1. Home
  2. Search Results

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

2518239 Search Results

Andres Bello (1781–1865) Venezuelan humanist, poet, philosopher. Engraving, 1881. Colored.
Andres Bello (1781–1865) Venezuelan humanist, poet, philosopher. Engraving, 1881. Colored.

TRK879860: Andres Bello (1781–1865) Venezuelan humanist, poet, philosopher. Engraving, 1881. Colored. / Bridgeman Images

ID: TRK879860

Andres Bello (1781–1865) Venezuelan humanist, poet, philosopher. Engraving, 1881. Colored.

Arrival in Barcelona of General Martinez Campos after the pacification of Catalonia, 1875 (engraving)
Arrival in Barcelona of General Martinez Campos after the pacification of Catalonia, 1875 (engraving)

TRK879864: Arrival in Barcelona of General Martinez Campos after the pacification of Catalonia, 1875 (engraving) / Bridgeman Images

ID: TRK879864

Arrival in Barcelona of General Martinez Campos after the pacification of Catalonia, 1875 (engraving)

Antonio Canovas del Castillo (1828-1897). Engraving. Colored.
Antonio Canovas del Castillo (1828-1897). Engraving. Colored.

TRK879865: Antonio Canovas del Castillo (1828-1897). Engraving. Colored. / Bridgeman Images

ID: TRK879865

Antonio Canovas del Castillo (1828-1897). Engraving. Colored.

Apollo Crowning the Arts, c.1763-70 (oil on canvas)
Apollo Crowning the Arts, c.1763-70 (oil on canvas)

XIR905585: Apollo Crowning the Arts, c.1763-70 (oil on canvas), Boucher, Francois (1703-70) / Bridgeman Images

ID: XIR905585

Apollo Crowning the Arts, c.1763-70 (oil on canvas)

Boucher, Francois (1703-70)

Princess Louise Hollandine of the Palatinate (oil on canvas)
Princess Louise Hollandine of the Palatinate (oil on canvas)

XIR905700: Princess Louise Hollandine of the Palatinate (oil on canvas), Thach, Nathaniel (1617-c.52) / Bridgeman Images

ID: XIR905700

Princess Louise Hollandine of the Palatinate (oil on canvas)

Thach, Nathaniel (1617-c.52)

Ceiling of the Hôtel de l'Abbé de La Rivière: Mercury abducting Psyche to Mount Olympus, 1653 (oil on canvas)
Ceiling of the Hôtel de l'Abbé de La Rivière: Mercury abducting Psyche to Mount Olympus, 1653 (oil on canvas)

XIR905708: Ceiling of the Hôtel de l'Abbé de La Rivière: Mercury abducting Psyche to Mount Olympus, 1653 (oil on canvas), Le Brun, Charles (1619-90) / Bridgeman Images

ID: XIR905708

Ceiling of the Hôtel de l'Abbé de La Rivière: Mercury abducting Psyche to Mount Olympus, 1653 (oil on canvas)

Le Brun, Charles (1619-90)

Ceiling of the Hôtel de l'Abbé de La Rivière: Urania and Euterpe, 1653 (oil on canvas)
Ceiling of the Hôtel de l'Abbé de La Rivière: Urania and Euterpe, 1653 (oil on canvas)

XIR905713: Ceiling of the Hôtel de l'Abbé de La Rivière: Urania and Euterpe, 1653 (oil on canvas), Le Brun, Charles (1619-90) / Bridgeman Images

ID: XIR905713

Ceiling of the Hôtel de l'Abbé de La Rivière: Urania and Euterpe, 1653 (oil on canvas)

Le Brun, Charles (1619-90)

The Frosty Morning, 1825 (engraving)
The Frosty Morning, 1825 (engraving)

XJF869684: The Frosty Morning, 1825 (engraving), Sharp, William (1803-75) (after) / Bridgeman Images

ID: XJF869684

The Frosty Morning, 1825 (engraving)

Sharp, William (1803-75) (after)

Head Quarter's, 1777 (engraving)
Head Quarter's, 1777 (engraving)

XJF869690: Head Quarter's, 1777 (engraving), English School, (18th century) / Bridgeman Images

ID: XJF869690

Head Quarter's, 1777 (engraving)

English School, (18th century)

Illustrations of a demi-bain and a bain de siege, 18th Century (engraving)
Illustrations of a demi-bain and a bain de siege, 18th Century (engraving)

XJF869696: Illustrations of a demi-bain and a bain de siege, 18th Century (engraving), French School, (18th century) / Bridgeman Images

ID: XJF869696

Illustrations of a demi-bain and a bain de siege, 18th Century (engraving)

French School, (18th century)

Plan of the Proposed Improvements at Charing Cross, St. Martin's Lane and Entrance to the Strand, engarved by James Basire, 1826 (engraving)
Plan of the Proposed Improvements at Charing Cross, St. Martin's Lane and Entrance to the Strand, engarved by James Basire, 1826 (engraving)

XJF869833: Plan of the Proposed Improvements at Charing Cross, St. Martin's Lane and Entrance to the Strand, engarved by James Basire, 1826 (engraving), English School, (19th century) / Bridgeman Images

ID: XJF869833

Plan of the Proposed Improvements at Charing Cross, St. Martin's Lane and Entrance to the Strand, engarved by James Basire, 1826 (engraving)

English School, (19th century)

Office of the Illustrated London News, 1842 (engraving)
Office of the Illustrated London News, 1842 (engraving)

XJF869840: Office of the Illustrated London News, 1842 (engraving), English School, (19th century) / Bridgeman Images

ID: XJF869840

Office of the Illustrated London News, 1842 (engraving)

English School, (19th century)

Old Entrance to the Crown and Anchor Tavern,1851 (engraving)
Old Entrance to the Crown and Anchor Tavern,1851 (engraving)

XJF869841: Old Entrance to the Crown and Anchor Tavern,1851 (engraving), English School, (19th century) / Bridgeman Images

ID: XJF869841

Old Entrance to the Crown and Anchor Tavern,1851 (engraving)

English School, (19th century)

St. Martin's Church from Charing Cross,1837 (engraving)
St. Martin's Church from Charing Cross,1837 (engraving)

XJF869846: St. Martin's Church from Charing Cross,1837 (engraving), English School, (19th century) / Bridgeman Images

ID: XJF869846

St. Martin's Church from Charing Cross,1837 (engraving)

English School, (19th century)

Looking East down the Strand, c.1890 (photograph)
Looking East down the Strand, c.1890 (photograph)

XJF869848: Looking East down the Strand, c.1890 (photograph), English Photographer, (19th century) / Bridgeman Images

ID: XJF869848

Looking East down the Strand, c.1890 (photograph)

English Photographer, (19th century)

Charing Cross Station Hotel, c.1890 (photograph)
Charing Cross Station Hotel, c.1890 (photograph)

XJF869851: Charing Cross Station Hotel, c.1890 (photograph), English Photographer, (19th century) / Bridgeman Images

ID: XJF869851

Charing Cross Station Hotel, c.1890 (photograph)

English Photographer, (19th century)

Mr Ducrow the Equestrian Performer at Astley's Amphitheatre, circa 1840 (engraving)
Mr Ducrow the Equestrian Performer at Astley's Amphitheatre, circa 1840 (engraving)

XJF869853: Mr Ducrow the Equestrian Performer at Astley's Amphitheatre, circa 1840 (engraving), English School, (19th century) / Bridgeman Images

ID: XJF869853

Mr Ducrow the Equestrian Performer at Astley's Amphitheatre, circa 1840 (engraving)

English School, (19th century)

The Social Pinch, print made by William Kay, 1784-1813 (etching)
The Social Pinch, print made by William Kay, 1784-1813 (etching)

XJF869873: The Social Pinch, print made by William Kay, 1784-1813 (etching), English School, (19th century) / Bridgeman Images

ID: XJF869873

The Social Pinch, print made by William Kay, 1784-1813 (etching)

English School, (19th century)

Photograph of a grey morning coat of flowered chintz with nankeen trousers, taken from
Photograph of a grey morning coat of flowered chintz with nankeen trousers, taken from

XJF869887: Photograph of a grey morning coat of flowered chintz with nankeen trousers, taken from "Old English Costumes: A sequence of fashions through the 18th and 19th Centuries, selected from the collection formed by Mr. talbor Hughes, presented to the Victoria and Albert Museum South Kensington", 1830-1850 (photograph), English School, (19th century) / Bridgeman Images

ID: XJF869887

Photograph of a grey morning coat of flowered chintz with nankeen trousers, taken from "Old English Costumes: A sequence of fashions through the 18th and 19th Centuries, selected from the collection formed by Mr. talbor Hughes, presented to the Victoria and Albert Museum South Kensington", 1830-1850 (photograph)

English School, (19th century)

Front of the Pantheon, Oxford Street, 1795 (etching)
Front of the Pantheon, Oxford Street, 1795 (etching)

XJF869893: Front of the Pantheon, Oxford Street, 1795 (etching), English School, (18th century) / Bridgeman Images

ID: XJF869893

Front of the Pantheon, Oxford Street, 1795 (etching)

English School, (18th century)

Adoloscentis Angli, taken from Habitus Vararium Gentium Ornatus, made by Peiter de Jode I after Sebastiaan Vranck, 1600-1634 (engraving)
Adoloscentis Angli, taken from Habitus Vararium Gentium Ornatus, made by Peiter de Jode I after Sebastiaan Vranck, 1600-1634 (engraving)

XJF869897: Adoloscentis Angli, taken from Habitus Vararium Gentium Ornatus, made by Peiter de Jode I after Sebastiaan Vranck, 1600-1634 (engraving), Flemish School, (17th century) / Bridgeman Images

ID: XJF869897

Adoloscentis Angli, taken from Habitus Vararium Gentium Ornatus, made by Peiter de Jode I after Sebastiaan Vranck, 1600-1634 (engraving)

Flemish School, (17th century)

The Knights and the Briar Rose, 1869 (oil on canvas) (detail of 198347)
The Knights and the Briar Rose, 1869 (oil on canvas) (detail of 198347)

MAA869934: The Knights and the Briar Rose, 1869 (oil on canvas) (detail of 198347), Burne-Jones, Edward Coley (1833-98) / Bridgeman Images

ID: MAA869934

The Knights and the Briar Rose, 1869 (oil on canvas) (detail of 198347)

Burne-Jones, Edward Coley (1833-98)

British village cattle market, Victorian, 19th century (photograph)
British village cattle market, Victorian, 19th century (photograph)

XJF869951: British village cattle market, Victorian, 19th century (photograph), English School, (19th century) / Bridgeman Images

ID: XJF869951

British village cattle market, Victorian, 19th century (photograph)

English School, (19th century)

The Studio of the Painter, a Real Allegory, 1855 (oil on canvas) (detail of 19190)
The Studio of the Painter, a Real Allegory, 1855 (oil on canvas) (detail of 19190)

XIR869978: The Studio of the Painter, a Real Allegory, 1855 (oil on canvas) (detail of 19190), Courbet, Gustave (1819-77) / Bridgeman Images

ID: XIR869978

The Studio of the Painter, a Real Allegory, 1855 (oil on canvas) (detail of 19190)

Courbet, Gustave (1819-77)

A Texas Steer (colour litho)
A Texas Steer (colour litho)

SNG870119: A Texas Steer (colour litho), American School / Bridgeman Images

ID: SNG870119

A Texas Steer (colour litho)

American School

Charles II Thirty Hour Longcase Clock, c.1680 (mixed media)
Charles II Thirty Hour Longcase Clock, c.1680 (mixed media)

CH870170: Charles II Thirty Hour Longcase Clock, c.1680 (mixed media) , Tompion, Thomas (1639-1713) / Bridgeman Images

ID: CH870170

Charles II Thirty Hour Longcase Clock, c.1680 (mixed media)

Tompion, Thomas (1639-1713)

View of the Temples of Paestum (litho)
View of the Temples of Paestum (litho)

GIA871722: View of the Temples of Paestum (litho), Piranesi, Giovanni Battista (1720-78) / Bridgeman Images

ID: GIA871722

View of the Temples of Paestum (litho)

Piranesi, Giovanni Battista (1720-78)

View of the Temples of Paestum (litho)
View of the Temples of Paestum (litho)

GIA871727: View of the Temples of Paestum (litho), Piranesi, Giovanni Battista (1720-78) / Bridgeman Images

ID: GIA871727

View of the Temples of Paestum (litho)

Piranesi, Giovanni Battista (1720-78)

Driving a cow before her Laura Secord passed the American sentries (colour litho)
Driving a cow before her Laura Secord passed the American sentries (colour litho)

IL871937: Driving a cow before her Laura Secord passed the American sentries (colour litho), Skelton, Joseph Ratcliffe (1865-1927) / Bridgeman Images

ID: IL871937

Driving a cow before her Laura Secord passed the American sentries (colour litho)

Skelton, Joseph Ratcliffe (1865-1927)

All day long the sound of pick and the rumble of the cradle were heard (colour litho)
All day long the sound of pick and the rumble of the cradle were heard (colour litho)

IL871939: All day long the sound of pick and the rumble of the cradle were heard (colour litho), Skelton, Joseph Ratcliffe (1865-1927) / Bridgeman Images

ID: IL871939

All day long the sound of pick and the rumble of the cradle were heard (colour litho)

Skelton, Joseph Ratcliffe (1865-1927)

Beside them stood the women quietly loading the guns (colour litho)
Beside them stood the women quietly loading the guns (colour litho)

IL871945: Beside them stood the women quietly loading the guns (colour litho), Skelton, Joseph Ratcliffe (1865-1927) / Bridgeman Images

ID: IL871945

Beside them stood the women quietly loading the guns (colour litho)

Skelton, Joseph Ratcliffe (1865-1927)

The boats stuck in the mud and were an easy mark (colour litho)
The boats stuck in the mud and were an easy mark (colour litho)

IL871951: The boats stuck in the mud and were an easy mark (colour litho), Skelton, Joseph Ratcliffe (1865-1927) / Bridgeman Images

ID: IL871951

The boats stuck in the mud and were an easy mark (colour litho)

Skelton, Joseph Ratcliffe (1865-1927)

IL872010: "What a very ill-natured person you must be" said Tom (colour litho), Brock, Charles Edmund (1870-1938) / Bridgeman Images

ID: IL872010

"What a very ill-natured person you must be" said Tom (colour litho)

Brock, Charles Edmund (1870-1938)

IL872013: "You ain't been in the city, I suppose, sir, since we was at Mr Chuzzlewit's." (colour litho), Brock, Charles Edmund (1870-1938) / Bridgeman Images

ID: IL872013

"You ain't been in the city, I suppose, sir, since we was at Mr Chuzzlewit's." (colour litho)

Brock, Charles Edmund (1870-1938)

Bears! Bears! They are following me (colour litho)
Bears! Bears! They are following me (colour litho)

IL872034: Bears! Bears! They are following me (colour litho), Robinson, Thomas Heath (1869-1954) / Bridgeman Images

ID: IL872034

Bears! Bears! They are following me (colour litho)

Robinson, Thomas Heath (1869-1954)

The serpent raised its head (colour litho)
The serpent raised its head (colour litho)

IL872036: The serpent raised its head (colour litho), Robinson, Thomas Heath (1869-1954) / Bridgeman Images

ID: IL872036

The serpent raised its head (colour litho)

Robinson, Thomas Heath (1869-1954)


Back to top