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Maclean's swallowtail moth, Lyssa macleayi (underside) 1, dark umber, Philereme transversata 2, and grey chain-dotted geometer, Cingilia catenaria 3. Handcoloured lithograph from John O. Westwood's new edition of Dru Drury's “” Illustrations of Exotic Entomology,”” Bohn, London, 1837.
Maclean's swallowtail moth, Lyssa macleayi (underside) 1, dark umber, Philereme transversata 2, and grey chain-dotted geometer, Cingilia catenaria 3. Handcoloured lithograph from John O. Westwood's new edition of Dru Drury's “” Illustrations of Exotic Entomology,”” Bohn, London, 1837.

FLO4615910: Maclean's swallowtail moth, Lyssa macleayi (underside) 1, dark umber, Philereme transversata 2, and grey chain-dotted geometer, Cingilia catenaria 3. Handcoloured lithograph from John O. Westwood's new edition of Dru Drury's “” Illustrations of Exotic Entomology,”” Bohn, London, 1837. / Bridgeman Images

Giant grasshopper, Tropidacris dux. Handcoloured lithograph from John O. Westwood's new edition of Dru Drury's “” Illustrations of Exotic Entomology,”” Bohn, London, 1837.
Giant grasshopper, Tropidacris dux. Handcoloured lithograph from John O. Westwood's new edition of Dru Drury's “” Illustrations of Exotic Entomology,”” Bohn, London, 1837.

FLO4616010: Giant grasshopper, Tropidacris dux. Handcoloured lithograph from John O. Westwood's new edition of Dru Drury's “” Illustrations of Exotic Entomology,”” Bohn, London, 1837. / Bridgeman Images

Erebus crepuscularis moth? 1,2, Essex Y moth, Cornutiplusia circumflexa 3, and saw-wing moth, Euchlaena serrata 4. Handcoloured lithograph from John O. Westwood's new edition of Dru Drury's “” Illustrations of Exotic Entomology,”” Bohn, London, 1837.
Erebus crepuscularis moth? 1,2, Essex Y moth, Cornutiplusia circumflexa 3, and saw-wing moth, Euchlaena serrata 4. Handcoloured lithograph from John O. Westwood's new edition of Dru Drury's “” Illustrations of Exotic Entomology,”” Bohn, London, 1837.

FLO4615462: Erebus crepuscularis moth? 1,2, Essex Y moth, Cornutiplusia circumflexa 3, and saw-wing moth, Euchlaena serrata 4. Handcoloured lithograph from John O. Westwood's new edition of Dru Drury's “” Illustrations of Exotic Entomology,”” Bohn, London, 1837. / Bridgeman Images

Opsilia coerulescens beetle 1, painted clytus, Clytus pictus 2, longhorn beetle, Elaphidion irroratum 3, Elaphidion spinicorne 4, Saperda carcharias 5, and oak borer, Enaphalodes atomarius 6. Handcoloured lithograph from John O. Westwood's new edition of Dru Drury's “” Illustrations of Exotic Entomology,”” Bohn, London, 1837.
Opsilia coerulescens beetle 1, painted clytus, Clytus pictus 2, longhorn beetle, Elaphidion irroratum 3, Elaphidion spinicorne 4, Saperda carcharias 5, and oak borer, Enaphalodes atomarius 6. Handcoloured lithograph from John O. Westwood's new edition of Dru Drury's “” Illustrations of Exotic Entomology,”” Bohn, London, 1837.

FLO4615619: Opsilia coerulescens beetle 1, painted clytus, Clytus pictus 2, longhorn beetle, Elaphidion irroratum 3, Elaphidion spinicorne 4, Saperda carcharias 5, and oak borer, Enaphalodes atomarius 6. Handcoloured lithograph from John O. Westwood's new edition of Dru Drury's “” Illustrations of Exotic Entomology,”” Bohn, London, 1837. / Bridgeman Images

Mydas fly, Mydas clavatus 1, horsefly, Tabanus americanus 2,3, digger wasp, Sphex jamaicensis 4, scoliid wasp, Scolia fossulana 5, and black and yellow mud dauber, Sceliphron caementarium imago 6, cocoon 7, imago taken out of cocoon 8. Handcoloured lithograph from John O. Westwood's new edition of Dru Drury's “” Illustrations of Exotic Entomology,”” Bohn, London, 1837.
Mydas fly, Mydas clavatus 1, horsefly, Tabanus americanus 2,3, digger wasp, Sphex jamaicensis 4, scoliid wasp, Scolia fossulana 5, and black and yellow mud dauber, Sceliphron caementarium imago 6, cocoon 7, imago taken out of cocoon 8. Handcoloured lithograph from John O. Westwood's new edition of Dru Drury's “” Illustrations of Exotic Entomology,”” Bohn, London, 1837.

FLO4615647: Mydas fly, Mydas clavatus 1, horsefly, Tabanus americanus 2,3, digger wasp, Sphex jamaicensis 4, scoliid wasp, Scolia fossulana 5, and black and yellow mud dauber, Sceliphron caementarium imago 6, cocoon 7, imago taken out of cocoon 8. Handcoloured lithograph from John O. Westwood's new edition of Dru Drury's “” Illustrations of Exotic Entomology,”” Bohn, London, 1837. / Bridgeman Images

Common brown morpho, Antirrhea philoctetes (Haetera philoctetes) 1,2, wing 3, common falsehead butterfly, Oxylides faunus (Thecla faunus) female 4,5, ventral and dorsal views. Handcoloured lithograph from John O. Westwood's new edition of Dru Drury's “” Illustrations of Exotic Entomology,”” Bohn, London, 1837.
Common brown morpho, Antirrhea philoctetes (Haetera philoctetes) 1,2, wing 3, common falsehead butterfly, Oxylides faunus (Thecla faunus) female 4,5, ventral and dorsal views. Handcoloured lithograph from John O. Westwood's new edition of Dru Drury's “” Illustrations of Exotic Entomology,”” Bohn, London, 1837.

FLO4615702: Common brown morpho, Antirrhea philoctetes (Haetera philoctetes) 1,2, wing 3, common falsehead butterfly, Oxylides faunus (Thecla faunus) female 4,5, ventral and dorsal views. Handcoloured lithograph from John O. Westwood's new edition of Dru Drury's “” Illustrations of Exotic Entomology,”” Bohn, London, 1837. / Bridgeman Images

Western emperor swallowtail, Papilio menestheus 1,2, and Indian sunbeam, Curetis thetis (Thecla thetis), female 3,4, ventral and dorsal views. Handcoloured lithograph from John O. Westwood's new edition of Dru Drury's “” Illustrations of Exotic Entomology,”” Bohn, London, 1837.
Western emperor swallowtail, Papilio menestheus 1,2, and Indian sunbeam, Curetis thetis (Thecla thetis), female 3,4, ventral and dorsal views. Handcoloured lithograph from John O. Westwood's new edition of Dru Drury's “” Illustrations of Exotic Entomology,”” Bohn, London, 1837.

FLO4615747: Western emperor swallowtail, Papilio menestheus 1,2, and Indian sunbeam, Curetis thetis (Thecla thetis), female 3,4, ventral and dorsal views. Handcoloured lithograph from John O. Westwood's new edition of Dru Drury's “” Illustrations of Exotic Entomology,”” Bohn, London, 1837. / Bridgeman Images

Helicopter damselfly, Mecistogaster lucretia 1, tropical carpenter bee, Xylocopa latipes 2, and potter wasp, Synagris cornuta, male 3. Handcoloured lithograph from John O. Westwood's new edition of Dru Drury's “” Illustrations of Exotic Entomology,”” Bohn, London, 1837.
Helicopter damselfly, Mecistogaster lucretia 1, tropical carpenter bee, Xylocopa latipes 2, and potter wasp, Synagris cornuta, male 3. Handcoloured lithograph from John O. Westwood's new edition of Dru Drury's “” Illustrations of Exotic Entomology,”” Bohn, London, 1837.

FLO4616038: Helicopter damselfly, Mecistogaster lucretia 1, tropical carpenter bee, Xylocopa latipes 2, and potter wasp, Synagris cornuta, male 3. Handcoloured lithograph from John O. Westwood's new edition of Dru Drury's “” Illustrations of Exotic Entomology,”” Bohn, London, 1837. / Bridgeman Images

Red elderberry or red-berried elder, Sambucus racemosa. Handcoloured stipple engraving by Miss Brenet after an illustration by Pierre-Joseph Redoute from Henri Louis Duhamel du Moncel's Treat des Arbres et Shrustes, Paris, 1804-1819.
Red elderberry or red-berried elder, Sambucus racemosa. Handcoloured stipple engraving by Miss Brenet after an illustration by Pierre-Joseph Redoute from Henri Louis Duhamel du Moncel's Treat des Arbres et Shrustes, Paris, 1804-1819.

FLO4616539: Red elderberry or red-berried elder, Sambucus racemosa. Handcoloured stipple engraving by Miss Brenet after an illustration by Pierre-Joseph Redoute from Henri Louis Duhamel du Moncel's Treat des Arbres et Shrustes, Paris, 1804-1819., Redouté, Pierre Joseph (1759-1840) / Bridgeman Images

Caper bush, Capparis spinosa. Handcoloured stipple engraving by Moret after an illustration by Pierre-Joseph Redoute from Henri Louis Duhamel du Moncel's Treat des Arbres et Shrustes, Paris, 1804-1819.
Caper bush, Capparis spinosa. Handcoloured stipple engraving by Moret after an illustration by Pierre-Joseph Redoute from Henri Louis Duhamel du Moncel's Treat des Arbres et Shrustes, Paris, 1804-1819.

FLO4616383: Caper bush, Capparis spinosa. Handcoloured stipple engraving by Moret after an illustration by Pierre-Joseph Redoute from Henri Louis Duhamel du Moncel's Treat des Arbres et Shrustes, Paris, 1804-1819., Redouté, Pierre Joseph (1759-1840) / Bridgeman Images

Still life with musical instruments (lute, viola, mandola, violin) Painting by Evaristo Baschenis (1617-1677) 1650 Accademia Carrara, Bergamo
Still life with musical instruments (lute, viola, mandola, violin) Painting by Evaristo Baschenis (1617-1677) 1650 Accademia Carrara, Bergamo

LRI4620037: Still life with musical instruments (lute, viola, mandola, violin) Painting by Evaristo Baschenis (1617-1677) 1650 Accademia Carrara, Bergamo, Baschenis, Evaristo (1617-77) / Bridgeman Images

Ottoman Turkish Pasha and Bey. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.
Ottoman Turkish Pasha and Bey. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.

FLO4620077: Ottoman Turkish Pasha and Bey. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843. / Bridgeman Images

Entrance and courtyards in houses in Kumasi, Kingdom of Ashanti (Ghana), early 19th century. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Entrance and courtyards in houses in Kumasi, Kingdom of Ashanti (Ghana), early 19th century. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620326: Entrance and courtyards in houses in Kumasi, Kingdom of Ashanti (Ghana), early 19th century. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

The city of Lataku (Kuruman), South Africa. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
The city of Lataku (Kuruman), South Africa. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620241: The city of Lataku (Kuruman), South Africa. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

Exterior of the king's bedroom, Kumasi, Kingdom of Ashanti (Ghana), early 19th century. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843
Exterior of the king's bedroom, Kumasi, Kingdom of Ashanti (Ghana), early 19th century. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843

FLO4620357: Exterior of the king's bedroom, Kumasi, Kingdom of Ashanti (Ghana), early 19th century. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843 / Bridgeman Images

House of the Malagasy people of Madagascar, with boat in the garden and fort on a hill. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
House of the Malagasy people of Madagascar, with boat in the garden and fort on a hill. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620382: House of the Malagasy people of Madagascar, with boat in the garden and fort on a hill. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

Costumes and vestments of the Egyptian priests. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.
Costumes and vestments of the Egyptian priests. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.

FLO4620476: Costumes and vestments of the Egyptian priests. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843. / Bridgeman Images

Portraits of Xhosa (Kaffir) people of South Africa in headdresses, fur capes and earrings. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Portraits of Xhosa (Kaffir) people of South Africa in headdresses, fur capes and earrings. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620435: Portraits of Xhosa (Kaffir) people of South Africa in headdresses, fur capes and earrings. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

Egyptian architecture: columns, plinths, pyramids and obelisks. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.
Egyptian architecture: columns, plinths, pyramids and obelisks. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.

FLO4620551: Egyptian architecture: columns, plinths, pyramids and obelisks. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843. / Bridgeman Images

Elevation and plan of the Temple of Hathor at Dendera (Tentyra) Temple complex. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.
Elevation and plan of the Temple of Hathor at Dendera (Tentyra) Temple complex. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.

FLO4620585: Elevation and plan of the Temple of Hathor at Dendera (Tentyra) Temple complex. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843. / Bridgeman Images

Bedouin arab sheiks of Egypt, 1820s, one on horseback. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.
Bedouin arab sheiks of Egypt, 1820s, one on horseback. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.

FLO4620704: Bedouin arab sheiks of Egypt, 1820s, one on horseback. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843. / Bridgeman Images

Virgin and Child, 1517-1518 (oil on canvas)
Virgin and Child, 1517-1518 (oil on canvas)

LRI4620741: Virgin and Child, 1517-1518 (oil on canvas), Correggio, (Antonio Allegri) (c.1489-1534) / Bridgeman Images

Naked Nubian people (Coubli or Barabra) from beyond the Nile falls (Southern Egypt and Sudan). Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Naked Nubian people (Coubli or Barabra) from beyond the Nile falls (Southern Egypt and Sudan). Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620749: Naked Nubian people (Coubli or Barabra) from beyond the Nile falls (Southern Egypt and Sudan). Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

The Reading of the Office Painting by Giuseppe De Nittis (1846-1884) 19th century Florence, Galleria d'Arte Moderna
The Reading of the Office Painting by Giuseppe De Nittis (1846-1884) 19th century Florence, Galleria d'Arte Moderna

LRI4620902: The Reading of the Office Painting by Giuseppe De Nittis (1846-1884) 19th century Florence, Galleria d'Arte Moderna, Nittis, Giuseppe or Joseph de (1846-84) / Bridgeman Images

Monkeys of the river Orinoco, Guiana, South America, by Humboldt. Three-striped night monkey, Aotus trivirgatus 1, red-backed saki, Pithecia chiropotes 2, black-headed uakari, Cacajao melanocephalus 3, and ursine howler monkey, Alouatta arctoidea 4. Handcoloured copperplate engraving by Nasi from Giulio Ferrrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.
Monkeys of the river Orinoco, Guiana, South America, by Humboldt. Three-striped night monkey, Aotus trivirgatus 1, red-backed saki, Pithecia chiropotes 2, black-headed uakari, Cacajao melanocephalus 3, and ursine howler monkey, Alouatta arctoidea 4. Handcoloured copperplate engraving by Nasi from Giulio Ferrrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

FLO4621007: Monkeys of the river Orinoco, Guiana, South America, by Humboldt. Three-striped night monkey, Aotus trivirgatus 1, red-backed saki, Pithecia chiropotes 2, black-headed uakari, Cacajao melanocephalus 3, and ursine howler monkey, Alouatta arctoidea 4. Handcoloured copperplate engraving by Nasi from Giulio Ferrrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842. / Bridgeman Images

Elevation and plan of the ruins of an Incan fort-palace with temple of the Sun at Ingapirca, near Canar, Ecuador. Handcoloured copperplate engraving by Nasi from Giulio Ferrrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.
Elevation and plan of the ruins of an Incan fort-palace with temple of the Sun at Ingapirca, near Canar, Ecuador. Handcoloured copperplate engraving by Nasi from Giulio Ferrrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

FLO4621188: Elevation and plan of the ruins of an Incan fort-palace with temple of the Sun at Ingapirca, near Canar, Ecuador. Handcoloured copperplate engraving by Nasi from Giulio Ferrrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842. / Bridgeman Images

Costumes of the people of Concepcion, Chile, with women in shawls, full skirts with many petticoats, copied from La Perouse. Handcoloured copperplate engraving by Luigi Giarre from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.
Costumes of the people of Concepcion, Chile, with women in shawls, full skirts with many petticoats, copied from La Perouse. Handcoloured copperplate engraving by Luigi Giarre from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

FLO4621207: Costumes of the people of Concepcion, Chile, with women in shawls, full skirts with many petticoats, copied from La Perouse. Handcoloured copperplate engraving by Luigi Giarre from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842. / Bridgeman Images

The visit to the nurse (oil on canvas, 1873)
The visit to the nurse (oil on canvas, 1873)

LRI4621281: The visit to the nurse (oil on canvas, 1873), Lega, Silvestro (1826-95) / Bridgeman Images

Native Americans of Paraguay converted by Jesuits shown wearing clothes, plowing the land, spinning yarn, and living in a timber house with a shrine to the Virgin Mary and Jesus. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.
Native Americans of Paraguay converted by Jesuits shown wearing clothes, plowing the land, spinning yarn, and living in a timber house with a shrine to the Virgin Mary and Jesus. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

FLO4621283: Native Americans of Paraguay converted by Jesuits shown wearing clothes, plowing the land, spinning yarn, and living in a timber house with a shrine to the Virgin Mary and Jesus. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842. / Bridgeman Images

Native American village on the banks of the Nootka Sound, with totem pole, farms, and fishing boats. Handcoloured copperplate engraving by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.
Native American village on the banks of the Nootka Sound, with totem pole, farms, and fishing boats. Handcoloured copperplate engraving by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.

FLO4621286: Native American village on the banks of the Nootka Sound, with totem pole, farms, and fishing boats. Handcoloured copperplate engraving by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837. / Bridgeman Images

Tools and utensils of the Botocudo people, Brazil. Kindle stick 2, bag 3, codpiece 4, necklace 5, knife 6, bone dagger to pierce coconuts 7, wooden water container 8. Handcoloured copperplate engraving from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i Popoli), Florence, 1842.
Tools and utensils of the Botocudo people, Brazil. Kindle stick 2, bag 3, codpiece 4, necklace 5, knife 6, bone dagger to pierce coconuts 7, wooden water container 8. Handcoloured copperplate engraving from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i Popoli), Florence, 1842.

FLO4621375: Tools and utensils of the Botocudo people, Brazil. Kindle stick 2, bag 3, codpiece 4, necklace 5, knife 6, bone dagger to pierce coconuts 7, wooden water container 8. Handcoloured copperplate engraving from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i Popoli), Florence, 1842. / Bridgeman Images

Path to the Olive trees with Walkers, 1885-1895 (oil on canvas)
Path to the Olive trees with Walkers, 1885-1895 (oil on canvas)

LRI4621000: Path to the Olive trees with Walkers, 1885-1895 (oil on canvas), Fattori, Giovanni (1825-1908) / Bridgeman Images

View of the Tequendama Falls, Bogota River, Colombia. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.
View of the Tequendama Falls, Bogota River, Colombia. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

FLO4621021: View of the Tequendama Falls, Bogota River, Colombia. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842. / Bridgeman Images

Llama, Lama glama, alpaca, Vicugna pacos, and vicuna, Vicugna vicugna. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.
Llama, Lama glama, alpaca, Vicugna pacos, and vicuna, Vicugna vicugna. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

FLO4621076: Llama, Lama glama, alpaca, Vicugna pacos, and vicuna, Vicugna vicugna. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842. / Bridgeman Images

Tamaya or begonia macule or begonia bamboo - Lithograph by J. Swan, from an illustration by William Jackson Hooker (1785-1865), extract from Flore Exotic, Scotland, 1823 - Polka dot begonia, Begonia maculata (Silver spotted begonia, Begonia argyrostigma) - Handcoloured copperplate engraving by J. Swan J. after a botanical illustration by W. Hooker from his own “” Exotic Flora,”” Blackwood, Edinburgh, 1823
Tamaya or begonia macule or begonia bamboo - Lithograph by J. Swan, from an illustration by William Jackson Hooker (1785-1865), extract from Flore Exotic, Scotland, 1823 - Polka dot begonia, Begonia maculata (Silver spotted begonia, Begonia argyrostigma) - Handcoloured copperplate engraving by J. Swan J. after a botanical illustration by W. Hooker from his own “” Exotic Flora,”” Blackwood, Edinburgh, 1823

FLO4619348: Tamaya or begonia macule or begonia bamboo - Lithograph by J. Swan, from an illustration by William Jackson Hooker (1785-1865), extract from Flore Exotic, Scotland, 1823 - Polka dot begonia, Begonia maculata (Silver spotted begonia, Begonia argyrostigma) - Handcoloured copperplate engraving by J. Swan J. after a botanical illustration by W. Hooker from his own “” Exotic Flora,”” Blackwood, Edinburgh, 1823 / Bridgeman Images

Four-leaf Peperomie - Lithograph by J. Swan, from an illustration by William Jackson Hooker (1785-1865), extract from Exotic Flora, Scotland, 1823 - Four-leaved radiator plant, Peperomia quadrifolia - Handcoloured copperplate engraving by J. Swan after a botanical illustration by W. J. Hooker from his own “” Exotic Flora,” Blackwood, Edinburgh, 1823
Four-leaf Peperomie - Lithograph by J. Swan, from an illustration by William Jackson Hooker (1785-1865), extract from Exotic Flora, Scotland, 1823 - Four-leaved radiator plant, Peperomia quadrifolia - Handcoloured copperplate engraving by J. Swan after a botanical illustration by W. J. Hooker from his own “” Exotic Flora,” Blackwood, Edinburgh, 1823

FLO4619376: Four-leaf Peperomie - Lithograph by J. Swan, from an illustration by William Jackson Hooker (1785-1865), extract from Exotic Flora, Scotland, 1823 - Four-leaved radiator plant, Peperomia quadrifolia - Handcoloured copperplate engraving by J. Swan after a botanical illustration by W. J. Hooker from his own “” Exotic Flora,” Blackwood, Edinburgh, 1823 / Bridgeman Images


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