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Miss Judith or Judith Julie Bernat as Isabelle in La Grisette de Qualite, Theatre des Folies Dramatiques, 1844. Handcoloured lithograph after an illustration by Louis Lasalle from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1844.
Miss Judith or Judith Julie Bernat as Isabelle in La Grisette de Qualite, Theatre des Folies Dramatiques, 1844. Handcoloured lithograph after an illustration by Louis Lasalle from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1844.

FLO4632738: Miss Judith or Judith Julie Bernat as Isabelle in La Grisette de Qualite, Theatre des Folies Dramatiques, 1844. Handcoloured lithograph after an illustration by Louis Lasalle from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1844. / Bridgeman Images

ID: FLO4632738

Miss Judith or Judith Julie Bernat as Isabelle in La Grisette de Qualite, Theatre des Folies Dramatiques, 1844. Handcoloured lithograph after an illustration by Louis Lasalle from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1844.

Ballet dancer Adele Dumilatre in Lady Henriette by Mazilier, Act II, Academy Royale de Musique, 1844. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1844.
Ballet dancer Adele Dumilatre in Lady Henriette by Mazilier, Act II, Academy Royale de Musique, 1844. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1844.

FLO4632679: Ballet dancer Adele Dumilatre in Lady Henriette by Mazilier, Act II, Academy Royale de Musique, 1844. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1844. / Bridgeman Images

ID: FLO4632679

Ballet dancer Adele Dumilatre in Lady Henriette by Mazilier, Act II, Academy Royale de Musique, 1844. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1844.

English actor Jemma in Chourineur in Les Mysteres de Paris, Theatre de la Porte St. Martin, 1844. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.
English actor Jemma in Chourineur in Les Mysteres de Paris, Theatre de la Porte St. Martin, 1844. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

FLO4632760: English actor Jemma in Chourineur in Les Mysteres de Paris, Theatre de la Porte St. Martin, 1844. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845. / Bridgeman Images

ID: FLO4632760

English actor Jemma in Chourineur in Les Mysteres de Paris, Theatre de la Porte St. Martin, 1844. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

Jean-Baptiste Guyon or Georges Guyon as Orlof in Catherine II by Hippolyte Romand, Theatre Français, 1844. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.
Jean-Baptiste Guyon or Georges Guyon as Orlof in Catherine II by Hippolyte Romand, Theatre Français, 1844. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

FLO4632819: Jean-Baptiste Guyon or Georges Guyon as Orlof in Catherine II by Hippolyte Romand, Theatre Français, 1844. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845. / Bridgeman Images

ID: FLO4632819

Jean-Baptiste Guyon or Georges Guyon as Orlof in Catherine II by Hippolyte Romand, Theatre Français, 1844. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

City of the future and astroport - Artist's view - City of the future and astroport - Viewed artist
City of the future and astroport - Artist's view - City of the future and astroport - Viewed artist

PIX4633003: City of the future and astroport - Artist's view - City of the future and astroport - Viewed artist / Bridgeman Images

ID: PIX4633003

City of the future and astroport - Artist's view - City of the future and astroport - Viewed artist

Cups and saucers of the Carree style: with flowers by Huny, gilt by Chauveau; with flowers by Niquet, gilt by Vincent 1781; and with flowers by Catrice? 1766. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.
Cups and saucers of the Carree style: with flowers by Huny, gilt by Chauveau; with flowers by Niquet, gilt by Vincent 1781; and with flowers by Catrice? 1766. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.

FLO4633156: Cups and saucers of the Carree style: with flowers by Huny, gilt by Chauveau; with flowers by Niquet, gilt by Vincent 1781; and with flowers by Catrice? 1766. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891. / Bridgeman Images

ID: FLO4633156

Cups and saucers of the Carree style: with flowers by Huny, gilt by Chauveau; with flowers by Niquet, gilt by Vincent 1781; and with flowers by Catrice? 1766. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.

Varieties of Glaieuls: Wellington (crimson red colour), Von Gagern (ecarlate red colour) and Prince Albert (pink colour). Eau forte (zincography) draws and grave by C.T.Rosenberg, in The Garden Companion and Florist's Guide, 1852, by Thomas Moore (1821-1887), curator of the Botanical Garden of Chelsea (United Kingdom), published by Charles Frederick Cheffins.
Varieties of Glaieuls: Wellington (crimson red colour), Von Gagern (ecarlate red colour) and Prince Albert (pink colour). Eau forte (zincography) draws and grave by C.T.Rosenberg, in The Garden Companion and Florist's Guide, 1852, by Thomas Moore (1821-1887), curator of the Botanical Garden of Chelsea (United Kingdom), published by Charles Frederick Cheffins.

FLO4633053: Varieties of Glaieuls: Wellington (crimson red colour), Von Gagern (ecarlate red colour) and Prince Albert (pink colour). Eau forte (zincography) draws and grave by C.T.Rosenberg, in The Garden Companion and Florist's Guide, 1852, by Thomas Moore (1821-1887), curator of the Botanical Garden of Chelsea (United Kingdom), published by Charles Frederick Cheffins. / Bridgeman Images

ID: FLO4633053

Varieties of Glaieuls: Wellington (crimson red colour), Von Gagern (ecarlate red colour) and Prince Albert (pink colour). Eau forte (zincography) draws and grave by C.T.Rosenberg, in The Garden Companion and Florist's Guide, 1852, by Thomas Moore (1821-1887), curator of the Botanical Garden of Chelsea (United Kingdom), published by Charles Frederick Cheffins.

Madame Thibaut in the vaudeville Le Chevalier de Grignon by Melesville (Anne Honore Joseph Duveyrier) and Jean Francois Alfred Bayard, Theatre des Varietes, 1844. Handcoloured lithograph after an illustration by Louis Lasalle from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.
Madame Thibaut in the vaudeville Le Chevalier de Grignon by Melesville (Anne Honore Joseph Duveyrier) and Jean Francois Alfred Bayard, Theatre des Varietes, 1844. Handcoloured lithograph after an illustration by Louis Lasalle from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

FLO4632859: Madame Thibaut in the vaudeville Le Chevalier de Grignon by Melesville (Anne Honore Joseph Duveyrier) and Jean Francois Alfred Bayard, Theatre des Varietes, 1844. Handcoloured lithograph after an illustration by Louis Lasalle from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845. / Bridgeman Images

ID: FLO4632859

Madame Thibaut in the vaudeville Le Chevalier de Grignon by Melesville (Anne Honore Joseph Duveyrier) and Jean Francois Alfred Bayard, Theatre des Varietes, 1844. Handcoloured lithograph after an illustration by Louis Lasalle from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

Opera singer Clarisse Sainte-Foy as the milkmaid Denise in Les Deux Gentilhommes by Justin Cadaux, Theatre de l'Opera Comique, 1844. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.
Opera singer Clarisse Sainte-Foy as the milkmaid Denise in Les Deux Gentilhommes by Justin Cadaux, Theatre de l'Opera Comique, 1844. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

FLO4632892: Opera singer Clarisse Sainte-Foy as the milkmaid Denise in Les Deux Gentilhommes by Justin Cadaux, Theatre de l'Opera Comique, 1844. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845. / Bridgeman Images

ID: FLO4632892

Opera singer Clarisse Sainte-Foy as the milkmaid Denise in Les Deux Gentilhommes by Justin Cadaux, Theatre de l'Opera Comique, 1844. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

Variete of Volubilis (Ipomoea palmata) with purple flowers and variety of pea flowers (Dillwynia scabra) of ecarlate red colour. Eau forte (zincography) drawn and grave by C.T.Rosenberg, in The Garden Companion and Florist's Guide, 1852, by Thomas Moore (1821-1887), curator of the Botanical Garden of Chelsea (United Kingdom), published by Charles Frederick Cheffins.
Variete of Volubilis (Ipomoea palmata) with purple flowers and variety of pea flowers (Dillwynia scabra) of ecarlate red colour. Eau forte (zincography) drawn and grave by C.T.Rosenberg, in The Garden Companion and Florist's Guide, 1852, by Thomas Moore (1821-1887), curator of the Botanical Garden of Chelsea (United Kingdom), published by Charles Frederick Cheffins.

FLO4633015: Variete of Volubilis (Ipomoea palmata) with purple flowers and variety of pea flowers (Dillwynia scabra) of ecarlate red colour. Eau forte (zincography) drawn and grave by C.T.Rosenberg, in The Garden Companion and Florist's Guide, 1852, by Thomas Moore (1821-1887), curator of the Botanical Garden of Chelsea (United Kingdom), published by Charles Frederick Cheffins. / Bridgeman Images

ID: FLO4633015

Variete of Volubilis (Ipomoea palmata) with purple flowers and variety of pea flowers (Dillwynia scabra) of ecarlate red colour. Eau forte (zincography) drawn and grave by C.T.Rosenberg, in The Garden Companion and Florist's Guide, 1852, by Thomas Moore (1821-1887), curator of the Botanical Garden of Chelsea (United Kingdom), published by Charles Frederick Cheffins.

Solitaire tea service 1760 and Solitaire coffee service of pot, sugar bowl, cup, saucer and plate. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.
Solitaire tea service 1760 and Solitaire coffee service of pot, sugar bowl, cup, saucer and plate. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.

FLO4633233: Solitaire tea service 1760 and Solitaire coffee service of pot, sugar bowl, cup, saucer and plate. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891. / Bridgeman Images

ID: FLO4633233

Solitaire tea service 1760 and Solitaire coffee service of pot, sugar bowl, cup, saucer and plate. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.

Writing case in green, white and gold given to Marie Antoinette by Loius XVI with globe, celestial globe, crown of pearls and fleurs de lys, cameos and painted cupids. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.
Writing case in green, white and gold given to Marie Antoinette by Loius XVI with globe, celestial globe, crown of pearls and fleurs de lys, cameos and painted cupids. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.

FLO4633448: Writing case in green, white and gold given to Marie Antoinette by Loius XVI with globe, celestial globe, crown of pearls and fleurs de lys, cameos and painted cupids. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891. / Bridgeman Images

ID: FLO4633448

Writing case in green, white and gold given to Marie Antoinette by Loius XVI with globe, celestial globe, crown of pearls and fleurs de lys, cameos and painted cupids. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.

The Formation of the Moon - Artist's View - The Formation of the Moon - Artist's View - The Moon would be born from the impact of a big asteroid on Earth. The material ejected during this collision would have combined to form the Earth satellite
The Formation of the Moon - Artist's View - The Formation of the Moon - Artist's View - The Moon would be born from the impact of a big asteroid on Earth. The material ejected during this collision would have combined to form the Earth satellite

PIX4633473: The Formation of the Moon - Artist's View - The Formation of the Moon - Artist's View - The Moon would be born from the impact of a big asteroid on Earth. The material ejected during this collision would have combined to form the Earth satellite, Dixon, Don (b.1951) / Bridgeman Images

ID: PIX4633473

The Formation of the Moon - Artist's View - The Formation of the Moon - Artist's View - The Moon would be born from the impact of a big asteroid on Earth. The material ejected during this collision would have combined to form the Earth satellite

Dixon, Don (b.1951)

Vase with garlands and floral panel, vase with pearls and painted panel of birds, and greek vase with garlands and floral panel. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.
Vase with garlands and floral panel, vase with pearls and painted panel of birds, and greek vase with garlands and floral panel. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.

FLO4633411: Vase with garlands and floral panel, vase with pearls and painted panel of birds, and greek vase with garlands and floral panel. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891. / Bridgeman Images

ID: FLO4633411

Vase with garlands and floral panel, vase with pearls and painted panel of birds, and greek vase with garlands and floral panel. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.

Vases in blue, white, and gold: vase with painted cupid panel, vase with horizontal clock dial, and vase with panel of painted exotic birds. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.
Vases in blue, white, and gold: vase with painted cupid panel, vase with horizontal clock dial, and vase with panel of painted exotic birds. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.

FLO4633431: Vases in blue, white, and gold: vase with painted cupid panel, vase with horizontal clock dial, and vase with panel of painted exotic birds. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891. / Bridgeman Images

ID: FLO4633431

Vases in blue, white, and gold: vase with painted cupid panel, vase with horizontal clock dial, and vase with panel of painted exotic birds. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.

Flower pots or gardeners: owned by Edouard Andre 1760, decorated by Vieillard 1754, owned by Baron Alphonse de Rothschild 1752, decorated by Vieillard 1759, painted by Charles-Nicolas Dodin 1760, painted by Bulidon 1764. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.
Flower pots or gardeners: owned by Edouard Andre 1760, decorated by Vieillard 1754, owned by Baron Alphonse de Rothschild 1752, decorated by Vieillard 1759, painted by Charles-Nicolas Dodin 1760, painted by Bulidon 1764. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.

FLO4633440: Flower pots or gardeners: owned by Edouard Andre 1760, decorated by Vieillard 1754, owned by Baron Alphonse de Rothschild 1752, decorated by Vieillard 1759, painted by Charles-Nicolas Dodin 1760, painted by Bulidon 1764. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891. / Bridgeman Images

ID: FLO4633440

Flower pots or gardeners: owned by Edouard Andre 1760, decorated by Vieillard 1754, owned by Baron Alphonse de Rothschild 1752, decorated by Vieillard 1759, painted by Charles-Nicolas Dodin 1760, painted by Bulidon 1764. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.

Rosemary, Pansies, Fennel, Columbines, Rue, Daisy and Violets (Hamlet). Handcoioured botanical illustration drawn and lithographed by Jane Elizabeth Giraud from The Flowers of Shakespeare, Day and Haghe, London, 1845.
Rosemary, Pansies, Fennel, Columbines, Rue, Daisy and Violets (Hamlet). Handcoioured botanical illustration drawn and lithographed by Jane Elizabeth Giraud from The Flowers of Shakespeare, Day and Haghe, London, 1845.

FLO4633701: Rosemary, Pansies, Fennel, Columbines, Rue, Daisy and Violets (Hamlet). Handcoioured botanical illustration drawn and lithographed by Jane Elizabeth Giraud from The Flowers of Shakespeare, Day and Haghe, London, 1845. / Bridgeman Images

ID: FLO4633701

Rosemary, Pansies, Fennel, Columbines, Rue, Daisy and Violets (Hamlet). Handcoioured botanical illustration drawn and lithographed by Jane Elizabeth Giraud from The Flowers of Shakespeare, Day and Haghe, London, 1845.

Strawberry, Nettle and Summer-grass (King Henry V). Handcoioured botanical illustration drawn and lithographed by Jane Elizabeth Giraud from The Flowers of Shakespeare, Day and Haghe, London, 1845.
Strawberry, Nettle and Summer-grass (King Henry V). Handcoioured botanical illustration drawn and lithographed by Jane Elizabeth Giraud from The Flowers of Shakespeare, Day and Haghe, London, 1845.

FLO4633748: Strawberry, Nettle and Summer-grass (King Henry V). Handcoioured botanical illustration drawn and lithographed by Jane Elizabeth Giraud from The Flowers of Shakespeare, Day and Haghe, London, 1845. / Bridgeman Images

ID: FLO4633748

Strawberry, Nettle and Summer-grass (King Henry V). Handcoioured botanical illustration drawn and lithographed by Jane Elizabeth Giraud from The Flowers of Shakespeare, Day and Haghe, London, 1845.

Vase jardiniere (flowerpot) with botanical panels, vase with garlands and festons, and vase jardiniere with dolphins and panels with birds and flowers. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.
Vase jardiniere (flowerpot) with botanical panels, vase with garlands and festons, and vase jardiniere with dolphins and panels with birds and flowers. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.

FLO4633351: Vase jardiniere (flowerpot) with botanical panels, vase with garlands and festons, and vase jardiniere with dolphins and panels with birds and flowers. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891. / Bridgeman Images

ID: FLO4633351

Vase jardiniere (flowerpot) with botanical panels, vase with garlands and festons, and vase jardiniere with dolphins and panels with birds and flowers. Chromolithograph by Gillot of an illustration by Edouard Garnier from The Soft Paste Porcelain of Sevres, Maison Quinn, Paris, 1891.

Primitive Earth - Primitive Earth - Artist's view - Earth about 4 billion years ago
Primitive Earth - Primitive Earth - Artist's view - Earth about 4 billion years ago

PIX4633465: Primitive Earth - Primitive Earth - Artist's view - Earth about 4 billion years ago / Bridgeman Images

ID: PIX4633465

Primitive Earth - Primitive Earth - Artist's view - Earth about 4 billion years ago

Shaggy ink cap, lawyer's wig or shaggy mane, Coprinus comatus. Chromolithograph after a botanical illustration by William Hamilton Gibson from his book Our Edible Toadstools and Mushrooms.
Shaggy ink cap, lawyer's wig or shaggy mane, Coprinus comatus. Chromolithograph after a botanical illustration by William Hamilton Gibson from his book Our Edible Toadstools and Mushrooms.

FLO4633535: Shaggy ink cap, lawyer's wig or shaggy mane, Coprinus comatus. Chromolithograph after a botanical illustration by William Hamilton Gibson from his book Our Edible Toadstools and Mushrooms. / Bridgeman Images

ID: FLO4633535

Shaggy ink cap, lawyer's wig or shaggy mane, Coprinus comatus. Chromolithograph after a botanical illustration by William Hamilton Gibson from his book Our Edible Toadstools and Mushrooms.

Frost's bolete, Exsudoporus frostii (Boletus alveolatus) and bitter bolete, Tylopilus felleus (Boletus felleus). Chromolithograph after a botanical illustration by William Hamilton Gibson from his book Our Edible Toadstools and Mushrooms.
Frost's bolete, Exsudoporus frostii (Boletus alveolatus) and bitter bolete, Tylopilus felleus (Boletus felleus). Chromolithograph after a botanical illustration by William Hamilton Gibson from his book Our Edible Toadstools and Mushrooms.

FLO4633593: Frost's bolete, Exsudoporus frostii (Boletus alveolatus) and bitter bolete, Tylopilus felleus (Boletus felleus). Chromolithograph after a botanical illustration by William Hamilton Gibson from his book Our Edible Toadstools and Mushrooms. / Bridgeman Images

ID: FLO4633593

Frost's bolete, Exsudoporus frostii (Boletus alveolatus) and bitter bolete, Tylopilus felleus (Boletus felleus). Chromolithograph after a botanical illustration by William Hamilton Gibson from his book Our Edible Toadstools and Mushrooms.

Primrose, Hare-Bell, Eglantine and Moss (Cymbeline). Handcoioured botanical illustration drawn and lithographed by Jane Elizabeth Giraud from The Flowers of Shakespeare, Day and Haghe, London, 1845.
Primrose, Hare-Bell, Eglantine and Moss (Cymbeline). Handcoioured botanical illustration drawn and lithographed by Jane Elizabeth Giraud from The Flowers of Shakespeare, Day and Haghe, London, 1845.

FLO4633712: Primrose, Hare-Bell, Eglantine and Moss (Cymbeline). Handcoioured botanical illustration drawn and lithographed by Jane Elizabeth Giraud from The Flowers of Shakespeare, Day and Haghe, London, 1845. / Bridgeman Images

ID: FLO4633712

Primrose, Hare-Bell, Eglantine and Moss (Cymbeline). Handcoioured botanical illustration drawn and lithographed by Jane Elizabeth Giraud from The Flowers of Shakespeare, Day and Haghe, London, 1845.

Daisies, Violets, Ladiesmocks and Cuckoo-buds, 1845 (lithograph)
Daisies, Violets, Ladiesmocks and Cuckoo-buds, 1845 (lithograph)

FLO4633823: Daisies, Violets, Ladiesmocks and Cuckoo-buds, 1845 (lithograph), Giraud, Jane Elizabeth (1810-68) / Bridgeman Images

ID: FLO4633823

Daisies, Violets, Ladiesmocks and Cuckoo-buds, 1845 (lithograph)

Giraud, Jane Elizabeth (1810-68)

Lavender, Mines, Savory, Marjoram and Marigold (Winter's Tale). Handcoioured botanical illustration drawn and lithographed by Jane Elizabeth Giraud from The Flowers of Shakespeare, Day and Haghe, London, 1845.
Lavender, Mines, Savory, Marjoram and Marigold (Winter's Tale). Handcoioured botanical illustration drawn and lithographed by Jane Elizabeth Giraud from The Flowers of Shakespeare, Day and Haghe, London, 1845.

FLO4633811: Lavender, Mines, Savory, Marjoram and Marigold (Winter's Tale). Handcoioured botanical illustration drawn and lithographed by Jane Elizabeth Giraud from The Flowers of Shakespeare, Day and Haghe, London, 1845. / Bridgeman Images

ID: FLO4633811

Lavender, Mines, Savory, Marjoram and Marigold (Winter's Tale). Handcoioured botanical illustration drawn and lithographed by Jane Elizabeth Giraud from The Flowers of Shakespeare, Day and Haghe, London, 1845.

Step to Entropy, 2003 (sculpture)
Step to Entropy, 2003 (sculpture)

TEC4634200: Step to Entropy, 2003 (sculpture), Artschwager, Richard (b.1923) / Bridgeman Images

ID: TEC4634200

Step to Entropy, 2003 (sculpture)

Artschwager, Richard (b.1923)

The imperial gardens of the summer palace in Pekin (Beijing, China), around 1800, with sampans on the lake at the foot of the hill covered with pavilions, porticoes and temples. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. The imperial gardens of Summer Palace in Peking, circa 1800, with sampans on the lake in front of a hillside of pavilions, halls and temples. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
The imperial gardens of the summer palace in Pekin (Beijing, China), around 1800, with sampans on the lake at the foot of the hill covered with pavilions, porticoes and temples. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. The imperial gardens of Summer Palace in Peking, circa 1800, with sampans on the lake in front of a hillside of pavilions, halls and temples. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4634304: The imperial gardens of the summer palace in Pekin (Beijing, China), around 1800, with sampans on the lake at the foot of the hill covered with pavilions, porticoes and temples. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. The imperial gardens of Summer Palace in Peking, circa 1800, with sampans on the lake in front of a hillside of pavilions, halls and temples. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

ID: FLO4634304

The imperial gardens of the summer palace in Pekin (Beijing, China), around 1800, with sampans on the lake at the foot of the hill covered with pavilions, porticoes and temples. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. The imperial gardens of Summer Palace in Peking, circa 1800, with sampans on the lake in front of a hillside of pavilions, halls and temples. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

Artist's view of the planet Uranus from its satellite Miranda. - Artist's view of the planet Uranus from its satellite Miranda. - Artist's view of the planet Uranus from its satellite Miranda
Artist's view of the planet Uranus from its satellite Miranda. - Artist's view of the planet Uranus from its satellite Miranda. - Artist's view of the planet Uranus from its satellite Miranda

PIX4634770: Artist's view of the planet Uranus from its satellite Miranda. - Artist's view of the planet Uranus from its satellite Miranda. - Artist's view of the planet Uranus from its satellite Miranda, Dixon, Don (b.1951) / Bridgeman Images

ID: PIX4634770

Artist's view of the planet Uranus from its satellite Miranda. - Artist's view of the planet Uranus from its satellite Miranda. - Artist's view of the planet Uranus from its satellite Miranda

Dixon, Don (b.1951)

Space-time -Artist's view
Space-time -Artist's view

PIX4634384: Space-time -Artist's view / Bridgeman Images

ID: PIX4634384

Space-time -Artist's view

Universe has 11 dimensions - 11-dimension Universe - Many universes could coexist and evolve in completely different ways. Artwork showing multiple universes
Universe has 11 dimensions - 11-dimension Universe - Many universes could coexist and evolve in completely different ways. Artwork showing multiple universes

PIX4634649: Universe has 11 dimensions - 11-dimension Universe - Many universes could coexist and evolve in completely different ways. Artwork showing multiple universes / Bridgeman Images

ID: PIX4634649

Universe has 11 dimensions - 11-dimension Universe - Many universes could coexist and evolve in completely different ways. Artwork showing multiple universes

Costume of the Itelmen people of Kamchatka (Russia): faces of men and women and couple in fur coat with a baby. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Itelmen people of the Kamchatka peninsula. Physiognomy, and man, woman and child wearing furlined clothes. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
Costume of the Itelmen people of Kamchatka (Russia): faces of men and women and couple in fur coat with a baby. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Itelmen people of the Kamchatka peninsula. Physiognomy, and man, woman and child wearing furlined clothes. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4634707: Costume of the Itelmen people of Kamchatka (Russia): faces of men and women and couple in fur coat with a baby. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Itelmen people of the Kamchatka peninsula. Physiognomy, and man, woman and child wearing furlined clothes. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

ID: FLO4634707

Costume of the Itelmen people of Kamchatka (Russia): faces of men and women and couple in fur coat with a baby. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Itelmen people of the Kamchatka peninsula. Physiognomy, and man, woman and child wearing furlined clothes. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

The Lavender (Painting, 1938-1940)
The Lavender (Painting, 1938-1940)

LRI4634722: The Lavender (Painting, 1938-1940), Pirandello, Fausto (1889-1975) / Bridgeman Images

ID: LRI4634722

The Lavender (Painting, 1938-1940)

Pirandello, Fausto (1889-1975)

An Egyptian leader accompanies a child servant who carries his curved sword. Below is a Mamluk warrior with a spear on his horse. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Egyptian chieftain in turban and robes with servant boy with curved sword, and a Mamluk warrior with spear on horseback. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
An Egyptian leader accompanies a child servant who carries his curved sword. Below is a Mamluk warrior with a spear on his horse. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Egyptian chieftain in turban and robes with servant boy with curved sword, and a Mamluk warrior with spear on horseback. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4634768: An Egyptian leader accompanies a child servant who carries his curved sword. Below is a Mamluk warrior with a spear on his horse. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Egyptian chieftain in turban and robes with servant boy with curved sword, and a Mamluk warrior with spear on horseback. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

ID: FLO4634768

An Egyptian leader accompanies a child servant who carries his curved sword. Below is a Mamluk warrior with a spear on his horse. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Egyptian chieftain in turban and robes with servant boy with curved sword, and a Mamluk warrior with spear on horseback. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

Uranus view of Miranda - Illustration - Artist view of the planet Uranus from its satellite Miranda
Uranus view of Miranda - Illustration - Artist view of the planet Uranus from its satellite Miranda

PIX4634808: Uranus view of Miranda - Illustration - Artist view of the planet Uranus from its satellite Miranda, Dixon, Don (b.1951) / Bridgeman Images

ID: PIX4634808

Uranus view of Miranda - Illustration - Artist view of the planet Uranus from its satellite Miranda

Dixon, Don (b.1951)

Cossack costumes (Russia): Cossack dancing to the sound of the guitar, while a hunter returns with a duck. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Cosack men dancing to music from a guitar, while a hunter returns with a duck. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
Cossack costumes (Russia): Cossack dancing to the sound of the guitar, while a hunter returns with a duck. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Cosack men dancing to music from a guitar, while a hunter returns with a duck. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4634820: Cossack costumes (Russia): Cossack dancing to the sound of the guitar, while a hunter returns with a duck. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Cosack men dancing to music from a guitar, while a hunter returns with a duck. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

ID: FLO4634820

Cossack costumes (Russia): Cossack dancing to the sound of the guitar, while a hunter returns with a duck. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Cosack men dancing to music from a guitar, while a hunter returns with a duck. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

John Yonge, Ioannes Yongus, Irish Jesuit priest, died 1664, aged 75. Copperplate engraving from William Richard's Portraits Illustrating Granger's Biographical History of England, London, 1792-1812. James Granger (1723-1776) was an English clergy, biographer, and print collector.
John Yonge, Ioannes Yongus, Irish Jesuit priest, died 1664, aged 75. Copperplate engraving from William Richard's Portraits Illustrating Granger's Biographical History of England, London, 1792-1812. James Granger (1723-1776) was an English clergy, biographer, and print collector.

FLO4636782: John Yonge, Ioannes Yongus, Irish Jesuit priest, died 1664, aged 75. Copperplate engraving from William Richard's Portraits Illustrating Granger's Biographical History of England, London, 1792-1812. James Granger (1723-1776) was an English clergy, biographer, and print collector. / Bridgeman Images

ID: FLO4636782

John Yonge, Ioannes Yongus, Irish Jesuit priest, died 1664, aged 75. Copperplate engraving from William Richard's Portraits Illustrating Granger's Biographical History of England, London, 1792-1812. James Granger (1723-1776) was an English clergy, biographer, and print collector.


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