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Le Centre Georges Pompidou, Place Georges Pompidou, Paris 75004 (photo)
Le Centre Georges Pompidou, Place Georges Pompidou, Paris 75004 (photo)

MDA4686889: Le Centre Georges Pompidou, Place Georges Pompidou, Paris 75004 (photo), Rogers, Richard (b.1933) and Piano, Renzo (b.1937) / Bridgeman Images

ID: MDA4686889

Le Centre Georges Pompidou, Place Georges Pompidou, Paris 75004 (photo)

Rogers, Richard (b.1933) and Piano, Renzo (b.1937)

Le Centre Georges Pompidou, Place Georges Pompidou, Paris 75004 (photo)
Le Centre Georges Pompidou, Place Georges Pompidou, Paris 75004 (photo)

MDA4686954: Le Centre Georges Pompidou, Place Georges Pompidou, Paris 75004 (photo), Rogers, Richard (b.1933) and Piano, Renzo (b.1937) / Bridgeman Images

ID: MDA4686954

Le Centre Georges Pompidou, Place Georges Pompidou, Paris 75004 (photo)

Rogers, Richard (b.1933) and Piano, Renzo (b.1937)

Le Centre Georges Pompidou, Place Georges Pompidou, Paris 75004 (photo)
Le Centre Georges Pompidou, Place Georges Pompidou, Paris 75004 (photo)

MDA4686993: Le Centre Georges Pompidou, Place Georges Pompidou, Paris 75004 (photo), Rogers, Richard (b.1933) and Piano, Renzo (b.1937) / Bridgeman Images

ID: MDA4686993

Le Centre Georges Pompidou, Place Georges Pompidou, Paris 75004 (photo)

Rogers, Richard (b.1933) and Piano, Renzo (b.1937)

Wind god from the House of the Patrician or Centenary (Casa di Centanario), Regio IX, Insula VIII. Chromolithograph by J.G. Bach after an illustration by Geremia Discanno from Emile Presuhn (1844-1878) The Most Beautiful Paintings of Pompeii, Leipzig, 1881.
Wind god from the House of the Patrician or Centenary (Casa di Centanario), Regio IX, Insula VIII. Chromolithograph by J.G. Bach after an illustration by Geremia Discanno from Emile Presuhn (1844-1878) The Most Beautiful Paintings of Pompeii, Leipzig, 1881.

FLO4687020: Wind god from the House of the Patrician or Centenary (Casa di Centanario), Regio IX, Insula VIII. Chromolithograph by J.G. Bach after an illustration by Geremia Discanno from Emile Presuhn (1844-1878) The Most Beautiful Paintings of Pompeii, Leipzig, 1881. / Bridgeman Images

ID: FLO4687020

Wind god from the House of the Patrician or Centenary (Casa di Centanario), Regio IX, Insula VIII. Chromolithograph by J.G. Bach after an illustration by Geremia Discanno from Emile Presuhn (1844-1878) The Most Beautiful Paintings of Pompeii, Leipzig, 1881.

Wall painting of cupids playing, fishing, sailing from a cubiculum in the House of the Restaurant (Casa di Lupanare Piccolo) at 14, Regio IX, Insula V. Chromolithograph by J.G. Bach after an illustration by Geremia Discanno from Emile Presuhn (1844-1878) The Most Beautiful Paintings of Pompeii, Leipzig, 1881.
Wall painting of cupids playing, fishing, sailing from a cubiculum in the House of the Restaurant (Casa di Lupanare Piccolo) at 14, Regio IX, Insula V. Chromolithograph by J.G. Bach after an illustration by Geremia Discanno from Emile Presuhn (1844-1878) The Most Beautiful Paintings of Pompeii, Leipzig, 1881.

FLO4687046: Wall painting of cupids playing, fishing, sailing from a cubiculum in the House of the Restaurant (Casa di Lupanare Piccolo) at 14, Regio IX, Insula V. Chromolithograph by J.G. Bach after an illustration by Geremia Discanno from Emile Presuhn (1844-1878) The Most Beautiful Paintings of Pompeii, Leipzig, 1881., Discanno, Geremia (1839-1907) / Bridgeman Images

ID: FLO4687046

Wall painting of cupids playing, fishing, sailing from a cubiculum in the House of the Restaurant (Casa di Lupanare Piccolo) at 14, Regio IX, Insula V. Chromolithograph by J.G. Bach after an illustration by Geremia Discanno from Emile Presuhn (1844-1878) The Most Beautiful Paintings of Pompeii, Leipzig, 1881.

Discanno, Geremia (1839-1907)

Genre painting of two young satyrs with grapes and a dog from the house complex at Regio VI, Insula XIV, 28 to 32, near the new fullonica (fuller's shop). Chromolithograph by Victor Steeger after an illustration by Geremia Discanno from Emile Presuhn (1844-1878) The Most Beautiful Paintings of Pompeii, Leipzig, 1881.
Genre painting of two young satyrs with grapes and a dog from the house complex at Regio VI, Insula XIV, 28 to 32, near the new fullonica (fuller's shop). Chromolithograph by Victor Steeger after an illustration by Geremia Discanno from Emile Presuhn (1844-1878) The Most Beautiful Paintings of Pompeii, Leipzig, 1881.

FLO4687064: Genre painting of two young satyrs with grapes and a dog from the house complex at Regio VI, Insula XIV, 28 to 32, near the new fullonica (fuller's shop). Chromolithograph by Victor Steeger after an illustration by Geremia Discanno from Emile Presuhn (1844-1878) The Most Beautiful Paintings of Pompeii, Leipzig, 1881., Discanno, Geremia (1839-1907) / Bridgeman Images

ID: FLO4687064

Genre painting of two young satyrs with grapes and a dog from the house complex at Regio VI, Insula XIV, 28 to 32, near the new fullonica (fuller's shop). Chromolithograph by Victor Steeger after an illustration by Geremia Discanno from Emile Presuhn (1844-1878) The Most Beautiful Paintings of Pompeii, Leipzig, 1881.

Discanno, Geremia (1839-1907)

Dispensary and laboratory of an Arab perfumer chemist of the 12th century - Chromolithography of a Persian manuscript of the 12th century, from Le Livre des Parfums by Eugene Rimmel (1820-1887), France, 1870 - Dispensary and laboratory of an Arab perfumer chemist of the 12th century, From a Persian manuscript of the era - Chromolithograph from Eugene Rimmel's Le Livre des Parfums, Paris, 1870
Dispensary and laboratory of an Arab perfumer chemist of the 12th century - Chromolithography of a Persian manuscript of the 12th century, from Le Livre des Parfums by Eugene Rimmel (1820-1887), France, 1870 - Dispensary and laboratory of an Arab perfumer chemist of the 12th century, From a Persian manuscript of the era - Chromolithograph from Eugene Rimmel's Le Livre des Parfums, Paris, 1870

FLO4689559: Dispensary and laboratory of an Arab perfumer chemist of the 12th century - Chromolithography of a Persian manuscript of the 12th century, from Le Livre des Parfums by Eugene Rimmel (1820-1887), France, 1870 - Dispensary and laboratory of an Arab perfumer chemist of the 12th century, From a Persian manuscript of the era - Chromolithograph from Eugene Rimmel's Le Livre des Parfums, Paris, 1870 / Bridgeman Images

ID: FLO4689559

Dispensary and laboratory of an Arab perfumer chemist of the 12th century - Chromolithography of a Persian manuscript of the 12th century, from Le Livre des Parfums by Eugene Rimmel (1820-1887), France, 1870 - Dispensary and laboratory of an Arab perfumer chemist of the 12th century, From a Persian manuscript of the era - Chromolithograph from Eugene Rimmel's Le Livre des Parfums, Paris, 1870

Morel mushrooms, Morchella vulgaris and Morchella costata. Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910.
Morel mushrooms, Morchella vulgaris and Morchella costata. Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910.

FLO4689647: Morel mushrooms, Morchella vulgaris and Morchella costata. Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910. / Bridgeman Images

ID: FLO4689647

Morel mushrooms, Morchella vulgaris and Morchella costata. Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910.

Bronze warrior statuette, from Brolio, 4th century BC
Bronze warrior statuette, from Brolio, 4th century BC

LRI4689664: Bronze warrior statuette, from Brolio, 4th century BC, Etruscan, (4th century BC) / Bridgeman Images

ID: LRI4689664

Bronze warrior statuette, from Brolio, 4th century BC

Etruscan, (4th century BC)

European white egg mushroom, Amanita ovoidea. Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910.
European white egg mushroom, Amanita ovoidea. Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910.

FLO4689702: European white egg mushroom, Amanita ovoidea. Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910. / Bridgeman Images

ID: FLO4689702

European white egg mushroom, Amanita ovoidea. Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910.

Goblet funnel cap, Pseudoclitocybe cyathiformis (Clitocybe cyathiformis) and waxy laccaria or the deceiver mushroom, Laccaria laccata. Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910.
Goblet funnel cap, Pseudoclitocybe cyathiformis (Clitocybe cyathiformis) and waxy laccaria or the deceiver mushroom, Laccaria laccata. Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910.

FLO4689742: Goblet funnel cap, Pseudoclitocybe cyathiformis (Clitocybe cyathiformis) and waxy laccaria or the deceiver mushroom, Laccaria laccata. Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910. / Bridgeman Images

ID: FLO4689742

Goblet funnel cap, Pseudoclitocybe cyathiformis (Clitocybe cyathiformis) and waxy laccaria or the deceiver mushroom, Laccaria laccata. Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910.

Sheathed woodtuft, Kuehneromyces mutabilis (Pholiota mutabilis) and rooting poison pie, Hebeloma radicosum (Pholiota radicosa). Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910.
Sheathed woodtuft, Kuehneromyces mutabilis (Pholiota mutabilis) and rooting poison pie, Hebeloma radicosum (Pholiota radicosa). Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910.

FLO4689917: Sheathed woodtuft, Kuehneromyces mutabilis (Pholiota mutabilis) and rooting poison pie, Hebeloma radicosum (Pholiota radicosa). Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910. / Bridgeman Images

ID: FLO4689917

Sheathed woodtuft, Kuehneromyces mutabilis (Pholiota mutabilis) and rooting poison pie, Hebeloma radicosum (Pholiota radicosa). Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910.

Panther cap mushroom, Amanita pantherina, and Amanita franchetii (Amanita aspera). Poisonous mushrooms. Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910.
Panther cap mushroom, Amanita pantherina, and Amanita franchetii (Amanita aspera). Poisonous mushrooms. Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910.

FLO4689937: Panther cap mushroom, Amanita pantherina, and Amanita franchetii (Amanita aspera). Poisonous mushrooms. Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910. / Bridgeman Images

ID: FLO4689937

Panther cap mushroom, Amanita pantherina, and Amanita franchetii (Amanita aspera). Poisonous mushrooms. Chromolithograph by Lassus after an illustration by A. Bessin from Leon Rolland's Guide to Mushrooms from France, Switzerland and Belgium, Atlas des Mushrooms, Paul Klincksieck, Paris, 1910.

Queen of Waltham hybrid crimson pink. Chromolithograph by Georges Severeyns from an illustration by Walter H. Fitch from William Paul's “The Rose Garden in two divisions,” London, 1888. First issued in 1848 with 15 colored plates, “” The Rose Garden”” soon became a standard work on roses and ran to 10 editions, the last in 1903. The illustrations for the 9th edition were by Walter Fitch, the famous artist who illustrated Curtis' “” Botanical Magazine”” for many years.
Queen of Waltham hybrid crimson pink. Chromolithograph by Georges Severeyns from an illustration by Walter H. Fitch from William Paul's “The Rose Garden in two divisions,” London, 1888. First issued in 1848 with 15 colored plates, “” The Rose Garden”” soon became a standard work on roses and ran to 10 editions, the last in 1903. The illustrations for the 9th edition were by Walter Fitch, the famous artist who illustrated Curtis' “” Botanical Magazine”” for many years.

FLO4690029: Queen of Waltham hybrid crimson pink. Chromolithograph by Georges Severeyns from an illustration by Walter H. Fitch from William Paul's “The Rose Garden in two divisions,” London, 1888. First issued in 1848 with 15 colored plates, “” The Rose Garden”” soon became a standard work on roses and ran to 10 editions, the last in 1903. The illustrations for the 9th edition were by Walter Fitch, the famous artist who illustrated Curtis' “” Botanical Magazine”” for many years. / Bridgeman Images

ID: FLO4690029

Queen of Waltham hybrid crimson pink. Chromolithograph by Georges Severeyns from an illustration by Walter H. Fitch from William Paul's “The Rose Garden in two divisions,” London, 1888. First issued in 1848 with 15 colored plates, “” The Rose Garden”” soon became a standard work on roses and ran to 10 editions, the last in 1903. The illustrations for the 9th edition were by Walter Fitch, the famous artist who illustrated Curtis' “” Botanical Magazine”” for many years.

Jean Liabaud hybrid crimson pink. Chromolithograph by Georges Severeyns from an illustration by Walter H. Fitch from William Paul's “The Rose Garden in two divisions,” London, 1888. First issued in 1848 with 15 colored plates, “” The Rose Garden”” soon became a standard work on roses and ran to 10 editions, the last in 1903. The illustrations for the 9th edition were by Walter Fitch, the famous artist who illustrated Curtis' “” Botanical Magazine”” for many years.
Jean Liabaud hybrid crimson pink. Chromolithograph by Georges Severeyns from an illustration by Walter H. Fitch from William Paul's “The Rose Garden in two divisions,” London, 1888. First issued in 1848 with 15 colored plates, “” The Rose Garden”” soon became a standard work on roses and ran to 10 editions, the last in 1903. The illustrations for the 9th edition were by Walter Fitch, the famous artist who illustrated Curtis' “” Botanical Magazine”” for many years.

FLO4690069: Jean Liabaud hybrid crimson pink. Chromolithograph by Georges Severeyns from an illustration by Walter H. Fitch from William Paul's “The Rose Garden in two divisions,” London, 1888. First issued in 1848 with 15 colored plates, “” The Rose Garden”” soon became a standard work on roses and ran to 10 editions, the last in 1903. The illustrations for the 9th edition were by Walter Fitch, the famous artist who illustrated Curtis' “” Botanical Magazine”” for many years. / Bridgeman Images

ID: FLO4690069

Jean Liabaud hybrid crimson pink. Chromolithograph by Georges Severeyns from an illustration by Walter H. Fitch from William Paul's “The Rose Garden in two divisions,” London, 1888. First issued in 1848 with 15 colored plates, “” The Rose Garden”” soon became a standard work on roses and ran to 10 editions, the last in 1903. The illustrations for the 9th edition were by Walter Fitch, the famous artist who illustrated Curtis' “” Botanical Magazine”” for many years.

The skeleton of Death surprises Ned Freeman as he visits the insurance office, leaving his widow with a huge sum. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death surprises Ned Freeman as he visits the insurance office, leaving his widow with a huge sum. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690118: The skeleton of Death surprises Ned Freeman as he visits the insurance office, leaving his widow with a huge sum. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690118

The skeleton of Death surprises Ned Freeman as he visits the insurance office, leaving his widow with a huge sum. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

Rowlandson, Thomas (1756-1827)

Inedible and poisonous mushrooms: Nolanea pascua, rose-gilled grisette Volvaria speciosa, and straw mushroom Volvaria volvacea. Chromolithograph drawn by Bessin for Leon Rolland's “Atlas of Mushrooms”” 1911.
Inedible and poisonous mushrooms: Nolanea pascua, rose-gilled grisette Volvaria speciosa, and straw mushroom Volvaria volvacea. Chromolithograph drawn by Bessin for Leon Rolland's “Atlas of Mushrooms”” 1911.

FLO4689901: Inedible and poisonous mushrooms: Nolanea pascua, rose-gilled grisette Volvaria speciosa, and straw mushroom Volvaria volvacea. Chromolithograph drawn by Bessin for Leon Rolland's “Atlas of Mushrooms”” 1911. / Bridgeman Images

ID: FLO4689901

Inedible and poisonous mushrooms: Nolanea pascua, rose-gilled grisette Volvaria speciosa, and straw mushroom Volvaria volvacea. Chromolithograph drawn by Bessin for Leon Rolland's “Atlas of Mushrooms”” 1911.

The skeleton of Death burns down a house with torches as a family tries to save its treasures and put out the fire with buckets of water from the pond. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death burns down a house with torches as a family tries to save its treasures and put out the fire with buckets of water from the pond. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690316: The skeleton of Death burns down a house with torches as a family tries to save its treasures and put out the fire with buckets of water from the pond. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690316

The skeleton of Death burns down a house with torches as a family tries to save its treasures and put out the fire with buckets of water from the pond. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

Rowlandson, Thomas (1756-1827)

Saint Luke the Evangelist (Fresco, 16th century )
Saint Luke the Evangelist (Fresco, 16th century )

LRI4690166: Saint Luke the Evangelist (Fresco, 16th century ), Perugino, Pietro (c.1445-1523) / Bridgeman Images

ID: LRI4690166

Saint Luke the Evangelist (Fresco, 16th century )

Perugino, Pietro (c.1445-1523)

The Redeemer, Jesus holding the globe and raising his hand as a sign of blessing (Fresco, 16th century)
The Redeemer, Jesus holding the globe and raising his hand as a sign of blessing (Fresco, 16th century)

LRI4690172: The Redeemer, Jesus holding the globe and raising his hand as a sign of blessing (Fresco, 16th century), Perugino, Pietro (c.1445-1523) / Bridgeman Images

ID: LRI4690172

The Redeemer, Jesus holding the globe and raising his hand as a sign of blessing (Fresco, 16th century)

Perugino, Pietro (c.1445-1523)

Virgin and Child and Crucifixion (after restoration). 14th century (Fresco)
Virgin and Child and Crucifixion (after restoration). 14th century (Fresco)

LRI4690231: Virgin and Child and Crucifixion (after restoration). 14th century (Fresco), Sienese School, (14th century) / Bridgeman Images

ID: LRI4690231

Virgin and Child and Crucifixion (after restoration). 14th century (Fresco)

Sienese School, (14th century)

The skeleton of Death appears before the telescope of the old astronomer, causing him to fall out of his chair. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death appears before the telescope of the old astronomer, causing him to fall out of his chair. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690251: The skeleton of Death appears before the telescope of the old astronomer, causing him to fall out of his chair. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690251

The skeleton of Death appears before the telescope of the old astronomer, causing him to fall out of his chair. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

Rowlandson, Thomas (1756-1827)

The Nativity. 14th century (fresco)
The Nativity. 14th century (fresco)

LRI4690255: The Nativity. 14th century (fresco), Sienese School, (14th century) / Bridgeman Images

ID: LRI4690255

The Nativity. 14th century (fresco)

Sienese School, (14th century)

The nativity and Adoration of the Magi, 14th century (fresco)
The nativity and Adoration of the Magi, 14th century (fresco)

LRI4690266: The nativity and Adoration of the Magi, 14th century (fresco), Sienese School, (14th century) / Bridgeman Images

ID: LRI4690266

The nativity and Adoration of the Magi, 14th century (fresco)

Sienese School, (14th century)

The skeleton of Death takes the mother as she witnesses her son's lifeless body pulled from a lake. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death takes the mother as she witnesses her son's lifeless body pulled from a lake. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690333: The skeleton of Death takes the mother as she witnesses her son's lifeless body pulled from a lake. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690333

The skeleton of Death takes the mother as she witnesses her son's lifeless body pulled from a lake. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

Rowlandson, Thomas (1756-1827)

The skeleton of Death joins an irate father as he tries to stop his only daughter eloping with a soldier in a stagecoach to Gretna Green. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death joins an irate father as he tries to stop his only daughter eloping with a soldier in a stagecoach to Gretna Green. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690345: The skeleton of Death joins an irate father as he tries to stop his only daughter eloping with a soldier in a stagecoach to Gretna Green. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690345

The skeleton of Death joins an irate father as he tries to stop his only daughter eloping with a soldier in a stagecoach to Gretna Green. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

Rowlandson, Thomas (1756-1827)

Variete of primevere, with caterpillar - Lithography attributed to Paul Theodor van Brussel (1754-1795), author of the cover bouquet, or A.Bres., influenced by Nicolas Robert (1614-1685), published in “Nederlandsch Bloemwerk” (Dutch Floral Compositions), Amsterdam, J.B. Elwe, 1794
Variete of primevere, with caterpillar - Lithography attributed to Paul Theodor van Brussel (1754-1795), author of the cover bouquet, or A.Bres., influenced by Nicolas Robert (1614-1685), published in “Nederlandsch Bloemwerk” (Dutch Floral Compositions), Amsterdam, J.B. Elwe, 1794

FLO4682617: Variete of primevere, with caterpillar - Lithography attributed to Paul Theodor van Brussel (1754-1795), author of the cover bouquet, or A.Bres., influenced by Nicolas Robert (1614-1685), published in “Nederlandsch Bloemwerk” (Dutch Floral Compositions), Amsterdam, J.B. Elwe, 1794 / Bridgeman Images

ID: FLO4682617

Variete of primevere, with caterpillar - Lithography attributed to Paul Theodor van Brussel (1754-1795), author of the cover bouquet, or A.Bres., influenced by Nicolas Robert (1614-1685), published in “Nederlandsch Bloemwerk” (Dutch Floral Compositions), Amsterdam, J.B. Elwe, 1794

Battus philenor - Lithography by Richard Polydore Nodder (1774-1823) published in The Naturalist Miscellany, 1812
Battus philenor - Lithography by Richard Polydore Nodder (1774-1823) published in The Naturalist Miscellany, 1812

FLO4682759: Battus philenor - Lithography by Richard Polydore Nodder (1774-1823) published in The Naturalist Miscellany, 1812 / Bridgeman Images

ID: FLO4682759

Battus philenor - Lithography by Richard Polydore Nodder (1774-1823) published in The Naturalist Miscellany, 1812

Variete d'starile de mer, Asterias scolopendroides - Lithography by Richard Polydore Nodder (1774-1823) published in The Naturalist Miscellany, 1812
Variete d'starile de mer, Asterias scolopendroides - Lithography by Richard Polydore Nodder (1774-1823) published in The Naturalist Miscellany, 1812

FLO4682882: Variete d'starile de mer, Asterias scolopendroides - Lithography by Richard Polydore Nodder (1774-1823) published in The Naturalist Miscellany, 1812 / Bridgeman Images

ID: FLO4682882

Variete d'starile de mer, Asterias scolopendroides - Lithography by Richard Polydore Nodder (1774-1823) published in The Naturalist Miscellany, 1812

Lepidoptere, Large fox or elm turtle, caterpillar, nymph and adult, Polychlorinated nymphalis - Lithography by Richard Polydore Nodder (1774-1823) published in The Naturalist Miscellany, 1812
Lepidoptere, Large fox or elm turtle, caterpillar, nymph and adult, Polychlorinated nymphalis - Lithography by Richard Polydore Nodder (1774-1823) published in The Naturalist Miscellany, 1812

FLO4682895: Lepidoptere, Large fox or elm turtle, caterpillar, nymph and adult, Polychlorinated nymphalis - Lithography by Richard Polydore Nodder (1774-1823) published in The Naturalist Miscellany, 1812 / Bridgeman Images

ID: FLO4682895

Lepidoptere, Large fox or elm turtle, caterpillar, nymph and adult, Polychlorinated nymphalis - Lithography by Richard Polydore Nodder (1774-1823) published in The Naturalist Miscellany, 1812

Spindle tibia shell, Tibia fusus (spindle strombus, Strombus fusus). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1801.
Spindle tibia shell, Tibia fusus (spindle strombus, Strombus fusus). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1801.

FLO4683054: Spindle tibia shell, Tibia fusus (spindle strombus, Strombus fusus). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1801. / Bridgeman Images

ID: FLO4683054

Spindle tibia shell, Tibia fusus (spindle strombus, Strombus fusus). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1801.

Admiral cone varieties, high admiral and cedo nulli, Conus ammiralis, Conus cedonulli (Conus ammiralis var. summus, Cedo nulli). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1801.
Admiral cone varieties, high admiral and cedo nulli, Conus ammiralis, Conus cedonulli (Conus ammiralis var. summus, Cedo nulli). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1801.

FLO4683031: Admiral cone varieties, high admiral and cedo nulli, Conus ammiralis, Conus cedonulli (Conus ammiralis var. summus, Cedo nulli). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1801. / Bridgeman Images

ID: FLO4683031

Admiral cone varieties, high admiral and cedo nulli, Conus ammiralis, Conus cedonulli (Conus ammiralis var. summus, Cedo nulli). Illustration drawn and engraved by Richard Polydore Nodder. Handcoloured copperplate engraving from George Shaw and Frederick Nodder's The Naturalist's Miscellany, London, 1801.

Royal antelope. Copper engraving by Frederick Polydor Nodder (1751-1801) for the naturalist collection, published in 1790 by George Shaw. Pygmy musk deer or royal antelope. Moschus pygmaeus, Neotragus pygmaeus, Capra pygmea. Handcolored copperplate engraving, illustration signed N (Frederick Polydor Nodder (1751-1801), artist and engraver) from George Shaw's “” Naturalist's Miscellany”” (1790).
Royal antelope. Copper engraving by Frederick Polydor Nodder (1751-1801) for the naturalist collection, published in 1790 by George Shaw. Pygmy musk deer or royal antelope. Moschus pygmaeus, Neotragus pygmaeus, Capra pygmea. Handcolored copperplate engraving, illustration signed N (Frederick Polydor Nodder (1751-1801), artist and engraver) from George Shaw's “” Naturalist's Miscellany”” (1790).

FLO4684205: Royal antelope. Copper engraving by Frederick Polydor Nodder (1751-1801) for the naturalist collection, published in 1790 by George Shaw. Pygmy musk deer or royal antelope. Moschus pygmaeus, Neotragus pygmaeus, Capra pygmea. Handcolored copperplate engraving, illustration signed N (Frederick Polydor Nodder (1751-1801), artist and engraver) from George Shaw's “” Naturalist's Miscellany”” (1790). / Bridgeman Images

ID: FLO4684205

Royal antelope. Copper engraving by Frederick Polydor Nodder (1751-1801) for the naturalist collection, published in 1790 by George Shaw. Pygmy musk deer or royal antelope. Moschus pygmaeus, Neotragus pygmaeus, Capra pygmea. Handcolored copperplate engraving, illustration signed N (Frederick Polydor Nodder (1751-1801), artist and engraver) from George Shaw's “” Naturalist's Miscellany”” (1790).

Cycle of the life of Saint Ursula: the return of the Ambassadors to the King of England. Detail of the king. 1490 (painting)
Cycle of the life of Saint Ursula: the return of the Ambassadors to the King of England. Detail of the king. 1490 (painting)

LRI4684514: Cycle of the life of Saint Ursula: the return of the Ambassadors to the King of England. Detail of the king. 1490 (painting), Carpaccio, Vittore (c.1460/5-1523/6) / Bridgeman Images

ID: LRI4684514

Cycle of the life of Saint Ursula: the return of the Ambassadors to the King of England. Detail of the king. 1490 (painting)

Carpaccio, Vittore (c.1460/5-1523/6)

Lippu bear or lazy bear or long-lipped bear. Details of the head, jaw and teething. Copper engraving by Frederick Polydor Nodder (1751-1801), drawing by M.Catton, for the naturalist collection, published in 1790 by George Shaw.Ursiform sloth, ursine bradypus or sloth bear. Melursus ursinus (Bradypus ursinus). Drawing by Mr. Catton, showing the bear's head, jaw and teeth. Handcolored copperplate engraving, by Frederick Polydor Nodder (1751-1801), artist and engraver, from George Shaw's “” Naturalist's Miscellany”” (1790).
Lippu bear or lazy bear or long-lipped bear. Details of the head, jaw and teething. Copper engraving by Frederick Polydor Nodder (1751-1801), drawing by M.Catton, for the naturalist collection, published in 1790 by George Shaw.Ursiform sloth, ursine bradypus or sloth bear. Melursus ursinus (Bradypus ursinus). Drawing by Mr. Catton, showing the bear's head, jaw and teeth. Handcolored copperplate engraving, by Frederick Polydor Nodder (1751-1801), artist and engraver, from George Shaw's “” Naturalist's Miscellany”” (1790).

FLO4684326: Lippu bear or lazy bear or long-lipped bear. Details of the head, jaw and teething. Copper engraving by Frederick Polydor Nodder (1751-1801), drawing by M.Catton, for the naturalist collection, published in 1790 by George Shaw.Ursiform sloth, ursine bradypus or sloth bear. Melursus ursinus (Bradypus ursinus). Drawing by Mr. Catton, showing the bear's head, jaw and teeth. Handcolored copperplate engraving, by Frederick Polydor Nodder (1751-1801), artist and engraver, from George Shaw's “” Naturalist's Miscellany”” (1790). / Bridgeman Images

ID: FLO4684326

Lippu bear or lazy bear or long-lipped bear. Details of the head, jaw and teething. Copper engraving by Frederick Polydor Nodder (1751-1801), drawing by M.Catton, for the naturalist collection, published in 1790 by George Shaw.Ursiform sloth, ursine bradypus or sloth bear. Melursus ursinus (Bradypus ursinus). Drawing by Mr. Catton, showing the bear's head, jaw and teeth. Handcolored copperplate engraving, by Frederick Polydor Nodder (1751-1801), artist and engraver, from George Shaw's “” Naturalist's Miscellany”” (1790).

Woman in fancy dress costume as an apothecary's recipe, with tall black hat, high ruff collar, black and gold dress, and handbag in the shape of a syringe. Lithograph by unknown artist with stencil handcolouring from “” Nos Travestis”” (Our Fancy Dress Costumes), Paris, 1928.
Woman in fancy dress costume as an apothecary's recipe, with tall black hat, high ruff collar, black and gold dress, and handbag in the shape of a syringe. Lithograph by unknown artist with stencil handcolouring from “” Nos Travestis”” (Our Fancy Dress Costumes), Paris, 1928.

FLO4684533: Woman in fancy dress costume as an apothecary's recipe, with tall black hat, high ruff collar, black and gold dress, and handbag in the shape of a syringe. Lithograph by unknown artist with stencil handcolouring from “” Nos Travestis”” (Our Fancy Dress Costumes), Paris, 1928. / Bridgeman Images

ID: FLO4684533

Woman in fancy dress costume as an apothecary's recipe, with tall black hat, high ruff collar, black and gold dress, and handbag in the shape of a syringe. Lithograph by unknown artist with stencil handcolouring from “” Nos Travestis”” (Our Fancy Dress Costumes), Paris, 1928.


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