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Poster for an exhibition on German war crimes (photos, posters...), organized by the League “Remember yourself”, for the benefit of the propaganda work of the League - poster by Lucien Hector (Lucien-Hector) Jonas (1880 - 1947), 1917
Poster for an exhibition on German war crimes (photos, posters...), organized by the League “Remember yourself”, for the benefit of the propaganda work of the League - poster by Lucien Hector (Lucien-Hector) Jonas (1880 - 1947), 1917

XEE4410235: Poster for an exhibition on German war crimes (photos, posters...), organized by the League “Remember yourself”, for the benefit of the propaganda work of the League - poster by Lucien Hector (Lucien-Hector) Jonas (1880 - 1947), 1917, Jonas, Lucien Hector (1880-1947) / Bridgeman Images

Poster to convince the French to pay their money for National Defence: “” Ahohe! The good people... Pour your gold, we pour our blood well” - poster, circa 1914
Poster to convince the French to pay their money for National Defence: “” Ahohe! The good people... Pour your gold, we pour our blood well” - poster, circa 1914

XEE4410236: Poster to convince the French to pay their money for National Defence: “” Ahohe! The good people... Pour your gold, we pour our blood well” - poster, circa 1914, French School, (20th century) / Bridgeman Images

Portrait of John Adams (1735 - 1826), 2nd President of the United States (1797 - 1801). Engraving sd. 19th century.
Portrait of John Adams (1735 - 1826), 2nd President of the United States (1797 - 1801). Engraving sd. 19th century.

XEE4410295: Portrait of John Adams (1735 - 1826), 2nd President of the United States (1797 - 1801). Engraving sd. 19th century., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Thomas Jefferson (1743 - 1826) by Peale Rembrandt (1778 - 1860).
Portrait of Thomas Jefferson (1743 - 1826) by Peale Rembrandt (1778 - 1860).

XEE4410309: Portrait of Thomas Jefferson (1743 - 1826) by Peale Rembrandt (1778 - 1860)., Peale, Rembrandt (1778-1860) / Bridgeman Images

Cover of the book “The Scout Buffalo Bill” by Han. W.F. Cody, illustration by P. Frenzeny, sd. between 1860 and 1890.
Cover of the book “The Scout Buffalo Bill” by Han. W.F. Cody, illustration by P. Frenzeny, sd. between 1860 and 1890.

XEE4410328: Cover of the book “The Scout Buffalo Bill” by Han. W.F. Cody, illustration by P. Frenzeny, sd. between 1860 and 1890., Frenzeny, Paul (1840-1902) / Bridgeman Images

Portrait of François Rude (1784 - 1855) French sculptor.
Portrait of François Rude (1784 - 1855) French sculptor.

XEE4410355: Portrait of François Rude (1784 - 1855) French sculptor., Unknown Artist, (19th century) / Bridgeman Images

The first trip: Christopher Columbus greeting Queen Isabella of Castile to the port of Palos before departure in 1492. Engraving 19th century
The first trip: Christopher Columbus greeting Queen Isabella of Castile to the port of Palos before departure in 1492. Engraving 19th century

XEE4410376: The first trip: Christopher Columbus greeting Queen Isabella of Castile to the port of Palos before departure in 1492. Engraving 19th century, Unknown Artist, (19th century) / Bridgeman Images

Charles VI (in his madness) in the forest of Le Mans - in “” L'Histoire de France”” by Henri Martin, 19th century.
Charles VI (in his madness) in the forest of Le Mans - in “” L'Histoire de France”” by Henri Martin, 19th century.

XEE4410378: Charles VI (in his madness) in the forest of Le Mans - in “” L'Histoire de France”” by Henri Martin, 19th century., Unknown Artist, (19th century) / Bridgeman Images

Martin Luther (1483 - 1546) reading in a church.
Martin Luther (1483 - 1546) reading in a church.

XEE4410405: Martin Luther (1483 - 1546) reading in a church., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Charlemagne or Charles I the Great (742 - 814) King of the Francs.
Portrait of Charlemagne or Charles I the Great (742 - 814) King of the Francs.

XEE4410417: Portrait of Charlemagne or Charles I the Great (742 - 814) King of the Francs., Unknown artist, (18th century) / Bridgeman Images

Poster for the national loan “” For the last quarter of an hour.. help me! National Loan subscriptions are received by the National Credit Bank”: General Ferdinand Foch (1851 - 1929) looking at his troops marching through the battlefield. By Sem, 1918.
Poster for the national loan “” For the last quarter of an hour.. help me! National Loan subscriptions are received by the National Credit Bank”: General Ferdinand Foch (1851 - 1929) looking at his troops marching through the battlefield. By Sem, 1918.

XEE4410427: Poster for the national loan “” For the last quarter of an hour.. help me! National Loan subscriptions are received by the National Credit Bank”: General Ferdinand Foch (1851 - 1929) looking at his troops marching through the battlefield. By Sem, 1918., Sem (Georges Goursat) (1863-1934) / Bridgeman Images

Portrait of Catherine de Medici (Caterina de Medici) (1519 - 1589), engraving early 19th century.
Portrait of Catherine de Medici (Caterina de Medici) (1519 - 1589), engraving early 19th century.

XEE4410470: Portrait of Catherine de Medici (Caterina de Medici) (1519 - 1589), engraving early 19th century., Massard, Leopold (1812-1889) / Bridgeman Images

Religious order. Novice of the Order of St. Rosalia in Palermo in Sicily in the 17th century. In “” History of military orders or knights, of the secure and routine militias of both sexes, which have been established until now. Edition taken from Abbe Giustiniani, R.P.Bonani, M. Herman, Schoonebeek, R.P.Heliot.Amsterdam, Brunel, 1721. Private collection.
Religious order. Novice of the Order of St. Rosalia in Palermo in Sicily in the 17th century. In “” History of military orders or knights, of the secure and routine militias of both sexes, which have been established until now. Edition taken from Abbe Giustiniani, R.P.Bonani, M. Herman, Schoonebeek, R.P.Heliot.Amsterdam, Brunel, 1721. Private collection.

XEE4408770: Religious order. Novice of the Order of St. Rosalia in Palermo in Sicily in the 17th century. In “” History of military orders or knights, of the secure and routine militias of both sexes, which have been established until now. Edition taken from Abbe Giustiniani, R.P.Bonani, M. Herman, Schoonebeek, R.P.Heliot.Amsterdam, Brunel, 1721. Private collection., Unknown Artist, (17th century) / Bridgeman Images

General layout of the new Edoux elevator in 1888, in “La nature”” of 1888.
General layout of the new Edoux elevator in 1888, in “La nature”” of 1888.

XEE4408780: General layout of the new Edoux elevator in 1888, in “La nature”” of 1888., Unknown Artist, (19th century) / Bridgeman Images

The military troops of the Prussian Armee passed before Chancellor Otto von Bismarck (1815-1898) on 26 March 1895 in Friedrichsruh, Germany. Chromolithography, late 19th century.
The military troops of the Prussian Armee passed before Chancellor Otto von Bismarck (1815-1898) on 26 March 1895 in Friedrichsruh, Germany. Chromolithography, late 19th century.

XEE4408828: The military troops of the Prussian Armee passed before Chancellor Otto von Bismarck (1815-1898) on 26 March 1895 in Friedrichsruh, Germany. Chromolithography, late 19th century., German School, (19th century) / Bridgeman Images

The painter Albert (Albrecht) Durer (1471-1528), son of Josef Durer, a goldwort from Nuremberg, who has become rich, returns to his father's house and rechedes all the works he was forced to sell. Plate taken from “” Scenes de la vie des hommes famous””” engraving in two shades by Valerio. 1843.
The painter Albert (Albrecht) Durer (1471-1528), son of Josef Durer, a goldwort from Nuremberg, who has become rich, returns to his father's house and rechedes all the works he was forced to sell. Plate taken from “” Scenes de la vie des hommes famous””” engraving in two shades by Valerio. 1843.

XEE4408937: The painter Albert (Albrecht) Durer (1471-1528), son of Josef Durer, a goldwort from Nuremberg, who has become rich, returns to his father's house and rechedes all the works he was forced to sell. Plate taken from “” Scenes de la vie des hommes famous””” engraving in two shades by Valerio. 1843., French School, (19th century) / Bridgeman Images

Henry III (1551-1589), King of France, visiting Bernard Palissy, ceramist, imprisoned at the Bastille. in “” Scenes de la vie d'hommes famous””” engraving in two colours by Valerio. 1843.
Henry III (1551-1589), King of France, visiting Bernard Palissy, ceramist, imprisoned at the Bastille. in “” Scenes de la vie d'hommes famous””” engraving in two colours by Valerio. 1843.

XEE4408944: Henry III (1551-1589), King of France, visiting Bernard Palissy, ceramist, imprisoned at the Bastille. in “” Scenes de la vie d'hommes famous””” engraving in two colours by Valerio. 1843., French School, (19th century) / Bridgeman Images

Illustration by Lorenz Frolich (1820-1908) for the popular song “The Good King Dagobert””. Edition J. Hetzel.Around 1880.
Illustration by Lorenz Frolich (1820-1908) for the popular song “The Good King Dagobert””. Edition J. Hetzel.Around 1880.

XEE4409020: Illustration by Lorenz Frolich (1820-1908) for the popular song “The Good King Dagobert””. Edition J. Hetzel.Around 1880., Frolich, Lorens (1820-1908) / Bridgeman Images

Illustration by Lorenz Frolich (1820-1908) for the popular song “The Good King Dagobert””. Edition J. Hetzel.Around 1880.
Illustration by Lorenz Frolich (1820-1908) for the popular song “The Good King Dagobert””. Edition J. Hetzel.Around 1880.

XEE4409021: Illustration by Lorenz Frolich (1820-1908) for the popular song “The Good King Dagobert””. Edition J. Hetzel.Around 1880., Frolich, Lorens (1820-1908) / Bridgeman Images

Silkworm breeding in a Japanese magnet. Chromolitography of the late 19th century.
Silkworm breeding in a Japanese magnet. Chromolitography of the late 19th century.

XEE4409049: Silkworm breeding in a Japanese magnet. Chromolitography of the late 19th century., Unknown Artist, (19th century) / Bridgeman Images

Pecheurs of pearl oysters in Ceylon. Chromolitography of the late 19th century.
Pecheurs of pearl oysters in Ceylon. Chromolitography of the late 19th century.

XEE4409054: Pecheurs of pearl oysters in Ceylon. Chromolitography of the late 19th century., Unknown Artist, (19th century) / Bridgeman Images

Honey hunters in Canada looking for a swarm tree. Chromolitography of the late 19th century.
Honey hunters in Canada looking for a swarm tree. Chromolitography of the late 19th century.

XEE4409055: Honey hunters in Canada looking for a swarm tree. Chromolitography of the late 19th century., Unknown Artist, (19th century) / Bridgeman Images

Election of Merovee or Merovech as leader of the Salians Francs in 448. First Merovingian king, he returned until 458. Engraving of the 18th century.
Election of Merovee or Merovech as leader of the Salians Francs in 448. First Merovingian king, he returned until 458. Engraving of the 18th century.

XEE4409085: Election of Merovee or Merovech as leader of the Salians Francs in 448. First Merovingian king, he returned until 458. Engraving of the 18th century., French School, (18th century) / Bridgeman Images

Clodion the Hair (circa 400-448), leader of the Salians Francs, learning of the surprise attack by the troops of General Aetius, Prefet of Gauls, in 432. Engraving of the 18th century.
Clodion the Hair (circa 400-448), leader of the Salians Francs, learning of the surprise attack by the troops of General Aetius, Prefet of Gauls, in 432. Engraving of the 18th century.

XEE4409091: Clodion the Hair (circa 400-448), leader of the Salians Francs, learning of the surprise attack by the troops of General Aetius, Prefet of Gauls, in 432. Engraving of the 18th century., French School, (18th century) / Bridgeman Images

Fredegonde (545-597), Queen of Neustria, holding in her arms her son, the future Clothary II (584-628); 584. Engraving of the 18th century.
Fredegonde (545-597), Queen of Neustria, holding in her arms her son, the future Clothary II (584-628); 584. Engraving of the 18th century.

XEE4409099: Fredegonde (545-597), Queen of Neustria, holding in her arms her son, the future Clothary II (584-628); 584. Engraving of the 18th century., French School, (18th century) / Bridgeman Images

On the death of Clotaire (Clothaire) 1st, King of the Franks, his four sons each received part of the kingdom. Their names are Caribert 1er or Charibert (ca. 520-567), Gontran 1er (ca. 545-592), Sigebert I (535-575) and Chilperic I (ca. 539-584). Engraving of the 18th century.
On the death of Clotaire (Clothaire) 1st, King of the Franks, his four sons each received part of the kingdom. Their names are Caribert 1er or Charibert (ca. 520-567), Gontran 1er (ca. 545-592), Sigebert I (535-575) and Chilperic I (ca. 539-584). Engraving of the 18th century.

XEE4409119: On the death of Clotaire (Clothaire) 1st, King of the Franks, his four sons each received part of the kingdom. Their names are Caribert 1er or Charibert (ca. 520-567), Gontran 1er (ca. 545-592), Sigebert I (535-575) and Chilperic I (ca. 539-584). Engraving of the 18th century., French School, (18th century) / Bridgeman Images

Thierry III (651-691), king of the Franks, and Ebroin (died 681), mayor of the Neustria Palace, were mowed by the population, hostile to the two men. 669. Engraving by Jean Michel Moreau, dit Moreau le Jeune (1741- 1814), 18th century.
Thierry III (651-691), king of the Franks, and Ebroin (died 681), mayor of the Neustria Palace, were mowed by the population, hostile to the two men. 669. Engraving by Jean Michel Moreau, dit Moreau le Jeune (1741- 1814), 18th century.

XEE4409138: Thierry III (651-691), king of the Franks, and Ebroin (died 681), mayor of the Neustria Palace, were mowed by the population, hostile to the two men. 669. Engraving by Jean Michel Moreau, dit Moreau le Jeune (1741- 1814), 18th century., Moreau, Jean Michel the Younger (1741-1814) / Bridgeman Images

A Chinese bookseller in the 19th century.
A Chinese bookseller in the 19th century.

XEE4409169: A Chinese bookseller in the 19th century., Unknown Artist, (19th century) / Bridgeman Images

Guillaume Tell (William Tell) rescuing Baumgartner.
Guillaume Tell (William Tell) rescuing Baumgartner.

XEE4409177: Guillaume Tell (William Tell) rescuing Baumgartner., Unknown Artist, (19th century) / Bridgeman Images

Armenian man in the 19th century.
Armenian man in the 19th century.

XEE4409208: Armenian man in the 19th century., Unknown Artist, (19th century) / Bridgeman Images

Cover for the novel “The cabinet of antique”
Cover for the novel “The cabinet of antique”

XEE4409240: Cover for the novel “The cabinet of antique”, Unknown Artist, (19th century) / Bridgeman Images

General Bonaparte in 1797.
General Bonaparte in 1797.

XEE4409286: General Bonaparte in 1797., Unknown Artist, (19th century) / Bridgeman Images

Conquete of the Kingdom of England by William the Conquerant, 1066: the Duke of Normandy (1027-1087) burned the ships on which his army travelled, in order to force his soldiers to fight or die. Engraving by Jean Michel Moreau, dit Moreau le Jeune (1741- 1814), 18th century.
Conquete of the Kingdom of England by William the Conquerant, 1066: the Duke of Normandy (1027-1087) burned the ships on which his army travelled, in order to force his soldiers to fight or die. Engraving by Jean Michel Moreau, dit Moreau le Jeune (1741- 1814), 18th century.

XEE4409307: Conquete of the Kingdom of England by William the Conquerant, 1066: the Duke of Normandy (1027-1087) burned the ships on which his army travelled, in order to force his soldiers to fight or die. Engraving by Jean Michel Moreau, dit Moreau le Jeune (1741- 1814), 18th century., Moreau, Jean Michel the Younger (1741-1814) / Bridgeman Images

Nerra coots (972/987-1040), Count of Anjou, pilgrimage in Jerusalem. He gets dragged naked, a rope tied to his neck, in the streets of the city, while one of his squires whips him with yards and asks for grace from God. 11th century. Engraving by Jean Michel Moreau, dit Moreau le Jeune (1741- 1814), 18th century.
Nerra coots (972/987-1040), Count of Anjou, pilgrimage in Jerusalem. He gets dragged naked, a rope tied to his neck, in the streets of the city, while one of his squires whips him with yards and asks for grace from God. 11th century. Engraving by Jean Michel Moreau, dit Moreau le Jeune (1741- 1814), 18th century.

XEE4409320: Nerra coots (972/987-1040), Count of Anjou, pilgrimage in Jerusalem. He gets dragged naked, a rope tied to his neck, in the streets of the city, while one of his squires whips him with yards and asks for grace from God. 11th century. Engraving by Jean Michel Moreau, dit Moreau le Jeune (1741- 1814), 18th century., Moreau, Jean Michel the Younger (1741-1814) / Bridgeman Images

Donkey and boar. Fable of Esope. (Greek writer Esopo or Ecopus, 6th century BC) Written by Guillaume Montfort and Gravees by Beauble in 1801.
Donkey and boar. Fable of Esope. (Greek writer Esopo or Ecopus, 6th century BC) Written by Guillaume Montfort and Gravees by Beauble in 1801.

XEE4409322: Donkey and boar. Fable of Esope. (Greek writer Esopo or Ecopus, 6th century BC) Written by Guillaume Montfort and Gravees by Beauble in 1801., French School, (19th century) / Bridgeman Images

Portrait of Herve Mangon (1821-1888), man of science. In “” Nature. Review of sciences and their applications to the arts and industry.” 1888
Portrait of Herve Mangon (1821-1888), man of science. In “” Nature. Review of sciences and their applications to the arts and industry.” 1888

XEE4408088: Portrait of Herve Mangon (1821-1888), man of science. In “” Nature. Review of sciences and their applications to the arts and industry.” 1888, Unknown Artist, (19th century) / Bridgeman Images


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