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View of the Fort of Bidjegur (Bijagarh) c.1781 (grey wash and graphite on joined pieces of mounted paper) (see also 174459)
View of the Fort of Bidjegur (Bijagarh) c.1781 (grey wash and graphite on joined pieces of mounted paper) (see also 174459)

XYC150249: View of the Fort of Bidjegur (Bijagarh) c.1781 (grey wash and graphite on joined pieces of mounted paper) (see also 174459), Hodges, William (1744-97) / Bridgeman Images

ID: XYC150249

View of the Fort of Bidjegur (Bijagarh) c.1781 (grey wash and graphite on joined pieces of mounted paper) (see also 174459)

Hodges, William (1744-97)

View from the Pass of Sakrigali Looking East Towards Bengal, c.1781 (grey wash, pen and black ink over graphite on laid paper)
View from the Pass of Sakrigali Looking East Towards Bengal, c.1781 (grey wash, pen and black ink over graphite on laid paper)

XYC150252: View from the Pass of Sakrigali Looking East Towards Bengal, c.1781 (grey wash, pen and black ink over graphite on laid paper), Hodges, William (1744-97) / Bridgeman Images

ID: XYC150252

View from the Pass of Sakrigali Looking East Towards Bengal, c.1781 (grey wash, pen and black ink over graphite on laid paper)

Hodges, William (1744-97)

War Dance, illustration from 'The Albert N'yanza Great Basin of the Nile' by Sir Samuel Baker, 1866 (w/c on paper)
War Dance, illustration from 'The Albert N'yanza Great Basin of the Nile' by Sir Samuel Baker, 1866 (w/c on paper)

XZL150404: War Dance, illustration from 'The Albert N'yanza Great Basin of the Nile' by Sir Samuel Baker, 1866 (w/c on paper), Baker, Samuel (1821-93) / Bridgeman Images

ID: XZL150404

War Dance, illustration from 'The Albert N'yanza Great Basin of the Nile' by Sir Samuel Baker, 1866 (w/c on paper)

Baker, Samuel (1821-93)

Scientific Equipment, from 'The Elements of Chemistry' by Antoine Laurent de Lavoisier (1743-94) engraved by D.Lizars, 1796 (engraving)
Scientific Equipment, from 'The Elements of Chemistry' by Antoine Laurent de Lavoisier (1743-94) engraved by D.Lizars, 1796 (engraving)

BAL140626: Scientific Equipment, from 'The Elements of Chemistry' by Antoine Laurent de Lavoisier (1743-94) engraved by D.Lizars, 1796 (engraving), French School, (18th century) / Bridgeman Images

ID: BAL140626

Scientific Equipment, from 'The Elements of Chemistry' by Antoine Laurent de Lavoisier (1743-94) engraved by D.Lizars, 1796 (engraving)

French School, (18th century)

Left Guessing (engraving)
Left Guessing (engraving)

XJF140696: Left Guessing (engraving), English School, (20th century) / Bridgeman Images

ID: XJF140696

Left Guessing (engraving)

English School, (20th century)

Successfully Getting out of the Bunker, illustration from 'Graphic' magazine, pub. c.1870 (litho)
Successfully Getting out of the Bunker, illustration from 'Graphic' magazine, pub. c.1870 (litho)

DIS101035: Successfully Getting out of the Bunker, illustration from 'Graphic' magazine, pub. c.1870 (litho), Sandercock, Henry (1833-1915) / Bridgeman Images

ID: DIS101035

Successfully Getting out of the Bunker, illustration from 'Graphic' magazine, pub. c.1870 (litho)

Sandercock, Henry (1833-1915)

Carthorses by a Cottage Door, 1854 (oil on canvas)
Carthorses by a Cottage Door, 1854 (oil on canvas)

BSA101122: Carthorses by a Cottage Door, 1854 (oil on canvas), Herring Snr, John Frederick (1795-1865) / Bridgeman Images

ID: BSA101122

Carthorses by a Cottage Door, 1854 (oil on canvas)

Herring Snr, John Frederick (1795-1865)

A Steeplechase (oil on canvas)
A Steeplechase (oil on canvas)

BSA101131: A Steeplechase (oil on canvas), Herring Jnr, John Frederick (1815-1907) / Bridgeman Images

ID: BSA101131

A Steeplechase (oil on canvas)

Herring Jnr, John Frederick (1815-1907)

On the Terrace, Versailles, 1906 (oil on board)
On the Terrace, Versailles, 1906 (oil on board)

BSA101134: On the Terrace, Versailles, 1906 (oil on board), Jamieson, Alexander (1873-1937) / Bridgeman Images

ID: BSA101134

On the Terrace, Versailles, 1906 (oil on board)

Jamieson, Alexander (1873-1937)

The Feast of Virgil at Mantua, 24 Vendemiaire, Year 6 (October 1797) engraved by Georges Malbeste (1754-1843) (aquatint)
The Feast of Virgil at Mantua, 24 Vendemiaire, Year 6 (October 1797) engraved by Georges Malbeste (1754-1843) (aquatint)

STC101308: The Feast of Virgil at Mantua, 24 Vendemiaire, Year 6 (October 1797) engraved by Georges Malbeste (1754-1843) (aquatint), Vernet, Carle (1758-1836) (after) / Bridgeman Images

ID: STC101308

The Feast of Virgil at Mantua, 24 Vendemiaire, Year 6 (October 1797) engraved by Georges Malbeste (1754-1843) (aquatint)

Vernet, Carle (1758-1836) (after)

The Workshop under the 'Silent System' at Millbank Prison, from 'The Criminal Prisons of London and Scenes of Prison Life' by Henry Mayhew (1812-87) and John Binny, 1862 (engraving)
The Workshop under the 'Silent System' at Millbank Prison, from 'The Criminal Prisons of London and Scenes of Prison Life' by Henry Mayhew (1812-87) and John Binny, 1862 (engraving)

STC101351: The Workshop under the 'Silent System' at Millbank Prison, from 'The Criminal Prisons of London and Scenes of Prison Life' by Henry Mayhew (1812-87) and John Binny, 1862 (engraving), English School, (19th century) / Bridgeman Images

ID: STC101351

The Workshop under the 'Silent System' at Millbank Prison, from 'The Criminal Prisons of London and Scenes of Prison Life' by Henry Mayhew (1812-87) and John Binny, 1862 (engraving)

English School, (19th century)

Drawing room of the Chateau de Sache (w/c on paper)
Drawing room of the Chateau de Sache (w/c on paper)

XZL150416: Drawing room of the Chateau de Sache (w/c on paper), French School, (19th century) / Bridgeman Images

ID: XZL150416

Drawing room of the Chateau de Sache (w/c on paper)

French School, (19th century)

Fishes, from the 'Book of Genesis', 1924 (woodcut print)
Fishes, from the 'Book of Genesis', 1924 (woodcut print)

LMG150684: Fishes, from the 'Book of Genesis', 1924 (woodcut print), Nash, Paul (1889-1946) / Bridgeman Images

ID: LMG150684

Fishes, from the 'Book of Genesis', 1924 (woodcut print)

Nash, Paul (1889-1946)

The Desert of Mount Sinai (pencil and gouache on paper)
The Desert of Mount Sinai (pencil and gouache on paper)

LMG150688: The Desert of Mount Sinai (pencil and gouache on paper), Lewis, John Frederick (1804-76) / Bridgeman Images

ID: LMG150688

The Desert of Mount Sinai (pencil and gouache on paper)

Lewis, John Frederick (1804-76)

View from the Heilenberg Castle at Jugenheim on the Rhine, 1846 (oil on canvas)
View from the Heilenberg Castle at Jugenheim on the Rhine, 1846 (oil on canvas)

XKH150942: View from the Heilenberg Castle at Jugenheim on the Rhine, 1846 (oil on canvas), Schilbach, Heinrich (1798-1851) / Bridgeman Images

ID: XKH150942

View from the Heilenberg Castle at Jugenheim on the Rhine, 1846 (oil on canvas)

Schilbach, Heinrich (1798-1851)

Chocolate pot, Leningrad, 1804 (silver)
Chocolate pot, Leningrad, 1804 (silver)

XZL151126: Chocolate pot, Leningrad, 1804 (silver), Russian School, (19th century) / Bridgeman Images

ID: XZL151126

Chocolate pot, Leningrad, 1804 (silver)

Russian School, (19th century)

Detail from the church facade (photo)
Detail from the church facade (photo)

KW141213: Detail from the church facade (photo), Spanish School, (12th century) / Bridgeman Images

ID: KW141213

Detail from the church facade (photo)

Spanish School, (12th century)

Ms. 2597 Heart and Desire Speak to the Dwarf, Jealousy, facsimile edition of 'Livre du Coeur d'Amours Espris' by Rene d'Anjou (colour litho)
Ms. 2597 Heart and Desire Speak to the Dwarf, Jealousy, facsimile edition of 'Livre du Coeur d'Amours Espris' by Rene d'Anjou (colour litho)

STC141232: Ms. 2597 Heart and Desire Speak to the Dwarf, Jealousy, facsimile edition of 'Livre du Coeur d'Amours Espris' by Rene d'Anjou (colour litho), English School, (19th century) / Bridgeman Images

ID: STC141232

Ms. 2597 Heart and Desire Speak to the Dwarf, Jealousy, facsimile edition of 'Livre du Coeur d'Amours Espris' by Rene d'Anjou (colour litho)

English School, (19th century)

Ideal Landscape with Palace Steps, 1762 (oil on canvas) (detail of 141300)
Ideal Landscape with Palace Steps, 1762 (oil on canvas) (detail of 141300)

XKH141301: Ideal Landscape with Palace Steps, 1762 (oil on canvas) (detail of 141300), Bellotto, Bernardo (1720-80) / Bridgeman Images

ID: XKH141301

Ideal Landscape with Palace Steps, 1762 (oil on canvas) (detail of 141300)

Bellotto, Bernardo (1720-80)

Rocky Hilltop with a Wooded Hill in front (pencil, pen and watercolour wash on paper)
Rocky Hilltop with a Wooded Hill in front (pencil, pen and watercolour wash on paper)

XKH141344: Rocky Hilltop with a Wooded Hill in front (pencil, pen and watercolour wash on paper), Friedrich, Caspar David (1774-1840) / Bridgeman Images

ID: XKH141344

Rocky Hilltop with a Wooded Hill in front (pencil, pen and watercolour wash on paper)

Friedrich, Caspar David (1774-1840)

A Group of Swans (pen and wash and bodycolour on paper)
A Group of Swans (pen and wash and bodycolour on paper)

XKH141386: A Group of Swans (pen and wash and bodycolour on paper), Bloemaert, Abraham (1566-1651) / Bridgeman Images

ID: XKH141386

A Group of Swans (pen and wash and bodycolour on paper)

Bloemaert, Abraham (1566-1651)

Fishmarket, 1624 (pen and brush and brown ink on paper)
Fishmarket, 1624 (pen and brush and brown ink on paper)

XKH141392: Fishmarket, 1624 (pen and brush and brown ink on paper), Goyen, Jan Josephsz van (1596-1656) / Bridgeman Images

ID: XKH141392

Fishmarket, 1624 (pen and brush and brown ink on paper)

Goyen, Jan Josephsz van (1596-1656)

The Lamentation (fresco)
The Lamentation (fresco)

JB141512: The Lamentation (fresco), Byzantine School, (12th century) / Bridgeman Images

ID: JB141512

The Lamentation (fresco)

Byzantine School, (12th century)

Montenegrin People at Cattaro, Dalmatia, 1854 (w/c on paper)
Montenegrin People at Cattaro, Dalmatia, 1854 (w/c on paper)

DRE141553: Montenegrin People at Cattaro, Dalmatia, 1854 (w/c on paper), Haag, Carl (1820-1915) / Bridgeman Images

ID: DRE141553

Montenegrin People at Cattaro, Dalmatia, 1854 (w/c on paper)

Haag, Carl (1820-1915)

In Dalmatia, 1854 (w/c on paper)
In Dalmatia, 1854 (w/c on paper)

DRE141556: In Dalmatia, 1854 (w/c on paper), Haag, Carl (1820-1915) / Bridgeman Images

ID: DRE141556

In Dalmatia, 1854 (w/c on paper)

Haag, Carl (1820-1915)

Still Life with Fruit, 1860 (sepia photo)
Still Life with Fruit, 1860 (sepia photo)

STC101450: Still Life with Fruit, 1860 (sepia photo), Fenton, Roger (1819-69) / Bridgeman Images

ID: STC101450

Still Life with Fruit, 1860 (sepia photo)

Fenton, Roger (1819-69)

White Tulips (oil on canvas)
White Tulips (oil on canvas)

CK101563: White Tulips (oil on canvas), Marval, Jacqueline (1866-1932) / Bridgeman Images

ID: CK101563

White Tulips (oil on canvas)

Marval, Jacqueline (1866-1932)

The Gallant Reunion , 17th century (oil on canvas)
The Gallant Reunion , 17th century (oil on canvas)

XIR101739: The Gallant Reunion , 17th century (oil on canvas), Janssens, Hieronymus (1624-93) / Bridgeman Images

ID: XIR101739

The Gallant Reunion , 17th century (oil on canvas)

Janssens, Hieronymus (1624-93)

Annie, 1889 (w/c on paper)
Annie, 1889 (w/c on paper)

AAH101926: Annie, 1889 (w/c on paper), Gotch, Thomas Cooper (1854-1931) / Bridgeman Images

ID: AAH101926

Annie, 1889 (w/c on paper)

Gotch, Thomas Cooper (1854-1931)

Chain of Natural Spires on the Gila, plate 79, illustration from 'Notes of a Military Reconnaissance', engraved by the artist, pub. c.1848 (litho)
Chain of Natural Spires on the Gila, plate 79, illustration from 'Notes of a Military Reconnaissance', engraved by the artist, pub. c.1848 (litho)

RGS101969: Chain of Natural Spires on the Gila, plate 79, illustration from 'Notes of a Military Reconnaissance', engraved by the artist, pub. c.1848 (litho), Graham, C.B. (fl.c.1848) / Bridgeman Images

ID: RGS101969

Chain of Natural Spires on the Gila, plate 79, illustration from 'Notes of a Military Reconnaissance', engraved by the artist, pub. c.1848 (litho)

Graham, C.B. (fl.c.1848)

Crossing the Colorado River in the 1860s (engraving)
Crossing the Colorado River in the 1860s (engraving)

KWE102326: Crossing the Colorado River in the 1860s (engraving), Gusman, Adolphe (1821-1905) / Bridgeman Images

ID: KWE102326

Crossing the Colorado River in the 1860s (engraving)

Gusman, Adolphe (1821-1905)

The River Alster at Poppenbuttel in the Morning, 1883 (oil on canvas)
The River Alster at Poppenbuttel in the Morning, 1883 (oil on canvas)

XKH141628: The River Alster at Poppenbuttel in the Morning, 1883 (oil on canvas), Carmiencke, Johann Herman (1810-67) / Bridgeman Images

ID: XKH141628

The River Alster at Poppenbuttel in the Morning, 1883 (oil on canvas)

Carmiencke, Johann Herman (1810-67)

The Morning, 1803 (ink on paper) (see also 141687)
The Morning, 1803 (ink on paper) (see also 141687)

XKH141681: The Morning, 1803 (ink on paper) (see also 141687), Runge, Philipp Otto (1777-1810) / Bridgeman Images

ID: XKH141681

The Morning, 1803 (ink on paper) (see also 141687)

Runge, Philipp Otto (1777-1810)

St. Helena Discovering the True Cross (engraving)
St. Helena Discovering the True Cross (engraving)

XJF141732: St. Helena Discovering the True Cross (engraving), English School, (19th century) / Bridgeman Images

ID: XJF141732

St. Helena Discovering the True Cross (engraving)

English School, (19th century)

Portrait of John Acton, Solicitor of Basingstoke (oil on canvas)
Portrait of John Acton, Solicitor of Basingstoke (oil on canvas)

CH141992: Portrait of John Acton, Solicitor of Basingstoke (oil on canvas), Schalken or Schalcken, Godfried (1643-1706) / Bridgeman Images

ID: CH141992

Portrait of John Acton, Solicitor of Basingstoke (oil on canvas)

Schalken or Schalcken, Godfried (1643-1706)

The Valley of the Shadow of Death, plate from 'The Seat of War in the East', published by Colnaghi and Co., 1856 (colour litho)
The Valley of the Shadow of Death, plate from 'The Seat of War in the East', published by Colnaghi and Co., 1856 (colour litho)

STC142025: The Valley of the Shadow of Death, plate from 'The Seat of War in the East', published by Colnaghi and Co., 1856 (colour litho), Simpson, William 'Crimea' (1823-99) / Bridgeman Images

ID: STC142025

The Valley of the Shadow of Death, plate from 'The Seat of War in the East', published by Colnaghi and Co., 1856 (colour litho)

Simpson, William 'Crimea' (1823-99)


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