The Sentiment of Flowers”” (1836) to “” Flowers from Foreign Lands”” (1853).

FLO4688892: Yellow bramble rose, Rosa lutea, from Robert Tyas' “Queen of Flowers, or Memoirs of the Rose,” London, 1840. Unsigned handcoloured lithograph, but probably by James Andrews. Little is known about the artist James Andrews (1801 ~ 1876) apart from his work. This gifted artist taught flower-painting to young ladies and published a treatise “” Lessons in Flower Painting”” in 1835. Blunt calls him “” an illustrator of sentimental flower books,””” but admits that he was “” very talented.”” His signature JA can be found in many botanical gift books for publisher Robert Tyas from “” The Sentiment of Flowers”” (1836) to “” Flowers from Foreign Lands”” (1853). / Bridgeman Images

ID: FLO4688892

Yellow bramble rose, Rosa lutea, from Robert Tyas' “Queen of Flowers, or Memoirs of the Rose,” London, 1840. Unsigned handcoloured lithograph, but probably by James Andrews. Little is known about the artist James Andrews (1801 ~ 1876) apart from his work. This gifted artist taught flower-painting to young ladies and published a treatise “” Lessons in Flower Painting”” in 1835. Blunt calls him “” an illustrator of sentimental flower books,””” but admits that he was “” very talented.”” His signature JA can be found in many botanical gift books for publisher Robert Tyas from “” The Sentiment of Flowers”” (1836) to “” Flowers from Foreign Lands”” (1853).

Bronze leg shaped unguentarium, 7th century BC
Bronze leg shaped unguentarium, 7th century BC

LRI4689539: Bronze leg shaped unguentarium, 7th century BC, Etruscan, (7th century BC) / Bridgeman Images

ID: LRI4689539

Bronze leg shaped unguentarium, 7th century BC

Etruscan, (7th century BC)

Dispensary and laboratory of an Arab perfumer chemist of the 12th century - Chromolithography of a Persian manuscript of the 12th century, from Le Livre des Parfums by Eugene Rimmel (1820-1887), France, 1870 - Dispensary and laboratory of an Arab perfumer chemist of the 12th century, From a Persian manuscript of the era - Chromolithograph from Eugene Rimmel's Le Livre des Parfums, Paris, 1870
Dispensary and laboratory of an Arab perfumer chemist of the 12th century - Chromolithography of a Persian manuscript of the 12th century, from Le Livre des Parfums by Eugene Rimmel (1820-1887), France, 1870 - Dispensary and laboratory of an Arab perfumer chemist of the 12th century, From a Persian manuscript of the era - Chromolithograph from Eugene Rimmel's Le Livre des Parfums, Paris, 1870

FLO4689559: Dispensary and laboratory of an Arab perfumer chemist of the 12th century - Chromolithography of a Persian manuscript of the 12th century, from Le Livre des Parfums by Eugene Rimmel (1820-1887), France, 1870 - Dispensary and laboratory of an Arab perfumer chemist of the 12th century, From a Persian manuscript of the era - Chromolithograph from Eugene Rimmel's Le Livre des Parfums, Paris, 1870 / Bridgeman Images

ID: FLO4689559

Dispensary and laboratory of an Arab perfumer chemist of the 12th century - Chromolithography of a Persian manuscript of the 12th century, from Le Livre des Parfums by Eugene Rimmel (1820-1887), France, 1870 - Dispensary and laboratory of an Arab perfumer chemist of the 12th century, From a Persian manuscript of the era - Chromolithograph from Eugene Rimmel's Le Livre des Parfums, Paris, 1870

Lady playing the piano in a parlour to guests. Another lady says, She's very talented. She thinks, Now we have to swallow a concerto. Handcoloured lithograph by the Gihaut brothers after an illustration by Swiss artist Jean Gabriel Scheffer from Petites Scenes du Monde, Ce que que on dit et ce que que on think, Gihaut Freres, Paris, 1829.
Lady playing the piano in a parlour to guests. Another lady says, She's very talented. She thinks, Now we have to swallow a concerto. Handcoloured lithograph by the Gihaut brothers after an illustration by Swiss artist Jean Gabriel Scheffer from Petites Scenes du Monde, Ce que que on dit et ce que que on think, Gihaut Freres, Paris, 1829.

FLO4691327: Lady playing the piano in a parlour to guests. Another lady says, She's very talented. She thinks, Now we have to swallow a concerto. Handcoloured lithograph by the Gihaut brothers after an illustration by Swiss artist Jean Gabriel Scheffer from Petites Scenes du Monde, Ce que que on dit et ce que que on think, Gihaut Freres, Paris, 1829. / Bridgeman Images

ID: FLO4691327

Lady playing the piano in a parlour to guests. Another lady says, She's very talented. She thinks, Now we have to swallow a concerto. Handcoloured lithograph by the Gihaut brothers after an illustration by Swiss artist Jean Gabriel Scheffer from Petites Scenes du Monde, Ce que que on dit et ce que que on think, Gihaut Freres, Paris, 1829.

Two ladies dressing before a mirror in a parlor, 19th century. She says, The pink really suits you dear. She thinks, And makes you look 10 years older. Handcoloured lithograph by the Gihaut brothers after an illustration by Swiss artist Jean Gabriel Scheffer from Petites Scenes du Monde, Ce que que on dit et ce que que on think, Gihaut Freres, Paris, 1829.
Two ladies dressing before a mirror in a parlor, 19th century. She says, The pink really suits you dear. She thinks, And makes you look 10 years older. Handcoloured lithograph by the Gihaut brothers after an illustration by Swiss artist Jean Gabriel Scheffer from Petites Scenes du Monde, Ce que que on dit et ce que que on think, Gihaut Freres, Paris, 1829.

FLO4691390: Two ladies dressing before a mirror in a parlor, 19th century. She says, The pink really suits you dear. She thinks, And makes you look 10 years older. Handcoloured lithograph by the Gihaut brothers after an illustration by Swiss artist Jean Gabriel Scheffer from Petites Scenes du Monde, Ce que que on dit et ce que que on think, Gihaut Freres, Paris, 1829. / Bridgeman Images

ID: FLO4691390

Two ladies dressing before a mirror in a parlor, 19th century. She says, The pink really suits you dear. She thinks, And makes you look 10 years older. Handcoloured lithograph by the Gihaut brothers after an illustration by Swiss artist Jean Gabriel Scheffer from Petites Scenes du Monde, Ce que que on dit et ce que que on think, Gihaut Freres, Paris, 1829.

Sumatran orangutan, Pongo abelii. Critically endangered. Simia satyrus Linn. Handcoloured copperplate engraving by Johann Nussbiegel after an illustration by R. Oakes from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.
Sumatran orangutan, Pongo abelii. Critically endangered. Simia satyrus Linn. Handcoloured copperplate engraving by Johann Nussbiegel after an illustration by R. Oakes from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.

FLO4691629: Sumatran orangutan, Pongo abelii. Critically endangered. Simia satyrus Linn. Handcoloured copperplate engraving by Johann Nussbiegel after an illustration by R. Oakes from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775. / Bridgeman Images

ID: FLO4691629

Sumatran orangutan, Pongo abelii. Critically endangered. Simia satyrus Linn. Handcoloured copperplate engraving by Johann Nussbiegel after an illustration by R. Oakes from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.

White-handed or lar gibbon, Hylobates lar. Endangered. Simia longimana. Handcoloured copperplate engraving by Johann Nussbiegel after an illustration by Jacques de Seve from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.
White-handed or lar gibbon, Hylobates lar. Endangered. Simia longimana. Handcoloured copperplate engraving by Johann Nussbiegel after an illustration by Jacques de Seve from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.

FLO4691708: White-handed or lar gibbon, Hylobates lar. Endangered. Simia longimana. Handcoloured copperplate engraving by Johann Nussbiegel after an illustration by Jacques de Seve from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775. / Bridgeman Images

ID: FLO4691708

White-handed or lar gibbon, Hylobates lar. Endangered. Simia longimana. Handcoloured copperplate engraving by Johann Nussbiegel after an illustration by Jacques de Seve from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.

Kinkajou, Potos flavus. Lemur flavus Pennant. Handcoloured copperplate engraving by Hermann Jakob Tyroff from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.
Kinkajou, Potos flavus. Lemur flavus Pennant. Handcoloured copperplate engraving by Hermann Jakob Tyroff from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.

FLO4691836: Kinkajou, Potos flavus. Lemur flavus Pennant. Handcoloured copperplate engraving by Hermann Jakob Tyroff from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775. / Bridgeman Images

ID: FLO4691836

Kinkajou, Potos flavus. Lemur flavus Pennant. Handcoloured copperplate engraving by Hermann Jakob Tyroff from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.

Lesser false vampire bat, Megaderma spasma. Vespertilio spasma Linn. Handcoloured copperplate engraving by Hermann Jakob Tyroff from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.
Lesser false vampire bat, Megaderma spasma. Vespertilio spasma Linn. Handcoloured copperplate engraving by Hermann Jakob Tyroff from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.

FLO4691923: Lesser false vampire bat, Megaderma spasma. Vespertilio spasma Linn. Handcoloured copperplate engraving by Hermann Jakob Tyroff from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775. / Bridgeman Images

ID: FLO4691923

Lesser false vampire bat, Megaderma spasma. Vespertilio spasma Linn. Handcoloured copperplate engraving by Hermann Jakob Tyroff from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.

Large flying fox, Pteropus vampyrus. Near threatened. Vespertilio vampyrus Linn. Handcoloured copperplate engraving by Johann Sebastian Leitner after an illustration by Jacques de Seve from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.
Large flying fox, Pteropus vampyrus. Near threatened. Vespertilio vampyrus Linn. Handcoloured copperplate engraving by Johann Sebastian Leitner after an illustration by Jacques de Seve from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.

FLO4691862: Large flying fox, Pteropus vampyrus. Near threatened. Vespertilio vampyrus Linn. Handcoloured copperplate engraving by Johann Sebastian Leitner after an illustration by Jacques de Seve from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775. / Bridgeman Images

ID: FLO4691862

Large flying fox, Pteropus vampyrus. Near threatened. Vespertilio vampyrus Linn. Handcoloured copperplate engraving by Johann Sebastian Leitner after an illustration by Jacques de Seve from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.

Greater speech-nosed bat, Phyllostomus hastatus. Javelin beats, Vespertilio haftatus Linn. Handcoloured copperplate engraving by Johann Sebastian Leitner after an illustration by Jacques de Seve from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.
Greater speech-nosed bat, Phyllostomus hastatus. Javelin beats, Vespertilio haftatus Linn. Handcoloured copperplate engraving by Johann Sebastian Leitner after an illustration by Jacques de Seve from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.

FLO4691889: Greater speech-nosed bat, Phyllostomus hastatus. Javelin beats, Vespertilio haftatus Linn. Handcoloured copperplate engraving by Johann Sebastian Leitner after an illustration by Jacques de Seve from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775. / Bridgeman Images

ID: FLO4691889

Greater speech-nosed bat, Phyllostomus hastatus. Javelin beats, Vespertilio haftatus Linn. Handcoloured copperplate engraving by Johann Sebastian Leitner after an illustration by Jacques de Seve from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.

Greater horseshoe bat, Rhinolophus ferrumequinum. Vespertilio ferrum equinum Buff. Handcoloured copperplate engraving by Johann Nussbiegel after an illustration by Jacques Buvee l'Ameriquain from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.
Greater horseshoe bat, Rhinolophus ferrumequinum. Vespertilio ferrum equinum Buff. Handcoloured copperplate engraving by Johann Nussbiegel after an illustration by Jacques Buvee l'Ameriquain from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.

FLO4692050: Greater horseshoe bat, Rhinolophus ferrumequinum. Vespertilio ferrum equinum Buff. Handcoloured copperplate engraving by Johann Nussbiegel after an illustration by Jacques Buvee l'Ameriquain from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775. / Bridgeman Images

ID: FLO4692050

Greater horseshoe bat, Rhinolophus ferrumequinum. Vespertilio ferrum equinum Buff. Handcoloured copperplate engraving by Johann Nussbiegel after an illustration by Jacques Buvee l'Ameriquain from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.

Common marmoset, Callithrix jacchus. Simia iacchus Linn. Handcoloured copperplate engraving by Jakob Andreas Eisenmann after an illustration by Jacques de Seve from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.
Common marmoset, Callithrix jacchus. Simia iacchus Linn. Handcoloured copperplate engraving by Jakob Andreas Eisenmann after an illustration by Jacques de Seve from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.

FLO4691710: Common marmoset, Callithrix jacchus. Simia iacchus Linn. Handcoloured copperplate engraving by Jakob Andreas Eisenmann after an illustration by Jacques de Seve from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775. / Bridgeman Images

ID: FLO4691710

Common marmoset, Callithrix jacchus. Simia iacchus Linn. Handcoloured copperplate engraving by Jakob Andreas Eisenmann after an illustration by Jacques de Seve from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.

Slow-paced lemur or red slender loris, Loris tardigradus. Endangered. Lemur tardigradus Linn. Handcoloured copperplate drawn and engraved after nature by Hermann Jakob Tyroff from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.
Slow-paced lemur or red slender loris, Loris tardigradus. Endangered. Lemur tardigradus Linn. Handcoloured copperplate drawn and engraved after nature by Hermann Jakob Tyroff from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.

FLO4691752: Slow-paced lemur or red slender loris, Loris tardigradus. Endangered. Lemur tardigradus Linn. Handcoloured copperplate drawn and engraved after nature by Hermann Jakob Tyroff from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775. / Bridgeman Images

ID: FLO4691752

Slow-paced lemur or red slender loris, Loris tardigradus. Endangered. Lemur tardigradus Linn. Handcoloured copperplate drawn and engraved after nature by Hermann Jakob Tyroff from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.

Mongoose lemur, Mongolian Eulemur. Critically endangered. Mongolian Lemur Linn. Handcoloured copperplate engraving by Valentin Bischoff after an illustration by Jacques de Seve from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.
Mongoose lemur, Mongolian Eulemur. Critically endangered. Mongolian Lemur Linn. Handcoloured copperplate engraving by Valentin Bischoff after an illustration by Jacques de Seve from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.

FLO4691757: Mongoose lemur, Mongolian Eulemur. Critically endangered. Mongolian Lemur Linn. Handcoloured copperplate engraving by Valentin Bischoff after an illustration by Jacques de Seve from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775. / Bridgeman Images

ID: FLO4691757

Mongoose lemur, Mongolian Eulemur. Critically endangered. Mongolian Lemur Linn. Handcoloured copperplate engraving by Valentin Bischoff after an illustration by Jacques de Seve from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.

Greater speech-nosed bat, Phyllostomus hastatus. Vespertilio foricinus Pall. Handcoloured copperplate engraving by Tyroff after an illustration by Johann Bernhard Gottfried Hopfer from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.
Greater speech-nosed bat, Phyllostomus hastatus. Vespertilio foricinus Pall. Handcoloured copperplate engraving by Tyroff after an illustration by Johann Bernhard Gottfried Hopfer from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.

FLO4691907: Greater speech-nosed bat, Phyllostomus hastatus. Vespertilio foricinus Pall. Handcoloured copperplate engraving by Tyroff after an illustration by Johann Bernhard Gottfried Hopfer from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775. / Bridgeman Images

ID: FLO4691907

Greater speech-nosed bat, Phyllostomus hastatus. Vespertilio foricinus Pall. Handcoloured copperplate engraving by Tyroff after an illustration by Johann Bernhard Gottfried Hopfer from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.

Pallas 'tube-nosed fruit bat, Nyctimene cephalotes. Vespertilio cephalotes Pall. Handcoloured copperplate engraving by Johann Nussbiegel after an illustration by Johann Bernhard Gottfried Hopfer from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.
Pallas 'tube-nosed fruit bat, Nyctimene cephalotes. Vespertilio cephalotes Pall. Handcoloured copperplate engraving by Johann Nussbiegel after an illustration by Johann Bernhard Gottfried Hopfer from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.

FLO4692044: Pallas 'tube-nosed fruit bat, Nyctimene cephalotes. Vespertilio cephalotes Pall. Handcoloured copperplate engraving by Johann Nussbiegel after an illustration by Johann Bernhard Gottfried Hopfer from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775. / Bridgeman Images

ID: FLO4692044

Pallas 'tube-nosed fruit bat, Nyctimene cephalotes. Vespertilio cephalotes Pall. Handcoloured copperplate engraving by Johann Nussbiegel after an illustration by Johann Bernhard Gottfried Hopfer from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.

Pale-throated three-toed sloth, Bradypus tridactylus Linn. Handcoloured copperplate engraving by Johann Sebastian Leitner after an illustration by George Edwards from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.
Pale-throated three-toed sloth, Bradypus tridactylus Linn. Handcoloured copperplate engraving by Johann Sebastian Leitner after an illustration by George Edwards from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.

FLO4692066: Pale-throated three-toed sloth, Bradypus tridactylus Linn. Handcoloured copperplate engraving by Johann Sebastian Leitner after an illustration by George Edwards from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775. / Bridgeman Images

ID: FLO4692066

Pale-throated three-toed sloth, Bradypus tridactylus Linn. Handcoloured copperplate engraving by Johann Sebastian Leitner after an illustration by George Edwards from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.

The City of the Sciences and the Industry, Paris 19th, photo taken in 1986 (photo)
The City of the Sciences and the Industry, Paris 19th, photo taken in 1986 (photo)

TEC4692359: The City of the Sciences and the Industry, Paris 19th, photo taken in 1986 (photo), Fainsilber, Adrien (b.1932) / Bridgeman Images

ID: TEC4692359

The City of the Sciences and the Industry, Paris 19th, photo taken in 1986 (photo)

Fainsilber, Adrien (b.1932)


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