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Ring with scarab (Heracles leaning on a club), end 4th century BC (silver, chalcedony)
Ring with scarab (Heracles leaning on a club), end 4th century BC (silver, chalcedony)

LRI4686615: Ring with scarab (Heracles leaning on a club), end 4th century BC (silver, chalcedony), Greek school, (4th century BC) / Bridgeman Images

1001 blue balloons, Yves Klein's aerostatic culture at the Georges Pompidou Centre in 2007 (photo)
1001 blue balloons, Yves Klein's aerostatic culture at the Georges Pompidou Centre in 2007 (photo)

TEC4686634: 1001 blue balloons, Yves Klein's aerostatic culture at the Georges Pompidou Centre in 2007 (photo), Rogers, Richard (b.1933) and Piano, Renzo (b.1937) / Bridgeman Images

Noble girl of Holland, after Lucas de Leiden, 1509 - Handcoloured steel engraving by Polydor Pauquet from the Pauquet Brothers' “” Foreign Fashions and Costumes Ancient and Modern”, Paris, 1865
Noble girl of Holland, after Lucas de Leiden, 1509 - Handcoloured steel engraving by Polydor Pauquet from the Pauquet Brothers' “” Foreign Fashions and Costumes Ancient and Modern”, Paris, 1865

FLO4686666: Noble girl of Holland, after Lucas de Leiden, 1509 - Handcoloured steel engraving by Polydor Pauquet from the Pauquet Brothers' “” Foreign Fashions and Costumes Ancient and Modern”, Paris, 1865 / Bridgeman Images

Le Centre Georges Pompidou, Place Georges Pompidou, Paris 75004 (photo)
Le Centre Georges Pompidou, Place Georges Pompidou, Paris 75004 (photo)

MDA4686676: Le Centre Georges Pompidou, Place Georges Pompidou, Paris 75004 (photo), Rogers, Richard (b.1933) and Piano, Renzo (b.1937) / Bridgeman Images

Vase  with a representation of four men making offerings. 340 BC (painted clay)
Vase  with a representation of four men making offerings. 340 BC (painted clay)

LRI4686694: Vase with a representation of four men making offerings. 340 BC (painted clay), Greek school, (4th century BC) / Bridgeman Images

Le Centre Georges Pompidou, Place Georges Pompidou, Paris 75004 (photo)
Le Centre Georges Pompidou, Place Georges Pompidou, Paris 75004 (photo)

MDA4686707: Le Centre Georges Pompidou, Place Georges Pompidou, Paris 75004 (photo), Rogers, Richard (b.1933) and Piano, Renzo (b.1937) / Bridgeman Images

Le Centre Georges Pompidou, Place Georges Pompidou, Paris 75004 (photo)
Le Centre Georges Pompidou, Place Georges Pompidou, Paris 75004 (photo)

MDA4686963: Le Centre Georges Pompidou, Place Georges Pompidou, Paris 75004 (photo), Rogers, Richard (b.1933) and Piano, Renzo (b.1937) / Bridgeman Images

Fashionable people enjoying the street entertainment in Paris, 1822. Dick Jenkins, the Captain, Lady Halibut and Lydia enjoying a Lounge in the Italian Boulevard. Handcoloured copperplate engraving by George Cruikshank from David Carey's Life in Paris, the Rambles, Sprees and Amours of Dick Wildfire, Fairburn, London, 1822.
Fashionable people enjoying the street entertainment in Paris, 1822. Dick Jenkins, the Captain, Lady Halibut and Lydia enjoying a Lounge in the Italian Boulevard. Handcoloured copperplate engraving by George Cruikshank from David Carey's Life in Paris, the Rambles, Sprees and Amours of Dick Wildfire, Fairburn, London, 1822.

FLO4686770: Fashionable people enjoying the street entertainment in Paris, 1822. Dick Jenkins, the Captain, Lady Halibut and Lydia enjoying a Lounge in the Italian Boulevard. Handcoloured copperplate engraving by George Cruikshank from David Carey's Life in Paris, the Rambles, Sprees and Amours of Dick Wildfire, Fairburn, London, 1822. / Bridgeman Images

Le Centre Georges Pompidou, Place Georges Pompidou, Paris 75004 (photo)
Le Centre Georges Pompidou, Place Georges Pompidou, Paris 75004 (photo)

MDA4686954: Le Centre Georges Pompidou, Place Georges Pompidou, Paris 75004 (photo), Rogers, Richard (b.1933) and Piano, Renzo (b.1937) / Bridgeman Images

Fashionable dandies, soldiers and ladies strolling in the Tuileries Garden. Dick Wildfire and the Captain promenading in the Garden of the Thuilleries. Handcoloured copperplate engraving by George Cruikshank from David Carey's Life in Paris, the Rambles, Sprees and Amours of Dick Wildfire, Fairburn, London, 1822.
Fashionable dandies, soldiers and ladies strolling in the Tuileries Garden. Dick Wildfire and the Captain promenading in the Garden of the Thuilleries. Handcoloured copperplate engraving by George Cruikshank from David Carey's Life in Paris, the Rambles, Sprees and Amours of Dick Wildfire, Fairburn, London, 1822.

FLO4686758: Fashionable dandies, soldiers and ladies strolling in the Tuileries Garden. Dick Wildfire and the Captain promenading in the Garden of the Thuilleries. Handcoloured copperplate engraving by George Cruikshank from David Carey's Life in Paris, the Rambles, Sprees and Amours of Dick Wildfire, Fairburn, London, 1822. / Bridgeman Images

Wall painting of cupids playing, fishing, sailing from a cubiculum in the House of the Restaurant (Casa di Lupanare Piccolo) at 14, Regio IX, Insula V. Chromolithograph by J.G. Bach after an illustration by Geremia Discanno from Emile Presuhn (1844-1878) The Most Beautiful Paintings of Pompeii, Leipzig, 1881.
Wall painting of cupids playing, fishing, sailing from a cubiculum in the House of the Restaurant (Casa di Lupanare Piccolo) at 14, Regio IX, Insula V. Chromolithograph by J.G. Bach after an illustration by Geremia Discanno from Emile Presuhn (1844-1878) The Most Beautiful Paintings of Pompeii, Leipzig, 1881.

FLO4687046: Wall painting of cupids playing, fishing, sailing from a cubiculum in the House of the Restaurant (Casa di Lupanare Piccolo) at 14, Regio IX, Insula V. Chromolithograph by J.G. Bach after an illustration by Geremia Discanno from Emile Presuhn (1844-1878) The Most Beautiful Paintings of Pompeii, Leipzig, 1881., Discanno, Geremia (1839-1907) / Bridgeman Images

Wall painting from a room in the House of the Epigrams. V, Ins. 1, No. 18. Chromolithograph by Victor Steeger after an illustration by Geremia Discanno from Emile Presuhn (1844-1878) The Most Beautiful Paintings of Pompeii, Leipzig, 1881.
Wall painting from a room in the House of the Epigrams. V, Ins. 1, No. 18. Chromolithograph by Victor Steeger after an illustration by Geremia Discanno from Emile Presuhn (1844-1878) The Most Beautiful Paintings of Pompeii, Leipzig, 1881.

FLO4686877: Wall painting from a room in the House of the Epigrams. V, Ins. 1, No. 18. Chromolithograph by Victor Steeger after an illustration by Geremia Discanno from Emile Presuhn (1844-1878) The Most Beautiful Paintings of Pompeii, Leipzig, 1881., Discanno, Geremia (1839-1907) / Bridgeman Images

Wall paintings from rooms in the House of the Epigrams. V, Ins. 1, No. 18. On the left, a mural from an atrium, and at right, a mural from an antichamber. Chromolithograph by Victor Steeger after an illustration by Geremia Discanno from Emile Presuhn (1844-1878) The Most Beautiful Paintings of Pompeii, Leipzig, 1881.
Wall paintings from rooms in the House of the Epigrams. V, Ins. 1, No. 18. On the left, a mural from an atrium, and at right, a mural from an antichamber. Chromolithograph by Victor Steeger after an illustration by Geremia Discanno from Emile Presuhn (1844-1878) The Most Beautiful Paintings of Pompeii, Leipzig, 1881.

FLO4686902: Wall paintings from rooms in the House of the Epigrams. V, Ins. 1, No. 18. On the left, a mural from an atrium, and at right, a mural from an antichamber. Chromolithograph by Victor Steeger after an illustration by Geremia Discanno from Emile Presuhn (1844-1878) The Most Beautiful Paintings of Pompeii, Leipzig, 1881., Discanno, Geremia (1839-1907) / Bridgeman Images

Floors with colourful marble stones from the House of the Epigrams, Regio V, Insula 1, 18. Chromolithograph by Victor Steeger after an illustration by Geremia Discanno from Emile Presuhn (1844-1878) The Most Beautiful Paintings of Pompeii, Leipzig, 1881.
Floors with colourful marble stones from the House of the Epigrams, Regio V, Insula 1, 18. Chromolithograph by Victor Steeger after an illustration by Geremia Discanno from Emile Presuhn (1844-1878) The Most Beautiful Paintings of Pompeii, Leipzig, 1881.

FLO4687149: Floors with colourful marble stones from the House of the Epigrams, Regio V, Insula 1, 18. Chromolithograph by Victor Steeger after an illustration by Geremia Discanno from Emile Presuhn (1844-1878) The Most Beautiful Paintings of Pompeii, Leipzig, 1881. / Bridgeman Images

Wall painting from a room in the Domus M. Asellini or House of Adonis or House of Venus and Adonis or Casa di Ione or Casa con Xystus, Reg. VI.7.18. Drawn and chromolithographed by Victor Steeger from Emile Presuhn (1844-1878) The Most Beautiful Paintings of Pompeii, Leipzig, 1881.
Wall painting from a room in the Domus M. Asellini or House of Adonis or House of Venus and Adonis or Casa di Ione or Casa con Xystus, Reg. VI.7.18. Drawn and chromolithographed by Victor Steeger from Emile Presuhn (1844-1878) The Most Beautiful Paintings of Pompeii, Leipzig, 1881.

FLO4686942: Wall painting from a room in the Domus M. Asellini or House of Adonis or House of Venus and Adonis or Casa di Ione or Casa con Xystus, Reg. VI.7.18. Drawn and chromolithographed by Victor Steeger from Emile Presuhn (1844-1878) The Most Beautiful Paintings of Pompeii, Leipzig, 1881., Discanno, Geremia (1839-1907) / Bridgeman Images

The ermine (Mustela erminea), this species native to Vietnam according to Mr.Pennant, was described to him by his friend Lieutenant Colonel Davies. Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England.
The ermine (Mustela erminea), this species native to Vietnam according to Mr.Pennant, was described to him by his friend Lieutenant Colonel Davies. Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England.

FLO4687234: The ermine (Mustela erminea), this species native to Vietnam according to Mr.Pennant, was described to him by his friend Lieutenant Colonel Davies. Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England. / Bridgeman Images

Virginia or American opossum (Didelphis virginiana), North American marsupial. Illustration copy of “” The True Representation”” account for the philosophical transactions of the Royal Society by Thomas Pennant (1726-1798). Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England.
Virginia or American opossum (Didelphis virginiana), North American marsupial. Illustration copy of “” The True Representation”” account for the philosophical transactions of the Royal Society by Thomas Pennant (1726-1798). Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England.

FLO4687485: Virginia or American opossum (Didelphis virginiana), North American marsupial. Illustration copy of “” The True Representation”” account for the philosophical transactions of the Royal Society by Thomas Pennant (1726-1798). Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England. / Bridgeman Images

Musee de Bonnafanten in Maastricht in the Netherlands (Netherlands). Architecture Aldo Rossi, 1995. Photography 1995
Musee de Bonnafanten in Maastricht in the Netherlands (Netherlands). Architecture Aldo Rossi, 1995. Photography 1995

LBY4687534: Musee de Bonnafanten in Maastricht in the Netherlands (Netherlands). Architecture Aldo Rossi, 1995. Photography 1995, Rossi, Aldo (1931-1997) / Bridgeman Images

Musee de Bonnafanten in Maastricht in the Netherlands (Netherlands). Architecture Aldo Rossi, 1995. Photography 1995
Musee de Bonnafanten in Maastricht in the Netherlands (Netherlands). Architecture Aldo Rossi, 1995. Photography 1995

LBY4687504: Musee de Bonnafanten in Maastricht in the Netherlands (Netherlands). Architecture Aldo Rossi, 1995. Photography 1995, Rossi, Aldo (1931-1997) / Bridgeman Images

Morning or “” Pantheistic Poem”” Landscape of undergrowth near a body of water at dawn. Painting by Vittore Grubicy of Dragon (1851-1920) Milan, Galleria d'Arte Moderna
Morning or “” Pantheistic Poem”” Landscape of undergrowth near a body of water at dawn. Painting by Vittore Grubicy of Dragon (1851-1920) Milan, Galleria d'Arte Moderna

LRI4687584: Morning or “” Pantheistic Poem”” Landscape of undergrowth near a body of water at dawn. Painting by Vittore Grubicy of Dragon (1851-1920) Milan, Galleria d'Arte Moderna, Grubicy de Dragon, Vittore (1851-1920) / Bridgeman Images

Golden pheasant (Chrysolophus pictus), native to China, is sometimes called Chinese pheasant, tricolor huppe or painted pheasant, because of its bright colors. Georges Cuvier (1769-1832) believed that the description of phenix found in Pliny the Elder (23-79) was probably that of the golden pheasant. Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England.
Golden pheasant (Chrysolophus pictus), native to China, is sometimes called Chinese pheasant, tricolor huppe or painted pheasant, because of its bright colors. Georges Cuvier (1769-1832) believed that the description of phenix found in Pliny the Elder (23-79) was probably that of the golden pheasant. Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England.

FLO4687739: Golden pheasant (Chrysolophus pictus), native to China, is sometimes called Chinese pheasant, tricolor huppe or painted pheasant, because of its bright colors. Georges Cuvier (1769-1832) believed that the description of phenix found in Pliny the Elder (23-79) was probably that of the golden pheasant. Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England. / Bridgeman Images

Protiro of the cathedral , end 13th-beginning 14th century
Protiro of the cathedral , end 13th-beginning 14th century

LRI4688306: Protiro of the cathedral , end 13th-beginning 14th century, Italian School, (13th century) / Bridgeman Images

Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997.
Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997.

LBY4688326: Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997., Gehry, Frank (1929-2025) / Bridgeman Images

The Great Bird in Love designed in 1996 photo taken in 1996 (photo)
The Great Bird in Love designed in 1996 photo taken in 1996 (photo)

LBY4687853: The Great Bird in Love designed in 1996 photo taken in 1996 (photo), Tinguely, Jean (1925-1991) & Saint-Phalle, Niki de (1930-2002) / Bridgeman Images

Contrast Shape. 1913 (Oil on Cardboard)
Contrast Shape. 1913 (Oil on Cardboard)

LRI4687893: Contrast Shape. 1913 (Oil on Cardboard), Leger, Fernand (1881-1955) / Bridgeman Images

Apple Blenheim pippin (domestic apple variety). Lithograph after the illustration of Augusta Withers (1793-1877), published in the “Pomology Magazine” (1828-1830) by John Lindley (1795-1865). Blenheim pippin apple, Malus domestica, raised in Woodstock. Illustration by Mrs. Withers. Handcoloured copperplate engraved by S. Watts from J. Lindley's “” Pomological Magazine,” London, 1828-1930.
Apple Blenheim pippin (domestic apple variety). Lithograph after the illustration of Augusta Withers (1793-1877), published in the “Pomology Magazine” (1828-1830) by John Lindley (1795-1865). Blenheim pippin apple, Malus domestica, raised in Woodstock. Illustration by Mrs. Withers. Handcoloured copperplate engraved by S. Watts from J. Lindley's “” Pomological Magazine,” London, 1828-1930.

FLO4687915: Apple Blenheim pippin (domestic apple variety). Lithograph after the illustration of Augusta Withers (1793-1877), published in the “Pomology Magazine” (1828-1830) by John Lindley (1795-1865). Blenheim pippin apple, Malus domestica, raised in Woodstock. Illustration by Mrs. Withers. Handcoloured copperplate engraved by S. Watts from J. Lindley's “” Pomological Magazine,” London, 1828-1930. / Bridgeman Images

Strawberries (strawberry ostara). Lithograph after the illustration of Augusta Withers (1793-1877), published in the “Pomology Magazine” (1828-1830) by John Lindley (1795-1865). Grove-End scarlet strawberry, Fragaria x anananassa, raised at Grove End, London, in 1820. Illustration by Mrs. Withers. Handcoloured copperplate engraved by S. Watts from J. Lindley's “” Pomological Magazine,” London, 1828-1930.
Strawberries (strawberry ostara). Lithograph after the illustration of Augusta Withers (1793-1877), published in the “Pomology Magazine” (1828-1830) by John Lindley (1795-1865). Grove-End scarlet strawberry, Fragaria x anananassa, raised at Grove End, London, in 1820. Illustration by Mrs. Withers. Handcoloured copperplate engraved by S. Watts from J. Lindley's “” Pomological Magazine,” London, 1828-1930.

FLO4688040: Strawberries (strawberry ostara). Lithograph after the illustration of Augusta Withers (1793-1877), published in the “Pomology Magazine” (1828-1830) by John Lindley (1795-1865). Grove-End scarlet strawberry, Fragaria x anananassa, raised at Grove End, London, in 1820. Illustration by Mrs. Withers. Handcoloured copperplate engraved by S. Watts from J. Lindley's “” Pomological Magazine,” London, 1828-1930. / Bridgeman Images

View of the Street of Tombs outside the Herculaneum Gate, Pompeii. Chromolithograph and illustration by G. Autoriello from Antonio Niccoliniõs Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Zucchi & De Luca, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr.
View of the Street of Tombs outside the Herculaneum Gate, Pompeii. Chromolithograph and illustration by G. Autoriello from Antonio Niccoliniõs Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Zucchi & De Luca, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr.

FLO4688136: View of the Street of Tombs outside the Herculaneum Gate, Pompeii. Chromolithograph and illustration by G. Autoriello from Antonio Niccoliniõs Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Zucchi & De Luca, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr. / Bridgeman Images

House of Ariadne or the House of the Coloured Capitals, VII.4.31/51, Pompeii. Chromolithograph after an illustration by S. De Stefano from Antonio Niccoliniõs Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Fausto Niccolini, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr.
House of Ariadne or the House of the Coloured Capitals, VII.4.31/51, Pompeii. Chromolithograph after an illustration by S. De Stefano from Antonio Niccoliniõs Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Fausto Niccolini, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr.

FLO4688167: House of Ariadne or the House of the Coloured Capitals, VII.4.31/51, Pompeii. Chromolithograph after an illustration by S. De Stefano from Antonio Niccoliniõs Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Fausto Niccolini, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr. / Bridgeman Images

Apodyterium or changing room for the Tepidarium or warm bath in the Forum Thermae, Pompeii. Serving with oil vase and towel standing next to a table. The walls have figures of Thelamon and niches for personal effects. Chromolithograph by D. Capri after an illustration by G. Discanno from Antonio Niccoliniõs Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Zucchi & De Luca, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr.
Apodyterium or changing room for the Tepidarium or warm bath in the Forum Thermae, Pompeii. Serving with oil vase and towel standing next to a table. The walls have figures of Thelamon and niches for personal effects. Chromolithograph by D. Capri after an illustration by G. Discanno from Antonio Niccoliniõs Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Zucchi & De Luca, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr.

FLO4688287: Apodyterium or changing room for the Tepidarium or warm bath in the Forum Thermae, Pompeii. Serving with oil vase and towel standing next to a table. The walls have figures of Thelamon and niches for personal effects. Chromolithograph by D. Capri after an illustration by G. Discanno from Antonio Niccoliniõs Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Zucchi & De Luca, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr. / Bridgeman Images

A woman of the Tuda race of the Nilagiri hills in India, wearing sari, veil, necklace and earrings. Handcoloured lithograph from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.
A woman of the Tuda race of the Nilagiri hills in India, wearing sari, veil, necklace and earrings. Handcoloured lithograph from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

FLO4688357: A woman of the Tuda race of the Nilagiri hills in India, wearing sari, veil, necklace and earrings. Handcoloured lithograph from James Cowles Prichard's Natural History of Man, Balliere, London, 1855. / Bridgeman Images

Hunters of San Francisco Bay, 19th century. Both wear topknots and earrings, one in a loincloth preparing to fire an arrow, the other with arrows in a quiver made from an animal skin. After Louis Choris' “” Cholovonis a la chasse”” from “” Picturesque Journey Around the World,”” 1822. Handcoloured lithograph from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.
Hunters of San Francisco Bay, 19th century. Both wear topknots and earrings, one in a loincloth preparing to fire an arrow, the other with arrows in a quiver made from an animal skin. After Louis Choris' “” Cholovonis a la chasse”” from “” Picturesque Journey Around the World,”” 1822. Handcoloured lithograph from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

FLO4688590: Hunters of San Francisco Bay, 19th century. Both wear topknots and earrings, one in a loincloth preparing to fire an arrow, the other with arrows in a quiver made from an animal skin. After Louis Choris' “” Cholovonis a la chasse”” from “” Picturesque Journey Around the World,”” 1822. Handcoloured lithograph from James Cowles Prichard's Natural History of Man, Balliere, London, 1855. / Bridgeman Images

H'co-a-h'co-a-h'cotes-min, Rabbit Skin Leggings, Flathead warrior of the Nez Perce. Handcoloured lithograph by J. Harris after a painting by George Catlin from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.
H'co-a-h'co-a-h'cotes-min, Rabbit Skin Leggings, Flathead warrior of the Nez Perce. Handcoloured lithograph by J. Harris after a painting by George Catlin from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

FLO4688628: H'co-a-h'co-a-h'cotes-min, Rabbit Skin Leggings, Flathead warrior of the Nez Perce. Handcoloured lithograph by J. Harris after a painting by George Catlin from James Cowles Prichard's Natural History of Man, Balliere, London, 1855., Catlin, George (1796-1872) / Bridgeman Images

Native man of Anaiteum island (Aneityum, Vanuatu). He wears his long hair tied with shells, and a cloak. Taken from Captain J.E. Erskine's “Journal of a Cruise,” 1853. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.
Native man of Anaiteum island (Aneityum, Vanuatu). He wears his long hair tied with shells, and a cloak. Taken from Captain J.E. Erskine's “Journal of a Cruise,” 1853. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.

FLO4688492: Native man of Anaiteum island (Aneityum, Vanuatu). He wears his long hair tied with shells, and a cloak. Taken from Captain J.E. Erskine's “Journal of a Cruise,” 1853. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855. / Bridgeman Images

Jewish old clothesman with a bag of clothes over his shoulder, rags and hat in his hand. Handcoloured copperplate engraving from William Henry Pyne's The World in Miniature: England, Scotland and Ireland, Ackermann, 1827.
Jewish old clothesman with a bag of clothes over his shoulder, rags and hat in his hand. Handcoloured copperplate engraving from William Henry Pyne's The World in Miniature: England, Scotland and Ireland, Ackermann, 1827.

FLO4688688: Jewish old clothesman with a bag of clothes over his shoulder, rags and hat in his hand. Handcoloured copperplate engraving from William Henry Pyne's The World in Miniature: England, Scotland and Ireland, Ackermann, 1827. / Bridgeman Images

Isabelle d'Angouleme - Isabella of Angouleme, queen consort of King John of England. Steel engraving by B. Eyles after a portrait by A. Bouvier from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868.
Isabelle d'Angouleme - Isabella of Angouleme, queen consort of King John of England. Steel engraving by B. Eyles after a portrait by A. Bouvier from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868.

FLO4688729: Isabelle d'Angouleme - Isabella of Angouleme, queen consort of King John of England. Steel engraving by B. Eyles after a portrait by A. Bouvier from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868. / Bridgeman Images


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