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Mushrooms: akahatsu lacatire and white shirohatsudake - Japanese print by Kanen Iwasaki (1786-1842), from Honzo Zufu, illustrative guide to medicinal plants, 1916 - Akahatsu and white shirohatsudake mushrooms - Colour printed woodblock engraving by Kan'en Iwasaki, from “” Honzo Zufu””, 1916
Mushrooms: akahatsu lacatire and white shirohatsudake - Japanese print by Kanen Iwasaki (1786-1842), from Honzo Zufu, illustrative guide to medicinal plants, 1916 - Akahatsu and white shirohatsudake mushrooms - Colour printed woodblock engraving by Kan'en Iwasaki, from “” Honzo Zufu””, 1916

FLO4646925: Mushrooms: akahatsu lacatire and white shirohatsudake - Japanese print by Kanen Iwasaki (1786-1842), from Honzo Zufu, illustrative guide to medicinal plants, 1916 - Akahatsu and white shirohatsudake mushrooms - Colour printed woodblock engraving by Kan'en Iwasaki, from “” Honzo Zufu””, 1916 / Bridgeman Images

ID: FLO4646925

Mushrooms: akahatsu lacatire and white shirohatsudake - Japanese print by Kanen Iwasaki (1786-1842), from Honzo Zufu, illustrative guide to medicinal plants, 1916 - Akahatsu and white shirohatsudake mushrooms - Colour printed woodblock engraving by Kan'en Iwasaki, from “” Honzo Zufu””, 1916

Japanese ardisia or Chirimen marlberry, Ardisia japonica. Handcoloured woodblock print by Kono Bairei from Kusa Bana Hyakushu (One Hundred Varieties of Flowers), Tokyo, Yamada, 1901.
Japanese ardisia or Chirimen marlberry, Ardisia japonica. Handcoloured woodblock print by Kono Bairei from Kusa Bana Hyakushu (One Hundred Varieties of Flowers), Tokyo, Yamada, 1901.

FLO4648098: Japanese ardisia or Chirimen marlberry, Ardisia japonica. Handcoloured woodblock print by Kono Bairei from Kusa Bana Hyakushu (One Hundred Varieties of Flowers), Tokyo, Yamada, 1901. / Bridgeman Images

ID: FLO4648098

Japanese ardisia or Chirimen marlberry, Ardisia japonica. Handcoloured woodblock print by Kono Bairei from Kusa Bana Hyakushu (One Hundred Varieties of Flowers), Tokyo, Yamada, 1901.

Fuyou or double-petaled cotton rose, Hibiscus mutabilis. Handcoloured woodblock print by Kono Bairei from Kusa Bana Hyakushu (One Hundred Varieties of Flowers), Tokyo, Yamada, 1901.
Fuyou or double-petaled cotton rose, Hibiscus mutabilis. Handcoloured woodblock print by Kono Bairei from Kusa Bana Hyakushu (One Hundred Varieties of Flowers), Tokyo, Yamada, 1901.

FLO4648220: Fuyou or double-petaled cotton rose, Hibiscus mutabilis. Handcoloured woodblock print by Kono Bairei from Kusa Bana Hyakushu (One Hundred Varieties of Flowers), Tokyo, Yamada, 1901. / Bridgeman Images

ID: FLO4648220

Fuyou or double-petaled cotton rose, Hibiscus mutabilis. Handcoloured woodblock print by Kono Bairei from Kusa Bana Hyakushu (One Hundred Varieties of Flowers), Tokyo, Yamada, 1901.

Higan sakura or higan cherry blossom, Prunus pendula Handcoloured woodblock print by Kono Bairei from Kusa Bana Hyakushu (One Hundred Varieties of Flowers), Tokyo, Yamada, 1901.
Higan sakura or higan cherry blossom, Prunus pendula Handcoloured woodblock print by Kono Bairei from Kusa Bana Hyakushu (One Hundred Varieties of Flowers), Tokyo, Yamada, 1901.

FLO4648301: Higan sakura or higan cherry blossom, Prunus pendula Handcoloured woodblock print by Kono Bairei from Kusa Bana Hyakushu (One Hundred Varieties of Flowers), Tokyo, Yamada, 1901. / Bridgeman Images

ID: FLO4648301

Higan sakura or higan cherry blossom, Prunus pendula Handcoloured woodblock print by Kono Bairei from Kusa Bana Hyakushu (One Hundred Varieties of Flowers), Tokyo, Yamada, 1901.

Benihana or safflower, Carthamus tinctorius. Handcoloured woodblock print by Kono Bairei from Kusa Bana Hyakushu (One Hundred Varieties of Flowers), Tokyo, Yamada, 1901.
Benihana or safflower, Carthamus tinctorius. Handcoloured woodblock print by Kono Bairei from Kusa Bana Hyakushu (One Hundred Varieties of Flowers), Tokyo, Yamada, 1901.

FLO4648339: Benihana or safflower, Carthamus tinctorius. Handcoloured woodblock print by Kono Bairei from Kusa Bana Hyakushu (One Hundred Varieties of Flowers), Tokyo, Yamada, 1901. / Bridgeman Images

ID: FLO4648339

Benihana or safflower, Carthamus tinctorius. Handcoloured woodblock print by Kono Bairei from Kusa Bana Hyakushu (One Hundred Varieties of Flowers), Tokyo, Yamada, 1901.

Twig of a shrub Cornucopia (Copianthus indica), description of flowers, leaves, stem and fruit. Eau forte en couleurs, drawing by P.Maioli (or Majoli), engraving by Giuseppe Bianchi, published in 1786, in John Hill's Decade of Curious and Elegant Trees and Plants (new edition).
Twig of a shrub Cornucopia (Copianthus indica), description of flowers, leaves, stem and fruit. Eau forte en couleurs, drawing by P.Maioli (or Majoli), engraving by Giuseppe Bianchi, published in 1786, in John Hill's Decade of Curious and Elegant Trees and Plants (new edition).

FLO4644481: Twig of a shrub Cornucopia (Copianthus indica), description of flowers, leaves, stem and fruit. Eau forte en couleurs, drawing by P.Maioli (or Majoli), engraving by Giuseppe Bianchi, published in 1786, in John Hill's Decade of Curious and Elegant Trees and Plants (new edition). / Bridgeman Images

ID: FLO4644481

Twig of a shrub Cornucopia (Copianthus indica), description of flowers, leaves, stem and fruit. Eau forte en couleurs, drawing by P.Maioli (or Majoli), engraving by Giuseppe Bianchi, published in 1786, in John Hill's Decade of Curious and Elegant Trees and Plants (new edition).

Monkfish, Lophius americanus, Lophie vespertilion. Handcoloured copperplate stipple engraving from Jussieu's “” Dictionary of Natural Sciences”” 1816-1830. The volumes on fish and reptiles were edited by Hippolyte Cloquet, natural historian and doctor of medicine. Illustration by J.G. Pretre, engraved by Miss Louvier, directed by Turpin, and published by F. G. Levrault.
Monkfish, Lophius americanus, Lophie vespertilion. Handcoloured copperplate stipple engraving from Jussieu's “” Dictionary of Natural Sciences”” 1816-1830. The volumes on fish and reptiles were edited by Hippolyte Cloquet, natural historian and doctor of medicine. Illustration by J.G. Pretre, engraved by Miss Louvier, directed by Turpin, and published by F. G. Levrault.

FLO4644737: Monkfish, Lophius americanus, Lophie vespertilion. Handcoloured copperplate stipple engraving from Jussieu's “” Dictionary of Natural Sciences”” 1816-1830. The volumes on fish and reptiles were edited by Hippolyte Cloquet, natural historian and doctor of medicine. Illustration by J.G. Pretre, engraved by Miss Louvier, directed by Turpin, and published by F. G. Levrault. / Bridgeman Images

ID: FLO4644737

Monkfish, Lophius americanus, Lophie vespertilion. Handcoloured copperplate stipple engraving from Jussieu's “” Dictionary of Natural Sciences”” 1816-1830. The volumes on fish and reptiles were edited by Hippolyte Cloquet, natural historian and doctor of medicine. Illustration by J.G. Pretre, engraved by Miss Louvier, directed by Turpin, and published by F. G. Levrault.

Unicorn leatherjacket, filefish, Aluterus monoceros, Alutere monoceros and triggerfish, American balist, Punctatus balists. Handcoloured copperplate stipple engraving from Jussieu's “” Dictionary of Natural Sciences”” 1816-1830. The volumes on fish and reptiles were edited by Hippolyte Cloquet, natural historian and doctor of medicine. Illustration by J.G. Pretre, engraved by Prudhon, directed by Turpin, and published by F. G. Levrault.
Unicorn leatherjacket, filefish, Aluterus monoceros, Alutere monoceros and triggerfish, American balist, Punctatus balists. Handcoloured copperplate stipple engraving from Jussieu's “” Dictionary of Natural Sciences”” 1816-1830. The volumes on fish and reptiles were edited by Hippolyte Cloquet, natural historian and doctor of medicine. Illustration by J.G. Pretre, engraved by Prudhon, directed by Turpin, and published by F. G. Levrault.

FLO4644772: Unicorn leatherjacket, filefish, Aluterus monoceros, Alutere monoceros and triggerfish, American balist, Punctatus balists. Handcoloured copperplate stipple engraving from Jussieu's “” Dictionary of Natural Sciences”” 1816-1830. The volumes on fish and reptiles were edited by Hippolyte Cloquet, natural historian and doctor of medicine. Illustration by J.G. Pretre, engraved by Prudhon, directed by Turpin, and published by F. G. Levrault. / Bridgeman Images

ID: FLO4644772

Unicorn leatherjacket, filefish, Aluterus monoceros, Alutere monoceros and triggerfish, American balist, Punctatus balists. Handcoloured copperplate stipple engraving from Jussieu's “” Dictionary of Natural Sciences”” 1816-1830. The volumes on fish and reptiles were edited by Hippolyte Cloquet, natural historian and doctor of medicine. Illustration by J.G. Pretre, engraved by Prudhon, directed by Turpin, and published by F. G. Levrault.

Big-eyed lamprey, Petromyzon big eye and Red lamprey, Ammocete rouge, Petromyzon ruber. Handcoloured copperplate stipple engraving from Jussieu's “” Dictionary of Natural Sciences”” 1816-1830. The volumes on fish and reptiles were edited by Hippolyte Cloquet, natural historian and doctor of medicine. Illustration by J.G. Pretre, engraved by Prudhon, directed by Turpin, and published by F. G. Levrault.
Big-eyed lamprey, Petromyzon big eye and Red lamprey, Ammocete rouge, Petromyzon ruber. Handcoloured copperplate stipple engraving from Jussieu's “” Dictionary of Natural Sciences”” 1816-1830. The volumes on fish and reptiles were edited by Hippolyte Cloquet, natural historian and doctor of medicine. Illustration by J.G. Pretre, engraved by Prudhon, directed by Turpin, and published by F. G. Levrault.

FLO4644797: Big-eyed lamprey, Petromyzon big eye and Red lamprey, Ammocete rouge, Petromyzon ruber. Handcoloured copperplate stipple engraving from Jussieu's “” Dictionary of Natural Sciences”” 1816-1830. The volumes on fish and reptiles were edited by Hippolyte Cloquet, natural historian and doctor of medicine. Illustration by J.G. Pretre, engraved by Prudhon, directed by Turpin, and published by F. G. Levrault. / Bridgeman Images

ID: FLO4644797

Big-eyed lamprey, Petromyzon big eye and Red lamprey, Ammocete rouge, Petromyzon ruber. Handcoloured copperplate stipple engraving from Jussieu's “” Dictionary of Natural Sciences”” 1816-1830. The volumes on fish and reptiles were edited by Hippolyte Cloquet, natural historian and doctor of medicine. Illustration by J.G. Pretre, engraved by Prudhon, directed by Turpin, and published by F. G. Levrault.

Iwatabako, Conandron ramondioides. Handcoloured woodblock print by Kono Bairei from Kusa Bana Hyakushu (One Hundred Varieties of Flowers), Tokyo, Yamada, 1901.
Iwatabako, Conandron ramondioides. Handcoloured woodblock print by Kono Bairei from Kusa Bana Hyakushu (One Hundred Varieties of Flowers), Tokyo, Yamada, 1901.

FLO4648652: Iwatabako, Conandron ramondioides. Handcoloured woodblock print by Kono Bairei from Kusa Bana Hyakushu (One Hundred Varieties of Flowers), Tokyo, Yamada, 1901. / Bridgeman Images

ID: FLO4648652

Iwatabako, Conandron ramondioides. Handcoloured woodblock print by Kono Bairei from Kusa Bana Hyakushu (One Hundred Varieties of Flowers), Tokyo, Yamada, 1901.

Banded grunt, Pomadasys furcatus, Pristipome pique, and squirrelfish, Holocentrus ascensionis, Holocentre sogo. Handcoloured copperplate stipple engraving from Jussieu's “” Dictionary of Natural Sciences”” 1816-1830. The volumes on fish and reptiles were edited by Hippolyte Cloquet, natural historian and doctor of medicine. Illustration by J.G. Pretre, engraved by Massard, directed by Turpin, and published by F. G. Levrault.
Banded grunt, Pomadasys furcatus, Pristipome pique, and squirrelfish, Holocentrus ascensionis, Holocentre sogo. Handcoloured copperplate stipple engraving from Jussieu's “” Dictionary of Natural Sciences”” 1816-1830. The volumes on fish and reptiles were edited by Hippolyte Cloquet, natural historian and doctor of medicine. Illustration by J.G. Pretre, engraved by Massard, directed by Turpin, and published by F. G. Levrault.

FLO4645005: Banded grunt, Pomadasys furcatus, Pristipome pique, and squirrelfish, Holocentrus ascensionis, Holocentre sogo. Handcoloured copperplate stipple engraving from Jussieu's “” Dictionary of Natural Sciences”” 1816-1830. The volumes on fish and reptiles were edited by Hippolyte Cloquet, natural historian and doctor of medicine. Illustration by J.G. Pretre, engraved by Massard, directed by Turpin, and published by F. G. Levrault. / Bridgeman Images

ID: FLO4645005

Banded grunt, Pomadasys furcatus, Pristipome pique, and squirrelfish, Holocentrus ascensionis, Holocentre sogo. Handcoloured copperplate stipple engraving from Jussieu's “” Dictionary of Natural Sciences”” 1816-1830. The volumes on fish and reptiles were edited by Hippolyte Cloquet, natural historian and doctor of medicine. Illustration by J.G. Pretre, engraved by Massard, directed by Turpin, and published by F. G. Levrault.

View of the bridge and the Castel (photography)
View of the bridge and the Castel (photography)

LRI4645166: View of the bridge and the Castel (photography), Roman, (2nd century) / Bridgeman Images

ID: LRI4645166

View of the bridge and the Castel (photography)

Roman, (2nd century)

The imperress. Sumptuously clothed and accompanied by her bridesmaids, the Impress is intercepted in her march by Death incarnated in the character of an old ratatinee, who shows an open tomb, and seems to say, “For this you will end up going there”. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.
The imperress. Sumptuously clothed and accompanied by her bridesmaids, the Impress is intercepted in her march by Death incarnated in the character of an old ratatinee, who shows an open tomb, and seems to say, “For this you will end up going there”. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.

FLO4675614: The imperress. Sumptuously clothed and accompanied by her bridesmaids, the Impress is intercepted in her march by Death incarnated in the character of an old ratatinee, who shows an open tomb, and seems to say, “For this you will end up going there”. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860. / Bridgeman Images

ID: FLO4675614

The imperress. Sumptuously clothed and accompanied by her bridesmaids, the Impress is intercepted in her march by Death incarnated in the character of an old ratatinee, who shows an open tomb, and seems to say, “For this you will end up going there”. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.

The young couple. She is accompanied by her husband, who seeks to depart her attention from Death, who dances insidiously in front of them while playing the drum. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.
The young couple. She is accompanied by her husband, who seeks to depart her attention from Death, who dances insidiously in front of them while playing the drum. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.

FLO4675633: The young couple. She is accompanied by her husband, who seeks to depart her attention from Death, who dances insidiously in front of them while playing the drum. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860. / Bridgeman Images

ID: FLO4675633

The young couple. She is accompanied by her husband, who seeks to depart her attention from Death, who dances insidiously in front of them while playing the drum. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.

The merchant. After escaping from the perils of the sea, he reached the shore on which his goods were waiting. The merchant, while contemplating his wealth, is finally surprised by death. One of his companions raised his hands of despair. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.
The merchant. After escaping from the perils of the sea, he reached the shore on which his goods were waiting. The merchant, while contemplating his wealth, is finally surprised by death. One of his companions raised his hands of despair. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.

FLO4675694: The merchant. After escaping from the perils of the sea, he reached the shore on which his goods were waiting. The merchant, while contemplating his wealth, is finally surprised by death. One of his companions raised his hands of despair. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860. / Bridgeman Images

ID: FLO4675694

The merchant. After escaping from the perils of the sea, he reached the shore on which his goods were waiting. The merchant, while contemplating his wealth, is finally surprised by death. One of his companions raised his hands of despair. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.

Design for a dagger sheath designed by Holbein. The characters are a king, a queen and a warrior, involuntarily accompany Death in the dance. The king's despair, the downfall of the queen accompanied by her little dog, the terror of the soldier who hears the drum of death, are portrayed with veracity and spirit of equality. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.
Design for a dagger sheath designed by Holbein. The characters are a king, a queen and a warrior, involuntarily accompany Death in the dance. The king's despair, the downfall of the queen accompanied by her little dog, the terror of the soldier who hears the drum of death, are portrayed with veracity and spirit of equality. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.

FLO4675836: Design for a dagger sheath designed by Holbein. The characters are a king, a queen and a warrior, involuntarily accompany Death in the dance. The king's despair, the downfall of the queen accompanied by her little dog, the terror of the soldier who hears the drum of death, are portrayed with veracity and spirit of equality. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860. / Bridgeman Images

ID: FLO4675836

Design for a dagger sheath designed by Holbein. The characters are a king, a queen and a warrior, involuntarily accompany Death in the dance. The king's despair, the downfall of the queen accompanied by her little dog, the terror of the soldier who hears the drum of death, are portrayed with veracity and spirit of equality. Hand-coloured engraving by Christian Von Mechel (or Chretien de Mechel, 1737-1817) in “The Triumph of Death”” based on original drawings by Hans Holbein the Young (1497-1543), 1860.

Prehistory: axe and spear tip in flint. Civilization of the Apennines (or Italian Bronze Age). 1400-1300 BC. Perugia, Museo Archeologico Nazionale dell'Umbria
Prehistory: axe and spear tip in flint. Civilization of the Apennines (or Italian Bronze Age). 1400-1300 BC. Perugia, Museo Archeologico Nazionale dell'Umbria

LRI4649221: Prehistory: axe and spear tip in flint. Civilization of the Apennines (or Italian Bronze Age). 1400-1300 BC. Perugia, Museo Archeologico Nazionale dell'Umbria, Prehistoric / Bridgeman Images

ID: LRI4649221

Prehistory: axe and spear tip in flint. Civilization of the Apennines (or Italian Bronze Age). 1400-1300 BC. Perugia, Museo Archeologico Nazionale dell'Umbria

Prehistoric

Souvenir d'un ami rose, hybrid tea rose, raised by an amateur in Moulins in 1846. Chromolithograph drawn and lithographed after nature by F. Grobon from Hippolyte Jamain and Eugene Forney's “” Les Roses,” Paris, J. Rothschild, 1873. Jamain was a rose grower and Forney a professor of arboriculture. Francois Frederic GROBON (1815-1901) ran his own atelier and illustrated “” Fleurs” after Redoute with his brother Anthelme as the Grobon freres.
Souvenir d'un ami rose, hybrid tea rose, raised by an amateur in Moulins in 1846. Chromolithograph drawn and lithographed after nature by F. Grobon from Hippolyte Jamain and Eugene Forney's “” Les Roses,” Paris, J. Rothschild, 1873. Jamain was a rose grower and Forney a professor of arboriculture. Francois Frederic GROBON (1815-1901) ran his own atelier and illustrated “” Fleurs” after Redoute with his brother Anthelme as the Grobon freres.

FLO4649228: Souvenir d'un ami rose, hybrid tea rose, raised by an amateur in Moulins in 1846. Chromolithograph drawn and lithographed after nature by F. Grobon from Hippolyte Jamain and Eugene Forney's “” Les Roses,” Paris, J. Rothschild, 1873. Jamain was a rose grower and Forney a professor of arboriculture. Francois Frederic GROBON (1815-1901) ran his own atelier and illustrated “” Fleurs” after Redoute with his brother Anthelme as the Grobon freres. / Bridgeman Images

ID: FLO4649228

Souvenir d'un ami rose, hybrid tea rose, raised by an amateur in Moulins in 1846. Chromolithograph drawn and lithographed after nature by F. Grobon from Hippolyte Jamain and Eugene Forney's “” Les Roses,” Paris, J. Rothschild, 1873. Jamain was a rose grower and Forney a professor of arboriculture. Francois Frederic GROBON (1815-1901) ran his own atelier and illustrated “” Fleurs” after Redoute with his brother Anthelme as the Grobon freres.

Common green iguana, ordinary iguana, iguana iguana. Handcoloured copperplate stipple engraving from Jussieu's “” Dictionary of Natural Sciences”” 1816-1830. The volumes on fish and reptiles were edited by Hippolyte Cloquet, natural historian and doctor of medicine. Illustration by J.G. Pretre, engraved by Madame Joyeau, directed by Turpin, and published by F. G. Levrault.
Common green iguana, ordinary iguana, iguana iguana. Handcoloured copperplate stipple engraving from Jussieu's “” Dictionary of Natural Sciences”” 1816-1830. The volumes on fish and reptiles were edited by Hippolyte Cloquet, natural historian and doctor of medicine. Illustration by J.G. Pretre, engraved by Madame Joyeau, directed by Turpin, and published by F. G. Levrault.

FLO4645368: Common green iguana, ordinary iguana, iguana iguana. Handcoloured copperplate stipple engraving from Jussieu's “” Dictionary of Natural Sciences”” 1816-1830. The volumes on fish and reptiles were edited by Hippolyte Cloquet, natural historian and doctor of medicine. Illustration by J.G. Pretre, engraved by Madame Joyeau, directed by Turpin, and published by F. G. Levrault. / Bridgeman Images

ID: FLO4645368

Common green iguana, ordinary iguana, iguana iguana. Handcoloured copperplate stipple engraving from Jussieu's “” Dictionary of Natural Sciences”” 1816-1830. The volumes on fish and reptiles were edited by Hippolyte Cloquet, natural historian and doctor of medicine. Illustration by J.G. Pretre, engraved by Madame Joyeau, directed by Turpin, and published by F. G. Levrault.

Catherine or Katherine Fitzgerald, Countess of Desmond (d. 1604), Irish noblewoman nicknamed the “” old countess”” and famous for living to 120 years of age. Copperplate engraving by J. Lodge from an unknown artist's portrait.
Catherine or Katherine Fitzgerald, Countess of Desmond (d. 1604), Irish noblewoman nicknamed the “” old countess”” and famous for living to 120 years of age. Copperplate engraving by J. Lodge from an unknown artist's portrait.

FLO4645528: Catherine or Katherine Fitzgerald, Countess of Desmond (d. 1604), Irish noblewoman nicknamed the “” old countess”” and famous for living to 120 years of age. Copperplate engraving by J. Lodge from an unknown artist's portrait. / Bridgeman Images

ID: FLO4645528

Catherine or Katherine Fitzgerald, Countess of Desmond (d. 1604), Irish noblewoman nicknamed the “” old countess”” and famous for living to 120 years of age. Copperplate engraving by J. Lodge from an unknown artist's portrait.

Princess Augusta of Saxony-Gotha-Altenburg (1719-1772), Princess of Wales and later Dowager Princess of Wales.
Princess Augusta of Saxony-Gotha-Altenburg (1719-1772), Princess of Wales and later Dowager Princess of Wales.

FLO4645612: Princess Augusta of Saxony-Gotha-Altenburg (1719-1772), Princess of Wales and later Dowager Princess of Wales. / Bridgeman Images

ID: FLO4645612

Princess Augusta of Saxony-Gotha-Altenburg (1719-1772), Princess of Wales and later Dowager Princess of Wales.

Tribunal des marchands, 15th century - Merchant tribunal, Italy, 15th century - The magistrates are seated at top, scribes or notaries stand in the pit, and merchants outside the barrier - From a miniature painting by Sano di Pietro in the “” Statutes of Merchants,””” Siena library - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861
Tribunal des marchands, 15th century - Merchant tribunal, Italy, 15th century - The magistrates are seated at top, scribes or notaries stand in the pit, and merchants outside the barrier - From a miniature painting by Sano di Pietro in the “” Statutes of Merchants,””” Siena library - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

FLO4676017: Tribunal des marchands, 15th century - Merchant tribunal, Italy, 15th century - The magistrates are seated at top, scribes or notaries stand in the pit, and merchants outside the barrier - From a miniature painting by Sano di Pietro in the “” Statutes of Merchants,””” Siena library - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861, Mercuri, Paolo (1804-84) / Bridgeman Images

ID: FLO4676017

Tribunal des marchands, 15th century - Merchant tribunal, Italy, 15th century - The magistrates are seated at top, scribes or notaries stand in the pit, and merchants outside the barrier - From a miniature painting by Sano di Pietro in the “” Statutes of Merchants,””” Siena library - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Mercuri, Paolo (1804-84)

Costume of a Spanish nobleman, 15th century - Costume of a Spanish nobleman, 15th century - From a manuscript “” Office of Our Lady,”” in the Spanish court - He wears a large hat, a sleeveless simar (cassock) over a pink doublet, brown leather belt and purse, and red shoes - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861
Costume of a Spanish nobleman, 15th century - Costume of a Spanish nobleman, 15th century - From a manuscript “” Office of Our Lady,”” in the Spanish court - He wears a large hat, a sleeveless simar (cassock) over a pink doublet, brown leather belt and purse, and red shoes - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

FLO4676124: Costume of a Spanish nobleman, 15th century - Costume of a Spanish nobleman, 15th century - From a manuscript “” Office of Our Lady,”” in the Spanish court - He wears a large hat, a sleeveless simar (cassock) over a pink doublet, brown leather belt and purse, and red shoes - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861, Mercuri, Paolo (1804-84) / Bridgeman Images

ID: FLO4676124

Costume of a Spanish nobleman, 15th century - Costume of a Spanish nobleman, 15th century - From a manuscript “” Office of Our Lady,”” in the Spanish court - He wears a large hat, a sleeveless simar (cassock) over a pink doublet, brown leather belt and purse, and red shoes - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

Mercuri, Paolo (1804-84)

Prehistory: terracotta head from the necropolis of Cancelli. Civilization of the Apennines (or Italian Bronze Age). 1400-1300 BC. Perugia, Museo Archeologico Nazionale dell'Umbria
Prehistory: terracotta head from the necropolis of Cancelli. Civilization of the Apennines (or Italian Bronze Age). 1400-1300 BC. Perugia, Museo Archeologico Nazionale dell'Umbria

LRI4649293: Prehistory: terracotta head from the necropolis of Cancelli. Civilization of the Apennines (or Italian Bronze Age). 1400-1300 BC. Perugia, Museo Archeologico Nazionale dell'Umbria, Prehistoric / Bridgeman Images

ID: LRI4649293

Prehistory: terracotta head from the necropolis of Cancelli. Civilization of the Apennines (or Italian Bronze Age). 1400-1300 BC. Perugia, Museo Archeologico Nazionale dell'Umbria

Prehistoric

Mary, Lady of Richmond, daughter of Thomas Howard, 3rd Duke of Norfolk. Later Mary FitzRoy, Duchess of Richmond and Somerset, wife of Henry VIII's illegitimate son Henry Fitzroy. Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884.
Mary, Lady of Richmond, daughter of Thomas Howard, 3rd Duke of Norfolk. Later Mary FitzRoy, Duchess of Richmond and Somerset, wife of Henry VIII's illegitimate son Henry Fitzroy. Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884.

FLO4645971: Mary, Lady of Richmond, daughter of Thomas Howard, 3rd Duke of Norfolk. Later Mary FitzRoy, Duchess of Richmond and Somerset, wife of Henry VIII's illegitimate son Henry Fitzroy. Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884. / Bridgeman Images

ID: FLO4645971

Mary, Lady of Richmond, daughter of Thomas Howard, 3rd Duke of Norfolk. Later Mary FitzRoy, Duchess of Richmond and Somerset, wife of Henry VIII's illegitimate son Henry Fitzroy. Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884.

William Parr, 1st Marquess of Northampton, 1st Earl of Essex and 1st Baron Parr (1513-1571), English broker. Brother of Catherine Parr, 6th wife of Henry VIII. Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884.
William Parr, 1st Marquess of Northampton, 1st Earl of Essex and 1st Baron Parr (1513-1571), English broker. Brother of Catherine Parr, 6th wife of Henry VIII. Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884.

FLO4646011: William Parr, 1st Marquess of Northampton, 1st Earl of Essex and 1st Baron Parr (1513-1571), English broker. Brother of Catherine Parr, 6th wife of Henry VIII. Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884. / Bridgeman Images

ID: FLO4646011

William Parr, 1st Marquess of Northampton, 1st Earl of Essex and 1st Baron Parr (1513-1571), English broker. Brother of Catherine Parr, 6th wife of Henry VIII. Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884.

Sir Nicholas Poins or Poyntz (1510-1556), English broker during King Henry VII's reign. He was the eldest son of Sir Anthony Poyntz and his first wife Elizabeth Huddefield. Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884.
Sir Nicholas Poins or Poyntz (1510-1556), English broker during King Henry VII's reign. He was the eldest son of Sir Anthony Poyntz and his first wife Elizabeth Huddefield. Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884.

FLO4646028: Sir Nicholas Poins or Poyntz (1510-1556), English broker during King Henry VII's reign. He was the eldest son of Sir Anthony Poyntz and his first wife Elizabeth Huddefield. Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884. / Bridgeman Images

ID: FLO4646028

Sir Nicholas Poins or Poyntz (1510-1556), English broker during King Henry VII's reign. He was the eldest son of Sir Anthony Poyntz and his first wife Elizabeth Huddefield. Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884.

Alpine Rock-Jasmine, Androsace alpina, and polion, Teucrium polium. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript.
Alpine Rock-Jasmine, Androsace alpina, and polion, Teucrium polium. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript.

FLO4668746: Alpine Rock-Jasmine, Androsace alpina, and polion, Teucrium polium. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript. / Bridgeman Images

ID: FLO4668746

Alpine Rock-Jasmine, Androsace alpina, and polion, Teucrium polium. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript.

Hypecoum procumbens and swineweed, Coronopus squamatus. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript.
Hypecoum procumbens and swineweed, Coronopus squamatus. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript.

FLO4668751: Hypecoum procumbens and swineweed, Coronopus squamatus. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript. / Bridgeman Images

ID: FLO4668751

Hypecoum procumbens and swineweed, Coronopus squamatus. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript.

Graphic effect on Itamaraty Palace, Ministry of Foreign Affairs in Brasilia (Brazil). Architect Oscar Niemeyer, 1970. Photography 17/04/07.
Graphic effect on Itamaraty Palace, Ministry of Foreign Affairs in Brasilia (Brazil). Architect Oscar Niemeyer, 1970. Photography 17/04/07.

TEC4668771: Graphic effect on Itamaraty Palace, Ministry of Foreign Affairs in Brasilia (Brazil). Architect Oscar Niemeyer, 1970. Photography 17/04/07., Niemeyer, Oscar (1907-2012) / Bridgeman Images

ID: TEC4668771

Graphic effect on Itamaraty Palace, Ministry of Foreign Affairs in Brasilia (Brazil). Architect Oscar Niemeyer, 1970. Photography 17/04/07.

Niemeyer, Oscar (1907-2012)

The Itamaraty Palace, Ministry of Foreign Affairs in Brasilia (Brazil). Architect Oscar Niemeyer, 1970. Photography 17/04/07.
The Itamaraty Palace, Ministry of Foreign Affairs in Brasilia (Brazil). Architect Oscar Niemeyer, 1970. Photography 17/04/07.

TEC4668805: The Itamaraty Palace, Ministry of Foreign Affairs in Brasilia (Brazil). Architect Oscar Niemeyer, 1970. Photography 17/04/07., Niemeyer, Oscar (1907-2012) / Bridgeman Images

ID: TEC4668805

The Itamaraty Palace, Ministry of Foreign Affairs in Brasilia (Brazil). Architect Oscar Niemeyer, 1970. Photography 17/04/07.

Niemeyer, Oscar (1907-2012)

Wild service tree, Sorbus torminalis, and wild plum, Prunus sylvestris. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript.
Wild service tree, Sorbus torminalis, and wild plum, Prunus sylvestris. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript.

FLO4668920: Wild service tree, Sorbus torminalis, and wild plum, Prunus sylvestris. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript. / Bridgeman Images

ID: FLO4668920

Wild service tree, Sorbus torminalis, and wild plum, Prunus sylvestris. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript.

The Presidential Palace (Palacio do Planalto) in Brasilia (Brazil). Architect Oscar Niemeyer, 1958. Photography 17/04/07.
The Presidential Palace (Palacio do Planalto) in Brasilia (Brazil). Architect Oscar Niemeyer, 1958. Photography 17/04/07.

TEC4669000: The Presidential Palace (Palacio do Planalto) in Brasilia (Brazil). Architect Oscar Niemeyer, 1958. Photography 17/04/07., Niemeyer, Oscar (1907-2012) / Bridgeman Images

ID: TEC4669000

The Presidential Palace (Palacio do Planalto) in Brasilia (Brazil). Architect Oscar Niemeyer, 1958. Photography 17/04/07.

Niemeyer, Oscar (1907-2012)

The Presidential Palace (Palacio do Planalto) in Brasilia (Brazil). Architect Oscar Niemeyer, 1958. Photography 17/04/07.
The Presidential Palace (Palacio do Planalto) in Brasilia (Brazil). Architect Oscar Niemeyer, 1958. Photography 17/04/07.

TEC4669006: The Presidential Palace (Palacio do Planalto) in Brasilia (Brazil). Architect Oscar Niemeyer, 1958. Photography 17/04/07., Niemeyer, Oscar (1907-2012) / Bridgeman Images

ID: TEC4669006

The Presidential Palace (Palacio do Planalto) in Brasilia (Brazil). Architect Oscar Niemeyer, 1958. Photography 17/04/07.

Niemeyer, Oscar (1907-2012)

The Presidential Palace (Palacio do Planalto) in Brasilia (Brazil). Architect Oscar Niemeyer, 1958. Photography 17/04/07.
The Presidential Palace (Palacio do Planalto) in Brasilia (Brazil). Architect Oscar Niemeyer, 1958. Photography 17/04/07.

TEC4669049: The Presidential Palace (Palacio do Planalto) in Brasilia (Brazil). Architect Oscar Niemeyer, 1958. Photography 17/04/07., Niemeyer, Oscar (1907-2012) / Bridgeman Images

ID: TEC4669049

The Presidential Palace (Palacio do Planalto) in Brasilia (Brazil). Architect Oscar Niemeyer, 1958. Photography 17/04/07.

Niemeyer, Oscar (1907-2012)

The Presidential Palace (Palacio do Planalto) in Brasilia (Brazil). Architect Oscar Niemeyer, 1958. Photography 17/04/07.
The Presidential Palace (Palacio do Planalto) in Brasilia (Brazil). Architect Oscar Niemeyer, 1958. Photography 17/04/07.

TEC4669082: The Presidential Palace (Palacio do Planalto) in Brasilia (Brazil). Architect Oscar Niemeyer, 1958. Photography 17/04/07., Niemeyer, Oscar (1907-2012) / Bridgeman Images

ID: TEC4669082

The Presidential Palace (Palacio do Planalto) in Brasilia (Brazil). Architect Oscar Niemeyer, 1958. Photography 17/04/07.

Niemeyer, Oscar (1907-2012)


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