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The Semdouble Buttercup of the Gardens conue as Harlequin. Persian buttercup hybrid Harlequin, Ranunculus asiaticus. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.
The Semdouble Buttercup of the Gardens conue as Harlequin. Persian buttercup hybrid Harlequin, Ranunculus asiaticus. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.

FLO4596553: The Semdouble Buttercup of the Gardens conue as Harlequin. Persian buttercup hybrid Harlequin, Ranunculus asiaticus. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776. / Bridgeman Images

ID: FLO4596553

The Semdouble Buttercup of the Gardens conue as Harlequin. Persian buttercup hybrid Harlequin, Ranunculus asiaticus. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.

The Balsamine of China. Himalayan jewelweed, Impatiens glandulifera. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.
The Balsamine of China. Himalayan jewelweed, Impatiens glandulifera. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.

FLO4597011: The Balsamine of China. Himalayan jewelweed, Impatiens glandulifera. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776. / Bridgeman Images

ID: FLO4597011

The Balsamine of China. Himalayan jewelweed, Impatiens glandulifera. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.

A congiary (congiarium) in Ancient Rome (free distribution of wine, oil to the people) Ceramic plate produced in Urbino in the workshop Fontana, Italy. 1550 around Florence, Museo Nazionale del Bargello - A congiary (congiarium) in Ancient Rome (free distribution of wine, oil to the people). Ceramic plate from Fontana workshop, Urbino, Italy. Circa 1550. National Museum of Bargello, Florence, Italy
A congiary (congiarium) in Ancient Rome (free distribution of wine, oil to the people) Ceramic plate produced in Urbino in the workshop Fontana, Italy. 1550 around Florence, Museo Nazionale del Bargello - A congiary (congiarium) in Ancient Rome (free distribution of wine, oil to the people). Ceramic plate from Fontana workshop, Urbino, Italy. Circa 1550. National Museum of Bargello, Florence, Italy

LRI4597188: A congiary (congiarium) in Ancient Rome (free distribution of wine, oil to the people) Ceramic plate produced in Urbino in the workshop Fontana, Italy. 1550 around Florence, Museo Nazionale del Bargello - A congiary (congiarium) in Ancient Rome (free distribution of wine, oil to the people). Ceramic plate from Fontana workshop, Urbino, Italy. Circa 1550. National Museum of Bargello, Florence, Italy, Italian School, (16th century) / Bridgeman Images

ID: LRI4597188

A congiary (congiarium) in Ancient Rome (free distribution of wine, oil to the people) Ceramic plate produced in Urbino in the workshop Fontana, Italy. 1550 around Florence, Museo Nazionale del Bargello - A congiary (congiarium) in Ancient Rome (free distribution of wine, oil to the people). Ceramic plate from Fontana workshop, Urbino, Italy. Circa 1550. National Museum of Bargello, Florence, Italy

Italian School, (16th century)

Chrysanthemum indicum, 1776 (etching)
Chrysanthemum indicum, 1776 (etching)

FLO4597228: Chrysanthemum indicum, 1776 (etching) / Bridgeman Images

ID: FLO4597228

Chrysanthemum indicum, 1776 (etching)

The Tree Purple has double flowers, red and white stripes. Hibiscus syriacus and quail, Coturnix species. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.
The Tree Purple has double flowers, red and white stripes. Hibiscus syriacus and quail, Coturnix species. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.

FLO4597246: The Tree Purple has double flowers, red and white stripes. Hibiscus syriacus and quail, Coturnix species. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776. / Bridgeman Images

ID: FLO4597246

The Tree Purple has double flowers, red and white stripes. Hibiscus syriacus and quail, Coturnix species. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.

Sunbittern, Eurypyga helias, purple swamphen, Porphyrio porphyrio, and common moorhen, Gallinula chloropus. Handcoloured engraving on steel by Fournier after a drawing by Edouard Travies from Richard's “New Edition of the Complete Works of Buffon,”” Pourrat Freres, Paris, 1837.
Sunbittern, Eurypyga helias, purple swamphen, Porphyrio porphyrio, and common moorhen, Gallinula chloropus. Handcoloured engraving on steel by Fournier after a drawing by Edouard Travies from Richard's “New Edition of the Complete Works of Buffon,”” Pourrat Freres, Paris, 1837.

FLO4597702: Sunbittern, Eurypyga helias, purple swamphen, Porphyrio porphyrio, and common moorhen, Gallinula chloropus. Handcoloured engraving on steel by Fournier after a drawing by Edouard Travies from Richard's “New Edition of the Complete Works of Buffon,”” Pourrat Freres, Paris, 1837. / Bridgeman Images

ID: FLO4597702

Sunbittern, Eurypyga helias, purple swamphen, Porphyrio porphyrio, and common moorhen, Gallinula chloropus. Handcoloured engraving on steel by Fournier after a drawing by Edouard Travies from Richard's “New Edition of the Complete Works of Buffon,”” Pourrat Freres, Paris, 1837.

Alice Franziska and Bianca Stephens in The Burning Tower by Helena Thompson at Kensal House Estate. S.P.I.D. Theatre in association with Bush Theatre, September 2018 (photo)
Alice Franziska and Bianca Stephens in The Burning Tower by Helena Thompson at Kensal House Estate. S.P.I.D. Theatre in association with Bush Theatre, September 2018 (photo)

KNT4597783: Alice Franziska and Bianca Stephens in The Burning Tower by Helena Thompson at Kensal House Estate. S.P.I.D. Theatre in association with Bush Theatre, September 2018 (photo), Kenton, Tristram / Bridgeman Images

ID: KNT4597783

Alice Franziska and Bianca Stephens in The Burning Tower by Helena Thompson at Kensal House Estate. S.P.I.D. Theatre in association with Bush Theatre, September 2018 (photo)

Kenton, Tristram

Leanne Best in The Human Voice by Jean Cocteau at Gate Theatre, September 2018 (photo)
Leanne Best in The Human Voice by Jean Cocteau at Gate Theatre, September 2018 (photo)

KNT4597829: Leanne Best in The Human Voice by Jean Cocteau at Gate Theatre, September 2018 (photo), Kenton, Tristram / Bridgeman Images

ID: KNT4597829

Leanne Best in The Human Voice by Jean Cocteau at Gate Theatre, September 2018 (photo)

Kenton, Tristram

Duane Gosa in Dying Swan by Les Ballets Trockadero De Monte Carlo at Peacock Theatre, London, September 2018 (photo)
Duane Gosa in Dying Swan by Les Ballets Trockadero De Monte Carlo at Peacock Theatre, London, September 2018 (photo)

KNT4597851: Duane Gosa in Dying Swan by Les Ballets Trockadero De Monte Carlo at Peacock Theatre, London, September 2018 (photo), Kenton, Tristram / Bridgeman Images

ID: KNT4597851

Duane Gosa in Dying Swan by Les Ballets Trockadero De Monte Carlo at Peacock Theatre, London, September 2018 (photo)

Kenton, Tristram

Helen Morse in Memorial by Brink Productions at Barbican Theatre, September 2018 (photo)
Helen Morse in Memorial by Brink Productions at Barbican Theatre, September 2018 (photo)

KNT4597856: Helen Morse in Memorial by Brink Productions at Barbican Theatre, September 2018 (photo), Kenton, Tristram / Bridgeman Images

ID: KNT4597856

Helen Morse in Memorial by Brink Productions at Barbican Theatre, September 2018 (photo)

Kenton, Tristram

Black grouse, Tetrao tetrix, western Capercaillie, Tetrao urogallus, and pin-tailed sandgrouse, Pterocles alchata. Handcoloured engraving on steel by Manceau after a drawing by Edouard Travies from Richard's “New Edition of the Complete Works of Buffon,”” Pourrat Freres, Paris, 1837.
Black grouse, Tetrao tetrix, western Capercaillie, Tetrao urogallus, and pin-tailed sandgrouse, Pterocles alchata. Handcoloured engraving on steel by Manceau after a drawing by Edouard Travies from Richard's “New Edition of the Complete Works of Buffon,”” Pourrat Freres, Paris, 1837.

FLO4597862: Black grouse, Tetrao tetrix, western Capercaillie, Tetrao urogallus, and pin-tailed sandgrouse, Pterocles alchata. Handcoloured engraving on steel by Manceau after a drawing by Edouard Travies from Richard's “New Edition of the Complete Works of Buffon,”” Pourrat Freres, Paris, 1837. / Bridgeman Images

ID: FLO4597862

Black grouse, Tetrao tetrix, western Capercaillie, Tetrao urogallus, and pin-tailed sandgrouse, Pterocles alchata. Handcoloured engraving on steel by Manceau after a drawing by Edouard Travies from Richard's “New Edition of the Complete Works of Buffon,”” Pourrat Freres, Paris, 1837.

Ceramic plate decoree of the representation of Scipio l'Africain (185-129 BC) produced in Deruta, Italy. 1520 around Florence, Museo Nazionale del Bargello
Ceramic plate decoree of the representation of Scipio l'Africain (185-129 BC) produced in Deruta, Italy. 1520 around Florence, Museo Nazionale del Bargello

LRI4597343: Ceramic plate decoree of the representation of Scipio l'Africain (185-129 BC) produced in Deruta, Italy. 1520 around Florence, Museo Nazionale del Bargello, Italian School, (16th century) / Bridgeman Images

ID: LRI4597343

Ceramic plate decoree of the representation of Scipio l'Africain (185-129 BC) produced in Deruta, Italy. 1520 around Florence, Museo Nazionale del Bargello

Italian School, (16th century)

Crab-eating macaque or egret, Macaca fascicularis. Copperplate engraving by P.F. Tardieu after an illustration by Jacques de Seve from Georges-Louis Leclerc, Comte de Buffon's Histoire Naturelle, Imprimerie Royale, Paris, 1766.
Crab-eating macaque or egret, Macaca fascicularis. Copperplate engraving by P.F. Tardieu after an illustration by Jacques de Seve from Georges-Louis Leclerc, Comte de Buffon's Histoire Naturelle, Imprimerie Royale, Paris, 1766.

FLO4597455: Crab-eating macaque or egret, Macaca fascicularis. Copperplate engraving by P.F. Tardieu after an illustration by Jacques de Seve from Georges-Louis Leclerc, Comte de Buffon's Histoire Naturelle, Imprimerie Royale, Paris, 1766. / Bridgeman Images

ID: FLO4597455

Crab-eating macaque or egret, Macaca fascicularis. Copperplate engraving by P.F. Tardieu after an illustration by Jacques de Seve from Georges-Louis Leclerc, Comte de Buffon's Histoire Naturelle, Imprimerie Royale, Paris, 1766.

Cardinal's coat of arms. Ceramic plate produced in Deruta, Italy. 1540 around Florence, Museo Nazionale del Bargello
Cardinal's coat of arms. Ceramic plate produced in Deruta, Italy. 1540 around Florence, Museo Nazionale del Bargello

LRI4597357: Cardinal's coat of arms. Ceramic plate produced in Deruta, Italy. 1540 around Florence, Museo Nazionale del Bargello, Italian School, (16th century) / Bridgeman Images

ID: LRI4597357

Cardinal's coat of arms. Ceramic plate produced in Deruta, Italy. 1540 around Florence, Museo Nazionale del Bargello

Italian School, (16th century)

Tiger, Panthera tigris (endangered), and panther or leopard, Panthera pardus. Handcoloured engraving on steel by Giroux after a drawing by Edouard Travies from Richard's “New Edition of the Complete Works of Buffon,”” Pourrat Freres, Paris, 1837.
Tiger, Panthera tigris (endangered), and panther or leopard, Panthera pardus. Handcoloured engraving on steel by Giroux after a drawing by Edouard Travies from Richard's “New Edition of the Complete Works of Buffon,”” Pourrat Freres, Paris, 1837.

FLO4597836: Tiger, Panthera tigris (endangered), and panther or leopard, Panthera pardus. Handcoloured engraving on steel by Giroux after a drawing by Edouard Travies from Richard's “New Edition of the Complete Works of Buffon,”” Pourrat Freres, Paris, 1837. / Bridgeman Images

ID: FLO4597836

Tiger, Panthera tigris (endangered), and panther or leopard, Panthera pardus. Handcoloured engraving on steel by Giroux after a drawing by Edouard Travies from Richard's “New Edition of the Complete Works of Buffon,”” Pourrat Freres, Paris, 1837.

Ceramic cup in the shape of a trefle decoree of the representation of Hannibal during the crossing of the Alps produced in Urbino in the workshop Fontana, Italy. 1550 around Florence, Museo Nazionale del Bargello
Ceramic cup in the shape of a trefle decoree of the representation of Hannibal during the crossing of the Alps produced in Urbino in the workshop Fontana, Italy. 1550 around Florence, Museo Nazionale del Bargello

LRI4597390: Ceramic cup in the shape of a trefle decoree of the representation of Hannibal during the crossing of the Alps produced in Urbino in the workshop Fontana, Italy. 1550 around Florence, Museo Nazionale del Bargello, Italian School, (16th century) / Bridgeman Images

ID: LRI4597390

Ceramic cup in the shape of a trefle decoree of the representation of Hannibal during the crossing of the Alps produced in Urbino in the workshop Fontana, Italy. 1550 around Florence, Museo Nazionale del Bargello

Italian School, (16th century)

Hamadryas baboon, Papio hamadryas. Copperplate engraving by Baron after an illustration by Jacques de Seve from Georges-Louis Leclerc, Comte de Buffon's Histoire Naturelle, Imprimerie Royale, Paris, 1766.
Hamadryas baboon, Papio hamadryas. Copperplate engraving by Baron after an illustration by Jacques de Seve from Georges-Louis Leclerc, Comte de Buffon's Histoire Naturelle, Imprimerie Royale, Paris, 1766.

FLO4597480: Hamadryas baboon, Papio hamadryas. Copperplate engraving by Baron after an illustration by Jacques de Seve from Georges-Louis Leclerc, Comte de Buffon's Histoire Naturelle, Imprimerie Royale, Paris, 1766. / Bridgeman Images

ID: FLO4597480

Hamadryas baboon, Papio hamadryas. Copperplate engraving by Baron after an illustration by Jacques de Seve from Georges-Louis Leclerc, Comte de Buffon's Histoire Naturelle, Imprimerie Royale, Paris, 1766.

Coppersmith barbet, Megalaima haemacephala, pied puffbird, Notharchus tectus, and collared puffbird, Bucco capensis. Handcoloured engraving on steel by Fournier after a drawing by Edouard Travies from Richard's “New Edition of the Complete Works of Buffon,”” Pourrat Freres, Paris, 1837.
Coppersmith barbet, Megalaima haemacephala, pied puffbird, Notharchus tectus, and collared puffbird, Bucco capensis. Handcoloured engraving on steel by Fournier after a drawing by Edouard Travies from Richard's “New Edition of the Complete Works of Buffon,”” Pourrat Freres, Paris, 1837.

FLO4597699: Coppersmith barbet, Megalaima haemacephala, pied puffbird, Notharchus tectus, and collared puffbird, Bucco capensis. Handcoloured engraving on steel by Fournier after a drawing by Edouard Travies from Richard's “New Edition of the Complete Works of Buffon,”” Pourrat Freres, Paris, 1837. / Bridgeman Images

ID: FLO4597699

Coppersmith barbet, Megalaima haemacephala, pied puffbird, Notharchus tectus, and collared puffbird, Bucco capensis. Handcoloured engraving on steel by Fournier after a drawing by Edouard Travies from Richard's “New Edition of the Complete Works of Buffon,”” Pourrat Freres, Paris, 1837.

Stallion, mare and foal, Equus ferus caballus. Handcoloured engraving on steel by Blanchard after a drawing by Janet Lange from Richard's “New Edition of the Complete Works of Buffon,”” Pourrat Freres, Paris, 1837.
Stallion, mare and foal, Equus ferus caballus. Handcoloured engraving on steel by Blanchard after a drawing by Janet Lange from Richard's “New Edition of the Complete Works of Buffon,”” Pourrat Freres, Paris, 1837.

FLO4597769: Stallion, mare and foal, Equus ferus caballus. Handcoloured engraving on steel by Blanchard after a drawing by Janet Lange from Richard's “New Edition of the Complete Works of Buffon,”” Pourrat Freres, Paris, 1837. / Bridgeman Images

ID: FLO4597769

Stallion, mare and foal, Equus ferus caballus. Handcoloured engraving on steel by Blanchard after a drawing by Janet Lange from Richard's “New Edition of the Complete Works of Buffon,”” Pourrat Freres, Paris, 1837.

Bianca Stephens and Hayley Carmichael in The Burning Tower by Helena Thompson at Kensal House Estate. S.P.I.D. Theatre in association with Bush Theatre, September 2018 (photo)
Bianca Stephens and Hayley Carmichael in The Burning Tower by Helena Thompson at Kensal House Estate. S.P.I.D. Theatre in association with Bush Theatre, September 2018 (photo)

KNT4597785: Bianca Stephens and Hayley Carmichael in The Burning Tower by Helena Thompson at Kensal House Estate. S.P.I.D. Theatre in association with Bush Theatre, September 2018 (photo), Kenton, Tristram / Bridgeman Images

ID: KNT4597785

Bianca Stephens and Hayley Carmichael in The Burning Tower by Helena Thompson at Kensal House Estate. S.P.I.D. Theatre in association with Bush Theatre, September 2018 (photo)

Kenton, Tristram

T'Shan Williams (Heather Duke), Jodie Steele (Heather Chandler) and Sophie Isaacs (Heather McNamara) in Heathers The Musical by Kevin Murphy and Laurence O'Keefe at Theatre Royal Haymarket, September 2018 (photo)
T'Shan Williams (Heather Duke), Jodie Steele (Heather Chandler) and Sophie Isaacs (Heather McNamara) in Heathers The Musical by Kevin Murphy and Laurence O'Keefe at Theatre Royal Haymarket, September 2018 (photo)

KNT4597798: T'Shan Williams (Heather Duke), Jodie Steele (Heather Chandler) and Sophie Isaacs (Heather McNamara) in Heathers The Musical by Kevin Murphy and Laurence O'Keefe at Theatre Royal Haymarket, September 2018 (photo), Kenton, Tristram / Bridgeman Images

ID: KNT4597798

T'Shan Williams (Heather Duke), Jodie Steele (Heather Chandler) and Sophie Isaacs (Heather McNamara) in Heathers The Musical by Kevin Murphy and Laurence O'Keefe at Theatre Royal Haymarket, September 2018 (photo)

Kenton, Tristram

Duane Gosa in Dying Swan by Les Ballets Trockadero De Monte Carlo at Peacock Theatre, London, September 2018 (photo)
Duane Gosa in Dying Swan by Les Ballets Trockadero De Monte Carlo at Peacock Theatre, London, September 2018 (photo)

KNT4597853: Duane Gosa in Dying Swan by Les Ballets Trockadero De Monte Carlo at Peacock Theatre, London, September 2018 (photo), Kenton, Tristram / Bridgeman Images

ID: KNT4597853

Duane Gosa in Dying Swan by Les Ballets Trockadero De Monte Carlo at Peacock Theatre, London, September 2018 (photo)

Kenton, Tristram

Natalia Osipova and David Hallberg in The Leaves Are Fading from Pure Dance by Natalia Osipova at Sadler's Wells, September 2018 (photo)
Natalia Osipova and David Hallberg in The Leaves Are Fading from Pure Dance by Natalia Osipova at Sadler's Wells, September 2018 (photo)

KNT4597905: Natalia Osipova and David Hallberg in The Leaves Are Fading from Pure Dance by Natalia Osipova at Sadler's Wells, September 2018 (photo), Kenton, Tristram / Bridgeman Images

ID: KNT4597905

Natalia Osipova and David Hallberg in The Leaves Are Fading from Pure Dance by Natalia Osipova at Sadler's Wells, September 2018 (photo)

Kenton, Tristram

Susan Bickley (Herodias) and Allison Cook (Salome) in Salome by Richard Strauss at London Coliseum, September 2018 (photo)
Susan Bickley (Herodias) and Allison Cook (Salome) in Salome by Richard Strauss at London Coliseum, September 2018 (photo)

KNT4597935: Susan Bickley (Herodias) and Allison Cook (Salome) in Salome by Richard Strauss at London Coliseum, September 2018 (photo), Kenton, Tristram / Bridgeman Images

ID: KNT4597935

Susan Bickley (Herodias) and Allison Cook (Salome) in Salome by Richard Strauss at London Coliseum, September 2018 (photo)

Kenton, Tristram

Jammz, Kirubel Belay, Debris Stevenson and Cassie Clare in Poet In Da Corner by Debris Stevenson at Royal Court, September 2018 (photo)
Jammz, Kirubel Belay, Debris Stevenson and Cassie Clare in Poet In Da Corner by Debris Stevenson at Royal Court, September 2018 (photo)

KNT4597906: Jammz, Kirubel Belay, Debris Stevenson and Cassie Clare in Poet In Da Corner by Debris Stevenson at Royal Court, September 2018 (photo), Kenton, Tristram / Bridgeman Images

ID: KNT4597906

Jammz, Kirubel Belay, Debris Stevenson and Cassie Clare in Poet In Da Corner by Debris Stevenson at Royal Court, September 2018 (photo)

Kenton, Tristram

Buzzard, Buteo buteo, and red kite, Milvus milvus. Handcoloured engraving on steel by Oudet after a drawing by Edouard Travies from Richard's “” New Edition of the Complete Works of Buffon,”” Pourrat Freres, Paris, 1837.
Buzzard, Buteo buteo, and red kite, Milvus milvus. Handcoloured engraving on steel by Oudet after a drawing by Edouard Travies from Richard's “” New Edition of the Complete Works of Buffon,”” Pourrat Freres, Paris, 1837.

FLO4597987: Buzzard, Buteo buteo, and red kite, Milvus milvus. Handcoloured engraving on steel by Oudet after a drawing by Edouard Travies from Richard's “” New Edition of the Complete Works of Buffon,”” Pourrat Freres, Paris, 1837. / Bridgeman Images

ID: FLO4597987

Buzzard, Buteo buteo, and red kite, Milvus milvus. Handcoloured engraving on steel by Oudet after a drawing by Edouard Travies from Richard's “” New Edition of the Complete Works of Buffon,”” Pourrat Freres, Paris, 1837.

Natalia Osipova and David Hallberg in The Leaves Are Fading from Pure Dance by Natalia Osipova at Sadler's Wells, September 2018 (photo)
Natalia Osipova and David Hallberg in The Leaves Are Fading from Pure Dance by Natalia Osipova at Sadler's Wells, September 2018 (photo)

KNT4597916: Natalia Osipova and David Hallberg in The Leaves Are Fading from Pure Dance by Natalia Osipova at Sadler's Wells, September 2018 (photo), Kenton, Tristram / Bridgeman Images

ID: KNT4597916

Natalia Osipova and David Hallberg in The Leaves Are Fading from Pure Dance by Natalia Osipova at Sadler's Wells, September 2018 (photo)

Kenton, Tristram

Nicotiana tobacco (Nicotiana tabacum). Description of the plant, leaves stem, flowers red. Details of the different parts of the flower and seeds. Eau forte en couleurs 18th century, in Herbier de la France (1780-1793), drawing, engraving and printing by Jean Baptiste Francois Pierre Bulliard (1742-1793), French botanist.
Nicotiana tobacco (Nicotiana tabacum). Description of the plant, leaves stem, flowers red. Details of the different parts of the flower and seeds. Eau forte en couleurs 18th century, in Herbier de la France (1780-1793), drawing, engraving and printing by Jean Baptiste Francois Pierre Bulliard (1742-1793), French botanist.

FLO4598451: Nicotiana tobacco (Nicotiana tabacum). Description of the plant, leaves stem, flowers red. Details of the different parts of the flower and seeds. Eau forte en couleurs 18th century, in Herbier de la France (1780-1793), drawing, engraving and printing by Jean Baptiste Francois Pierre Bulliard (1742-1793), French botanist. / Bridgeman Images

ID: FLO4598451

Nicotiana tobacco (Nicotiana tabacum). Description of the plant, leaves stem, flowers red. Details of the different parts of the flower and seeds. Eau forte en couleurs 18th century, in Herbier de la France (1780-1793), drawing, engraving and printing by Jean Baptiste Francois Pierre Bulliard (1742-1793), French botanist.

Apollo: the lunar module - Illustration - Apollo: lunar module - The base of the lunar module remains on the Moon. Artist's view. The Apollo Lunar Module (LM) left on the Moon. Artwork
Apollo: the lunar module - Illustration - Apollo: lunar module - The base of the lunar module remains on the Moon. Artist's view. The Apollo Lunar Module (LM) left on the Moon. Artwork

PIX4598372: Apollo: the lunar module - Illustration - Apollo: lunar module - The base of the lunar module remains on the Moon. Artist's view. The Apollo Lunar Module (LM) left on the Moon. Artwork, Bergeron, Joe / Bridgeman Images

ID: PIX4598372

Apollo: the lunar module - Illustration - Apollo: lunar module - The base of the lunar module remains on the Moon. Artist's view. The Apollo Lunar Module (LM) left on the Moon. Artwork

Bergeron, Joe

The Common Peony. Common peony, Paeonia officinalis. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.
The Common Peony. Common peony, Paeonia officinalis. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.

FLO4596944: The Common Peony. Common peony, Paeonia officinalis. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776. / Bridgeman Images

ID: FLO4596944

The Common Peony. Common peony, Paeonia officinalis. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.

Art Renaissance: plate decorated with a flute player (A flute player) - Late 16th century Production of Viterbo (Viterbo), Italy Florence, Museo Nazionale del Bargello
Art Renaissance: plate decorated with a flute player (A flute player) - Late 16th century Production of Viterbo (Viterbo), Italy Florence, Museo Nazionale del Bargello

LRI4597019: Art Renaissance: plate decorated with a flute player (A flute player) - Late 16th century Production of Viterbo (Viterbo), Italy Florence, Museo Nazionale del Bargello, Italian School, (16th century) / Bridgeman Images

ID: LRI4597019

Art Renaissance: plate decorated with a flute player (A flute player) - Late 16th century Production of Viterbo (Viterbo), Italy Florence, Museo Nazionale del Bargello

Italian School, (16th century)

The Janssin. Chinese Magnolia or Dwarf Magnolia, Magnolia Babe. Named for the Knight of Gencin, amateur botanist. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.
The Janssin. Chinese Magnolia or Dwarf Magnolia, Magnolia Babe. Named for the Knight of Gencin, amateur botanist. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.

FLO4597024: The Janssin. Chinese Magnolia or Dwarf Magnolia, Magnolia Babe. Named for the Knight of Gencin, amateur botanist. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776. / Bridgeman Images

ID: FLO4597024

The Janssin. Chinese Magnolia or Dwarf Magnolia, Magnolia Babe. Named for the Knight of Gencin, amateur botanist. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.

The Louis. Named for Antoine Louis, Perpetual Secretary of the Royal Academy of Surgery. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.
The Louis. Named for Antoine Louis, Perpetual Secretary of the Royal Academy of Surgery. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.

FLO4597150: The Louis. Named for Antoine Louis, Perpetual Secretary of the Royal Academy of Surgery. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776. / Bridgeman Images

ID: FLO4597150

The Louis. Named for Antoine Louis, Perpetual Secretary of the Royal Academy of Surgery. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.

Elleborine from China, Helleborine orchid, Cephalanthera longifolia. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.
Elleborine from China, Helleborine orchid, Cephalanthera longifolia. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.

FLO4597211: Elleborine from China, Helleborine orchid, Cephalanthera longifolia. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776. / Bridgeman Images

ID: FLO4597211

Elleborine from China, Helleborine orchid, Cephalanthera longifolia. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.

The martyrdom of St. Cecile Ceramic plate produced in Urbino by Niccolo da Urbino (active between 1522 and 1542), Italy. 1528 approximately Florence, Museo Nazionale del Bargello
The martyrdom of St. Cecile Ceramic plate produced in Urbino by Niccolo da Urbino (active between 1522 and 1542), Italy. 1528 approximately Florence, Museo Nazionale del Bargello

LRI4597270: The martyrdom of St. Cecile Ceramic plate produced in Urbino by Niccolo da Urbino (active between 1522 and 1542), Italy. 1528 approximately Florence, Museo Nazionale del Bargello, Urbino, Niccolo da (active 1522-1542) / Bridgeman Images

ID: LRI4597270

The martyrdom of St. Cecile Ceramic plate produced in Urbino by Niccolo da Urbino (active between 1522 and 1542), Italy. 1528 approximately Florence, Museo Nazionale del Bargello

Urbino, Niccolo da (active 1522-1542)

The Chinese Simple Rose has 3 leaves. China rose, Hibiscus rose-sinensis. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.
The Chinese Simple Rose has 3 leaves. China rose, Hibiscus rose-sinensis. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.

FLO4596741: The Chinese Simple Rose has 3 leaves. China rose, Hibiscus rose-sinensis. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776. / Bridgeman Images

ID: FLO4596741

The Chinese Simple Rose has 3 leaves. China rose, Hibiscus rose-sinensis. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.


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