Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

2498276 Search Results

Princeton College, Princeton, N.J. designed by W.M. Radcliff, lith. by Thos. Hunter, circa 1875, US, USA, America ©LisztCollection/Leemage
Princeton College, Princeton, N.J. designed by W.M. Radcliff, lith. by Thos. Hunter, circa 1875, US, USA, America ©LisztCollection/Leemage

LZT5491690: Princeton College, Princeton, N.J. designed by W.M. Radcliff, lith. by Thos. Hunter, circa 1875, US, USA, America ©LisztCollection/Leemage / Bridgeman Images

Birds eye view of Trinity Church, New York circa 1846, US, USA, America ©LisztCollection/Leemage
Birds eye view of Trinity Church, New York circa 1846, US, USA, America ©LisztCollection/Leemage

LZT5491716: Birds eye view of Trinity Church, New York circa 1846, US, USA, America ©LisztCollection/Leemage / Bridgeman Images

Bird's eye view of New York City, New York, showing Battery Park on the right and Central Park on the left; also visible are the foundations for the Brooklyn Bridge, 1876, US, USA, America ©LisztCollection/Leemage
Bird's eye view of New York City, New York, showing Battery Park on the right and Central Park on the left; also visible are the foundations for the Brooklyn Bridge, 1876, US, USA, America ©LisztCollection/Leemage

LZT5491740: Bird's eye view of New York City, New York, showing Battery Park on the right and Central Park on the left; also visible are the foundations for the Brooklyn Bridge, 1876, US, USA, America ©LisztCollection/Leemage / Bridgeman Images

6 avril 2009 Village de Onna pres de L'Aquila , Abruzzes Italie : tremblement de terre .
©Agf/Leemage
6 avril 2009 Village de Onna pres de L'Aquila , Abruzzes Italie : tremblement de terre .
©Agf/Leemage

AGF5491798: 6 avril 2009 Village de Onna pres de L'Aquila , Abruzzes Italie : tremblement de terre . ©Agf/Leemage / Bridgeman Images

View of Pottsville Taken from Sharp Mountain & respectfully dedicated to the enterprising citizens of the Coal Region by John Rubens Smith, 1775 1849, US, USA, America ©LisztCollection/Leemage
View of Pottsville Taken from Sharp Mountain & respectfully dedicated to the enterprising citizens of the Coal Region by John Rubens Smith, 1775 1849, US, USA, America ©LisztCollection/Leemage

LZT5491807: View of Pottsville Taken from Sharp Mountain & respectfully dedicated to the enterprising citizens of the Coal Region by John Rubens Smith, 1775 1849, US, USA, America ©LisztCollection/Leemage / Bridgeman Images

Roman art, detail of a relief depicting a battle. Marble. Vatican Museum, Rome 153-006572
Roman art, detail of a relief depicting a battle. Marble. Vatican Museum, Rome 153-006572

TRK5492756: Roman art, detail of a relief depicting a battle. Marble. Vatican Museum, Rome 153-006572 / Bridgeman Images

Prehistoric art, bronze age. Megalithic ensemble of Torre d'en Gaumes, view of the houses. Menorca, Balearic Islands, Spain 153-018419
Prehistoric art, bronze age. Megalithic ensemble of Torre d'en Gaumes, view of the houses. Menorca, Balearic Islands, Spain 153-018419

TRK5492775: Prehistoric art, bronze age. Megalithic ensemble of Torre d'en Gaumes, view of the houses. Menorca, Balearic Islands, Spain 153-018419 / Bridgeman Images

Paleochretian art: the miracle of the multiplication of loaves and fish. Sarcophagus San Justo de la Vega in marble realized in the 4th century. From Asturias Augusta Astorga. National Archeological Museum, Madrid. 153-043774
Paleochretian art: the miracle of the multiplication of loaves and fish. Sarcophagus San Justo de la Vega in marble realized in the 4th century. From Asturias Augusta Astorga. National Archeological Museum, Madrid. 153-043774

TRK5492798: Paleochretian art: the miracle of the multiplication of loaves and fish. Sarcophagus San Justo de la Vega in marble realized in the 4th century. From Asturias Augusta Astorga. National Archeological Museum, Madrid. 153-043774 / Bridgeman Images

Honore Daumier (French, 1808-1879), Un Monsieur qui veut se donner la satisfaction, 1846, lithograph
Honore Daumier (French, 1808-1879), Un Monsieur qui veut se donner la satisfaction, 1846, lithograph

LZT5492904: Honore Daumier (French, 1808-1879), Un Monsieur qui veut se donner la satisfaction, 1846, lithograph, Daumier, Honore (1808-79) / Bridgeman Images

Honore Daumier (French, 1808-1879), Monsieur voici ce que nous donnons en prime, 1845, lithograph
Honore Daumier (French, 1808-1879), Monsieur voici ce que nous donnons en prime, 1845, lithograph

LZT5492968: Honore Daumier (French, 1808-1879), Monsieur voici ce que nous donnons en prime, 1845, lithograph, Daumier, Honore (1808-79) / Bridgeman Images

Posters for the 2009 European election campaign: the PDL (Popolo delle Liberta) with Silvio Berlusconi, 2009 (photo)
Posters for the 2009 European election campaign: the PDL (Popolo delle Liberta) with Silvio Berlusconi, 2009 (photo)

AGF5492809: Posters for the 2009 European election campaign: the PDL (Popolo delle Liberta) with Silvio Berlusconi, 2009 (photo) / Bridgeman Images

Honore Daumier (French, 1808-1879), Laissez dire un peu de mal de vous, 1847, lithograph
Honore Daumier (French, 1808-1879), Laissez dire un peu de mal de vous, 1847, lithograph

LZT5492998: Honore Daumier (French, 1808-1879), Laissez dire un peu de mal de vous, 1847, lithograph, Daumier, Honore (1808-79) / Bridgeman Images

Honore Daumier (French, 1808-1879), Ce Journal trouve mon ouvrage pitoyable, 1844, lithograph
Honore Daumier (French, 1808-1879), Ce Journal trouve mon ouvrage pitoyable, 1844, lithograph

LZT5493016: Honore Daumier (French, 1808-1879), Ce Journal trouve mon ouvrage pitoyable, 1844, lithograph, Daumier, Honore (1808-79) / Bridgeman Images

The Muse of Tragedie, Melpomene, holding in hand a mask of ancient theatre, Representation of the Greek muses, daughters of Zeus and Mnemosyne, they inspire the Arts and are numbered nine. Museum of Afrodisia de Caria. Turkey.
The Muse of Tragedie, Melpomene, holding in hand a mask of ancient theatre, Representation of the Greek muses, daughters of Zeus and Mnemosyne, they inspire the Arts and are numbered nine. Museum of Afrodisia de Caria. Turkey.

TRK5491992: The Muse of Tragedie, Melpomene, holding in hand a mask of ancient theatre, Representation of the Greek muses, daughters of Zeus and Mnemosyne, they inspire the Arts and are numbered nine. Museum of Afrodisia de Caria. Turkey. / Bridgeman Images

Prehistory: representation of a hunting scene at the time of the Homo antecessor. Reenactment of two men of a doe, Museum of Burgos Spain
Prehistory: representation of a hunting scene at the time of the Homo antecessor. Reenactment of two men of a doe, Museum of Burgos Spain

TRK5492023: Prehistory: representation of a hunting scene at the time of the Homo antecessor. Reenactment of two men of a doe, Museum of Burgos Spain / Bridgeman Images

Honore Daumier (French, 1808-1879), Encore perdu en Cour Royale et il se lamente, 1848, lithograph
Honore Daumier (French, 1808-1879), Encore perdu en Cour Royale et il se lamente, 1848, lithograph

LZT5493060: Honore Daumier (French, 1808-1879), Encore perdu en Cour Royale et il se lamente, 1848, lithograph, Daumier, Honore (1808-79) / Bridgeman Images

Honore Daumier (French, 1808-1879), Comment on decide un jeune homme a venir, 1846, lithograph on newsprint
Honore Daumier (French, 1808-1879), Comment on decide un jeune homme a venir, 1846, lithograph on newsprint

LZT5493077: Honore Daumier (French, 1808-1879), Comment on decide un jeune homme a venir, 1846, lithograph on newsprint, Daumier, Honore (1808-79) / Bridgeman Images

Honore Daumier (French, 1808-1879), Monsieur voila vingt ans que je poursuis l'union de, 1846, lithograph
Honore Daumier (French, 1808-1879), Monsieur voila vingt ans que je poursuis l'union de, 1846, lithograph

LZT5493138: Honore Daumier (French, 1808-1879), Monsieur voila vingt ans que je poursuis l'union de, 1846, lithograph, Daumier, Honore (1808-79) / Bridgeman Images

Romanesque art. View of the apse of the church of Saint James (Santiago), 12th century. Villafranca del Bierzo, Spain
Romanesque art. View of the apse of the church of Saint James (Santiago), 12th century. Villafranca del Bierzo, Spain

TRK5492180: Romanesque art. View of the apse of the church of Saint James (Santiago), 12th century. Villafranca del Bierzo, Spain / Bridgeman Images

Honore Daumier (French, 1808-1879), Ah! il est frais mais t'nez donc garcon, 1846, lithograph
Honore Daumier (French, 1808-1879), Ah! il est frais mais t'nez donc garcon, 1846, lithograph

LZT5493189: Honore Daumier (French, 1808-1879), Ah! il est frais mais t'nez donc garcon, 1846, lithograph, Daumier, Honore (1808-79) / Bridgeman Images

Honore Daumier (French, 1808-1879), Les Journaux Napoleoniens sortant de l'Assemblee Nationale, 1848, lithograph
Honore Daumier (French, 1808-1879), Les Journaux Napoleoniens sortant de l'Assemblee Nationale, 1848, lithograph

LZT5493327: Honore Daumier (French, 1808-1879), Les Journaux Napoleoniens sortant de l'Assemblee Nationale, 1848, lithograph, Daumier, Honore (1808-79) / Bridgeman Images

Place Ouritsky, Petrograd Saint Petersburg Russia, History of the Russian Revolution
Place Ouritsky, Petrograd Saint Petersburg Russia, History of the Russian Revolution

LZT5492486: Place Ouritsky, Petrograd Saint Petersburg Russia, History of the Russian Revolution / Bridgeman Images

Honore Daumier (French, 1808-1879), L'Acteur des Funambules, 1842, lithograph on newsprint
Honore Daumier (French, 1808-1879), L'Acteur des Funambules, 1842, lithograph on newsprint

LZT5492735: Honore Daumier (French, 1808-1879), L'Acteur des Funambules, 1842, lithograph on newsprint, Daumier, Honore (1808-79) / Bridgeman Images

Portrait of Peter of Toledo (Pedro de Toledo) (1484-1553), Duke of Albe. anonymous painting. Museum of Naples. 377-000056
Portrait of Peter of Toledo (Pedro de Toledo) (1484-1553), Duke of Albe. anonymous painting. Museum of Naples. 377-000056

TRK5493516: Portrait of Peter of Toledo (Pedro de Toledo) (1484-1553), Duke of Albe. anonymous painting. Museum of Naples. 377-000056 / Bridgeman Images

Honore Daumier (French, 1808-1879), Les Journaux bienfaisans, 1842, hand-colored lithograph
Honore Daumier (French, 1808-1879), Les Journaux bienfaisans, 1842, hand-colored lithograph

LZT5492773: Honore Daumier (French, 1808-1879), Les Journaux bienfaisans, 1842, hand-colored lithograph, Daumier, Honore (1808-79) / Bridgeman Images

Head statue of the Roman Emperor Trajan (or Marcus Ulpius Nerva Traianus) (53-117). Seville Spain 153-015330
Head statue of the Roman Emperor Trajan (or Marcus Ulpius Nerva Traianus) (53-117). Seville Spain 153-015330

TRK5492786: Head statue of the Roman Emperor Trajan (or Marcus Ulpius Nerva Traianus) (53-117). Seville Spain 153-015330 / Bridgeman Images

Posters for the 2009 European election campaign: the PDL (Popolo delle Liberta) with Silvio Berlusconi, 2009 (photo)
Posters for the 2009 European election campaign: the PDL (Popolo delle Liberta) with Silvio Berlusconi, 2009 (photo)

AGF5492807: Posters for the 2009 European election campaign: the PDL (Popolo delle Liberta) with Silvio Berlusconi, 2009 (photo) / Bridgeman Images

Honore Daumier (French, 1808-1879), L'election, 1843, lithograph on newsprint
Honore Daumier (French, 1808-1879), L'election, 1843, lithograph on newsprint

LZT5492842: Honore Daumier (French, 1808-1879), L'election, 1843, lithograph on newsprint, Daumier, Honore (1808-79) / Bridgeman Images

Honore Daumier (French, 1808-1879), Je suis loge un peu haut mais je jouis d'une jolie vue!, 1846, lithograph on newsprint
Honore Daumier (French, 1808-1879), Je suis loge un peu haut mais je jouis d'une jolie vue!, 1846, lithograph on newsprint

LZT5493146: Honore Daumier (French, 1808-1879), Je suis loge un peu haut mais je jouis d'une jolie vue!, 1846, lithograph on newsprint, Daumier, Honore (1808-79) / Bridgeman Images

Honore Daumier (French, 1808-1879), Un Demenagement furtif, 1847, lithograph
Honore Daumier (French, 1808-1879), Un Demenagement furtif, 1847, lithograph

LZT5493202: Honore Daumier (French, 1808-1879), Un Demenagement furtif, 1847, lithograph, Daumier, Honore (1808-79) / Bridgeman Images

Honore Daumier (French, 1808-1879), Plusieurs gardes nationaux qui n'avaient pas songe, 1848, lithograph
Honore Daumier (French, 1808-1879), Plusieurs gardes nationaux qui n'avaient pas songe, 1848, lithograph

LZT5493316: Honore Daumier (French, 1808-1879), Plusieurs gardes nationaux qui n'avaient pas songe, 1848, lithograph, Daumier, Honore (1808-79) / Bridgeman Images

Honore Daumier (French, 1808-1879), Rifolard est plus charme que jamais, 1848, lithograph
Honore Daumier (French, 1808-1879), Rifolard est plus charme que jamais, 1848, lithograph

LZT5493333: Honore Daumier (French, 1808-1879), Rifolard est plus charme que jamais, 1848, lithograph, Daumier, Honore (1808-79) / Bridgeman Images

Honore Daumier (French, 1808-1879), Regardez, mais n'y touchez pas!, 1871, gillotype on newsprint
Honore Daumier (French, 1808-1879), Regardez, mais n'y touchez pas!, 1871, gillotype on newsprint

LZT5494035: Honore Daumier (French, 1808-1879), Regardez, mais n'y touchez pas!, 1871, gillotype on newsprint, Daumier, Honore (1808-79) / Bridgeman Images

Peter Ludwig van Schuppen after Pierre Mignard I (Flemish, 1627 - 1702), Cardinal Jules Mazarin, 1661, engraving ©LisztCollection/Leemage
Peter Ludwig van Schuppen after Pierre Mignard I (Flemish, 1627 - 1702), Cardinal Jules Mazarin, 1661, engraving ©LisztCollection/Leemage

LZT5494184: Peter Ludwig van Schuppen after Pierre Mignard I (Flemish, 1627 - 1702), Cardinal Jules Mazarin, 1661, engraving ©LisztCollection/Leemage / Bridgeman Images

Honore Daumier (French, 1808-1879), V'la mon petit s'il n'a pas assez de moyens, 1850, lithograph
Honore Daumier (French, 1808-1879), V'la mon petit s'il n'a pas assez de moyens, 1850, lithograph

LZT5493370: Honore Daumier (French, 1808-1879), V'la mon petit s'il n'a pas assez de moyens, 1850, lithograph, Daumier, Honore (1808-79) / Bridgeman Images

Roman art. Keay IB type amphora. Coming from the Roman province of Betica. It contained oil. 4th or 5th century AD. JC. Archeological Museum of Girona, Spain 153-004823
Roman art. Keay IB type amphora. Coming from the Roman province of Betica. It contained oil. 4th or 5th century AD. JC. Archeological Museum of Girona, Spain 153-004823

TRK5493392: Roman art. Keay IB type amphora. Coming from the Roman province of Betica. It contained oil. 4th or 5th century AD. JC. Archeological Museum of Girona, Spain 153-004823 / Bridgeman Images


Back to top