1. Home
  2. Search Results

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

2491557 Search Results

English coachman of the 16th century with whip, high boots and sabre. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Cesare Vecellio's Habiti Antichi e moderni, Venice, 1590
English coachman of the 16th century with whip, high boots and sabre. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Cesare Vecellio's Habiti Antichi e moderni, Venice, 1590

FLO4705917: English coachman of the 16th century with whip, high boots and sabre. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Cesare Vecellio's Habiti Antichi e moderni, Venice, 1590 / Bridgeman Images

ID: FLO4705917

English coachman of the 16th century with whip, high boots and sabre. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Cesare Vecellio's Habiti Antichi e moderni, Venice, 1590

Knight of the Order of the Golden Fleece. Founded in 1430 by Philippe III Le Bon, Duke of Burgundy (1396-1467). The order was dedicated to the Virgin Mary and the apostle Saint Andre. Then Charles de Valois Burgundy, dit Le Temeraire (1433-1477) decided that the coat, coat and hat of its members would be of crimson velvet, double of white satin, the golden fleece was suspended at a thin lace around the neck, later decorated with exuberant diamonds, contrary to the rules of order. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Knight of the Order of the Golden Fleece. Founded in 1430 by Philippe III Le Bon, Duke of Burgundy (1396-1467). The order was dedicated to the Virgin Mary and the apostle Saint Andre. Then Charles de Valois Burgundy, dit Le Temeraire (1433-1477) decided that the coat, coat and hat of its members would be of crimson velvet, double of white satin, the golden fleece was suspended at a thin lace around the neck, later decorated with exuberant diamonds, contrary to the rules of order. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4706902: Knight of the Order of the Golden Fleece. Founded in 1430 by Philippe III Le Bon, Duke of Burgundy (1396-1467). The order was dedicated to the Virgin Mary and the apostle Saint Andre. Then Charles de Valois Burgundy, dit Le Temeraire (1433-1477) decided that the coat, coat and hat of its members would be of crimson velvet, double of white satin, the golden fleece was suspended at a thin lace around the neck, later decorated with exuberant diamonds, contrary to the rules of order. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4706902

Knight of the Order of the Golden Fleece. Founded in 1430 by Philippe III Le Bon, Duke of Burgundy (1396-1467). The order was dedicated to the Virgin Mary and the apostle Saint Andre. Then Charles de Valois Burgundy, dit Le Temeraire (1433-1477) decided that the coat, coat and hat of its members would be of crimson velvet, double of white satin, the golden fleece was suspended at a thin lace around the neck, later decorated with exuberant diamonds, contrary to the rules of order. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Two armed knights, a horse and teams for different tests: the race with targets (right), and the race of the wheel (left). The horse of the one on the left, bears the green colors striped with white and the knight has a helm has two large wings of white feather. The one on the right is yellow striped with black, with the letter M and wears a helmet with two horns curved at the back. During the race, the knight had to touch a target point of his opponent's armor, during the game, the goal was to unarm his opponent. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Two armed knights, a horse and teams for different tests: the race with targets (right), and the race of the wheel (left). The horse of the one on the left, bears the green colors striped with white and the knight has a helm has two large wings of white feather. The one on the right is yellow striped with black, with the letter M and wears a helmet with two horns curved at the back. During the race, the knight had to touch a target point of his opponent's armor, during the game, the goal was to unarm his opponent. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707088: Two armed knights, a horse and teams for different tests: the race with targets (right), and the race of the wheel (left). The horse of the one on the left, bears the green colors striped with white and the knight has a helm has two large wings of white feather. The one on the right is yellow striped with black, with the letter M and wears a helmet with two horns curved at the back. During the race, the knight had to touch a target point of his opponent's armor, during the game, the goal was to unarm his opponent. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707088

Two armed knights, a horse and teams for different tests: the race with targets (right), and the race of the wheel (left). The horse of the one on the left, bears the green colors striped with white and the knight has a helm has two large wings of white feather. The one on the right is yellow striped with black, with the letter M and wears a helmet with two horns curved at the back. During the race, the knight had to touch a target point of his opponent's armor, during the game, the goal was to unarm his opponent. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Knights weapons for racing with targets and for racing helm. The left knight carries blue stripes on his mount, with the image of a little boy with a spear, on a cloud. The one on the right has pink colours, decorated with the letter D, numerous birds and a golden cage. During the race, the knight turned his spear on a specific point on his opponent's chest, when the point was hit, a metal plate jumped into the air (the golden fragments above each knight on the illustration represent these plates). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Knights weapons for racing with targets and for racing helm. The left knight carries blue stripes on his mount, with the image of a little boy with a spear, on a cloud. The one on the right has pink colours, decorated with the letter D, numerous birds and a golden cage. During the race, the knight turned his spear on a specific point on his opponent's chest, when the point was hit, a metal plate jumped into the air (the golden fragments above each knight on the illustration represent these plates). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707097: Knights weapons for racing with targets and for racing helm. The left knight carries blue stripes on his mount, with the image of a little boy with a spear, on a cloud. The one on the right has pink colours, decorated with the letter D, numerous birds and a golden cage. During the race, the knight turned his spear on a specific point on his opponent's chest, when the point was hit, a metal plate jumped into the air (the golden fragments above each knight on the illustration represent these plates). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707097

Knights weapons for racing with targets and for racing helm. The left knight carries blue stripes on his mount, with the image of a little boy with a spear, on a cloud. The one on the right has pink colours, decorated with the letter D, numerous birds and a golden cage. During the race, the knight turned his spear on a specific point on his opponent's chest, when the point was hit, a metal plate jumped into the air (the golden fragments above each knight on the illustration represent these plates). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Portrait of Argentine writer Jorge Luis Borges with Italian writer Alberto Moravia in Rome, 1981.
Portrait of Argentine writer Jorge Luis Borges with Italian writer Alberto Moravia in Rome, 1981.

MME4707124: Portrait of Argentine writer Jorge Luis Borges with Italian writer Alberto Moravia in Rome, 1981., Mencarini, Marcello / Bridgeman Images

ID: MME4707124

Portrait of Argentine writer Jorge Luis Borges with Italian writer Alberto Moravia in Rome, 1981.

Mencarini, Marcello

Three knight mounted teams for different types of tests: the race of the arm guard with the helm, the race with round wheels and small targets and the game. In the races, the knights aimed at their spear at a specific point in their opponent's chest pto blow a metal plate, their spear ended with a sharp metal tip, the players' spear had a crown of spikes at its end.
Three knight mounted teams for different types of tests: the race of the arm guard with the helm, the race with round wheels and small targets and the game. In the races, the knights aimed at their spear at a specific point in their opponent's chest pto blow a metal plate, their spear ended with a sharp metal tip, the players' spear had a crown of spikes at its end.

FLO4707171: Three knight mounted teams for different types of tests: the race of the arm guard with the helm, the race with round wheels and small targets and the game. In the races, the knights aimed at their spear at a specific point in their opponent's chest pto blow a metal plate, their spear ended with a sharp metal tip, the players' spear had a crown of spikes at its end. / Bridgeman Images

ID: FLO4707171

Three knight mounted teams for different types of tests: the race of the arm guard with the helm, the race with round wheels and small targets and the game. In the races, the knights aimed at their spear at a specific point in their opponent's chest pto blow a metal plate, their spear ended with a sharp metal tip, the players' spear had a crown of spikes at its end.

Orders of Chivalry: chain of the Order of the Golden Fleece 369, chain of the Order of Saint Michael 370, chain of the Order of the Holy Spirit 371, cross of the Order of St. Ludwig 372 and cross of the Order of Mount Carmel 373. Orders of Chivalry: chain of the Order of the Golden Fleece 369, chain of the Order of Saint Michael 370, chain of the Order of the Holy Spirit 371, cross of the Order of St. Ludwig 372 and cross of the Order of Mount Carmel 373.
Orders of Chivalry: chain of the Order of the Golden Fleece 369, chain of the Order of Saint Michael 370, chain of the Order of the Holy Spirit 371, cross of the Order of St. Ludwig 372 and cross of the Order of Mount Carmel 373. Orders of Chivalry: chain of the Order of the Golden Fleece 369, chain of the Order of Saint Michael 370, chain of the Order of the Holy Spirit 371, cross of the Order of St. Ludwig 372 and cross of the Order of Mount Carmel 373.

FLO4703244: Orders of Chivalry: chain of the Order of the Golden Fleece 369, chain of the Order of Saint Michael 370, chain of the Order of the Holy Spirit 371, cross of the Order of St. Ludwig 372 and cross of the Order of Mount Carmel 373. Orders of Chivalry: chain of the Order of the Golden Fleece 369, chain of the Order of Saint Michael 370, chain of the Order of the Holy Spirit 371, cross of the Order of St. Ludwig 372 and cross of the Order of Mount Carmel 373. / Bridgeman Images

ID: FLO4703244

Orders of Chivalry: chain of the Order of the Golden Fleece 369, chain of the Order of Saint Michael 370, chain of the Order of the Holy Spirit 371, cross of the Order of St. Ludwig 372 and cross of the Order of Mount Carmel 373. Orders of Chivalry: chain of the Order of the Golden Fleece 369, chain of the Order of Saint Michael 370, chain of the Order of the Holy Spirit 371, cross of the Order of St. Ludwig 372 and cross of the Order of Mount Carmel 373.

Portrait of the Spanish writer Carmen Martin Gaite in 1998.
Portrait of the Spanish writer Carmen Martin Gaite in 1998.

MME4703291: Portrait of the Spanish writer Carmen Martin Gaite in 1998., Mencarini, Marcello / Bridgeman Images

ID: MME4703291

Portrait of the Spanish writer Carmen Martin Gaite in 1998.

Mencarini, Marcello

Dacian cavalry with sabre and shield, and Numidian on horseback. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1797).
Dacian cavalry with sabre and shield, and Numidian on horseback. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1797).

FLO4704156: Dacian cavalry with sabre and shield, and Numidian on horseback. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1797). / Bridgeman Images

ID: FLO4704156

Dacian cavalry with sabre and shield, and Numidian on horseback. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1797).

Sarcophagus with the myth of Ulysses, detail, 2nd Century (white marble)
Sarcophagus with the myth of Ulysses, detail, 2nd Century (white marble)

MEP4704233: Sarcophagus with the myth of Ulysses, detail, 2nd Century (white marble) / Bridgeman Images

ID: MEP4704233

Sarcophagus with the myth of Ulysses, detail, 2nd Century (white marble)

Portrait of German opera singer and conductor Peter Schreier in 1999.
Portrait of German opera singer and conductor Peter Schreier in 1999.

MME4704202: Portrait of German opera singer and conductor Peter Schreier in 1999., Mencarini, Marcello / Bridgeman Images

ID: MME4704202

Portrait of German opera singer and conductor Peter Schreier in 1999.

Mencarini, Marcello

Portrait of mathematician Pierre Soury in 1980.
Portrait of mathematician Pierre Soury in 1980.

MME4704331: Portrait of mathematician Pierre Soury in 1980., Mencarini, Marcello / Bridgeman Images

ID: MME4704331

Portrait of mathematician Pierre Soury in 1980.

Mencarini, Marcello

Persian soldier with bowls, official with spear and quiver of arrows, man in long breeches, another official, and high priest. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1797).
Persian soldier with bowls, official with spear and quiver of arrows, man in long breeches, another official, and high priest. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1797).

FLO4704235: Persian soldier with bowls, official with spear and quiver of arrows, man in long breeches, another official, and high priest. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1797). / Bridgeman Images

ID: FLO4704235

Persian soldier with bowls, official with spear and quiver of arrows, man in long breeches, another official, and high priest. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1797).

Jewish noblewoman and young Jewish girl with waterjug. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1797).
Jewish noblewoman and young Jewish girl with waterjug. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1797).

FLO4704323: Jewish noblewoman and young Jewish girl with waterjug. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1797). / Bridgeman Images

ID: FLO4704323

Jewish noblewoman and young Jewish girl with waterjug. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1797).

Portrait of Israeli Conductor Pinchas Steinberg in 1993
Portrait of Israeli Conductor Pinchas Steinberg in 1993

MME4704353: Portrait of Israeli Conductor Pinchas Steinberg in 1993, Mencarini, Marcello / Bridgeman Images

ID: MME4704353

Portrait of Israeli Conductor Pinchas Steinberg in 1993

Mencarini, Marcello

Dioscuride di Samo, Coat of arms/crest/emblem with itinerant musicians, Italy, Campania 2nd Century (mosaic)
Dioscuride di Samo, Coat of arms/crest/emblem with itinerant musicians, Italy, Campania 2nd Century (mosaic)

MEP4704381: Dioscuride di Samo, Coat of arms/crest/emblem with itinerant musicians, Italy, Campania 2nd Century (mosaic) / Bridgeman Images

ID: MEP4704381

Dioscuride di Samo, Coat of arms/crest/emblem with itinerant musicians, Italy, Campania 2nd Century (mosaic)

Violinist Isaac Stern in 1995.
Violinist Isaac Stern in 1995.

MME4704416: Violinist Isaac Stern in 1995., Mencarini, Marcello / Bridgeman Images

ID: MME4704416

Violinist Isaac Stern in 1995.

Mencarini, Marcello

Alexandrian workers, Memento mori, 1st Century, Italy,Campania (mosaic)
Alexandrian workers, Memento mori, 1st Century, Italy,Campania (mosaic)

MEP4704473: Alexandrian workers, Memento mori, 1st Century, Italy,Campania (mosaic) / Bridgeman Images

ID: MEP4704473

Alexandrian workers, Memento mori, 1st Century, Italy,Campania (mosaic)

Portrait of guitarist Stephen Stills around 1990
Portrait of guitarist Stephen Stills around 1990

MME4704694: Portrait of guitarist Stephen Stills around 1990, Mencarini, Marcello / Bridgeman Images

ID: MME4704694

Portrait of guitarist Stephen Stills around 1990

Mencarini, Marcello

Emblem from House of the Centenario, floor, 1st Century (mosaic)
Emblem from House of the Centenario, floor, 1st Century (mosaic)

MEP4704547: Emblem from House of the Centenario, floor, 1st Century (mosaic) / Bridgeman Images

ID: MEP4704547

Emblem from House of the Centenario, floor, 1st Century (mosaic)

Portrait of rock singer Rod Stewart on stage in 1990.
Portrait of rock singer Rod Stewart on stage in 1990.

MME4704618: Portrait of rock singer Rod Stewart on stage in 1990., Mencarini, Marcello / Bridgeman Images

ID: MME4704618

Portrait of rock singer Rod Stewart on stage in 1990.

Mencarini, Marcello

Roman slingers with slingshot and stones. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1798).
Roman slingers with slingshot and stones. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1798).

FLO4704670: Roman slingers with slingshot and stones. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1798). / Bridgeman Images

ID: FLO4704670

Roman slingers with slingshot and stones. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1798).

Portrait of the German composer Karlheinz Stockhausen, circa 1985
Portrait of the German composer Karlheinz Stockhausen, circa 1985

MME4704775: Portrait of the German composer Karlheinz Stockhausen, circa 1985, Mencarini, Marcello / Bridgeman Images

ID: MME4704775

Portrait of the German composer Karlheinz Stockhausen, circa 1985

Mencarini, Marcello

Portrait of the German composer Karlheinz Stockhausen, 1989.
Portrait of the German composer Karlheinz Stockhausen, 1989.

MME4704814: Portrait of the German composer Karlheinz Stockhausen, 1989., Mencarini, Marcello / Bridgeman Images

ID: MME4704814

Portrait of the German composer Karlheinz Stockhausen, 1989.

Mencarini, Marcello

Pianist and conductor Christoph Eschenbach
Pianist and conductor Christoph Eschenbach

MME4700296: Pianist and conductor Christoph Eschenbach, Mencarini, Marcello / Bridgeman Images

ID: MME4700296

Pianist and conductor Christoph Eschenbach

Mencarini, Marcello

Italian director Federico Fellini during a shoot.
Italian director Federico Fellini during a shoot.

MME4700404: Italian director Federico Fellini during a shoot., Mencarini, Marcello / Bridgeman Images

ID: MME4700404

Italian director Federico Fellini during a shoot.

Mencarini, Marcello

Redcurrant, Ribes spicatum. Handcoloured copperplate engraving after a drawing by James Sowerby for James Smith's English Botany, 1804.
Redcurrant, Ribes spicatum. Handcoloured copperplate engraving after a drawing by James Sowerby for James Smith's English Botany, 1804.

FLO4700431: Redcurrant, Ribes spicatum. Handcoloured copperplate engraving after a drawing by James Sowerby for James Smith's English Botany, 1804. / Bridgeman Images

ID: FLO4700431

Redcurrant, Ribes spicatum. Handcoloured copperplate engraving after a drawing by James Sowerby for James Smith's English Botany, 1804.

Chives (Allium schoenoprasum). Hand-coloured copper engraving from a botanical illustration by James Sowerby for James Smith's book “English botanical”” (1790-1814). The tireless Sowerby (1757-1822) drew more than 2500 plants for Smith Mammoth “English Botanical”” (1790-1814) and 440 mushrooms for colourful representations of English mushrooms” (1797) among many other works.
Chives (Allium schoenoprasum). Hand-coloured copper engraving from a botanical illustration by James Sowerby for James Smith's book “English botanical”” (1790-1814). The tireless Sowerby (1757-1822) drew more than 2500 plants for Smith Mammoth “English Botanical”” (1790-1814) and 440 mushrooms for colourful representations of English mushrooms” (1797) among many other works.

FLO4700507: Chives (Allium schoenoprasum). Hand-coloured copper engraving from a botanical illustration by James Sowerby for James Smith's book “English botanical”” (1790-1814). The tireless Sowerby (1757-1822) drew more than 2500 plants for Smith Mammoth “English Botanical”” (1790-1814) and 440 mushrooms for colourful representations of English mushrooms” (1797) among many other works., Sowerby, James (1757-1822) / Bridgeman Images

ID: FLO4700507

Chives (Allium schoenoprasum). Hand-coloured copper engraving from a botanical illustration by James Sowerby for James Smith's book “English botanical”” (1790-1814). The tireless Sowerby (1757-1822) drew more than 2500 plants for Smith Mammoth “English Botanical”” (1790-1814) and 440 mushrooms for colourful representations of English mushrooms” (1797) among many other works.

Sowerby, James (1757-1822)

Portrait of Italian broker Gianfranco Ferre in Milan in 1988.
Portrait of Italian broker Gianfranco Ferre in Milan in 1988.

MME4700568: Portrait of Italian broker Gianfranco Ferre in Milan in 1988., Mencarini, Marcello / Bridgeman Images

ID: MME4700568

Portrait of Italian broker Gianfranco Ferre in Milan in 1988.

Mencarini, Marcello

Portrait of conductor Ivan Fischer in 1995.
Portrait of conductor Ivan Fischer in 1995.

MME4700769: Portrait of conductor Ivan Fischer in 1995., Mencarini, Marcello / Bridgeman Images

ID: MME4700769

Portrait of conductor Ivan Fischer in 1995.

Mencarini, Marcello

The ornithogale in an umbel or eleven o'clock lady, sometimes star of Bethleem (Ornithogalum umbellatum) - Lithography based on a drawing by James Sowerby for Smith's English Botanical, published in London, England, 1792
The ornithogale in an umbel or eleven o'clock lady, sometimes star of Bethleem (Ornithogalum umbellatum) - Lithography based on a drawing by James Sowerby for Smith's English Botanical, published in London, England, 1792

FLO4700808: The ornithogale in an umbel or eleven o'clock lady, sometimes star of Bethleem (Ornithogalum umbellatum) - Lithography based on a drawing by James Sowerby for Smith's English Botanical, published in London, England, 1792 / Bridgeman Images

ID: FLO4700808

The ornithogale in an umbel or eleven o'clock lady, sometimes star of Bethleem (Ornithogalum umbellatum) - Lithography based on a drawing by James Sowerby for Smith's English Botanical, published in London, England, 1792

Monkey after the Historia Animalium by Conrad Gesner, Tiguri 1560. Biblioteca nazionale Braidense. Milan
Monkey after the Historia Animalium by Conrad Gesner, Tiguri 1560. Biblioteca nazionale Braidense. Milan

GIA4739575: Monkey after the Historia Animalium by Conrad Gesner, Tiguri 1560. Biblioteca nazionale Braidense. Milan, Unknown Artist, (16th century) / Bridgeman Images

ID: GIA4739575

Monkey after the Historia Animalium by Conrad Gesner, Tiguri 1560. Biblioteca nazionale Braidense. Milan

Unknown Artist, (16th century)

Venice, 1995. Swedish museum director and art critic Pontus Hulten/Venezia, 1995. The criticality of art and film museale Pontus Hulten
Venice, 1995. Swedish museum director and art critic Pontus Hulten/Venezia, 1995. The criticality of art and film museale Pontus Hulten

MME4739589: Venice, 1995. Swedish museum director and art critic Pontus Hulten/Venezia, 1995. The criticality of art and film museale Pontus Hulten, Mencarini, Marcello / Bridgeman Images

ID: MME4739589

Venice, 1995. Swedish museum director and art critic Pontus Hulten/Venezia, 1995. The criticality of art and film museale Pontus Hulten

Mencarini, Marcello

Cat after the Historia Animalium by Conrad Gesner, Tiguri 1560. Biblioteca nazionale Braidense. Milan
Cat after the Historia Animalium by Conrad Gesner, Tiguri 1560. Biblioteca nazionale Braidense. Milan

GIA4739620: Cat after the Historia Animalium by Conrad Gesner, Tiguri 1560. Biblioteca nazionale Braidense. Milan, Unknown Artist, (16th century) / Bridgeman Images

ID: GIA4739620

Cat after the Historia Animalium by Conrad Gesner, Tiguri 1560. Biblioteca nazionale Braidense. Milan

Unknown Artist, (16th century)

Venice Lido, Venice Film Festival 1995. English actresses Sandrine Bonnaire and Isabelle Huppert, winners of Coppa Volpi for best actress for their roles in the movie “” La Ceremonie”” directed by Claude Chabrol/Lido di Venezia, Mostra del Cinema di Venezia 1995. Le attrici Sandrine Bonnaire e Isabelle Huppert, vincitrici della Coppa Volpi per la migliore attrice per la loro interpretazione in the film “” La Ceremonie””” (The buio nella mente) diretto by Claude Chabrol -
Venice Lido, Venice Film Festival 1995. English actresses Sandrine Bonnaire and Isabelle Huppert, winners of Coppa Volpi for best actress for their roles in the movie “” La Ceremonie”” directed by Claude Chabrol/Lido di Venezia, Mostra del Cinema di Venezia 1995. Le attrici Sandrine Bonnaire e Isabelle Huppert, vincitrici della Coppa Volpi per la migliore attrice per la loro interpretazione in the film “” La Ceremonie””” (The buio nella mente) diretto by Claude Chabrol -

MME4739525: Venice Lido, Venice Film Festival 1995. English actresses Sandrine Bonnaire and Isabelle Huppert, winners of Coppa Volpi for best actress for their roles in the movie “” La Ceremonie”” directed by Claude Chabrol/Lido di Venezia, Mostra del Cinema di Venezia 1995. Le attrici Sandrine Bonnaire e Isabelle Huppert, vincitrici della Coppa Volpi per la migliore attrice per la loro interpretazione in the film “” La Ceremonie””” (The buio nella mente) diretto by Claude Chabrol -, Mencarini, Marcello / Bridgeman Images

ID: MME4739525

Venice Lido, Venice Film Festival 1995. English actresses Sandrine Bonnaire and Isabelle Huppert, winners of Coppa Volpi for best actress for their roles in the movie “” La Ceremonie”” directed by Claude Chabrol/Lido di Venezia, Mostra del Cinema di Venezia 1995. Le attrici Sandrine Bonnaire e Isabelle Huppert, vincitrici della Coppa Volpi per la migliore attrice per la loro interpretazione in the film “” La Ceremonie””” (The buio nella mente) diretto by Claude Chabrol -

Mencarini, Marcello

Venice Art Biennale 1999. German artist Rebecca Horn/Biennale Arte di Venezia 1999. Artista tedesca Rebecca Horn -
Venice Art Biennale 1999. German artist Rebecca Horn/Biennale Arte di Venezia 1999. Artista tedesca Rebecca Horn -

MME4739742: Venice Art Biennale 1999. German artist Rebecca Horn/Biennale Arte di Venezia 1999. Artista tedesca Rebecca Horn -, Horn, Rebecca (b.1944) / Bridgeman Images

ID: MME4739742

Venice Art Biennale 1999. German artist Rebecca Horn/Biennale Arte di Venezia 1999. Artista tedesca Rebecca Horn -

Horn, Rebecca (b.1944)


Back to top