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Green Waterfall (oil on canvas)
Green Waterfall (oil on canvas)

DEA223334: Green Waterfall (oil on canvas), Deakin, Jane / Bridgeman Images

Emily Elizabeth Dickinson's House, Amherst, Massachusetts, from 'A Pictorial History of American Literature', 1956 (print)
Emily Elizabeth Dickinson's House, Amherst, Massachusetts, from 'A Pictorial History of American Literature', 1956 (print)

XLA3754173: Emily Elizabeth Dickinson's House, Amherst, Massachusetts, from 'A Pictorial History of American Literature', 1956 (print), American School, (20th century) / Bridgeman Images

Mountainscape 2, 2019 (collage)
Mountainscape 2, 2019 (collage)

ANH6184896: Mountainscape 2, 2019 (collage), Bodart, Florent / Bridgeman Images

The Mad Hatter and the March Hare putting the Dormouse in the Teapot, from 'Alice's Adventures in Wonderland' by Lewis Carroll (1832 - 98), pub. 1891 (engraving)
The Mad Hatter and the March Hare putting the Dormouse in the Teapot, from 'Alice's Adventures in Wonderland' by Lewis Carroll (1832 - 98), pub. 1891 (engraving)

STC2657685: The Mad Hatter and the March Hare putting the Dormouse in the Teapot, from 'Alice's Adventures in Wonderland' by Lewis Carroll (1832 - 98), pub. 1891 (engraving), Tenniel, John (1820-1914) / Bridgeman Images

Lech Walesa Polish Union Activist Leader during A Speech To Striker of Leninshipyard in Gdansk August 31, 1980 (photo)
Lech Walesa Polish Union Activist Leader during A Speech To Striker of Leninshipyard in Gdansk August 31, 1980 (photo)

XRF1653748: Lech Walesa Polish Union Activist Leader during A Speech To Striker of Leninshipyard in Gdansk August 31, 1980 (photo), Unknown photographer, (20th century) / Bridgeman Images

The Sisters, Joan and Marjory, 1927 (oil on panel)
The Sisters, Joan and Marjory, 1927 (oil on panel)

CH657030: The Sisters, Joan and Marjory, 1927 (oil on panel), Lavery, John (1856-1941) / Bridgeman Images

Square of the Hotel de Ville in Aix-en-Provence (pen & ink with w/c and gouache on paper)
Square of the Hotel de Ville in Aix-en-Provence (pen & ink with w/c and gouache on paper)

XAB385531: Square of the Hotel de Ville in Aix-en-Provence (pen & ink with w/c and gouache on paper), Signac, Paul (1863-1935) / Bridgeman Images

Simia melanocephala, Pl. XXIX, steel engraved by Louis Bouquet (1765-1814) after an engraving by Nicola Huet (1770-1827), illustration from 'Recueil d'observation de zoologie et d'anatomie comparee, faites dans l'ocean atlantique, dans l' interieur du nouveau continent et dans la mer du sud pendant les annes 1799, 1800, 1801, 1802 et 1803, Premier Volume, by Al. v. Humboldt et A. Bonplant, Paris, 1811 (colour engraving)
Simia melanocephala, Pl. XXIX, steel engraved by Louis Bouquet (1765-1814) after an engraving by Nicola Huet (1770-1827), illustration from 'Recueil d'observation de zoologie et d'anatomie comparee, faites dans l'ocean atlantique, dans l' interieur du nouveau continent et dans la mer du sud pendant les annes 1799, 1800, 1801, 1802 et 1803, Premier Volume, by Al. v. Humboldt et A. Bonplant, Paris, 1811 (colour engraving)

HMB306123: Simia melanocephala, Pl. XXIX, steel engraved by Louis Bouquet (1765-1814) after an engraving by Nicola Huet (1770-1827), illustration from 'Recueil d'observation de zoologie et d'anatomie comparee, faites dans l'ocean atlantique, dans l' interieur du nouveau continent et dans la mer du sud pendant les annes 1799, 1800, 1801, 1802 et 1803, Premier Volume, by Al. v. Humboldt et A. Bonplant, Paris, 1811 (colour engraving), Humboldt, Friedrich Alexander, Baron von (1769-1859) (after) / Bridgeman Images

The Invention of Oil Paint, plate 15 from 'Nova Reperta' (New Discoveries) engraved by Philip Galle (1537-1612) c.1600 (engraving) (later colouration)
The Invention of Oil Paint, plate 15 from 'Nova Reperta' (New Discoveries) engraved by Philip Galle (1537-1612) c.1600 (engraving) (later colouration)

STC285799: The Invention of Oil Paint, plate 15 from 'Nova Reperta' (New Discoveries) engraved by Philip Galle (1537-1612) c.1600 (engraving) (later colouration), Straet, Jan van der (Giovanni Stradano) (1523-1605) (after) / Bridgeman Images

A double portrait of the Fullerton sisters, seated full length, in white dresses, c.1825 (oil on canvas)
A double portrait of the Fullerton sisters, seated full length, in white dresses, c.1825 (oil on canvas)

CH378397: A double portrait of the Fullerton sisters, seated full length, in white dresses, c.1825 (oil on canvas), Lawrence, Thomas (1769-1830) / Bridgeman Images

Medicine chest used by Florence Nightingale during the Crimean War, 1854-56 (wood)
Medicine chest used by Florence Nightingale during the Crimean War, 1854-56 (wood)

FNM321939: Medicine chest used by Florence Nightingale during the Crimean War, 1854-56 (wood), English School, (19th century) / Bridgeman Images

Macrocosm, from 'Zubdet ut Tevarih' by Lokman, 1583 (vellum)
Macrocosm, from 'Zubdet ut Tevarih' by Lokman, 1583 (vellum)

REV326111: Macrocosm, from 'Zubdet ut Tevarih' by Lokman, 1583 (vellum), Turkish School, (16th century) / Bridgeman Images

View of the Selimiye mosque, Ottoman Empire, Istanbul,built c.1569-75 (photo)
View of the Selimiye mosque, Ottoman Empire, Istanbul,built c.1569-75 (photo)

XIR226182: View of the Selimiye mosque, Ottoman Empire, Istanbul,built c.1569-75 (photo), Sinan, Mimar (c.1500-88) / Bridgeman Images

Pygmalion and Galatea (oil on canvas)
Pygmalion and Galatea (oil on canvas)

BOO226891: Pygmalion and Galatea (oil on canvas), Boucher, Francois (1703-70) / Bridgeman Images

Armand Jean du Plessis, Cardinal de Richelieu, 17th century (oil on canvas)
Armand Jean du Plessis, Cardinal de Richelieu, 17th century (oil on canvas)

JLJ4583282: Armand Jean du Plessis, Cardinal de Richelieu, 17th century (oil on canvas), Champaigne, Philippe de (1602-74) (studio of) / Bridgeman Images

Planting the tree of freedom, 18th century (engraving)
Planting the tree of freedom, 18th century (engraving)

JLJ4584446: Planting the tree of freedom, 18th century (engraving), Lesueur Brothers, (18th century) / Bridgeman Images

Gravitation, 1930, 1st Edition of 'Sleeping Partners', Aldin, Cecil Charles Windsor (1870-1935), published by Eyre and Spottiswoode Limited, Chalk and Charcoal on paper
Gravitation, 1930, 1st Edition of 'Sleeping Partners', Aldin, Cecil Charles Windsor (1870-1935), published by Eyre and Spottiswoode Limited, Chalk and Charcoal on paper

STC255577: Gravitation, 1930, 1st Edition of 'Sleeping Partners', Aldin, Cecil Charles Windsor (1870-1935), published by Eyre and Spottiswoode Limited, Chalk and Charcoal on paper, Aldin, Cecil Charles Windsor (1870-1935) / Bridgeman Images

Constantijn  Huygens (1596-1687) and his clerk, 1627 (oil on panel)
Constantijn  Huygens (1596-1687) and his clerk, 1627 (oil on panel)

XCF259768: Constantijn Huygens (1596-1687) and his clerk, 1627 (oil on panel), Keyser, Thomas de (1596/7-1667) / Bridgeman Images

Lady Caroline Lamb (oil on canvas)
Lady Caroline Lamb (oil on canvas)

CTS336396: Lady Caroline Lamb (oil on canvas), Phillips, Thomas (1770-1845) / Bridgeman Images

The Chariot Race, c.1882 (oil on canvas) (detail of 201093)
The Chariot Race, c.1882 (oil on canvas) (detail of 201093)

MAN328374: The Chariot Race, c.1882 (oil on canvas) (detail of 201093), Wagner, Alexander von (1838-1919) / Bridgeman Images

Arcangelo Corelli (engraving)
Arcangelo Corelli (engraving)

XJF342401: Arcangelo Corelli (engraving), Howard, H. (18th century) (after) / Bridgeman Images

Portrait of Arthur Rimbaud at the age of 17 (photo)
Portrait of Arthur Rimbaud at the age of 17 (photo)

XEE4405413: Portrait of Arthur Rimbaud at the age of 17 (photo), Carjat, Etienne (1828-1906) / Bridgeman Images

The Field of Wheat, 1878 (oil on canvas)
The Field of Wheat, 1878 (oil on canvas)

CCL214335: The Field of Wheat, 1878 (oil on canvas), Shishkin, Ivan Ivanovich (1832-98) / Bridgeman Images

Francois Viete (1540-1603), illustration from 'Histoire des Mathematiciens by Alexandre Saverien (1720-1805), published in Paris 1766 (engraving)
Francois Viete (1540-1603), illustration from 'Histoire des Mathematiciens by Alexandre Saverien (1720-1805), published in Paris 1766 (engraving)

CHT218670: Francois Viete (1540-1603), illustration from 'Histoire des Mathematiciens by Alexandre Saverien (1720-1805), published in Paris 1766 (engraving), French School, (18th century) / Bridgeman Images

Portrait of James I, King of England and Ireland (James VI, King of Scotland), c.1605 (painting)
Portrait of James I, King of England and Ireland (James VI, King of Scotland), c.1605 (painting)

LRI4581933: Portrait of James I, King of England and Ireland (James VI, King of Scotland), c.1605 (painting), Critz, John de (c.1552-1642) (circle of) / Bridgeman Images

The canoeists rowing on the Yerres, 1877 (oil on canvas)
The canoeists rowing on the Yerres, 1877 (oil on canvas)

JLJ4601028: The canoeists rowing on the Yerres, 1877 (oil on canvas), Caillebotte, Gustave (1848-94) / Bridgeman Images

Portrait of Elisabeth Petrovna (1709-1762), 18th century (oil on canvas)
Portrait of Elisabeth Petrovna (1709-1762), 18th century (oil on canvas)

JLJ4689194: Portrait of Elisabeth Petrovna (1709-1762), 18th century (oil on canvas), Roslin, Alexander (1718-93) / Bridgeman Images

Rosary belonging to Mary Queen of Scots, 1587 (gold and pearl) (see also 279121)
Rosary belonging to Mary Queen of Scots, 1587 (gold and pearl) (see also 279121)

DON279119: Rosary belonging to Mary Queen of Scots, 1587 (gold and pearl) (see also 279121), English School, (16th century) / Bridgeman Images

Artists from the Futurism movement in Paris, 1912 (photo)
Artists from the Futurism movement in Paris, 1912 (photo)

GIA4743596: Artists from the Futurism movement in Paris, 1912 (photo), Unknown photographer, (20th century) / Bridgeman Images

The Vision of the Valley of Dry Bones, Ezekiel 37:1-2, illustration from Dore's 'The Holy Bible', engraved by C. Laplante (d.1903) 1866 (engraving)
The Vision of the Valley of Dry Bones, Ezekiel 37:1-2, illustration from Dore's 'The Holy Bible', engraved by C. Laplante (d.1903) 1866 (engraving)

KWE259171: The Vision of the Valley of Dry Bones, Ezekiel 37:1-2, illustration from Dore's 'The Holy Bible', engraved by C. Laplante (d.1903) 1866 (engraving), Dore, Gustave (1832-83) (after) / Bridgeman Images

Ancient Rome: Plundering of Rome by the Vandals, on 2nd June 455 - 1866 (coloured engraving)
Ancient Rome: Plundering of Rome by the Vandals, on 2nd June 455 - 1866 (coloured engraving)

XEE702498: Ancient Rome: Plundering of Rome by the Vandals, on 2nd June 455 - 1866 (coloured engraving), Unknown Artist, (19th century) / Bridgeman Images

Pushing Weights with Two Arms Number 2, 1913 (oil on canvas)
Pushing Weights with Two Arms Number 2, 1913 (oil on canvas)

PNH354125: Pushing Weights with Two Arms Number 2, 1913 (oil on canvas), Jansson, Eugene (1862-1915) / Bridgeman Images

Lingering Snow at Tsurugaoka' from Eight Views from Fine Tales of Warriors (Bidan musha hakkei) Meiji era, 1868 (colour woodblock print)
Lingering Snow at Tsurugaoka' from Eight Views from Fine Tales of Warriors (Bidan musha hakkei) Meiji era, 1868 (colour woodblock print)

FSG348865: Lingering Snow at Tsurugaoka' from Eight Views from Fine Tales of Warriors (Bidan musha hakkei) Meiji era, 1868 (colour woodblock print), Yoshitoshi, Tsukioka (1839-92) / Bridgeman Images

General Sir Henry Clinton (1730-95) c.1777 (w/c on ivory)
General Sir Henry Clinton (1730-95) c.1777 (w/c on ivory)

NAM250501: General Sir Henry Clinton (1730-95) c.1777 (w/c on ivory), Smart, John (1741-1811) / Bridgeman Images

Facsimile copy of the Edwin Smith Medical Papyrus, original dating from c.1600-1500 BC (papyrus)
Facsimile copy of the Edwin Smith Medical Papyrus, original dating from c.1600-1500 BC (papyrus)

CHT235119: Facsimile copy of the Edwin Smith Medical Papyrus, original dating from c.1600-1500 BC (papyrus), Egyptian, (after) / Bridgeman Images

The Translation of the Mortal Remains of Voltaire (1694-1778) to the Pantheon in Paris on 10th July 1791 (w/c on paper) (detail)
The Translation of the Mortal Remains of Voltaire (1694-1778) to the Pantheon in Paris on 10th July 1791 (w/c on paper) (detail)

CHT247114: The Translation of the Mortal Remains of Voltaire (1694-1778) to the Pantheon in Paris on 10th July 1791 (w/c on paper) (detail), Lagrenee, Louis Jean Francois I (1725-1805) / Bridgeman Images


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