XYC150242:
Study for the Central Group in the Death of Earl of Chatham (black chalk, heightened with white on blue paper), Copley, John Singleton (1738-1815) / Bridgeman Images
ID: XYC150242
Study for the Central Group in the Death of Earl of Chatham (black chalk, heightened with white on blue paper)
Copley, John Singleton (1738-1815)
XYC150248:
A View of a Hill Village in the District of Baugelepoor (Bhagalpur) 1783 (grey wash and graphite on two joined pieces of paper), Hodges, William (1744-97) / Bridgeman Images
ID: XYC150248
A View of a Hill Village in the District of Baugelepoor (Bhagalpur) 1783 (grey wash and graphite on two joined pieces of paper)
Hodges, William (1744-97)
BAL140614:
Fonte Branda, Siena, Italy, from 'Examples of the Municipal, Commercial, and Street Architecture of France and Italy from the 12th to the 15th Century', publ. by W.Mackenzie, 1841 (engraving), Anderson, R. (19th century) (after) / Bridgeman Images
ID: BAL140614
Fonte Branda, Siena, Italy, from 'Examples of the Municipal, Commercial, and Street Architecture of France and Italy from the 12th to the 15th Century', publ. by W.Mackenzie, 1841 (engraving)
Anderson, R. (19th century) (after)
XKH151921:
The Rider, 1908 (bronze), Hahn, Hermann (1868-1942) / Bridgeman Images
ID: XKH151921
The Rider, 1908 (bronze)
Hahn, Hermann (1868-1942)
XAB152049:
Portrait of Senator Count Artemy Vorontsov (1748-1813), after 1768 (oil on canvas), Rokotov, Fedor Stepanovich (c.1735-1808) / Bridgeman Images
ID: XAB152049
Portrait of Senator Count Artemy Vorontsov (1748-1813), after 1768 (oil on canvas)
Rokotov, Fedor Stepanovich (c.1735-1808)
BAT152133:
Coronation of the Virgin (marble), Masaccio, Tomasso (1401-28) (attr. to) / Bridgeman Images
ID: BAT152133
Coronation of the Virgin (marble)
Masaccio, Tomasso (1401-28) (attr. to)
XKH152140:
Portrait of Mr Lehman Ruben, 1796 (oil on canvas), Quadal, Martin Ferdinand (1736-1808) / Bridgeman Images
ID: XKH152140
Portrait of Mr Lehman Ruben, 1796 (oil on canvas)
Quadal, Martin Ferdinand (1736-1808)
XKH152155:
Merano in the Snow, c.1840 (oil on paper on cardboard), Wasmann, Rudolph Friedrich (1805-86) / Bridgeman Images
ID: XKH152155
Merano in the Snow, c.1840 (oil on paper on cardboard)
Wasmann, Rudolph Friedrich (1805-86)
XKH152263:
Wild goat hunting on the coast, 1620 (oil on panel) (see also 152264), Willaerts, Adam (1577-1669) / Bridgeman Images
ID: XKH152263
Wild goat hunting on the coast, 1620 (oil on panel) (see also 152264)
Willaerts, Adam (1577-1669)
XKH152287:
Caroline Luise Mathilde Wasmann (1823-67), 1843 (oil on panel) (see 152286), Wasmann, Rudolph Friedrich (1805-86) / Bridgeman Images
ID: XKH152287
Caroline Luise Mathilde Wasmann (1823-67), 1843 (oil on panel) (see 152286)
Wasmann, Rudolph Friedrich (1805-86)
CBF152303:
Elias Parrish Alvars (1808-49) (engraving), English School, (19th century) / Bridgeman Images
ID: CBF152303
Elias Parrish Alvars (1808-49) (engraving)
English School, (19th century)
STC102882:
Day dress, fashion plate from Ackermann's Repository of Arts (coloured engraving), English School, (19th century) / Bridgeman Images
ID: STC102882
Day dress, fashion plate from Ackermann's Repository of Arts (coloured engraving)
English School, (19th century)
STC102984:
Illustration from 'Troilus and Cressida', Act III, Scene 2, by William Shakespeare (1564-1616) (engraving), English School, (19th century) / Bridgeman Images
ID: STC102984
Illustration from 'Troilus and Cressida', Act III, Scene 2, by William Shakespeare (1564-1616) (engraving)
English School, (19th century)
STC102990:
Mr Macready as Shylock, Act I Scene 3, in 'The Merchant of Venice' by William Shakespeare (1564-1616) (engraving), English School, (19th century) / Bridgeman Images
ID: STC102990
Mr Macready as Shylock, Act I Scene 3, in 'The Merchant of Venice' by William Shakespeare (1564-1616) (engraving)
English School, (19th century)
TRD103508:
Interior of the Teatro Olympico, designed by Andrea Palladio (1508-80) 1580 (photo) (see 103509), Palladio, Andrea (1508-80) / Bridgeman Images
ID: TRD103508
Interior of the Teatro Olympico, designed by Andrea Palladio (1508-80) 1580 (photo) (see 103509)
Palladio, Andrea (1508-80)
BAT103675:
The Art of Agriculture, hexagonal decorative relief tile from a series depicting the practitioners of the Arts and Sciences, possibly based on designs by Giotto (c.1266-1337) c.1334-1348 (marble), Pisano, Andrea (1270-1349) / Bridgeman Images
ID: BAT103675
The Art of Agriculture, hexagonal decorative relief tile from a series depicting the practitioners of the Arts and Sciences, possibly based on designs by Giotto (c.1266-1337) c.1334-1348 (marble)
Pisano, Andrea (1270-1349)
BAT103684:
Harmony, hexagonal decorative relief tile from a series depicting the Seven Liberal Arts, possibly based on designs by Giotto (c.1266-1337) c.1334-48 (marble), Pisano, Andrea (1270-1349) / Bridgeman Images
ID: BAT103684
Harmony, hexagonal decorative relief tile from a series depicting the Seven Liberal Arts, possibly based on designs by Giotto (c.1266-1337) c.1334-48 (marble)
Pisano, Andrea (1270-1349)
XJL103727:
Front page of the 'Livro de Traca de Carpintero' (Book of Carpentry Designs), 1616 (vellum), Spanish School, (17th century) / Bridgeman Images
ID: XJL103727
Front page of the 'Livro de Traca de Carpintero' (Book of Carpentry Designs), 1616 (vellum)
Spanish School, (17th century)
XJF103755:
Ben Jonson (1573-1637) English playwright (engraving), English School, (18th century) / Bridgeman Images
ID: XJF103755
Ben Jonson (1573-1637) English playwright (engraving)
English School, (18th century)
STC103809:
View of the Town Hall, Market and Abbey Church, from 'Bath Illustrated by a Series of Views', engraved by John Hill (1770-1850) pub. by William Miller, 1804 (aquatint), Nattes, John Claude (c.1765-1822) (after) / Bridgeman Images
ID: STC103809
View of the Town Hall, Market and Abbey Church, from 'Bath Illustrated by a Series of Views', engraved by John Hill (1770-1850) pub. by William Miller, 1804 (aquatint)
Nattes, John Claude (c.1765-1822) (after)
STC103812:
Sydney Hotel, from 'Bath Illustrated by a Series of Views', engraved by John Hill (1770-1850) pub. by William Miller, 1805 (aquatint), Nattes, John Claude (c.1765-1822) (after) / Bridgeman Images
ID: STC103812
Sydney Hotel, from 'Bath Illustrated by a Series of Views', engraved by John Hill (1770-1850) pub. by William Miller, 1805 (aquatint)
Nattes, John Claude (c.1765-1822) (after)
STC103839:
The Warm Bath, plate from 'Poetical Sketches of Scarborough', engraved by J. Bluck (fl.1791-1831) pub. by Rudolph Ackermann, 1813 (colour litho), Green, James (1771-1834) (after) / Bridgeman Images
ID: STC103839
The Warm Bath, plate from 'Poetical Sketches of Scarborough', engraved by J. Bluck (fl.1791-1831) pub. by Rudolph Ackermann, 1813 (colour litho)
Green, James (1771-1834) (after)
STC103854:
Remarkable Hills on the Upper Missouri, plate 35 from Volume 2 of 'Travels in the Interior of North America', engraved by Friedrich Salathe (1793-1858) 1844 (aquatint), Bodmer, Karl (1809-93) (after) / Bridgeman Images
ID: STC103854
Remarkable Hills on the Upper Missouri, plate 35 from Volume 2 of 'Travels in the Interior of North America', engraved by Friedrich Salathe (1793-1858) 1844 (aquatint)
Bodmer, Karl (1809-93) (after)
PFR142564:
Dish, Yongzheng mark and period 1723-35 (carved porcelain with pale celadon glaze) (see also 142563), Chinese School, (18th century) / Bridgeman Images
ID: PFR142564
Dish, Yongzheng mark and period 1723-35 (carved porcelain with pale celadon glaze) (see also 142563)
Chinese School, (18th century)
PFR142605:
Pair of 'wucai' dragon and phoenix bowls, Qianlong mark and period 1736-95 (porcelain with enamel underglaze) (see also 142602), Chinese School, (18th century) / Bridgeman Images
ID: PFR142605
Pair of 'wucai' dragon and phoenix bowls, Qianlong mark and period 1736-95 (porcelain with enamel underglaze) (see also 142602)
Chinese School, (18th century)
PFR142626:
Bowl with five-clawed dragon, Qianlong mark and period 1736-95 (porcelain with enamel underglaze) (see also 142603), Chinese School, (18th century) / Bridgeman Images
ID: PFR142626
Bowl with five-clawed dragon, Qianlong mark and period 1736-95 (porcelain with enamel underglaze) (see also 142603)
Chinese School, (18th century)
PFR142663:
Handwarmer, made by Tsui-li Wang Feng-chiang in Chia-hsing, Chekiang, Ming dynasty (beaten and pierced copper), Chinese School, (16th century) / Bridgeman Images
ID: PFR142663
Handwarmer, made by Tsui-li Wang Feng-chiang in Chia-hsing, Chekiang, Ming dynasty (beaten and pierced copper)
Chinese School, (16th century)
MSC142737:
Thangka painting despicting Arhat in monk's robes holding 'mala' prayer beads in his right hand and the stem of a plant with leaves and three flowers in his left hand, 1700-1825, Tibetan School / Bridgeman Images
ID: MSC142737
Thangka painting despicting Arhat in monk's robes holding 'mala' prayer beads in his right hand and the stem of a plant with leaves and three flowers in his left hand, 1700-1825
Tibetan School
MSC142740:
Miniature painting of a yogini in a landscape, Bikaner, 1680 (opaque mineral colours on white paper), Indian School, (17th century) / Bridgeman Images
ID: MSC142740
Miniature painting of a yogini in a landscape, Bikaner, 1680 (opaque mineral colours on white paper)
Indian School, (17th century)
MSC142744:
Thangka painting depicting Shridevi, from Tashilhumpo Monastery, 17th-18th century (paint on stiffened cotton), Tibetan School / Bridgeman Images
ID: MSC142744
Thangka painting depicting Shridevi, from Tashilhumpo Monastery, 17th-18th century (paint on stiffened cotton)
Tibetan School
JVH142788:
Still life of roses, a carnation, convolvulus and a tulip in a glass vase (oil on panel), Veerendael, Nicolaes van (1640-91) / Bridgeman Images
ID: JVH142788
Still life of roses, a carnation, convolvulus and a tulip in a glass vase (oil on panel)