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Katharina Luther (nee von Bora), 1528 (oil on panel)
Katharina Luther (nee von Bora), 1528 (oil on panel)

XPH308471: Katharina Luther (nee von Bora), 1528 (oil on panel), Cranach, Lucas the Elder (1472-1553) (attr. to) / Bridgeman Images

ID: XPH308471

Katharina Luther (nee von Bora), 1528 (oil on panel)

Cranach, Lucas the Elder (1472-1553) (attr. to)

The Resurrection of Christ (oil on canvas)
The Resurrection of Christ (oil on canvas)

AGN282324: The Resurrection of Christ (oil on canvas), Tintoretto, Jacopo Robusti (1518-94) / Bridgeman Images

ID: AGN282324

The Resurrection of Christ (oil on canvas)

Tintoretto, Jacopo Robusti (1518-94)

Christ Glorified in the Court of Heaven, detail of musical angels from the right hand side, 1419-35 (tempera on panel) (detail of 4052)
Christ Glorified in the Court of Heaven, detail of musical angels from the right hand side, 1419-35 (tempera on panel) (detail of 4052)

XCF259747: Christ Glorified in the Court of Heaven, detail of musical angels from the right hand side, 1419-35 (tempera on panel) (detail of 4052), Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455) / Bridgeman Images

ID: XCF259747

Christ Glorified in the Court of Heaven, detail of musical angels from the right hand side, 1419-35 (tempera on panel) (detail of 4052)

Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455)

Map of Tenochtitlan from 'Praeclara Ferdinandi Cortesii de Nova Maris Oceani Hispania Narrati' (woodcut) (b/w photo)
Map of Tenochtitlan from 'Praeclara Ferdinandi Cortesii de Nova Maris Oceani Hispania Narrati' (woodcut) (b/w photo)

XJF265826: Map of Tenochtitlan from 'Praeclara Ferdinandi Cortesii de Nova Maris Oceani Hispania Narrati' (woodcut) (b/w photo), German School, (16th century) / Bridgeman Images

ID: XJF265826

Map of Tenochtitlan from 'Praeclara Ferdinandi Cortesii de Nova Maris Oceani Hispania Narrati' (woodcut) (b/w photo)

German School, (16th century)

Portrait of Henry Wriothesley, 3rd Earl of Southampton, c.1600 (oil on canvas) (detail)
Portrait of Henry Wriothesley, 3rd Earl of Southampton, c.1600 (oil on canvas) (detail)

XCF268049: Portrait of Henry Wriothesley, 3rd Earl of Southampton, c.1600 (oil on canvas) (detail), English School, (17th century) / Bridgeman Images

ID: XCF268049

Portrait of Henry Wriothesley, 3rd Earl of Southampton, c.1600 (oil on canvas) (detail)

English School, (17th century)

Experiment on the decomposition of water, illustration from 'Traite elementaire de chimie' by Antoine Laurent de Lavoisier (1743-94) (engraving) (b/w photo)
Experiment on the decomposition of water, illustration from 'Traite elementaire de chimie' by Antoine Laurent de Lavoisier (1743-94) (engraving) (b/w photo)

XIR242889: Experiment on the decomposition of water, illustration from 'Traite elementaire de chimie' by Antoine Laurent de Lavoisier (1743-94) (engraving) (b/w photo), Lavoisier, Marie Anne Pierrette (1758-1836) / Bridgeman Images

ID: XIR242889

Experiment on the decomposition of water, illustration from 'Traite elementaire de chimie' by Antoine Laurent de Lavoisier (1743-94) (engraving) (b/w photo)

Lavoisier, Marie Anne Pierrette (1758-1836)

Mohammed performs the first ritual ablution as taught to him by the Archangel Gabriel, from the Siyer-i Nebi, completed c.1595 (gouache on paper) (detail of 399399)
Mohammed performs the first ritual ablution as taught to him by the Archangel Gabriel, from the Siyer-i Nebi, completed c.1595 (gouache on paper) (detail of 399399)

STF258098: Mohammed performs the first ritual ablution as taught to him by the Archangel Gabriel, from the Siyer-i Nebi, completed c.1595 (gouache on paper) (detail of 399399), Turkish School, (16th century) / Bridgeman Images

ID: STF258098

Mohammed performs the first ritual ablution as taught to him by the Archangel Gabriel, from the Siyer-i Nebi, completed c.1595 (gouache on paper) (detail of 399399)

Turkish School, (16th century)

Entrance to the Amphitheatre, design for the opera 'L'Ultimo Giorno di Pompeii', 1827 (colour litho)
Entrance to the Amphitheatre, design for the opera 'L'Ultimo Giorno di Pompeii', 1827 (colour litho)

CHT221505: Entrance to the Amphitheatre, design for the opera 'L'Ultimo Giorno di Pompeii', 1827 (colour litho), Sanquirico, Alessandro (1777-1849) (after) / Bridgeman Images

ID: CHT221505

Entrance to the Amphitheatre, design for the opera 'L'Ultimo Giorno di Pompeii', 1827 (colour litho)

Sanquirico, Alessandro (1777-1849) (after)

Apis bull, Late Period (solid cast bronze)
Apis bull, Late Period (solid cast bronze)

HSC224924: Apis bull, Late Period (solid cast bronze), Egyptian 26th Dynasty (664-525 BC) / Bridgeman Images

ID: HSC224924

Apis bull, Late Period (solid cast bronze)

Egyptian 26th Dynasty (664-525 BC)

A Duel, from 'Simplicissimus', 20th June 1896 (coloured engraving)
A Duel, from 'Simplicissimus', 20th June 1896 (coloured engraving)

XIR213946: A Duel, from 'Simplicissimus', 20th June 1896 (coloured engraving), engl, Josef Benedikt (1867-1907) / Bridgeman Images

ID: XIR213946

A Duel, from 'Simplicissimus', 20th June 1896 (coloured engraving)

engl, Josef Benedikt (1867-1907)

Aline Chasseriau (1822-71) 1835 (oil on canvas)
Aline Chasseriau (1822-71) 1835 (oil on canvas)

XIR223805: Aline Chasseriau (1822-71) 1835 (oil on canvas), Chasseriau, Theodore (1819-56) / Bridgeman Images

ID: XIR223805

Aline Chasseriau (1822-71) 1835 (oil on canvas)

Chasseriau, Theodore (1819-56)

Prince Josef Poniatowski (1763-1813) c.1810 (oil on canvas)
Prince Josef Poniatowski (1763-1813) c.1810 (oil on canvas)

XCZ228756: Prince Josef Poniatowski (1763-1813) c.1810 (oil on canvas), Brodowski, Antoni (1784-1832) / Bridgeman Images

ID: XCZ228756

Prince Josef Poniatowski (1763-1813) c.1810 (oil on canvas)

Brodowski, Antoni (1784-1832)

Alexander the Great Tetradrachm showing the head of Herakles wearing a lionskin headdress
Alexander the Great Tetradrachm showing the head of Herakles wearing a lionskin headdress

XBP229191: Alexander the Great Tetradrachm showing the head of Herakles wearing a lionskin headdress, Greek school, (4th century BC) / Bridgeman Images

ID: XBP229191

Alexander the Great Tetradrachm showing the head of Herakles wearing a lionskin headdress

Greek school, (4th century BC)

Inuit sun/snow 'glasses' (leather)
Inuit sun/snow 'glasses' (leather)

XBP229267: Inuit sun/snow 'glasses' (leather), Inuit School, (18th century) / Bridgeman Images

ID: XBP229267

Inuit sun/snow 'glasses' (leather)

Inuit School, (18th century)

View of the Palace of Knossos, from the east, c.1500 BC (photo)
View of the Palace of Knossos, from the east, c.1500 BC (photo)

XIR27182: View of the Palace of Knossos, from the east, c.1500 BC (photo), Minoan / Bridgeman Images

ID: XIR27182

View of the Palace of Knossos, from the east, c.1500 BC (photo)

Minoan

The Route to California. Truckee River, Sierra Nevada. Central Pacific railway, 1871 (litho)
The Route to California. Truckee River, Sierra Nevada. Central Pacific railway, 1871 (litho)

BAL32907: The Route to California. Truckee River, Sierra Nevada. Central Pacific railway, 1871 (litho), Currier, N. (1813-88) and Ives, J.M. (1824-95) / Bridgeman Images

ID: BAL32907

The Route to California. Truckee River, Sierra Nevada. Central Pacific railway, 1871 (litho)

Currier, N. (1813-88) and Ives, J.M. (1824-95)

January, from `Twelve Months of Flowers', by Robert Furber (c.1674-1756) engraved by Henry Fletcher (colour engraving)
January, from `Twelve Months of Flowers', by Robert Furber (c.1674-1756) engraved by Henry Fletcher (colour engraving)

BAL11106: January, from `Twelve Months of Flowers', by Robert Furber (c.1674-1756) engraved by Henry Fletcher (colour engraving), Casteels, Pieter (1684-1749) (after) / Bridgeman Images

ID: BAL11106

January, from `Twelve Months of Flowers', by Robert Furber (c.1674-1756) engraved by Henry Fletcher (colour engraving)

Casteels, Pieter (1684-1749) (after)

Mahongwe Mask (wood)
Mahongwe Mask (wood)

BCC11167: Mahongwe Mask (wood), South Central African School, (19th century) / Bridgeman Images

ID: BCC11167

Mahongwe Mask (wood)

South Central African School, (19th century)

Orsino and Viola
Orsino and Viola

BAL11992: Orsino and Viola, Pickersgill, Frederick Richard (1820-1900) / Bridgeman Images

ID: BAL11992

Orsino and Viola

Pickersgill, Frederick Richard (1820-1900)

Eruption of Vesuvius in 1771 (oil on canvas)
Eruption of Vesuvius in 1771 (oil on canvas)

AGN49565: Eruption of Vesuvius in 1771 (oil on canvas), Volaire, Pierre Jacques (1729-c.1802) / Bridgeman Images

ID: AGN49565

Eruption of Vesuvius in 1771 (oil on canvas)

Volaire, Pierre Jacques (1729-c.1802)

The Prophetess Libuse, 1893 (oil on canvas)
The Prophetess Libuse, 1893 (oil on canvas)

GR16008: The Prophetess Libuse, 1893 (oil on canvas), Masek, Vitezlav Karel (1865-1927) / Bridgeman Images

ID: GR16008

The Prophetess Libuse, 1893 (oil on canvas)

Masek, Vitezlav Karel (1865-1927)

Fol.152v The Crowning of Montezuma II (1466-1520) the Last Mexican Emperor in 1502, 1579 (vellum)
Fol.152v The Crowning of Montezuma II (1466-1520) the Last Mexican Emperor in 1502, 1579 (vellum)

XIR54631: Fol.152v The Crowning of Montezuma II (1466-1520) the Last Mexican Emperor in 1502, 1579 (vellum), Duran, Diego (16th century) / Bridgeman Images

ID: XIR54631

Fol.152v The Crowning of Montezuma II (1466-1520) the Last Mexican Emperor in 1502, 1579 (vellum)

Duran, Diego (16th century)

Cupid and Psyche (oil on canvas)
Cupid and Psyche (oil on canvas)

FTB60799: Cupid and Psyche (oil on canvas), Canova, Antonio (1757-1822) / Bridgeman Images

ID: FTB60799

Cupid and Psyche (oil on canvas)

Canova, Antonio (1757-1822)

The Trinity c.1500
The Trinity c.1500

BCC17257: The Trinity c.1500, Flemish School, (16th century) / Bridgeman Images

ID: BCC17257

The Trinity c.1500

Flemish School, (16th century)

The Pinch of Poverty, 1891 (oil on canvas)
The Pinch of Poverty, 1891 (oil on canvas)

CF3611: The Pinch of Poverty, 1891 (oil on canvas), Kennington, Thomas Benjamin (1856-1916) / Bridgeman Images

ID: CF3611

The Pinch of Poverty, 1891 (oil on canvas)

Kennington, Thomas Benjamin (1856-1916)

Transport map of London, c.1915 (colour litho)
Transport map of London, c.1915 (colour litho)

BAL8481: Transport map of London, c.1915 (colour litho), English School, (19th century) / Bridgeman Images

ID: BAL8481

Transport map of London, c.1915 (colour litho)

English School, (19th century)

Kubista: Cupid striking
Kubista: Cupid striking

BAL7808: Kubista: Cupid striking, Anonymous / Bridgeman Images

ID: BAL7808

Kubista: Cupid striking

Anonymous

Eugene Viollet-Le-Duc (1814-1879) in 1878 (b/w photo)
Eugene Viollet-Le-Duc (1814-1879) in 1878 (b/w photo)

XRH1699145: Eugene Viollet-Le-Duc (1814-1879) in 1878 (b/w photo), Nadar, (Gaspard Felix Tournachon) (1820-1910) / Bridgeman Images

ID: XRH1699145

Eugene Viollet-Le-Duc (1814-1879) in 1878 (b/w photo)

Nadar, (Gaspard Felix Tournachon) (1820-1910)

Destruction of the U.S. Battleship Maine in Havana Harbor, February 15th, 1898 (colour litho)
Destruction of the U.S. Battleship Maine in Havana Harbor, February 15th, 1898 (colour litho)

NYH192707: Destruction of the U.S. Battleship Maine in Havana Harbor, February 15th, 1898 (colour litho), Kurz and Allison (fl.1880-98) / Bridgeman Images

ID: NYH192707

Destruction of the U.S. Battleship Maine in Havana Harbor, February 15th, 1898 (colour litho)

Kurz and Allison (fl.1880-98)

Capturing a Sperm Whale, engraved by J. Hill, published 1835 (coloured engraving)
Capturing a Sperm Whale, engraved by J. Hill, published 1835 (coloured engraving)

NYH191548: Capturing a Sperm Whale, engraved by J. Hill, published 1835 (coloured engraving), Page, William (1811-85) (after) / Bridgeman Images

ID: NYH191548

Capturing a Sperm Whale, engraved by J. Hill, published 1835 (coloured engraving)

Page, William (1811-85) (after)

Afternoon Tea (oil on canvas)
Afternoon Tea (oil on canvas)

XPG443305: Afternoon Tea (oil on canvas), Shakespeare, Percy (1906-43) / Bridgeman Images

ID: XPG443305

Afternoon Tea (oil on canvas)

Shakespeare, Percy (1906-43)

Giverny, the house from the garden, 1913 (oil on canvas)
Giverny, the house from the garden, 1913 (oil on canvas)

NUM407659: Giverny, the house from the garden, 1913 (oil on canvas), Monet, Claude (1840-1926) / Bridgeman Images

ID: NUM407659

Giverny, the house from the garden, 1913 (oil on canvas)

Monet, Claude (1840-1926)

Little Islands at Port-Villez, 1883 (oil on canvas)
Little Islands at Port-Villez, 1883 (oil on canvas)

LEF218869: Little Islands at Port-Villez, 1883 (oil on canvas), Monet, Claude (1840-1926) / Bridgeman Images

ID: LEF218869

Little Islands at Port-Villez, 1883 (oil on canvas)

Monet, Claude (1840-1926)

Portrait Of The Impress Josephine De Beauharnais (1763-1814), 1801 (oil on canvas)
Portrait Of The Impress Josephine De Beauharnais (1763-1814), 1801 (oil on canvas)

JLJ4683271: Portrait Of The Impress Josephine De Beauharnais (1763-1814), 1801 (oil on canvas), Gerard, Francois Pascal Simon, Baron (1770-1837) / Bridgeman Images

ID: JLJ4683271

Portrait Of The Impress Josephine De Beauharnais (1763-1814), 1801 (oil on canvas)

Gerard, Francois Pascal Simon, Baron (1770-1837)

Waiting, c.1882 (pastel on beige laid paper)
Waiting, c.1882 (pastel on beige laid paper)

XOS514571: Waiting, c.1882 (pastel on beige laid paper), Degas, Edgar (1834-1917) / Bridgeman Images

ID: XOS514571

Waiting, c.1882 (pastel on beige laid paper)

Degas, Edgar (1834-1917)

Series 'Les Bons Bourgeois', Isn't it marvellous to have a son who is a lawyer, plate 21, illustration from 'Le Charivari', 27th October 1846 (lithograph)
Series 'Les Bons Bourgeois', Isn't it marvellous to have a son who is a lawyer, plate 21, illustration from 'Le Charivari', 27th October 1846 (lithograph)

XIR287504: Series 'Les Bons Bourgeois', Isn't it marvellous to have a son who is a lawyer, plate 21, illustration from 'Le Charivari', 27th October 1846 (lithograph), Daumier, Honore (1808-79) / Bridgeman Images

ID: XIR287504

Series 'Les Bons Bourgeois', Isn't it marvellous to have a son who is a lawyer, plate 21, illustration from 'Le Charivari', 27th October 1846 (lithograph)

Daumier, Honore (1808-79)


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