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Eleanor of Castile, queen consort of King Edward I of England. Steel engraving by W.H. Egleton after a portrait by J.W. Wright from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868.
Eleanor of Castile, queen consort of King Edward I of England. Steel engraving by W.H. Egleton after a portrait by J.W. Wright from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868.

FLO4688743: Eleanor of Castile, queen consort of King Edward I of England. Steel engraving by W.H. Egleton after a portrait by J.W. Wright from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868. / Bridgeman Images

ID: FLO4688743

Eleanor of Castile, queen consort of King Edward I of England. Steel engraving by W.H. Egleton after a portrait by J.W. Wright from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868.

Cabbage rose, Rosa centifolia, from Robert Tyas' “Queen of Flowers, or Memoirs of the Rose,” London, 1840. Unsigned handcoloured lithograph, but probably by James Andrews. Little is known about the artist James Andrews (1801 ~ 1876) apart from his work. This gifted artist taught flower-painting to young ladies and published a treatise “” Lessons in Flower Painting”” in 1835. Blunt calls him “” an illustrator of sentimental flower books,””” but admits that he was “” very talented.”” His signature JA can be found in many botanical gift books for publisher Robert Tyas from “” The Sentiment of Flowers”” (1836) to “” Flowers from Foreign Lands”” (1853).
Cabbage rose, Rosa centifolia, from Robert Tyas' “Queen of Flowers, or Memoirs of the Rose,” London, 1840. Unsigned handcoloured lithograph, but probably by James Andrews. Little is known about the artist James Andrews (1801 ~ 1876) apart from his work. This gifted artist taught flower-painting to young ladies and published a treatise “” Lessons in Flower Painting”” in 1835. Blunt calls him “” an illustrator of sentimental flower books,””” but admits that he was “” very talented.”” His signature JA can be found in many botanical gift books for publisher Robert Tyas from “” The Sentiment of Flowers”” (1836) to “” Flowers from Foreign Lands”” (1853).

FLO4688891: Cabbage rose, Rosa centifolia, from Robert Tyas' “Queen of Flowers, or Memoirs of the Rose,” London, 1840. Unsigned handcoloured lithograph, but probably by James Andrews. Little is known about the artist James Andrews (1801 ~ 1876) apart from his work. This gifted artist taught flower-painting to young ladies and published a treatise “” Lessons in Flower Painting”” in 1835. Blunt calls him “” an illustrator of sentimental flower books,””” but admits that he was “” very talented.”” His signature JA can be found in many botanical gift books for publisher Robert Tyas from “” The Sentiment of Flowers”” (1836) to “” Flowers from Foreign Lands”” (1853). / Bridgeman Images

ID: FLO4688891

Cabbage rose, Rosa centifolia, from Robert Tyas' “Queen of Flowers, or Memoirs of the Rose,” London, 1840. Unsigned handcoloured lithograph, but probably by James Andrews. Little is known about the artist James Andrews (1801 ~ 1876) apart from his work. This gifted artist taught flower-painting to young ladies and published a treatise “” Lessons in Flower Painting”” in 1835. Blunt calls him “” an illustrator of sentimental flower books,””” but admits that he was “” very talented.”” His signature JA can be found in many botanical gift books for publisher Robert Tyas from “” The Sentiment of Flowers”” (1836) to “” Flowers from Foreign Lands”” (1853).

The Portland Vase or Barberini Vase. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.
The Portland Vase or Barberini Vase. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

FLO4688915: The Portland Vase or Barberini Vase. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. / Bridgeman Images

ID: FLO4688915

The Portland Vase or Barberini Vase. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

Plaque of Endymion on the rock Latmos. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.
Plaque of Endymion on the rock Latmos. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

FLO4688994: Plaque of Endymion on the rock Latmos. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. / Bridgeman Images

ID: FLO4688994

Plaque of Endymion on the rock Latmos. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

Bronze biconical vase with double handles and lid, 680-670 BC
Bronze biconical vase with double handles and lid, 680-670 BC

LRI4689013: Bronze biconical vase with double handles and lid, 680-670 BC, Etruscan, (7th century BC) / Bridgeman Images

ID: LRI4689013

Bronze biconical vase with double handles and lid, 680-670 BC

Etruscan, (7th century BC)

Etruscan civilization: gold earring with small ring - 4th-3rd century BC (Etruscan art: golden earring, 4th-3rd century BC) Florence Museo Archeologico, inv 15765
Etruscan civilization: gold earring with small ring - 4th-3rd century BC (Etruscan art: golden earring, 4th-3rd century BC) Florence Museo Archeologico, inv 15765

LRI4689017: Etruscan civilization: gold earring with small ring - 4th-3rd century BC (Etruscan art: golden earring, 4th-3rd century BC) Florence Museo Archeologico, inv 15765, Etruscan, (4th century BC) / Bridgeman Images

ID: LRI4689017

Etruscan civilization: gold earring with small ring - 4th-3rd century BC (Etruscan art: golden earring, 4th-3rd century BC) Florence Museo Archeologico, inv 15765

Etruscan, (4th century BC)

Etruscan civilization: bronze spoon from the tomb of Boncia, Chiusi, Italy 480-470 BC (Etruscan art: bronze spoon, 480-470 BC) Dim 14,4 x 4,3 cm Florence museo archeologico inv 97802
Etruscan civilization: bronze spoon from the tomb of Boncia, Chiusi, Italy 480-470 BC (Etruscan art: bronze spoon, 480-470 BC) Dim 14,4 x 4,3 cm Florence museo archeologico inv 97802

LRI4689037: Etruscan civilization: bronze spoon from the tomb of Boncia, Chiusi, Italy 480-470 BC (Etruscan art: bronze spoon, 480-470 BC) Dim 14,4 x 4,3 cm Florence museo archeologico inv 97802, Etruscan, (5th century BC) / Bridgeman Images

ID: LRI4689037

Etruscan civilization: bronze spoon from the tomb of Boncia, Chiusi, Italy 480-470 BC (Etruscan art: bronze spoon, 480-470 BC) Dim 14,4 x 4,3 cm Florence museo archeologico inv 97802

Etruscan, (5th century BC)

Basalt vase for a lamp. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.
Basalt vase for a lamp. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

FLO4689079: Basalt vase for a lamp. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. / Bridgeman Images

ID: FLO4689079

Basalt vase for a lamp. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

Terracotta crater, 5th century BC
Terracotta crater, 5th century BC

LRI4689087: Terracotta crater, 5th century BC, Etruscan, (5th century BC) / Bridgeman Images

ID: LRI4689087

Terracotta crater, 5th century BC

Etruscan, (5th century BC)

Funerary bed made with three tuff blocks, 6th century BC
Funerary bed made with three tuff blocks, 6th century BC

LRI4689123: Funerary bed made with three tuff blocks, 6th century BC, Etruscan, (6th century BC) / Bridgeman Images

ID: LRI4689123

Funerary bed made with three tuff blocks, 6th century BC

Etruscan, (6th century BC)

Portrait medallions of King Louis XVI of France (blue), Marie Antoinette (blue), Duke of Bridgewater (black), Edmund Burke (pink) and William Pitt (blue). Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.
Portrait medallions of King Louis XVI of France (blue), Marie Antoinette (blue), Duke of Bridgewater (black), Edmund Burke (pink) and William Pitt (blue). Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

FLO4689189: Portrait medallions of King Louis XVI of France (blue), Marie Antoinette (blue), Duke of Bridgewater (black), Edmund Burke (pink) and William Pitt (blue). Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. / Bridgeman Images

ID: FLO4689189

Portrait medallions of King Louis XVI of France (blue), Marie Antoinette (blue), Duke of Bridgewater (black), Edmund Burke (pink) and William Pitt (blue). Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

Etruscan civilization: terracotta amphora from a tomb of Poggio Sala, Italy 4th century BC Dim 48 cm (clay amphora) 4th century BC Florence, Museo Archeologico, inv 4461
Etruscan civilization: terracotta amphora from a tomb of Poggio Sala, Italy 4th century BC Dim 48 cm (clay amphora) 4th century BC Florence, Museo Archeologico, inv 4461

LRI4689252: Etruscan civilization: terracotta amphora from a tomb of Poggio Sala, Italy 4th century BC Dim 48 cm (clay amphora) 4th century BC Florence, Museo Archeologico, inv 4461, Etruscan, (4th century BC) / Bridgeman Images

ID: LRI4689252

Etruscan civilization: terracotta amphora from a tomb of Poggio Sala, Italy 4th century BC Dim 48 cm (clay amphora) 4th century BC Florence, Museo Archeologico, inv 4461

Etruscan, (4th century BC)

Column krater, 570-560 BC
Column krater, 570-560 BC

LRI4689295: Column krater, 570-560 BC, Etruscan, (6th century BC) / Bridgeman Images

ID: LRI4689295

Column krater, 570-560 BC

Etruscan, (6th century BC)

Coffee pot showing the infant academy, Chocolate pot with acanthus foliage, and Coffee pot with women and children. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.
Coffee pot showing the infant academy, Chocolate pot with acanthus foliage, and Coffee pot with women and children. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

FLO4689315: Coffee pot showing the infant academy, Chocolate pot with acanthus foliage, and Coffee pot with women and children. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. / Bridgeman Images

ID: FLO4689315

Coffee pot showing the infant academy, Chocolate pot with acanthus foliage, and Coffee pot with women and children. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

Etruscan civilization: “” Bronze sieve of Beazley VI style”” From the necropolis of San Cerbone, tomb 13, Populonia, Italy - 5th century BC (Etruscan art: bronze strainer, 5th century BC) Florence Museo Archeologico, inv 11816
Etruscan civilization: “” Bronze sieve of Beazley VI style”” From the necropolis of San Cerbone, tomb 13, Populonia, Italy - 5th century BC (Etruscan art: bronze strainer, 5th century BC) Florence Museo Archeologico, inv 11816

LRI4689335: Etruscan civilization: “” Bronze sieve of Beazley VI style”” From the necropolis of San Cerbone, tomb 13, Populonia, Italy - 5th century BC (Etruscan art: bronze strainer, 5th century BC) Florence Museo Archeologico, inv 11816, Etruscan, (5th century BC) / Bridgeman Images

ID: LRI4689335

Etruscan civilization: “” Bronze sieve of Beazley VI style”” From the necropolis of San Cerbone, tomb 13, Populonia, Italy - 5th century BC (Etruscan art: bronze strainer, 5th century BC) Florence Museo Archeologico, inv 11816

Etruscan, (5th century BC)

Etruscan civilization: oinochoe de bucchero noir - From Chiusi, necropole de Fonte Rotella Dim 41,5 cm 6th century BC (Etruscan art: bucchero oenochoe) 6th century BC Florence, Museo Archeologico, inv 3190 - Etruscan art: black bucchero otelinochoe from Chiusi necropolis of Rote La. 41.5 cm. 6th century BC. Museum of Archaeology, inv 3190, Florence, Italy
Etruscan civilization: oinochoe de bucchero noir - From Chiusi, necropole de Fonte Rotella Dim 41,5 cm 6th century BC (Etruscan art: bucchero oenochoe) 6th century BC Florence, Museo Archeologico, inv 3190 - Etruscan art: black bucchero otelinochoe from Chiusi necropolis of Rote La. 41.5 cm. 6th century BC. Museum of Archaeology, inv 3190, Florence, Italy

LRI4689342: Etruscan civilization: oinochoe de bucchero noir - From Chiusi, necropole de Fonte Rotella Dim 41,5 cm 6th century BC (Etruscan art: bucchero oenochoe) 6th century BC Florence, Museo Archeologico, inv 3190 - Etruscan art: black bucchero otelinochoe from Chiusi necropolis of Rote La. 41.5 cm. 6th century BC. Museum of Archaeology, inv 3190, Florence, Italy, Etruscan, (6th century BC) / Bridgeman Images

ID: LRI4689342

Etruscan civilization: oinochoe de bucchero noir - From Chiusi, necropole de Fonte Rotella Dim 41,5 cm 6th century BC (Etruscan art: bucchero oenochoe) 6th century BC Florence, Museo Archeologico, inv 3190 - Etruscan art: black bucchero otelinochoe from Chiusi necropolis of Rote La. 41.5 cm. 6th century BC. Museum of Archaeology, inv 3190, Florence, Italy

Etruscan, (6th century BC)

Victorian women, in a botanical greenhouse with exotic plants - Engraving by Gabry, from The Book of Perfumes by Eugene Rimmel (1820-1887), England, 1865 - Victorian women in a botanical hothouse - Woodcut engraving by Lambert from Eugene Rimmel's The Book of Perfumes, London, Chapman and Hall, 1865
Victorian women, in a botanical greenhouse with exotic plants - Engraving by Gabry, from The Book of Perfumes by Eugene Rimmel (1820-1887), England, 1865 - Victorian women in a botanical hothouse - Woodcut engraving by Lambert from Eugene Rimmel's The Book of Perfumes, London, Chapman and Hall, 1865

FLO4689446: Victorian women, in a botanical greenhouse with exotic plants - Engraving by Gabry, from The Book of Perfumes by Eugene Rimmel (1820-1887), England, 1865 - Victorian women in a botanical hothouse - Woodcut engraving by Lambert from Eugene Rimmel's The Book of Perfumes, London, Chapman and Hall, 1865 / Bridgeman Images

ID: FLO4689446

Victorian women, in a botanical greenhouse with exotic plants - Engraving by Gabry, from The Book of Perfumes by Eugene Rimmel (1820-1887), England, 1865 - Victorian women in a botanical hothouse - Woodcut engraving by Lambert from Eugene Rimmel's The Book of Perfumes, London, Chapman and Hall, 1865

Etruscan civilization: silver dragon fibule from the necropolis of Banditella, Marsigliana d'Albegna, Italy, 675-650 BC (Etruscan art: silver fibula, 675-650 BC) Dim 15.5 cm Florence museo archeologico inv 20982
Etruscan civilization: silver dragon fibule from the necropolis of Banditella, Marsigliana d'Albegna, Italy, 675-650 BC (Etruscan art: silver fibula, 675-650 BC) Dim 15.5 cm Florence museo archeologico inv 20982

LRI4688995: Etruscan civilization: silver dragon fibule from the necropolis of Banditella, Marsigliana d'Albegna, Italy, 675-650 BC (Etruscan art: silver fibula, 675-650 BC) Dim 15.5 cm Florence museo archeologico inv 20982, Etruscan, (7th century BC) / Bridgeman Images

ID: LRI4688995

Etruscan civilization: silver dragon fibule from the necropolis of Banditella, Marsigliana d'Albegna, Italy, 675-650 BC (Etruscan art: silver fibula, 675-650 BC) Dim 15.5 cm Florence museo archeologico inv 20982

Etruscan, (7th century BC)

Rosier musque, with double flowers - Eau forte de Charlin, d'une illustration de Pierre Joseph Redoute (1759-1840), extract from Les Roses, 1817 - Semi-double musk rose, Rosa moschata var. plena (Rosa moschata flore semi-pleno) - Handcoloured stipple copperplate engraving by Charlin after an illustration by Pierre-Joseph Redoute from “” Les Roses,” Firmin Dot , Paris, 1817
Rosier musque, with double flowers - Eau forte de Charlin, d'une illustration de Pierre Joseph Redoute (1759-1840), extract from Les Roses, 1817 - Semi-double musk rose, Rosa moschata var. plena (Rosa moschata flore semi-pleno) - Handcoloured stipple copperplate engraving by Charlin after an illustration by Pierre-Joseph Redoute from “” Les Roses,” Firmin Dot , Paris, 1817

FLO4689326: Rosier musque, with double flowers - Eau forte de Charlin, d'une illustration de Pierre Joseph Redoute (1759-1840), extract from Les Roses, 1817 - Semi-double musk rose, Rosa moschata var. plena (Rosa moschata flore semi-pleno) - Handcoloured stipple copperplate engraving by Charlin after an illustration by Pierre-Joseph Redoute from “” Les Roses,” Firmin Dot , Paris, 1817, Redouté, Pierre Joseph (1759-1840) / Bridgeman Images

ID: FLO4689326

Rosier musque, with double flowers - Eau forte de Charlin, d'une illustration de Pierre Joseph Redoute (1759-1840), extract from Les Roses, 1817 - Semi-double musk rose, Rosa moschata var. plena (Rosa moschata flore semi-pleno) - Handcoloured stipple copperplate engraving by Charlin after an illustration by Pierre-Joseph Redoute from “” Les Roses,” Firmin Dot , Paris, 1817

Redouté, Pierre Joseph (1759-1840)

Golden brooch, 480 BC
Golden brooch, 480 BC

LRI4689053: Golden brooch, 480 BC, Etruscan, (5th century BC) / Bridgeman Images

ID: LRI4689053

Golden brooch, 480 BC

Etruscan, (5th century BC)

Etruscan civilization: terracotta fusaioli from Tomb 1 of San Cerbone, Populonia - 7th century BC (Etruscan art: spindle whorls, 7th century BC) Florence, Museo Archeologico, inv 163016-163028, 163044-163046
Etruscan civilization: terracotta fusaioli from Tomb 1 of San Cerbone, Populonia - 7th century BC (Etruscan art: spindle whorls, 7th century BC) Florence, Museo Archeologico, inv 163016-163028, 163044-163046

LRI4689063: Etruscan civilization: terracotta fusaioli from Tomb 1 of San Cerbone, Populonia - 7th century BC (Etruscan art: spindle whorls, 7th century BC) Florence, Museo Archeologico, inv 163016-163028, 163044-163046, Etruscan, (7th century BC) / Bridgeman Images

ID: LRI4689063

Etruscan civilization: terracotta fusaioli from Tomb 1 of San Cerbone, Populonia - 7th century BC (Etruscan art: spindle whorls, 7th century BC) Florence, Museo Archeologico, inv 163016-163028, 163044-163046

Etruscan, (7th century BC)

Etruscan civilization: bronze axe - From Chianciano Terme, Italy - 2nd century BC Dim 88 cm (Etruscan art: bronze axe, 2th century BC) Florence, Museo Archeologico, inv 174307
Etruscan civilization: bronze axe - From Chianciano Terme, Italy - 2nd century BC Dim 88 cm (Etruscan art: bronze axe, 2th century BC) Florence, Museo Archeologico, inv 174307

LRI4689391: Etruscan civilization: bronze axe - From Chianciano Terme, Italy - 2nd century BC Dim 88 cm (Etruscan art: bronze axe, 2th century BC) Florence, Museo Archeologico, inv 174307, Etruscan / Bridgeman Images

ID: LRI4689391

Etruscan civilization: bronze axe - From Chianciano Terme, Italy - 2nd century BC Dim 88 cm (Etruscan art: bronze axe, 2th century BC) Florence, Museo Archeologico, inv 174307

Etruscan

Medallions mounted in gold and steel. Subjects include nymphs sacrificing to Peace, Apollo with lyre, Cupid on a swan, Cancer Zodiac sign, Bourbonnais shepherd, etc. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.
Medallions mounted in gold and steel. Subjects include nymphs sacrificing to Peace, Apollo with lyre, Cupid on a swan, Cancer Zodiac sign, Bourbonnais shepherd, etc. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

FLO4689241: Medallions mounted in gold and steel. Subjects include nymphs sacrificing to Peace, Apollo with lyre, Cupid on a swan, Cancer Zodiac sign, Bourbonnais shepherd, etc. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. / Bridgeman Images

ID: FLO4689241

Medallions mounted in gold and steel. Subjects include nymphs sacrificing to Peace, Apollo with lyre, Cupid on a swan, Cancer Zodiac sign, Bourbonnais shepherd, etc. Chromolithograph by W. Griggs from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898.

The toilet of the goddess Venus, assisted by angels holding perfumes, beauty products, a mirror and a torch - Engraving by Gabry, from The Book of Perfumes by Eugene Rimmel (1820-1887), England, 1865 - The goddess Venus at her toilet assisted by cupids holding perfumes, cosmetics, mirror and torch - Woodcut engraving by W. from Thomas Eugene Rimmel's The Book of Perfumes, London: Chapman and Hall, 1865
The toilet of the goddess Venus, assisted by angels holding perfumes, beauty products, a mirror and a torch - Engraving by Gabry, from The Book of Perfumes by Eugene Rimmel (1820-1887), England, 1865 - The goddess Venus at her toilet assisted by cupids holding perfumes, cosmetics, mirror and torch - Woodcut engraving by W. from Thomas Eugene Rimmel's The Book of Perfumes, London: Chapman and Hall, 1865

FLO4689473: The toilet of the goddess Venus, assisted by angels holding perfumes, beauty products, a mirror and a torch - Engraving by Gabry, from The Book of Perfumes by Eugene Rimmel (1820-1887), England, 1865 - The goddess Venus at her toilet assisted by cupids holding perfumes, cosmetics, mirror and torch - Woodcut engraving by W. from Thomas Eugene Rimmel's The Book of Perfumes, London: Chapman and Hall, 1865 / Bridgeman Images

ID: FLO4689473

The toilet of the goddess Venus, assisted by angels holding perfumes, beauty products, a mirror and a torch - Engraving by Gabry, from The Book of Perfumes by Eugene Rimmel (1820-1887), England, 1865 - The goddess Venus at her toilet assisted by cupids holding perfumes, cosmetics, mirror and torch - Woodcut engraving by W. from Thomas Eugene Rimmel's The Book of Perfumes, London: Chapman and Hall, 1865

Broker, reign of Charles IX, 1579. Handcoloured steel engraving by Polidor Pauquet after Gaignieres from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.
Broker, reign of Charles IX, 1579. Handcoloured steel engraving by Polidor Pauquet after Gaignieres from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

FLO4685943: Broker, reign of Charles IX, 1579. Handcoloured steel engraving by Polidor Pauquet after Gaignieres from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history. / Bridgeman Images

ID: FLO4685943

Broker, reign of Charles IX, 1579. Handcoloured steel engraving by Polidor Pauquet after Gaignieres from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

Courtesan, reign of Charles VIII, 1491. Handcoloured steel engraving by Hippolyte Pauquet after a contemporary work from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.
Courtesan, reign of Charles VIII, 1491. Handcoloured steel engraving by Hippolyte Pauquet after a contemporary work from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

FLO4685843: Courtesan, reign of Charles VIII, 1491. Handcoloured steel engraving by Hippolyte Pauquet after a contemporary work from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history. / Bridgeman Images

ID: FLO4685843

Courtesan, reign of Charles VIII, 1491. Handcoloured steel engraving by Hippolyte Pauquet after a contemporary work from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

Women's costume in the reign of Charles the Bald, after a contemporary manuscript, 9th century. Handcoloured steel engraving by Polidor Pauquet from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.
Women's costume in the reign of Charles the Bald, after a contemporary manuscript, 9th century. Handcoloured steel engraving by Polidor Pauquet from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

FLO4685883: Women's costume in the reign of Charles the Bald, after a contemporary manuscript, 9th century. Handcoloured steel engraving by Polidor Pauquet from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history. / Bridgeman Images

ID: FLO4685883

Women's costume in the reign of Charles the Bald, after a contemporary manuscript, 9th century. Handcoloured steel engraving by Polidor Pauquet from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

Broker, reign of Henri III, 1580. Handcoloured steel engraving by Hippolyte Pauquet after a contemporary painting from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.
Broker, reign of Henri III, 1580. Handcoloured steel engraving by Hippolyte Pauquet after a contemporary painting from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

FLO4685941: Broker, reign of Henri III, 1580. Handcoloured steel engraving by Hippolyte Pauquet after a contemporary painting from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history. / Bridgeman Images

ID: FLO4685941

Broker, reign of Henri III, 1580. Handcoloured steel engraving by Hippolyte Pauquet after a contemporary painting from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

Porter, reign of Henri III, 1586. Handcoloured steel engraving by Polidor Pauquet after Gaignieres from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.
Porter, reign of Henri III, 1586. Handcoloured steel engraving by Polidor Pauquet after Gaignieres from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

FLO4685955: Porter, reign of Henri III, 1586. Handcoloured steel engraving by Polidor Pauquet after Gaignieres from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history. / Bridgeman Images

ID: FLO4685955

Porter, reign of Henri III, 1586. Handcoloured steel engraving by Polidor Pauquet after Gaignieres from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

Gabrielle d'Estree, mistress to Henri IV, 1595. Handcoloured steel engraving by Hippolyte Pauquet after Thomas de Leu from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.
Gabrielle d'Estree, mistress to Henri IV, 1595. Handcoloured steel engraving by Hippolyte Pauquet after Thomas de Leu from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

FLO4686006: Gabrielle d'Estree, mistress to Henri IV, 1595. Handcoloured steel engraving by Hippolyte Pauquet after Thomas de Leu from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history. / Bridgeman Images

ID: FLO4686006

Gabrielle d'Estree, mistress to Henri IV, 1595. Handcoloured steel engraving by Hippolyte Pauquet after Thomas de Leu from the Pauquet Brothers' “” Modes et Costumes Historique” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

Town costumes, woman and child, reign of Louis XIII, 1633. Handcoloured steel engraving by Polidor Pauquet after Abraham Bosse (1604-1676) from the Pauquet Brothers' “” Modes et Costumes Historique”” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.
Town costumes, woman and child, reign of Louis XIII, 1633. Handcoloured steel engraving by Polidor Pauquet after Abraham Bosse (1604-1676) from the Pauquet Brothers' “” Modes et Costumes Historique”” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

FLO4686021: Town costumes, woman and child, reign of Louis XIII, 1633. Handcoloured steel engraving by Polidor Pauquet after Abraham Bosse (1604-1676) from the Pauquet Brothers' “” Modes et Costumes Historique”” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history. / Bridgeman Images

ID: FLO4686021

Town costumes, woman and child, reign of Louis XIII, 1633. Handcoloured steel engraving by Polidor Pauquet after Abraham Bosse (1604-1676) from the Pauquet Brothers' “” Modes et Costumes Historique”” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

Mirror decorated with the representation of Acteon devoured by his dogs. From the necropolis Pantanello (bronze)
Mirror decorated with the representation of Acteon devoured by his dogs. From the necropolis Pantanello (bronze)

LRI4686250: Mirror decorated with the representation of Acteon devoured by his dogs. From the necropolis Pantanello (bronze), Greek school, (5th century BC) / Bridgeman Images

ID: LRI4686250

Mirror decorated with the representation of Acteon devoured by his dogs. From the necropolis Pantanello (bronze)

Greek school, (5th century BC)

Elisabeth I Queen of England and Ireland (1533-1603) - Queen Elizabeth I of England, after Hans Holbein - Handcoloured steel engraving by Polydor Pauquet from the Pauquet Brothers' “” Foreign Fashions and Costumes Ancient and Modern””, Paris, 1865
Elisabeth I Queen of England and Ireland (1533-1603) - Queen Elizabeth I of England, after Hans Holbein - Handcoloured steel engraving by Polydor Pauquet from the Pauquet Brothers' “” Foreign Fashions and Costumes Ancient and Modern””, Paris, 1865

FLO4686329: Elisabeth I Queen of England and Ireland (1533-1603) - Queen Elizabeth I of England, after Hans Holbein - Handcoloured steel engraving by Polydor Pauquet from the Pauquet Brothers' “” Foreign Fashions and Costumes Ancient and Modern””, Paris, 1865 / Bridgeman Images

ID: FLO4686329

Elisabeth I Queen of England and Ireland (1533-1603) - Queen Elizabeth I of England, after Hans Holbein - Handcoloured steel engraving by Polydor Pauquet from the Pauquet Brothers' “” Foreign Fashions and Costumes Ancient and Modern””, Paris, 1865

Young girl of Cologne, Prussia, after Abraham de Bruyn, 1581 - Handcoloured steel engraving by Hippolyte Pauquet from the Pauquet Brothers' “” Foreign Fashions and Costumes Ancient and Modern”, Paris, 1865
Young girl of Cologne, Prussia, after Abraham de Bruyn, 1581 - Handcoloured steel engraving by Hippolyte Pauquet from the Pauquet Brothers' “” Foreign Fashions and Costumes Ancient and Modern”, Paris, 1865

FLO4686383: Young girl of Cologne, Prussia, after Abraham de Bruyn, 1581 - Handcoloured steel engraving by Hippolyte Pauquet from the Pauquet Brothers' “” Foreign Fashions and Costumes Ancient and Modern”, Paris, 1865 / Bridgeman Images

ID: FLO4686383

Young girl of Cologne, Prussia, after Abraham de Bruyn, 1581 - Handcoloured steel engraving by Hippolyte Pauquet from the Pauquet Brothers' “” Foreign Fashions and Costumes Ancient and Modern”, Paris, 1865

Native of North America, after Cartias, National Library, 1780. Handcoloured steel engraving by Polydor Pauquet from the Pauquet Brothers' “” Modes et Costumes Etrangers Anciens et Modernes” (Foreign Fashions and Costumes Ancient and Modern), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.
Native of North America, after Cartias, National Library, 1780. Handcoloured steel engraving by Polydor Pauquet from the Pauquet Brothers' “” Modes et Costumes Etrangers Anciens et Modernes” (Foreign Fashions and Costumes Ancient and Modern), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

FLO4686542: Native of North America, after Cartias, National Library, 1780. Handcoloured steel engraving by Polydor Pauquet from the Pauquet Brothers' “” Modes et Costumes Etrangers Anciens et Modernes” (Foreign Fashions and Costumes Ancient and Modern), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history. / Bridgeman Images

ID: FLO4686542

Native of North America, after Cartias, National Library, 1780. Handcoloured steel engraving by Polydor Pauquet from the Pauquet Brothers' “” Modes et Costumes Etrangers Anciens et Modernes” (Foreign Fashions and Costumes Ancient and Modern), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

Le Centre Georges Pompidou, Place Georges Pompidou, Paris 75004 (photo)
Le Centre Georges Pompidou, Place Georges Pompidou, Paris 75004 (photo)

MDA4686693: Le Centre Georges Pompidou, Place Georges Pompidou, Paris 75004 (photo), Rogers, Richard (b.1933) and Piano, Renzo (b.1937) / Bridgeman Images

ID: MDA4686693

Le Centre Georges Pompidou, Place Georges Pompidou, Paris 75004 (photo)

Rogers, Richard (b.1933) and Piano, Renzo (b.1937)


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