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Furniture, 18th century (screen painting on maroufle paper)
Furniture, 18th century (screen painting on maroufle paper)

JLJ4612740: Furniture, 18th century (screen painting on maroufle paper), Lajoue, Jacques de (1687-1761) / Bridgeman Images

ID: JLJ4612740

Furniture, 18th century (screen painting on maroufle paper)

Lajoue, Jacques de (1687-1761)

Black chin grebe, Podiceps hebridicus. (Little grebe, Tachybaptus ruficollis?) Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.
Black chin grebe, Podiceps hebridicus. (Little grebe, Tachybaptus ruficollis?) Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.

FLO4612769: Black chin grebe, Podiceps hebridicus. (Little grebe, Tachybaptus ruficollis?) Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless., Donovan, Edward (1768-1837) / Bridgeman Images

ID: FLO4612769

Black chin grebe, Podiceps hebridicus. (Little grebe, Tachybaptus ruficollis?) Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.

Donovan, Edward (1768-1837)

Common swift, Apus apus. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.
Common swift, Apus apus. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.

FLO4612900: Common swift, Apus apus. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless., Donovan, Edward (1768-1837) / Bridgeman Images

ID: FLO4612900

Common swift, Apus apus. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.

Donovan, Edward (1768-1837)

Bufflehead, Bucephala albeola. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.
Bufflehead, Bucephala albeola. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.

FLO4613086: Bufflehead, Bucephala albeola. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless., Donovan, Edward (1768-1837) / Bridgeman Images

ID: FLO4613086

Bufflehead, Bucephala albeola. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.

Donovan, Edward (1768-1837)

Wild swan (immature), Cygnus cygnus, with plumage in transition stage to white. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.
Wild swan (immature), Cygnus cygnus, with plumage in transition stage to white. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.

FLO4613092: Wild swan (immature), Cygnus cygnus, with plumage in transition stage to white. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless., Donovan, Edward (1768-1837) / Bridgeman Images

ID: FLO4613092

Wild swan (immature), Cygnus cygnus, with plumage in transition stage to white. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.

Donovan, Edward (1768-1837)

Jube of the Church of Saint Etienne du Mont in Paris, c.1530-1535 (photo)
Jube of the Church of Saint Etienne du Mont in Paris, c.1530-1535 (photo)

JLJ4613110: Jube of the Church of Saint Etienne du Mont in Paris, c.1530-1535 (photo), French School, (16th century) / Bridgeman Images

ID: JLJ4613110

Jube of the Church of Saint Etienne du Mont in Paris, c.1530-1535 (photo)

French School, (16th century)

Great auk, Pinguinus impennis, hunted to extinction by egg collectors in 1844. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.
Great auk, Pinguinus impennis, hunted to extinction by egg collectors in 1844. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.

FLO4613181: Great auk, Pinguinus impennis, hunted to extinction by egg collectors in 1844. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless., Donovan, Edward (1768-1837) / Bridgeman Images

ID: FLO4613181

Great auk, Pinguinus impennis, hunted to extinction by egg collectors in 1844. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.

Donovan, Edward (1768-1837)

Common stilt, Himantopus himantopus. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.
Common stilt, Himantopus himantopus. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.

FLO4613224: Common stilt, Himantopus himantopus. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless., Donovan, Edward (1768-1837) / Bridgeman Images

ID: FLO4613224

Common stilt, Himantopus himantopus. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.

Donovan, Edward (1768-1837)

Writing Desk, 1904 (white lacquered wood)
Writing Desk, 1904 (white lacquered wood)

JLJ4613288: Writing Desk, 1904 (white lacquered wood), Mackintosh, Charles Rennie (1868-1928) / Bridgeman Images

ID: JLJ4613288

Writing Desk, 1904 (white lacquered wood)

Mackintosh, Charles Rennie (1868-1928)

The open tombs, detail of the Last Judgement. (Detrempe on wood, 15th century)
The open tombs, detail of the Last Judgement. (Detrempe on wood, 15th century)

LRI4613308: The open tombs, detail of the Last Judgement. (Detrempe on wood, 15th century), Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455) / Bridgeman Images

ID: LRI4613308

The open tombs, detail of the Last Judgement. (Detrempe on wood, 15th century)

Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455)

Merovingian Art: view of the crypt of the Abbey of Jouarre. 7th century AD. Seine and marl (photo)
Merovingian Art: view of the crypt of the Abbey of Jouarre. 7th century AD. Seine and marl (photo)

JLJ4613367: Merovingian Art: view of the crypt of the Abbey of Jouarre. 7th century AD. Seine and marl (photo), Merovingian, (7th century) / Bridgeman Images

ID: JLJ4613367

Merovingian Art: view of the crypt of the Abbey of Jouarre. 7th century AD. Seine and marl (photo)

Merovingian, (7th century)

Portrait of Margaret of Lorraine (1613-1662), Duchess of Orleans and Alencon Painting of Antoine (Antoon or Anton) Van Dyck (1599-1641), 1634-1635 Dim. 203x115 cm Florence, Galleria degli Uffizi (Offices) - Portrait of Marguerite of Lorraine (1613-1662), Duchess of Orleans Alencon. painting by Anton Van Dyck (1599-1641), 1634-1635, 203-115 cm. Uffizi Gallery, Florence Italy
Portrait of Margaret of Lorraine (1613-1662), Duchess of Orleans and Alencon Painting of Antoine (Antoon or Anton) Van Dyck (1599-1641), 1634-1635 Dim. 203x115 cm Florence, Galleria degli Uffizi (Offices) - Portrait of Marguerite of Lorraine (1613-1662), Duchess of Orleans Alencon. painting by Anton Van Dyck (1599-1641), 1634-1635, 203-115 cm. Uffizi Gallery, Florence Italy

LRI4622728: Portrait of Margaret of Lorraine (1613-1662), Duchess of Orleans and Alencon Painting of Antoine (Antoon or Anton) Van Dyck (1599-1641), 1634-1635 Dim. 203x115 cm Florence, Galleria degli Uffizi (Offices) - Portrait of Marguerite of Lorraine (1613-1662), Duchess of Orleans Alencon. painting by Anton Van Dyck (1599-1641), 1634-1635, 203-115 cm. Uffizi Gallery, Florence Italy, Dyck, Anthony van (1599-1641) / Bridgeman Images

ID: LRI4622728

Portrait of Margaret of Lorraine (1613-1662), Duchess of Orleans and Alencon Painting of Antoine (Antoon or Anton) Van Dyck (1599-1641), 1634-1635 Dim. 203x115 cm Florence, Galleria degli Uffizi (Offices) - Portrait of Marguerite of Lorraine (1613-1662), Duchess of Orleans Alencon. painting by Anton Van Dyck (1599-1641), 1634-1635, 203-115 cm. Uffizi Gallery, Florence Italy

Dyck, Anthony van (1599-1641)

Throne of the Emperor of Japan in Edo Castle (Tokyo). Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.
Throne of the Emperor of Japan in Edo Castle (Tokyo). Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

FLO4622823: Throne of the Emperor of Japan in Edo Castle (Tokyo). Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842. / Bridgeman Images

ID: FLO4622823

Throne of the Emperor of Japan in Edo Castle (Tokyo). Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

The wonderful story of the good Florentine's Day (illustration)
The wonderful story of the good Florentine's Day (illustration)

JLJ4622841: The wonderful story of the good Florentine's Day (illustration), Waltz, Jean-Jacques (Hansi) (1873-1951) / Bridgeman Images

ID: JLJ4622841

The wonderful story of the good Florentine's Day (illustration)

Waltz, Jean-Jacques (Hansi) (1873-1951)

La Grande Mosquee de Paris, 2 bis place de l'Ermite, Paris 5th. Construction 1922-1926, architects Robert Fournez, Charles Heubes and Maurice Mantout. In a Moorish Hispano style, with predominance of Maghreb influences for interior decoration and emerald tiles reminiscent of the Alhambra (Spain).
La Grande Mosquee de Paris, 2 bis place de l'Ermite, Paris 5th. Construction 1922-1926, architects Robert Fournez, Charles Heubes and Maurice Mantout. In a Moorish Hispano style, with predominance of Maghreb influences for interior decoration and emerald tiles reminiscent of the Alhambra (Spain).

LBY4622905: La Grande Mosquee de Paris, 2 bis place de l'Ermite, Paris 5th. Construction 1922-1926, architects Robert Fournez, Charles Heubes and Maurice Mantout. In a Moorish Hispano style, with predominance of Maghreb influences for interior decoration and emerald tiles reminiscent of the Alhambra (Spain). / Bridgeman Images

ID: LBY4622905

La Grande Mosquee de Paris, 2 bis place de l'Ermite, Paris 5th. Construction 1922-1926, architects Robert Fournez, Charles Heubes and Maurice Mantout. In a Moorish Hispano style, with predominance of Maghreb influences for interior decoration and emerald tiles reminiscent of the Alhambra (Spain).

Book makers on Quai Montebello, Paris 5e.
Book makers on Quai Montebello, Paris 5e.

LBY4622929: Book makers on Quai Montebello, Paris 5e. / Bridgeman Images

ID: LBY4622929

Book makers on Quai Montebello, Paris 5e.

Ancient Druidic ceremony at Stonehenge, with the stones hung with curtains depicting serpents. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.
Ancient Druidic ceremony at Stonehenge, with the stones hung with curtains depicting serpents. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.

FLO4622963: Ancient Druidic ceremony at Stonehenge, with the stones hung with curtains depicting serpents. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847. / Bridgeman Images

ID: FLO4622963

Ancient Druidic ceremony at Stonehenge, with the stones hung with curtains depicting serpents. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.

Theophile Malo Corret de La Tour of Auvergne at siege of San Sebastian in 1794,
Theophile Malo Corret de La Tour of Auvergne at siege of San Sebastian in 1794,

JLJ4622980: Theophile Malo Corret de La Tour of Auvergne at siege of San Sebastian in 1794, "The Tour d'Auvergne", 1902 (etching), Job, pseudonym for Onfray de Breville, Jacques (1858-1931) / Bridgeman Images

ID: JLJ4622980

Theophile Malo Corret de La Tour of Auvergne at siege of San Sebastian in 1794, "The Tour d'Auvergne", 1902 (etching)

Job, pseudonym for Onfray de Breville, Jacques (1858-1931)

The cavalcade of the Magi, detail, 1459 (fresco)
The cavalcade of the Magi, detail, 1459 (fresco)

LRI4623002: The cavalcade of the Magi, detail, 1459 (fresco), Gozzoli, Benozzo di Lese di Sandro (1420-97) / Bridgeman Images

ID: LRI4623002

The cavalcade of the Magi, detail, 1459 (fresco)

Gozzoli, Benozzo di Lese di Sandro (1420-97)

Cortege of the Magi with Julien de Medicis and Joseph II, Patriarch of Constantinople (fresco, 15th century)
Cortege of the Magi with Julien de Medicis and Joseph II, Patriarch of Constantinople (fresco, 15th century)

LRI4623009: Cortege of the Magi with Julien de Medicis and Joseph II, Patriarch of Constantinople (fresco, 15th century), Gozzoli, Benozzo di Lese di Sandro (1420-97) / Bridgeman Images

ID: LRI4623009

Cortege of the Magi with Julien de Medicis and Joseph II, Patriarch of Constantinople (fresco, 15th century)

Gozzoli, Benozzo di Lese di Sandro (1420-97)

In February 1795, Theophile Malo Corret de La Tour d'Auvergne (1743-1800), 1902 (etching)
In February 1795, Theophile Malo Corret de La Tour d'Auvergne (1743-1800), 1902 (etching)

JLJ4623020: In February 1795, Theophile Malo Corret de La Tour d'Auvergne (1743-1800), 1902 (etching), Job, pseudonym for Onfray de Breville, Jacques (1858-1931) / Bridgeman Images

ID: JLJ4623020

In February 1795, Theophile Malo Corret de La Tour d'Auvergne (1743-1800), 1902 (etching)

Job, pseudonym for Onfray de Breville, Jacques (1858-1931)

La Grande Mosquee de Paris (1922-1926), 2 bis place du Puits de l'Hermite, Paris 5th.
La Grande Mosquee de Paris (1922-1926), 2 bis place du Puits de l'Hermite, Paris 5th.

OMG4623033: La Grande Mosquee de Paris (1922-1926), 2 bis place du Puits de l'Hermite, Paris 5th. / Bridgeman Images

ID: OMG4623033

La Grande Mosquee de Paris (1922-1926), 2 bis place du Puits de l'Hermite, Paris 5th.

Ancient Viking monuments from a German province close to Scandinavia, and some urns taken from Danish and Swedish tombs. Handcoloured copperplate engraving by Giarre and Stanghi from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.
Ancient Viking monuments from a German province close to Scandinavia, and some urns taken from Danish and Swedish tombs. Handcoloured copperplate engraving by Giarre and Stanghi from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.

FLO4623064: Ancient Viking monuments from a German province close to Scandinavia, and some urns taken from Danish and Swedish tombs. Handcoloured copperplate engraving by Giarre and Stanghi from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847. / Bridgeman Images

ID: FLO4623064

Ancient Viking monuments from a German province close to Scandinavia, and some urns taken from Danish and Swedish tombs. Handcoloured copperplate engraving by Giarre and Stanghi from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.

Ancient Briton with spear and shield, naked Caledonians with woad tattoos, and Queen Boudica with wooden chariot. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.
Ancient Briton with spear and shield, naked Caledonians with woad tattoos, and Queen Boudica with wooden chariot. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.

FLO4623100: Ancient Briton with spear and shield, naked Caledonians with woad tattoos, and Queen Boudica with wooden chariot. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847. / Bridgeman Images

ID: FLO4623100

Ancient Briton with spear and shield, naked Caledonians with woad tattoos, and Queen Boudica with wooden chariot. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.

One of the three greenhouses of the garden of plants in Paris 75005.
One of the three greenhouses of the garden of plants in Paris 75005.

ITR4623112: One of the three greenhouses of the garden of plants in Paris 75005. / Bridgeman Images

ID: ITR4623112

One of the three greenhouses of the garden of plants in Paris 75005.

Portrait of Antoine Augustin Parmentier (1737-1813), 1857 (oil on canvas)
Portrait of Antoine Augustin Parmentier (1737-1813), 1857 (oil on canvas)

JLJ4623146: Portrait of Antoine Augustin Parmentier (1737-1813), 1857 (oil on canvas), Dupuis-Colson, Hippolyte Isidore (1820-1862) / Bridgeman Images

ID: JLJ4623146

Portrait of Antoine Augustin Parmentier (1737-1813), 1857 (oil on canvas)

Dupuis-Colson, Hippolyte Isidore (1820-1862)

Village with church in Enontekio, northern Lapland. Handcoloured copperplate engraving by Giarre from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.
Village with church in Enontekio, northern Lapland. Handcoloured copperplate engraving by Giarre from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.

FLO4623206: Village with church in Enontekio, northern Lapland. Handcoloured copperplate engraving by Giarre from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847. / Bridgeman Images

ID: FLO4623206

Village with church in Enontekio, northern Lapland. Handcoloured copperplate engraving by Giarre from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.

King Edgar the Peaceful of England and portrait of King Alfred the Great of Wessex, 9th century. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.
King Edgar the Peaceful of England and portrait of King Alfred the Great of Wessex, 9th century. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.

FLO4623235: King Edgar the Peaceful of England and portrait of King Alfred the Great of Wessex, 9th century. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847. / Bridgeman Images

ID: FLO4623235

King Edgar the Peaceful of England and portrait of King Alfred the Great of Wessex, 9th century. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.

June: Agricultural work in illuminated manuscript from 1450 Book of Hours of Duchess of Burgundy, 1450 (miniature)
June: Agricultural work in illuminated manuscript from 1450 Book of Hours of Duchess of Burgundy, 1450 (miniature)

JLJ4623296: June: Agricultural work in illuminated manuscript from 1450 Book of Hours of Duchess of Burgundy, 1450 (miniature), Maitre d'Adelaide de Savoie (fl.c.1450-70) / Bridgeman Images

ID: JLJ4623296

June: Agricultural work in illuminated manuscript from 1450 Book of Hours of Duchess of Burgundy, 1450 (miniature)

Maitre d'Adelaide de Savoie (fl.c.1450-70)

Portrait of the Queen of Spain Isabelle de Bourbon (Isabel de Borbon) II (1830-1904) Painting by German Hernandez Amores (1823-1894), 1847. Oil on canvas. Madrid, Academia de San Fernando
Portrait of the Queen of Spain Isabelle de Bourbon (Isabel de Borbon) II (1830-1904) Painting by German Hernandez Amores (1823-1894), 1847. Oil on canvas. Madrid, Academia de San Fernando

LRI4623336: Portrait of the Queen of Spain Isabelle de Bourbon (Isabel de Borbon) II (1830-1904) Painting by German Hernandez Amores (1823-1894), 1847. Oil on canvas. Madrid, Academia de San Fernando, Hernandez Amores, German (1823-1894) / Bridgeman Images

ID: LRI4623336

Portrait of the Queen of Spain Isabelle de Bourbon (Isabel de Borbon) II (1830-1904) Painting by German Hernandez Amores (1823-1894), 1847. Oil on canvas. Madrid, Academia de San Fernando

Hernandez Amores, German (1823-1894)

The Monker Painter, 18th century (oil on canvas)
The Monker Painter, 18th century (oil on canvas)

JLJ4605367: The Monker Painter, 18th century (oil on canvas), Deshays, Jean-Baptiste (1729-65) / Bridgeman Images

ID: JLJ4605367

The Monker Painter, 18th century (oil on canvas)

Deshays, Jean-Baptiste (1729-65)

Portrait of Montezuma II (Moctezumaii, 1466-1520), Aztec Emperor of Mexico, in gold crown and gorgette, and of David Cusick (c.1780-c.1831), a Tuscarora Baptist preacher and author, in western clothes. Handcoloured steel engraving by Lizars after an illustration by Charles Hamilton Smith from his Natural History of the Human Species.
Portrait of Montezuma II (Moctezumaii, 1466-1520), Aztec Emperor of Mexico, in gold crown and gorgette, and of David Cusick (c.1780-c.1831), a Tuscarora Baptist preacher and author, in western clothes. Handcoloured steel engraving by Lizars after an illustration by Charles Hamilton Smith from his Natural History of the Human Species.

FLO4605373: Portrait of Montezuma II (Moctezumaii, 1466-1520), Aztec Emperor of Mexico, in gold crown and gorgette, and of David Cusick (c.1780-c.1831), a Tuscarora Baptist preacher and author, in western clothes. Handcoloured steel engraving by Lizars after an illustration by Charles Hamilton Smith from his Natural History of the Human Species. / Bridgeman Images

ID: FLO4605373

Portrait of Montezuma II (Moctezumaii, 1466-1520), Aztec Emperor of Mexico, in gold crown and gorgette, and of David Cusick (c.1780-c.1831), a Tuscarora Baptist preacher and author, in western clothes. Handcoloured steel engraving by Lizars after an illustration by Charles Hamilton Smith from his Natural History of the Human Species.

The Tuileries Garden in Paris.
The Tuileries Garden in Paris.

TEC4605419: The Tuileries Garden in Paris. / Bridgeman Images

ID: TEC4605419

The Tuileries Garden in Paris.

St James, son of Zebedee (oilon canvas, 1516)
St James, son of Zebedee (oilon canvas, 1516)

LRI4605433: St James, son of Zebedee (oilon canvas, 1516), Dürer or Duerer, Albrecht (1471-1528) / Bridgeman Images

ID: LRI4605433

St James, son of Zebedee (oilon canvas, 1516)

Dürer or Duerer, Albrecht (1471-1528)

Agony of Christ (Marble sculpture, 18th century)
Agony of Christ (Marble sculpture, 18th century)

LRI4605455: Agony of Christ (Marble sculpture, 18th century), Falconet, Etienne-Maurice (1716-91) / Bridgeman Images

ID: LRI4605455

Agony of Christ (Marble sculpture, 18th century)

Falconet, Etienne-Maurice (1716-91)

Sea Panicaut (Eryngium maritimum) - Drinking water by William Clarke to illustrate “” Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831
Sea Panicaut (Eryngium maritimum) - Drinking water by William Clarke to illustrate “” Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831

FLO4605628: Sea Panicaut (Eryngium maritimum) - Drinking water by William Clarke to illustrate “” Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831 / Bridgeman Images

ID: FLO4605628

Sea Panicaut (Eryngium maritimum) - Drinking water by William Clarke to illustrate “” Medical Botanical, Description of the Medicinal Plants of London, Edinburgh and Dublin” by John Stephenson and James Morss Churchill, published in London by John Churchill in 1831


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