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Detail of a building in the neighborhood of Chelsea in New York (New York), United States (United States). Photography 26/09/10
Detail of a building in the neighborhood of Chelsea in New York (New York), United States (United States). Photography 26/09/10

TEC4612326: Detail of a building in the neighborhood of Chelsea in New York (New York), United States (United States). Photography 26/09/10 / Bridgeman Images

ID: TEC4612326

Detail of a building in the neighborhood of Chelsea in New York (New York), United States (United States). Photography 26/09/10

Yellowhammer, Emberiza citrinella. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.
Yellowhammer, Emberiza citrinella. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.

FLO4612357: Yellowhammer, Emberiza citrinella. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless., Donovan, Edward (1768-1837) / Bridgeman Images

ID: FLO4612357

Yellowhammer, Emberiza citrinella. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.

Donovan, Edward (1768-1837)

Mallard ducks, Anas platyrhynchos, male and female pair. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.
Mallard ducks, Anas platyrhynchos, male and female pair. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.

FLO4612407: Mallard ducks, Anas platyrhynchos, male and female pair. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless., Donovan, Edward (1768-1837) / Bridgeman Images

ID: FLO4612407

Mallard ducks, Anas platyrhynchos, male and female pair. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.

Donovan, Edward (1768-1837)

Common quail, Coturnix coturnix. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds” (1794-1819). Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.
Common quail, Coturnix coturnix. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds” (1794-1819). Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.

FLO4612538: Common quail, Coturnix coturnix. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds” (1794-1819). Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless., Donovan, Edward (1768-1837) / Bridgeman Images

ID: FLO4612538

Common quail, Coturnix coturnix. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds” (1794-1819). Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.

Donovan, Edward (1768-1837)

Portrait of Francoise d'Aubigne, Marquise de Maintenon (1635-1719), 1694 (oil on canvas)
Portrait of Francoise d'Aubigne, Marquise de Maintenon (1635-1719), 1694 (oil on canvas)

JLJ4612601: Portrait of Francoise d'Aubigne, Marquise de Maintenon (1635-1719), 1694 (oil on canvas), Mignard, Pierre (1612-95) / Bridgeman Images

ID: JLJ4612601

Portrait of Francoise d'Aubigne, Marquise de Maintenon (1635-1719), 1694 (oil on canvas)

Mignard, Pierre (1612-95)

Blackcap, Sylvia atricapilla. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.
Blackcap, Sylvia atricapilla. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.

FLO4612616: Blackcap, Sylvia atricapilla. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless., Donovan, Edward (1768-1837) / Bridgeman Images

ID: FLO4612616

Blackcap, Sylvia atricapilla. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.

Donovan, Edward (1768-1837)

Dunlin, Calidris alpina. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.
Dunlin, Calidris alpina. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.

FLO4612651: Dunlin, Calidris alpina. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless., Donovan, Edward (1768-1837) / Bridgeman Images

ID: FLO4612651

Dunlin, Calidris alpina. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.

Donovan, Edward (1768-1837)

Common grey linnet, Carduelis cannabina. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.
Common grey linnet, Carduelis cannabina. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.

FLO4612708: Common grey linnet, Carduelis cannabina. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless., Donovan, Edward (1768-1837) / Bridgeman Images

ID: FLO4612708

Common grey linnet, Carduelis cannabina. Handcoloured copperplate drawn and engraved by Edward Donovan from his own “Natural History of British Birds,” London, 1794-1819. Edward Donovan (1768-1837) was an Anglo-Irish amateur zoologist, writer, artist and engraver. He wrote and illustrated a series of volumes on birds, fish, shells and insects, opened his own museum of natural history in London, but later he fell on hard times and died penniless.

Donovan, Edward (1768-1837)

The months, years and centuries according to the Mexican Aztec calendar. Handcoloured copperplate engraving by Luigi Giarre from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843
The months, years and centuries according to the Mexican Aztec calendar. Handcoloured copperplate engraving by Luigi Giarre from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843

FLO4622180: The months, years and centuries according to the Mexican Aztec calendar. Handcoloured copperplate engraving by Luigi Giarre from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843 / Bridgeman Images

ID: FLO4622180

The months, years and centuries according to the Mexican Aztec calendar. Handcoloured copperplate engraving by Luigi Giarre from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843

The circumcision (Painting, 1635-1640)
The circumcision (Painting, 1635-1640)

LRI4622194: The circumcision (Painting, 1635-1640), Reni, Guido (1575-1642) / Bridgeman Images

ID: LRI4622194

The circumcision (Painting, 1635-1640)

Reni, Guido (1575-1642)

View of Mexico City, circa 1820. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
View of Mexico City, circa 1820. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4622211: View of Mexico City, circa 1820. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

ID: FLO4622211

View of Mexico City, circa 1820. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

Portraits of Chinese emperors and famous men including ruler god Fo-hi 1, philosopher Confucius 2, the bookburner Qin Shi Huang 3, the writer Fo-chen 4, empress Wu Zetian 5 and emperor Taizong, founder of the Tang dynasty 6. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Portraits of Chinese emperors and famous men including ruler god Fo-hi 1, philosopher Confucius 2, the bookburner Qin Shi Huang 3, the writer Fo-chen 4, empress Wu Zetian 5 and emperor Taizong, founder of the Tang dynasty 6. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4622256: Portraits of Chinese emperors and famous men including ruler god Fo-hi 1, philosopher Confucius 2, the bookburner Qin Shi Huang 3, the writer Fo-chen 4, empress Wu Zetian 5 and emperor Taizong, founder of the Tang dynasty 6. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

ID: FLO4622256

Portraits of Chinese emperors and famous men including ruler god Fo-hi 1, philosopher Confucius 2, the bookburner Qin Shi Huang 3, the writer Fo-chen 4, empress Wu Zetian 5 and emperor Taizong, founder of the Tang dynasty 6. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

L'alsace Heureé (print)
L'alsace Heureé (print)

JLJ4622280: L'alsace Heureé (print), Waltz, Jean-Jacques (Hansi) (1873-1951) / Bridgeman Images

ID: JLJ4622280

L'alsace Heureé (print)

Waltz, Jean-Jacques (Hansi) (1873-1951)

Les arenes de Luteces in Paris 75005.
Les arenes de Luteces in Paris 75005.

TEC4622296: Les arenes de Luteces in Paris 75005. / Bridgeman Images

ID: TEC4622296

Les arenes de Luteces in Paris 75005.

L'alsace Heureé: The return of the bells in the village of Hunawihr (print)
L'alsace Heureé: The return of the bells in the village of Hunawihr (print)

JLJ4622326: L'alsace Heureé: The return of the bells in the village of Hunawihr (print), Waltz, Jean-Jacques (Hansi) (1873-1951) / Bridgeman Images

ID: JLJ4622326

L'alsace Heureé: The return of the bells in the village of Hunawihr (print)

Waltz, Jean-Jacques (Hansi) (1873-1951)

Chinese cavalry armed with lance, quiver, bow and arrow, with artillery firing cannons from a hill behind. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Chinese cavalry armed with lance, quiver, bow and arrow, with artillery firing cannons from a hill behind. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4622346: Chinese cavalry armed with lance, quiver, bow and arrow, with artillery firing cannons from a hill behind. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

ID: FLO4622346

Chinese cavalry armed with lance, quiver, bow and arrow, with artillery firing cannons from a hill behind. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

Quartier de la rue Mouffetard in Paris.
Quartier de la rue Mouffetard in Paris.

TEC4622358: Quartier de la rue Mouffetard in Paris. / Bridgeman Images

ID: TEC4622358

Quartier de la rue Mouffetard in Paris.

The Great Wall of China, 1820s.Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
The Great Wall of China, 1820s.Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4622374: The Great Wall of China, 1820s.Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

ID: FLO4622374

The Great Wall of China, 1820s.Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

Church of Notre Dame du Val de Grace in Paris. The church is the fruit of the wish of Queen Anne of Austria to raise a beautiful temple to God if he sent her a son. After twenty-three years of marriage, in 1638, the future Louis XIV was born, who laid the first stone on 1 April 1645 and the construction ended at the end of the 1660s with sculptural and pictorial decoration. The works were first entrusted to Mansart, to which Le Mercier was succeeded, having worked notably at the Hotel de St Aignan and the Bibliotheque of Mazarin, and then Le Muet, who attended Le Duc. In 1649, the disturbances of the Fronde led to a long interruption of work, which did not resume until 1655. Photography 10/08/98.
Church of Notre Dame du Val de Grace in Paris. The church is the fruit of the wish of Queen Anne of Austria to raise a beautiful temple to God if he sent her a son. After twenty-three years of marriage, in 1638, the future Louis XIV was born, who laid the first stone on 1 April 1645 and the construction ended at the end of the 1660s with sculptural and pictorial decoration. The works were first entrusted to Mansart, to which Le Mercier was succeeded, having worked notably at the Hotel de St Aignan and the Bibliotheque of Mazarin, and then Le Muet, who attended Le Duc. In 1649, the disturbances of the Fronde led to a long interruption of work, which did not resume until 1655. Photography 10/08/98.

TEC4622389: Church of Notre Dame du Val de Grace in Paris. The church is the fruit of the wish of Queen Anne of Austria to raise a beautiful temple to God if he sent her a son. After twenty-three years of marriage, in 1638, the future Louis XIV was born, who laid the first stone on 1 April 1645 and the construction ended at the end of the 1660s with sculptural and pictorial decoration. The works were first entrusted to Mansart, to which Le Mercier was succeeded, having worked notably at the Hotel de St Aignan and the Bibliotheque of Mazarin, and then Le Muet, who attended Le Duc. In 1649, the disturbances of the Fronde led to a long interruption of work, which did not resume until 1655. Photography 10/08/98. / Bridgeman Images

ID: TEC4622389

Church of Notre Dame du Val de Grace in Paris. The church is the fruit of the wish of Queen Anne of Austria to raise a beautiful temple to God if he sent her a son. After twenty-three years of marriage, in 1638, the future Louis XIV was born, who laid the first stone on 1 April 1645 and the construction ended at the end of the 1660s with sculptural and pictorial decoration. The works were first entrusted to Mansart, to which Le Mercier was succeeded, having worked notably at the Hotel de St Aignan and the Bibliotheque of Mazarin, and then Le Muet, who attended Le Duc. In 1649, the disturbances of the Fronde led to a long interruption of work, which did not resume until 1655. Photography 10/08/98.

Circumcision. Among the characters represented: Saint Joseph, the Virgin Mary, Jesus Christ and Saint Simeon, c.1491 (painting)
Circumcision. Among the characters represented: Saint Joseph, the Virgin Mary, Jesus Christ and Saint Simeon, c.1491 (painting)

LRI4622456: Circumcision. Among the characters represented: Saint Joseph, the Virgin Mary, Jesus Christ and Saint Simeon, c.1491 (painting), Signorelli, Luca (c.1450-1523) / Bridgeman Images

ID: LRI4622456

Circumcision. Among the characters represented: Saint Joseph, the Virgin Mary, Jesus Christ and Saint Simeon, c.1491 (painting)

Signorelli, Luca (c.1450-1523)

Napoleon Bonaparte (1769-1821) presents the olive tree of peace to all the powers of Europe, 19th century (engraving)
Napoleon Bonaparte (1769-1821) presents the olive tree of peace to all the powers of Europe, 19th century (engraving)

JLJ4622548: Napoleon Bonaparte (1769-1821) presents the olive tree of peace to all the powers of Europe, 19th century (engraving), Unknown Artist, (19th century) / Bridgeman Images

ID: JLJ4622548

Napoleon Bonaparte (1769-1821) presents the olive tree of peace to all the powers of Europe, 19th century (engraving)

Unknown Artist, (19th century)

The tricolor paradise: The Town Hall of Massevaux, 1918 (print)
The tricolor paradise: The Town Hall of Massevaux, 1918 (print)

JLJ4622676: The tricolor paradise: The Town Hall of Massevaux, 1918 (print), Waltz, Jean-Jacques (Hansi) (1873-1951) / Bridgeman Images

ID: JLJ4622676

The tricolor paradise: The Town Hall of Massevaux, 1918 (print)

Waltz, Jean-Jacques (Hansi) (1873-1951)

Study for Woman who puts on a stockings, 1894 (oil on board)
Study for Woman who puts on a stockings, 1894 (oil on board)

LRI4622686: Study for Woman who puts on a stockings, 1894 (oil on board), Toulouse-Lautrec, Henri de (1864-1901) / Bridgeman Images

ID: LRI4622686

Study for Woman who puts on a stockings, 1894 (oil on board)

Toulouse-Lautrec, Henri de (1864-1901)

Copalm of America or Liquidambar - Storax or liquid amber, Liquidambar styraciflua. Handcoloured stipple copperplate engraving by Lambert Junior from a drawing by Pierre Jean-Francois Turpin from Chaumeton, Poiret and Chamberet's “” La Flore Medicale,”” Paris, Panckoucke, 1830.
Copalm of America or Liquidambar - Storax or liquid amber, Liquidambar styraciflua. Handcoloured stipple copperplate engraving by Lambert Junior from a drawing by Pierre Jean-Francois Turpin from Chaumeton, Poiret and Chamberet's “” La Flore Medicale,”” Paris, Panckoucke, 1830.

FLO4604532: Copalm of America or Liquidambar - Storax or liquid amber, Liquidambar styraciflua. Handcoloured stipple copperplate engraving by Lambert Junior from a drawing by Pierre Jean-Francois Turpin from Chaumeton, Poiret and Chamberet's “” La Flore Medicale,”” Paris, Panckoucke, 1830., Turpin, Pierre Jean Francois (1775-1840) / Bridgeman Images

ID: FLO4604532

Copalm of America or Liquidambar - Storax or liquid amber, Liquidambar styraciflua. Handcoloured stipple copperplate engraving by Lambert Junior from a drawing by Pierre Jean-Francois Turpin from Chaumeton, Poiret and Chamberet's “” La Flore Medicale,”” Paris, Panckoucke, 1830.

Turpin, Pierre Jean Francois (1775-1840)

Conseil d'Etat in Paris, Palais Royal, Paris (photo)
Conseil d'Etat in Paris, Palais Royal, Paris (photo)

TEC4604653: Conseil d'Etat in Paris, Palais Royal, Paris (photo), Lemercier, Jacques (c.1585-1654) / Bridgeman Images

ID: TEC4604653

Conseil d'Etat in Paris, Palais Royal, Paris (photo)

Lemercier, Jacques (c.1585-1654)

Love of Peace, 1655-58 (painting)
Love of Peace, 1655-58 (painting)

JLJ4604893: Love of Peace, 1655-58 (painting), Romanelli, Giovanni Francesco (Il Viterbese) (1610-62) / Bridgeman Images

ID: JLJ4604893

Love of Peace, 1655-58 (painting)

Romanelli, Giovanni Francesco (Il Viterbese) (1610-62)

Pont Neuf, Paris. The oldest bridge in Paris. Henry III laid the first stone in 1578. Interrupted between 1588 and 1599 by civil wars, it was not inaugurated until 1607 by Henri IV. (Architect Jacques Androuet du Cerceau, realisation 1578-1604). In 1854 candelabres were installed by Victor Balard.
Pont Neuf, Paris. The oldest bridge in Paris. Henry III laid the first stone in 1578. Interrupted between 1588 and 1599 by civil wars, it was not inaugurated until 1607 by Henri IV. (Architect Jacques Androuet du Cerceau, realisation 1578-1604). In 1854 candelabres were installed by Victor Balard.

TEC4604906: Pont Neuf, Paris. The oldest bridge in Paris. Henry III laid the first stone in 1578. Interrupted between 1588 and 1599 by civil wars, it was not inaugurated until 1607 by Henri IV. (Architect Jacques Androuet du Cerceau, realisation 1578-1604). In 1854 candelabres were installed by Victor Balard. / Bridgeman Images

ID: TEC4604906

Pont Neuf, Paris. The oldest bridge in Paris. Henry III laid the first stone in 1578. Interrupted between 1588 and 1599 by civil wars, it was not inaugurated until 1607 by Henri IV. (Architect Jacques Androuet du Cerceau, realisation 1578-1604). In 1854 candelabres were installed by Victor Balard.

Fruit of the baobab, with sections of the fruit and the seed - Engraving by Lambert fils, after a drawing by Pierre Jean Francois Turpin (1775-1840), extracted from La flore medicale, de Chaumeton, Poiret et Chamberet, Paris 1830 - African baobab tree, Adansonia digitata, showing fruit - Engraving by Lambert Junior from a drawing by P - J - F Turpin from Chaumeton, Poiret et Chamberet's “” La Flore Medicale,” Paris, Panckoucke, 1830 -
Fruit of the baobab, with sections of the fruit and the seed - Engraving by Lambert fils, after a drawing by Pierre Jean Francois Turpin (1775-1840), extracted from La flore medicale, de Chaumeton, Poiret et Chamberet, Paris 1830 - African baobab tree, Adansonia digitata, showing fruit - Engraving by Lambert Junior from a drawing by P - J - F Turpin from Chaumeton, Poiret et Chamberet's “” La Flore Medicale,” Paris, Panckoucke, 1830 -

FLO4604934: Fruit of the baobab, with sections of the fruit and the seed - Engraving by Lambert fils, after a drawing by Pierre Jean Francois Turpin (1775-1840), extracted from La flore medicale, de Chaumeton, Poiret et Chamberet, Paris 1830 - African baobab tree, Adansonia digitata, showing fruit - Engraving by Lambert Junior from a drawing by P - J - F Turpin from Chaumeton, Poiret et Chamberet's “” La Flore Medicale,” Paris, Panckoucke, 1830 - / Bridgeman Images

ID: FLO4604934

Fruit of the baobab, with sections of the fruit and the seed - Engraving by Lambert fils, after a drawing by Pierre Jean Francois Turpin (1775-1840), extracted from La flore medicale, de Chaumeton, Poiret et Chamberet, Paris 1830 - African baobab tree, Adansonia digitata, showing fruit - Engraving by Lambert Junior from a drawing by P - J - F Turpin from Chaumeton, Poiret et Chamberet's “” La Flore Medicale,” Paris, Panckoucke, 1830 -

Love, 1655-58 (painting)
Love, 1655-58 (painting)

JLJ4604952: Love, 1655-58 (painting), Romanelli, Giovanni Francesco (Il Viterbese) (1610-62) / Bridgeman Images

ID: JLJ4604952

Love, 1655-58 (painting)

Romanelli, Giovanni Francesco (Il Viterbese) (1610-62)

King Louis XV's office key, double
King Louis XV's office key, double

JLJ4604977: King Louis XV's office key, double "L" inscribed in a circle, 18th century (silver), Oeben, Jean Francois (c.1720-63) / Bridgeman Images

ID: JLJ4604977

King Louis XV's office key, double "L" inscribed in a circle, 18th century (silver)

Oeben, Jean Francois (c.1720-63)

Pendulum style Louis XV. 1755. Movement manufactured by Jean Martinot (1698/9 -?), 18th century (object)
Pendulum style Louis XV. 1755. Movement manufactured by Jean Martinot (1698/9 -?), 18th century (object)

JLJ4604990: Pendulum style Louis XV. 1755. Movement manufactured by Jean Martinot (1698/9 -?), 18th century (object), French School, (18th century) / Bridgeman Images

ID: JLJ4604990

Pendulum style Louis XV. 1755. Movement manufactured by Jean Martinot (1698/9 -?), 18th century (object)

French School, (18th century)

Bryone blanche - Engraving by Lambert fils, after a drawing by Pierre Jean Francois Turpin (1775-1840), from La flore medicale, by Chaumeton, Poiret et Chamberet, Paris 1830 - White bryony, Bryonia alba, with leaf, tendril, flower, berry and root - Engraving by Lambert Junior from a drawing by P - J - F - Turpin from Meton, Poiret and Chamberet's “” The Flora Medicale,” Paris, Panckoucke, 1830 -
Bryone blanche - Engraving by Lambert fils, after a drawing by Pierre Jean Francois Turpin (1775-1840), from La flore medicale, by Chaumeton, Poiret et Chamberet, Paris 1830 - White bryony, Bryonia alba, with leaf, tendril, flower, berry and root - Engraving by Lambert Junior from a drawing by P - J - F - Turpin from Meton, Poiret and Chamberet's “” The Flora Medicale,” Paris, Panckoucke, 1830 -

FLO4605111: Bryone blanche - Engraving by Lambert fils, after a drawing by Pierre Jean Francois Turpin (1775-1840), from La flore medicale, by Chaumeton, Poiret et Chamberet, Paris 1830 - White bryony, Bryonia alba, with leaf, tendril, flower, berry and root - Engraving by Lambert Junior from a drawing by P - J - F - Turpin from Meton, Poiret and Chamberet's “” The Flora Medicale,” Paris, Panckoucke, 1830 - / Bridgeman Images

ID: FLO4605111

Bryone blanche - Engraving by Lambert fils, after a drawing by Pierre Jean Francois Turpin (1775-1840), from La flore medicale, by Chaumeton, Poiret et Chamberet, Paris 1830 - White bryony, Bryonia alba, with leaf, tendril, flower, berry and root - Engraving by Lambert Junior from a drawing by P - J - F - Turpin from Meton, Poiret and Chamberet's “” The Flora Medicale,” Paris, Panckoucke, 1830 -

Aigremoine - Engraving by Lambert after a drawing by Pierre Jean Francois Turpin (1775-1840), from La flore medicale, by Chaumeton, Poiret et Chamberet, Paris 1830 - Common agrimony, Agrimonia eupatoria - Engraving by Lambert from a drawing by PJ - F - Turpin from Chaumeton, Poiret and Chamberet's La Flora Medicale,” Paris, Panckoucke, 1830 -
Aigremoine - Engraving by Lambert after a drawing by Pierre Jean Francois Turpin (1775-1840), from La flore medicale, by Chaumeton, Poiret et Chamberet, Paris 1830 - Common agrimony, Agrimonia eupatoria - Engraving by Lambert from a drawing by PJ - F - Turpin from Chaumeton, Poiret and Chamberet's La Flora Medicale,” Paris, Panckoucke, 1830 -

FLO4605190: Aigremoine - Engraving by Lambert after a drawing by Pierre Jean Francois Turpin (1775-1840), from La flore medicale, by Chaumeton, Poiret et Chamberet, Paris 1830 - Common agrimony, Agrimonia eupatoria - Engraving by Lambert from a drawing by PJ - F - Turpin from Chaumeton, Poiret and Chamberet's La Flora Medicale,” Paris, Panckoucke, 1830 - / Bridgeman Images

ID: FLO4605190

Aigremoine - Engraving by Lambert after a drawing by Pierre Jean Francois Turpin (1775-1840), from La flore medicale, by Chaumeton, Poiret et Chamberet, Paris 1830 - Common agrimony, Agrimonia eupatoria - Engraving by Lambert from a drawing by PJ - F - Turpin from Chaumeton, Poiret and Chamberet's La Flora Medicale,” Paris, Panckoucke, 1830 -

The hydropic woman (oil on wood, 1663)
The hydropic woman (oil on wood, 1663)

LRI4605253: The hydropic woman (oil on wood, 1663), Dou, Gerrit or Gerard (1613-75) / Bridgeman Images

ID: LRI4605253

The hydropic woman (oil on wood, 1663)

Dou, Gerrit or Gerard (1613-75)

Elau, a Papua-Malay girl from the cannibal island of Tikiene, and a man of Malakula, Vanuatu (Malicolo). Polynesians with elevated foreheads. Handcoloured steel engraving by Lizars after an illustration by Charles Hamilton Smith from his Natural History of the Human Species.
Elau, a Papua-Malay girl from the cannibal island of Tikiene, and a man of Malakula, Vanuatu (Malicolo). Polynesians with elevated foreheads. Handcoloured steel engraving by Lizars after an illustration by Charles Hamilton Smith from his Natural History of the Human Species.

FLO4605289: Elau, a Papua-Malay girl from the cannibal island of Tikiene, and a man of Malakula, Vanuatu (Malicolo). Polynesians with elevated foreheads. Handcoloured steel engraving by Lizars after an illustration by Charles Hamilton Smith from his Natural History of the Human Species. / Bridgeman Images

ID: FLO4605289

Elau, a Papua-Malay girl from the cannibal island of Tikiene, and a man of Malakula, Vanuatu (Malicolo). Polynesians with elevated foreheads. Handcoloured steel engraving by Lizars after an illustration by Charles Hamilton Smith from his Natural History of the Human Species.

Bout Alikhooki, Tierra del Fuego man drawn from life in European clothes at Plymouth, and Patagonian of Cape Gregory in llama fur coat. Natives of South America. Handcoloured steel engraving by Lizars after an illustration by Charles Hamilton Smith from his Natural History of the Human Species, Edinburgh, W. H. Lizars, 1848
Bout Alikhooki, Tierra del Fuego man drawn from life in European clothes at Plymouth, and Patagonian of Cape Gregory in llama fur coat. Natives of South America. Handcoloured steel engraving by Lizars after an illustration by Charles Hamilton Smith from his Natural History of the Human Species, Edinburgh, W. H. Lizars, 1848

FLO4605323: Bout Alikhooki, Tierra del Fuego man drawn from life in European clothes at Plymouth, and Patagonian of Cape Gregory in llama fur coat. Natives of South America. Handcoloured steel engraving by Lizars after an illustration by Charles Hamilton Smith from his Natural History of the Human Species, Edinburgh, W. H. Lizars, 1848 / Bridgeman Images

ID: FLO4605323

Bout Alikhooki, Tierra del Fuego man drawn from life in European clothes at Plymouth, and Patagonian of Cape Gregory in llama fur coat. Natives of South America. Handcoloured steel engraving by Lizars after an illustration by Charles Hamilton Smith from his Natural History of the Human Species, Edinburgh, W. H. Lizars, 1848


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