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Portrait of Wulstan (or Wulfstan), second arch of York from 1002-1023. A copy of an 11th century manuscript, dressed in his ordinary dress, sitting and studying a book in his office. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Portrait of Wulstan (or Wulfstan), second arch of York from 1002-1023. A copy of an 11th century manuscript, dressed in his ordinary dress, sitting and studying a book in his office. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707477: Portrait of Wulstan (or Wulfstan), second arch of York from 1002-1023. A copy of an 11th century manuscript, dressed in his ordinary dress, sitting and studying a book in his office. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707477

Portrait of Wulstan (or Wulfstan), second arch of York from 1002-1023. A copy of an 11th century manuscript, dressed in his ordinary dress, sitting and studying a book in his office. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Two Anglo Saxon soldiers in armor, late 9th and 10th century. One weapon with a long spear and wearing a blue cape and a brown tunic, with metal plates attached to the fabric of the skirt (61), the other weapon with a lace, a large bow and a shield, wearing a metal plque tunic on a yellow flattening skirt (62). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Two Anglo Saxon soldiers in armor, late 9th and 10th century. One weapon with a long spear and wearing a blue cape and a brown tunic, with metal plates attached to the fabric of the skirt (61), the other weapon with a lace, a large bow and a shield, wearing a metal plque tunic on a yellow flattening skirt (62). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4707494: Two Anglo Saxon soldiers in armor, late 9th and 10th century. One weapon with a long spear and wearing a blue cape and a brown tunic, with metal plates attached to the fabric of the skirt (61), the other weapon with a lace, a large bow and a shield, wearing a metal plque tunic on a yellow flattening skirt (62). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4707494

Two Anglo Saxon soldiers in armor, late 9th and 10th century. One weapon with a long spear and wearing a blue cape and a brown tunic, with metal plates attached to the fabric of the skirt (61), the other weapon with a lace, a large bow and a shield, wearing a metal plque tunic on a yellow flattening skirt (62). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Portrait of Argentine writer Jorge Luis Borges in Rome, 1981.
Portrait of Argentine writer Jorge Luis Borges in Rome, 1981.

MME4707440: Portrait of Argentine writer Jorge Luis Borges in Rome, 1981., Mencarini, Marcello / Bridgeman Images

ID: MME4707440

Portrait of Argentine writer Jorge Luis Borges in Rome, 1981.

Mencarini, Marcello

Portrait of jazz saxophonist Anthony Braxton in 1981.
Portrait of jazz saxophonist Anthony Braxton in 1981.

MME4707733: Portrait of jazz saxophonist Anthony Braxton in 1981., Mencarini, Marcello / Bridgeman Images

ID: MME4707733

Portrait of jazz saxophonist Anthony Braxton in 1981.

Mencarini, Marcello

Three Norman men of the 12th century, one wearing a talar (dress in fashion at the end of the 12th century), another vetu of the talar above her, and the third wearing a conical cap. Hand-coloured copper engraving, in “Images historique des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. Three Norman men of the 12th century; one in a surtout and carrying a talar (a robe in fashion at the end of the 12th century), one wearing a talar over his especially, and one in a conical bonnet. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).
Three Norman men of the 12th century, one wearing a talar (dress in fashion at the end of the 12th century), another vetu of the talar above her, and the third wearing a conical cap. Hand-coloured copper engraving, in “Images historique des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. Three Norman men of the 12th century; one in a surtout and carrying a talar (a robe in fashion at the end of the 12th century), one wearing a talar over his especially, and one in a conical bonnet. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).

FLO4707909: Three Norman men of the 12th century, one wearing a talar (dress in fashion at the end of the 12th century), another vetu of the talar above her, and the third wearing a conical cap. Hand-coloured copper engraving, in “Images historique des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. Three Norman men of the 12th century; one in a surtout and carrying a talar (a robe in fashion at the end of the 12th century), one wearing a talar over his especially, and one in a conical bonnet. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796). / Bridgeman Images

ID: FLO4707909

Three Norman men of the 12th century, one wearing a talar (dress in fashion at the end of the 12th century), another vetu of the talar above her, and the third wearing a conical cap. Hand-coloured copper engraving, in “Images historique des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. Three Norman men of the 12th century; one in a surtout and carrying a talar (a robe in fashion at the end of the 12th century), one wearing a talar over his especially, and one in a conical bonnet. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).

Portrait of the French actress Carole Bouquet around 1987
Portrait of the French actress Carole Bouquet around 1987

MME4707641: Portrait of the French actress Carole Bouquet around 1987, Mencarini, Marcello / Bridgeman Images

ID: MME4707641

Portrait of the French actress Carole Bouquet around 1987

Mencarini, Marcello

The Picasso Museum, 5 rue de Thorigny, Paris 75003, 1986 (photo)
The Picasso Museum, 5 rue de Thorigny, Paris 75003, 1986 (photo)

TEC4707681: The Picasso Museum, 5 rue de Thorigny, Paris 75003, 1986 (photo), Picasso, Pablo (1881-1973) / Bridgeman Images

ID: TEC4707681

The Picasso Museum, 5 rue de Thorigny, Paris 75003, 1986 (photo)

Picasso, Pablo (1881-1973)

Portrait of jazz saxophonist Anthony Braxton in 1981.
Portrait of jazz saxophonist Anthony Braxton in 1981.

MME4707705: Portrait of jazz saxophonist Anthony Braxton in 1981., Mencarini, Marcello / Bridgeman Images

ID: MME4707705

Portrait of jazz saxophonist Anthony Braxton in 1981.

Mencarini, Marcello

Portrait of the French maker Robert Bresson with his wife in 1980
Portrait of the French maker Robert Bresson with his wife in 1980

MME4707845: Portrait of the French maker Robert Bresson with his wife in 1980, Mencarini, Marcello / Bridgeman Images

ID: MME4707845

Portrait of the French maker Robert Bresson with his wife in 1980

Mencarini, Marcello

Italo Calvino, Venice Lido, Italy, 1981 (photo)
Italo Calvino, Venice Lido, Italy, 1981 (photo)

MME4708329: Italo Calvino, Venice Lido, Italy, 1981 (photo), Mencarini, Marcello / Bridgeman Images

ID: MME4708329

Italo Calvino, Venice Lido, Italy, 1981 (photo)

Mencarini, Marcello

Representation of a Norman in the church of Danbury (Count of Essex, England). Probably older than that of leaf 62, and serious in wood, in a very good state of conservation, given the little attention paid to it. Strutt (who made the copy) noted the perfection of the executed work, which is an enigma, compared to its equivalents of the same period, which lack precision and taste.
Representation of a Norman in the church of Danbury (Count of Essex, England). Probably older than that of leaf 62, and serious in wood, in a very good state of conservation, given the little attention paid to it. Strutt (who made the copy) noted the perfection of the executed work, which is an enigma, compared to its equivalents of the same period, which lack precision and taste.

FLO4708048: Representation of a Norman in the church of Danbury (Count of Essex, England). Probably older than that of leaf 62, and serious in wood, in a very good state of conservation, given the little attention paid to it. Strutt (who made the copy) noted the perfection of the executed work, which is an enigma, compared to its equivalents of the same period, which lack precision and taste. / Bridgeman Images

ID: FLO4708048

Representation of a Norman in the church of Danbury (Count of Essex, England). Probably older than that of leaf 62, and serious in wood, in a very good state of conservation, given the little attention paid to it. Strutt (who made the copy) noted the perfection of the executed work, which is an enigma, compared to its equivalents of the same period, which lack precision and taste.

Portrait of composer and poet John Cage holding a photograph of him taken the previous year, 1983.
Portrait of composer and poet John Cage holding a photograph of him taken the previous year, 1983.

MME4708222: Portrait of composer and poet John Cage holding a photograph of him taken the previous year, 1983., Mencarini, Marcello / Bridgeman Images

ID: MME4708222

Portrait of composer and poet John Cage holding a photograph of him taken the previous year, 1983.

Mencarini, Marcello

Portrait of composer and poet John Cage, 1982.
Portrait of composer and poet John Cage, 1982.

MME4708229: Portrait of composer and poet John Cage, 1982., Mencarini, Marcello / Bridgeman Images

ID: MME4708229

Portrait of composer and poet John Cage, 1982.

Mencarini, Marcello

Knight of the temple who does not yet have the Cross, but is already armed with a spear and a sword. His dress officially must not be “” longer than the Cross””. The Order of the Knights of the Temple was founded in 1118 by Hugues de Payns (died 1136), Knight of Champagne and eight other knights to protect the pelerins in the Holy Land. After a humble beginning as Poor Knights of the Temple, the order developed to become a powerful and rich army of fighting monks, with monasteres throughout Europe, and numerous castles in Palestine (Safed, 1140; Karak, 1143; and the castle of the Pelerins 1217). The order ended tragically in 1312 when the Templars were judges, tortures and executes. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Knight of the temple who does not yet have the Cross, but is already armed with a spear and a sword. His dress officially must not be “” longer than the Cross””. The Order of the Knights of the Temple was founded in 1118 by Hugues de Payns (died 1136), Knight of Champagne and eight other knights to protect the pelerins in the Holy Land. After a humble beginning as Poor Knights of the Temple, the order developed to become a powerful and rich army of fighting monks, with monasteres throughout Europe, and numerous castles in Palestine (Safed, 1140; Karak, 1143; and the castle of the Pelerins 1217). The order ended tragically in 1312 when the Templars were judges, tortures and executes. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4708365: Knight of the temple who does not yet have the Cross, but is already armed with a spear and a sword. His dress officially must not be “” longer than the Cross””. The Order of the Knights of the Temple was founded in 1118 by Hugues de Payns (died 1136), Knight of Champagne and eight other knights to protect the pelerins in the Holy Land. After a humble beginning as Poor Knights of the Temple, the order developed to become a powerful and rich army of fighting monks, with monasteres throughout Europe, and numerous castles in Palestine (Safed, 1140; Karak, 1143; and the castle of the Pelerins 1217). The order ended tragically in 1312 when the Templars were judges, tortures and executes. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4708365

Knight of the temple who does not yet have the Cross, but is already armed with a spear and a sword. His dress officially must not be “” longer than the Cross””. The Order of the Knights of the Temple was founded in 1118 by Hugues de Payns (died 1136), Knight of Champagne and eight other knights to protect the pelerins in the Holy Land. After a humble beginning as Poor Knights of the Temple, the order developed to become a powerful and rich army of fighting monks, with monasteres throughout Europe, and numerous castles in Palestine (Safed, 1140; Karak, 1143; and the castle of the Pelerins 1217). The order ended tragically in 1312 when the Templars were judges, tortures and executes. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Italo Calvino, Venice Lido, Italy, 1981 (photo)
Italo Calvino, Venice Lido, Italy, 1981 (photo)

MME4708372: Italo Calvino, Venice Lido, Italy, 1981 (photo), Mencarini, Marcello / Bridgeman Images

ID: MME4708372

Italo Calvino, Venice Lido, Italy, 1981 (photo)

Mencarini, Marcello

Cartoon of demon adorned with a predominantly Norman with long sleeves, attached to the sleeves and tail, to its sides, a Norman woman seated and veiled, wearing a baby, and another Norman woman with long braid hair, clothed with one above all. Hand-coloured copper engraving, in “Images historique des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. Cartoon of demon wearing a Norman long sleeved surtout tied at the sleeves and tails, seated Norman woman in veil holding a baby, and Norman woman with long plaited hair in a surtout. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).
Cartoon of demon adorned with a predominantly Norman with long sleeves, attached to the sleeves and tail, to its sides, a Norman woman seated and veiled, wearing a baby, and another Norman woman with long braid hair, clothed with one above all. Hand-coloured copper engraving, in “Images historique des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. Cartoon of demon wearing a Norman long sleeved surtout tied at the sleeves and tails, seated Norman woman in veil holding a baby, and Norman woman with long plaited hair in a surtout. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).

FLO4707988: Cartoon of demon adorned with a predominantly Norman with long sleeves, attached to the sleeves and tail, to its sides, a Norman woman seated and veiled, wearing a baby, and another Norman woman with long braid hair, clothed with one above all. Hand-coloured copper engraving, in “Images historique des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. Cartoon of demon wearing a Norman long sleeved surtout tied at the sleeves and tails, seated Norman woman in veil holding a baby, and Norman woman with long plaited hair in a surtout. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796). / Bridgeman Images

ID: FLO4707988

Cartoon of demon adorned with a predominantly Norman with long sleeves, attached to the sleeves and tail, to its sides, a Norman woman seated and veiled, wearing a baby, and another Norman woman with long braid hair, clothed with one above all. Hand-coloured copper engraving, in “Images historique des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. Cartoon of demon wearing a Norman long sleeved surtout tied at the sleeves and tails, seated Norman woman in veil holding a baby, and Norman woman with long plaited hair in a surtout. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1796).

Portrait of the Spanish actresses Montserrat Caballe and Italian renata Tebaldi in 1983.
Portrait of the Spanish actresses Montserrat Caballe and Italian renata Tebaldi in 1983.

MME4708086: Portrait of the Spanish actresses Montserrat Caballe and Italian renata Tebaldi in 1983., Mencarini, Marcello / Bridgeman Images

ID: MME4708086

Portrait of the Spanish actresses Montserrat Caballe and Italian renata Tebaldi in 1983.

Mencarini, Marcello

The Norman cavalry: a slightly weapon with a sword and a shield, the other heavily weapon with a chain armor and a spear. Both of a mostly military. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
The Norman cavalry: a slightly weapon with a sword and a shield, the other heavily weapon with a chain armor and a spear. Both of a mostly military. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4708149: The Norman cavalry: a slightly weapon with a sword and a shield, the other heavily weapon with a chain armor and a spear. Both of a mostly military. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4708149

The Norman cavalry: a slightly weapon with a sword and a shield, the other heavily weapon with a chain armor and a spear. Both of a mostly military. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Portrait of composer and poet John Cage, 1982.
Portrait of composer and poet John Cage, 1982.

MME4708169: Portrait of composer and poet John Cage, 1982., Mencarini, Marcello / Bridgeman Images

ID: MME4708169

Portrait of composer and poet John Cage, 1982.

Mencarini, Marcello

Noblewoman of Cologne, 1588, and a councilor of Cologne, 1577. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757.
Noblewoman of Cologne, 1588, and a councilor of Cologne, 1577. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757.

FLO4705699: Noblewoman of Cologne, 1588, and a councilor of Cologne, 1577. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757. / Bridgeman Images

ID: FLO4705699

Noblewoman of Cologne, 1588, and a councilor of Cologne, 1577. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757.

Portrait of the French comedian Jean Louis (Jean-Louis) Trintignant around 1985.
Portrait of the French comedian Jean Louis (Jean-Louis) Trintignant around 1985.

MME4705870: Portrait of the French comedian Jean Louis (Jean-Louis) Trintignant around 1985., Mencarini, Marcello / Bridgeman Images

ID: MME4705870

Portrait of the French comedian Jean Louis (Jean-Louis) Trintignant around 1985.

Mencarini, Marcello

Italy, Florence, Uffizi Gallery, Venus of Medici, image date: circa 1910. Carl Simon Archive
Italy, Florence, Uffizi Gallery, Venus of Medici, image date: circa 1910. Carl Simon Archive

UTD4705887: Italy, Florence, Uffizi Gallery, Venus of Medici, image date: circa 1910. Carl Simon Archive, Simon, Carl (1873-1952) / Bridgeman Images

ID: UTD4705887

Italy, Florence, Uffizi Gallery, Venus of Medici, image date: circa 1910. Carl Simon Archive

Simon, Carl (1873-1952)

Italian comedian Rudolf (Rodolfo) Valentino and comedian Gloria Swanson in Sam Wood's 1922 film “Beyond the Rocks”
Italian comedian Rudolf (Rodolfo) Valentino and comedian Gloria Swanson in Sam Wood's 1922 film “Beyond the Rocks”

MME4706015: Italian comedian Rudolf (Rodolfo) Valentino and comedian Gloria Swanson in Sam Wood's 1922 film “Beyond the Rocks”, Mencarini, Marcello / Bridgeman Images

ID: MME4706015

Italian comedian Rudolf (Rodolfo) Valentino and comedian Gloria Swanson in Sam Wood's 1922 film “Beyond the Rocks”

Mencarini, Marcello

Nobleman of Meissen, 1577.
Nobleman of Meissen, 1577.

FLO4705796: Nobleman of Meissen, 1577. / Bridgeman Images

ID: FLO4705796

Nobleman of Meissen, 1577.

Portrait of American comedian John Travolta in 1983.
Portrait of American comedian John Travolta in 1983.

MME4705823: Portrait of American comedian John Travolta in 1983., Mencarini, Marcello / Bridgeman Images

ID: MME4705823

Portrait of American comedian John Travolta in 1983.

Mencarini, Marcello

English coachman of the 16th century with whip, high boots and sabre. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Cesare Vecellio's Habiti Antichi e moderni, Venice, 1590
English coachman of the 16th century with whip, high boots and sabre. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Cesare Vecellio's Habiti Antichi e moderni, Venice, 1590

FLO4705917: English coachman of the 16th century with whip, high boots and sabre. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Cesare Vecellio's Habiti Antichi e moderni, Venice, 1590 / Bridgeman Images

ID: FLO4705917

English coachman of the 16th century with whip, high boots and sabre. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Cesare Vecellio's Habiti Antichi e moderni, Venice, 1590

Portrait of American comedian John Travolta in 1983.
Portrait of American comedian John Travolta in 1983.

MME4705838: Portrait of American comedian John Travolta in 1983., Mencarini, Marcello / Bridgeman Images

ID: MME4705838

Portrait of American comedian John Travolta in 1983.

Mencarini, Marcello

Nobleman of Venice and other Italian cities of the late middle ages. His high hat and wide-sleeved, furlined mantle Dogalina indicate his high rank. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Cesare Vecellio's Habiti Antichi e moderni, Venice, 1590
Nobleman of Venice and other Italian cities of the late middle ages. His high hat and wide-sleeved, furlined mantle Dogalina indicate his high rank. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Cesare Vecellio's Habiti Antichi e moderni, Venice, 1590

FLO4706178: Nobleman of Venice and other Italian cities of the late middle ages. His high hat and wide-sleeved, furlined mantle Dogalina indicate his high rank. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Cesare Vecellio's Habiti Antichi e moderni, Venice, 1590 / Bridgeman Images

ID: FLO4706178

Nobleman of Venice and other Italian cities of the late middle ages. His high hat and wide-sleeved, furlined mantle Dogalina indicate his high rank. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Cesare Vecellio's Habiti Antichi e moderni, Venice, 1590

French pianist of Bulgarian origin Alexis Weissenberg in concert.
French pianist of Bulgarian origin Alexis Weissenberg in concert.

MME4706195: French pianist of Bulgarian origin Alexis Weissenberg in concert., Mencarini, Marcello / Bridgeman Images

ID: MME4706195

French pianist of Bulgarian origin Alexis Weissenberg in concert.

Mencarini, Marcello

Portrait of rock musician Frank Zappa in 1982.
Portrait of rock musician Frank Zappa in 1982.

MME4706711: Portrait of rock musician Frank Zappa in 1982., Mencarini, Marcello / Bridgeman Images

ID: MME4706711

Portrait of rock musician Frank Zappa in 1982.

Mencarini, Marcello

Portrait of writer and painter Cesare Zavattini posing near his collection of miniatures in 1979.
Portrait of writer and painter Cesare Zavattini posing near his collection of miniatures in 1979.

MME4706776: Portrait of writer and painter Cesare Zavattini posing near his collection of miniatures in 1979., Mencarini, Marcello / Bridgeman Images

ID: MME4706776

Portrait of writer and painter Cesare Zavattini posing near his collection of miniatures in 1979.

Mencarini, Marcello

Knight of the Order of the Holy Spirit. French Order, established in 1578 by King Henry III of France (1551-1589). It was the greatest order in the kingdom, composed of 100 knights and the king, the great master of the order. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Knight of the Order of the Holy Spirit. French Order, established in 1578 by King Henry III of France (1551-1589). It was the greatest order in the kingdom, composed of 100 knights and the king, the great master of the order. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4706921: Knight of the Order of the Holy Spirit. French Order, established in 1578 by King Henry III of France (1551-1589). It was the greatest order in the kingdom, composed of 100 knights and the king, the great master of the order. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4706921

Knight of the Order of the Holy Spirit. French Order, established in 1578 by King Henry III of France (1551-1589). It was the greatest order in the kingdom, composed of 100 knights and the king, the great master of the order. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

Portrait of French comedian Sandrine Bonnaire in 1985.
Portrait of French comedian Sandrine Bonnaire in 1985.

MME4706964: Portrait of French comedian Sandrine Bonnaire in 1985., Mencarini, Marcello / Bridgeman Images

ID: MME4706964

Portrait of French comedian Sandrine Bonnaire in 1985.

Mencarini, Marcello

Portrait of French comedian Sandrine Bonnaire in 1985.
Portrait of French comedian Sandrine Bonnaire in 1985.

MME4706978: Portrait of French comedian Sandrine Bonnaire in 1985., Mencarini, Marcello / Bridgeman Images

ID: MME4706978

Portrait of French comedian Sandrine Bonnaire in 1985.

Mencarini, Marcello

Portrait of rock musician Frank Zappa in 1982.
Portrait of rock musician Frank Zappa in 1982.

MME4706693: Portrait of rock musician Frank Zappa in 1982., Mencarini, Marcello / Bridgeman Images

ID: MME4706693

Portrait of rock musician Frank Zappa in 1982.

Mencarini, Marcello

Knight of the Order of the Golden Fleece. Founded in 1430 by Philippe III Le Bon, Duke of Burgundy (1396-1467). The order was dedicated to the Virgin Mary and the apostle Saint Andre. Then Charles de Valois Burgundy, dit Le Temeraire (1433-1477) decided that the coat, coat and hat of its members would be of crimson velvet, double of white satin, the golden fleece was suspended at a thin lace around the neck, later decorated with exuberant diamonds, contrary to the rules of order. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Knight of the Order of the Golden Fleece. Founded in 1430 by Philippe III Le Bon, Duke of Burgundy (1396-1467). The order was dedicated to the Virgin Mary and the apostle Saint Andre. Then Charles de Valois Burgundy, dit Le Temeraire (1433-1477) decided that the coat, coat and hat of its members would be of crimson velvet, double of white satin, the golden fleece was suspended at a thin lace around the neck, later decorated with exuberant diamonds, contrary to the rules of order. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.

FLO4706902: Knight of the Order of the Golden Fleece. Founded in 1430 by Philippe III Le Bon, Duke of Burgundy (1396-1467). The order was dedicated to the Virgin Mary and the apostle Saint Andre. Then Charles de Valois Burgundy, dit Le Temeraire (1433-1477) decided that the coat, coat and hat of its members would be of crimson velvet, double of white satin, the golden fleece was suspended at a thin lace around the neck, later decorated with exuberant diamonds, contrary to the rules of order. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796. / Bridgeman Images

ID: FLO4706902

Knight of the Order of the Golden Fleece. Founded in 1430 by Philippe III Le Bon, Duke of Burgundy (1396-1467). The order was dedicated to the Virgin Mary and the apostle Saint Andre. Then Charles de Valois Burgundy, dit Le Temeraire (1433-1477) decided that the coat, coat and hat of its members would be of crimson velvet, double of white satin, the golden fleece was suspended at a thin lace around the neck, later decorated with exuberant diamonds, contrary to the rules of order. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.


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