Janet Suzman distorted in mirror, 1977 (b/w photo)
Magnus, Mayotte (b.1934)
MMV5948032:
Shirley Williams on sofa, 1977 (b/w photo), Magnus, Mayotte (b.1934) / Bridgeman Images
ID: MMV5948032
Shirley Williams on sofa, 1977 (b/w photo)
Magnus, Mayotte (b.1934)
PDB5948221:
The Last Supper, 1631-32 (oil on panel), Rubens, Peter Paul (1577-1640) / Bridgeman Images
ID: PDB5948221
The Last Supper, 1631-32 (oil on panel)
Rubens, Peter Paul (1577-1640)
FDG5948233:
Pier Paolo Pasolini with his mother Susanna Colussi, Rome, 1960 (b/w photo), Garolla, Federico / Bridgeman Images
ID: FDG5948233
Pier Paolo Pasolini with his mother Susanna Colussi, Rome, 1960 (b/w photo)
Garolla, Federico
FDG5948239:
Pier Paolo Pasolini at home with his mother Susanna Colussi, Rome, 1960 (b/w photo), Garolla, Federico / Bridgeman Images
ID: FDG5948239
Pier Paolo Pasolini at home with his mother Susanna Colussi, Rome, 1960 (b/w photo)
Garolla, Federico
FDG5948263:
Pier Paolo Pasolini among the shacks with the boys from the township of Centocelle, Italy, 1960 (b/w photo), Garolla, Federico / Bridgeman Images
ID: FDG5948263
Pier Paolo Pasolini among the shacks with the boys from the township of Centocelle, Italy, 1960 (b/w photo)
Garolla, Federico
FDG5948287:
Pier Paolo Pasolini and Italo Calvino at Caffe Rosati, Piazza del Popolo, Rome, Italy, 1960 (b/w photo), Garolla, Federico / Bridgeman Images
ID: FDG5948287
Pier Paolo Pasolini and Italo Calvino at Caffe Rosati, Piazza del Popolo, Rome, Italy, 1960 (b/w photo)
Garolla, Federico
COU5948324:
Franciscan monk holding a banner with the Crucifix, 17th century (black chalk, pen & dark brown ink, an area of the flag filled in later in light brown ink, on laid paper), Valencia, Felipe Gómez de (c.1634-1679/94) / Bridgeman Images
ID: COU5948324
Franciscan monk holding a banner with the Crucifix, 17th century (black chalk, pen & dark brown ink, an area of the flag filled in later in light brown ink, on laid paper)
Valencia, Felipe Gómez de (c.1634-1679/94)
COU5948327:
Allegory of Divine Love, 1664 (pen & brown ink on laid paper, the upper corners rounded), Castillo y Saavedra, Antonio del (1616-68) / Bridgeman Images
ID: COU5948327
Allegory of Divine Love, 1664 (pen & brown ink on laid paper, the upper corners rounded)
Castillo y Saavedra, Antonio del (1616-68)
COU5948345:
Design for a title page with two saints on pedestals and an imaginary Spanish coat of arms, 17th century (traces of black chalk, pen & brown ink, and brown wash, with brown ink framing lines, on laid paper, now laid down on Japanese tissue), Cano, Alonso (1601-67) / Bridgeman Images
ID: COU5948345
Design for a title page with two saints on pedestals and an imaginary Spanish coat of arms, 17th century (traces of black chalk, pen & brown ink, and brown wash, with brown ink framing lines, on laid paper, now laid down on Japanese tissue)
Cano, Alonso (1601-67)
COU5948357:
David, 17th century (black chalk, pen & brown ink on laid paper with brown ink framing lines), Torres, Matias de (c.1635-1711) (attr.to) / Bridgeman Images
ID: COU5948357
David, 17th century (black chalk, pen & brown ink on laid paper with brown ink framing lines)