FLO4686770: Fashionable people enjoying the street entertainment in Paris, 1822. Dick Jenkins, the Captain, Lady Halibut and Lydia enjoying a Lounge in the Italian Boulevard. Handcoloured copperplate engraving by George Cruikshank from David Carey's Life in Paris, the Rambles, Sprees and Amours of Dick Wildfire, Fairburn, London, 1822. / Bridgeman Images
FLO4686758: Fashionable dandies, soldiers and ladies strolling in the Tuileries Garden. Dick Wildfire and the Captain promenading in the Garden of the Thuilleries. Handcoloured copperplate engraving by George Cruikshank from David Carey's Life in Paris, the Rambles, Sprees and Amours of Dick Wildfire, Fairburn, London, 1822. / Bridgeman Images
FLO4687046: Wall painting of cupids playing, fishing, sailing from a cubiculum in the House of the Restaurant (Casa di Lupanare Piccolo) at 14, Regio IX, Insula V. Chromolithograph by J.G. Bach after an illustration by Geremia Discanno from Emile Presuhn (1844-1878) The Most Beautiful Paintings of Pompeii, Leipzig, 1881., Discanno, Geremia (1839-1907) / Bridgeman Images
FLO4686877: Wall painting from a room in the House of the Epigrams. V, Ins. 1, No. 18. Chromolithograph by Victor Steeger after an illustration by Geremia Discanno from Emile Presuhn (1844-1878) The Most Beautiful Paintings of Pompeii, Leipzig, 1881., Discanno, Geremia (1839-1907) / Bridgeman Images
FLO4686902: Wall paintings from rooms in the House of the Epigrams. V, Ins. 1, No. 18. On the left, a mural from an atrium, and at right, a mural from an antichamber. Chromolithograph by Victor Steeger after an illustration by Geremia Discanno from Emile Presuhn (1844-1878) The Most Beautiful Paintings of Pompeii, Leipzig, 1881., Discanno, Geremia (1839-1907) / Bridgeman Images
FLO4686942: Wall painting from a room in the Domus M. Asellini or House of Adonis or House of Venus and Adonis or Casa di Ione or Casa con Xystus, Reg. VI.7.18. Drawn and chromolithographed by Victor Steeger from Emile Presuhn (1844-1878) The Most Beautiful Paintings of Pompeii, Leipzig, 1881., Discanno, Geremia (1839-1907) / Bridgeman Images
FLO4687234: The ermine (Mustela erminea), this species native to Vietnam according to Mr.Pennant, was described to him by his friend Lieutenant Colonel Davies. Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England. / Bridgeman Images
FLO4687485: Virginia or American opossum (Didelphis virginiana), North American marsupial. Illustration copy of “” The True Representation”” account for the philosophical transactions of the Royal Society by Thomas Pennant (1726-1798). Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England. / Bridgeman Images
FLO4687739: Golden pheasant (Chrysolophus pictus), native to China, is sometimes called Chinese pheasant, tricolor huppe or painted pheasant, because of its bright colors. Georges Cuvier (1769-1832) believed that the description of phenix found in Pliny the Elder (23-79) was probably that of the golden pheasant. Lithographie in The Naturalist Pocket Magazine or Cabinet complete des Curiosites et Beautes de la Nature, published between 1798 and 1802, by Harrison, London, England. / Bridgeman Images
FLO4687915: Apple Blenheim pippin (domestic apple variety). Lithograph after the illustration of Augusta Withers (1793-1877), published in the “Pomology Magazine” (1828-1830) by John Lindley (1795-1865). Blenheim pippin apple, Malus domestica, raised in Woodstock. Illustration by Mrs. Withers. Handcoloured copperplate engraved by S. Watts from J. Lindley's “” Pomological Magazine,” London, 1828-1930. / Bridgeman Images
FLO4688040: Strawberries (strawberry ostara). Lithograph after the illustration of Augusta Withers (1793-1877), published in the “Pomology Magazine” (1828-1830) by John Lindley (1795-1865). Grove-End scarlet strawberry, Fragaria x anananassa, raised at Grove End, London, in 1820. Illustration by Mrs. Withers. Handcoloured copperplate engraved by S. Watts from J. Lindley's “” Pomological Magazine,” London, 1828-1930. / Bridgeman Images
FLO4688136: View of the Street of Tombs outside the Herculaneum Gate, Pompeii. Chromolithograph and illustration by G. Autoriello from Antonio Niccoliniõs Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Zucchi & De Luca, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr. / Bridgeman Images
FLO4688167: House of Ariadne or the House of the Coloured Capitals, VII.4.31/51, Pompeii. Chromolithograph after an illustration by S. De Stefano from Antonio Niccoliniõs Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Fausto Niccolini, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr. / Bridgeman Images
FLO4688287: Apodyterium or changing room for the Tepidarium or warm bath in the Forum Thermae, Pompeii. Serving with oil vase and towel standing next to a table. The walls have figures of Thelamon and niches for personal effects. Chromolithograph by D. Capri after an illustration by G. Discanno from Antonio Niccoliniõs Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Zucchi & De Luca, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr. / Bridgeman Images
FLO4688590: Hunters of San Francisco Bay, 19th century. Both wear topknots and earrings, one in a loincloth preparing to fire an arrow, the other with arrows in a quiver made from an animal skin. After Louis Choris' “” Cholovonis a la chasse”” from “” Picturesque Journey Around the World,”” 1822. Handcoloured lithograph from James Cowles Prichard's Natural History of Man, Balliere, London, 1855. / Bridgeman Images
FLO4688492: Native man of Anaiteum island (Aneityum, Vanuatu). He wears his long hair tied with shells, and a cloak. Taken from Captain J.E. Erskine's “Journal of a Cruise,” 1853. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855. / Bridgeman Images