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Parc Guell, Montana Pelada in Barcelona (Spain). Realisation 1900-1914, architect Antoni Gaudi i Cornet (1852-1926). Photography 03/05/05.
Parc Guell, Montana Pelada in Barcelona (Spain). Realisation 1900-1914, architect Antoni Gaudi i Cornet (1852-1926). Photography 03/05/05.

OMG4664530: Parc Guell, Montana Pelada in Barcelona (Spain). Realisation 1900-1914, architect Antoni Gaudi i Cornet (1852-1926). Photography 03/05/05. / Bridgeman Images

ID: OMG4664530

Parc Guell, Montana Pelada in Barcelona (Spain). Realisation 1900-1914, architect Antoni Gaudi i Cornet (1852-1926). Photography 03/05/05.

Parc Guell, Montana Pelada in Barcelona (Spain). Realisation 1900-1914, architect Antoni Gaudi i Cornet (1852-1926). Photography 03/05/05.
Parc Guell, Montana Pelada in Barcelona (Spain). Realisation 1900-1914, architect Antoni Gaudi i Cornet (1852-1926). Photography 03/05/05.

OMG4664561: Parc Guell, Montana Pelada in Barcelona (Spain). Realisation 1900-1914, architect Antoni Gaudi i Cornet (1852-1926). Photography 03/05/05. / Bridgeman Images

ID: OMG4664561

Parc Guell, Montana Pelada in Barcelona (Spain). Realisation 1900-1914, architect Antoni Gaudi i Cornet (1852-1926). Photography 03/05/05.

Musee Jacquemart Andre, boulevard Haussmann, Paris 8th arrondissement. Construction 1869-1875, architect Henri Parent (1819-1895).
Musee Jacquemart Andre, boulevard Haussmann, Paris 8th arrondissement. Construction 1869-1875, architect Henri Parent (1819-1895).

OMG4596991: Musee Jacquemart Andre, boulevard Haussmann, Paris 8th arrondissement. Construction 1869-1875, architect Henri Parent (1819-1895). / Bridgeman Images

ID: OMG4596991

Musee Jacquemart Andre, boulevard Haussmann, Paris 8th arrondissement. Construction 1869-1875, architect Henri Parent (1819-1895).

Hotel Crillon, Place de la Concorde, Paris 8th arrondissement. The building on the right was purchased in 1788 by the Count of Crillon. And it was not until 1907 that the Societe des department stores du Louvre overhauled the hotel to bring it into one of the most beautiful Parisian palaces. Architect Jacques Ange Gabriel (1698-1782), construction 1766-1775.
Hotel Crillon, Place de la Concorde, Paris 8th arrondissement. The building on the right was purchased in 1788 by the Count of Crillon. And it was not until 1907 that the Societe des department stores du Louvre overhauled the hotel to bring it into one of the most beautiful Parisian palaces. Architect Jacques Ange Gabriel (1698-1782), construction 1766-1775.

OMG4596996: Hotel Crillon, Place de la Concorde, Paris 8th arrondissement. The building on the right was purchased in 1788 by the Count of Crillon. And it was not until 1907 that the Societe des department stores du Louvre overhauled the hotel to bring it into one of the most beautiful Parisian palaces. Architect Jacques Ange Gabriel (1698-1782), construction 1766-1775. / Bridgeman Images

ID: OMG4596996

Hotel Crillon, Place de la Concorde, Paris 8th arrondissement. The building on the right was purchased in 1788 by the Count of Crillon. And it was not until 1907 that the Societe des department stores du Louvre overhauled the hotel to bring it into one of the most beautiful Parisian palaces. Architect Jacques Ange Gabriel (1698-1782), construction 1766-1775.

Musee Jacquemart Andre, boulevard Haussmann, Paris 8th arrondissement. Construction 1869-1875, architect Henri Parent (1819-1895).
Musee Jacquemart Andre, boulevard Haussmann, Paris 8th arrondissement. Construction 1869-1875, architect Henri Parent (1819-1895).

OMG4596999: Musee Jacquemart Andre, boulevard Haussmann, Paris 8th arrondissement. Construction 1869-1875, architect Henri Parent (1819-1895). / Bridgeman Images

ID: OMG4596999

Musee Jacquemart Andre, boulevard Haussmann, Paris 8th arrondissement. Construction 1869-1875, architect Henri Parent (1819-1895).

The Alexandre III Bridge in Paris. Tsar Alexander III of Russia (1845-1894) laid the first stone of the bridge in 1886, which was to be completed for the 1900 World Expo. One of the most beautiful bridges in Paris has a single-flight metal structure.
The Alexandre III Bridge in Paris. Tsar Alexander III of Russia (1845-1894) laid the first stone of the bridge in 1886, which was to be completed for the 1900 World Expo. One of the most beautiful bridges in Paris has a single-flight metal structure.

OMG4597048: The Alexandre III Bridge in Paris. Tsar Alexander III of Russia (1845-1894) laid the first stone of the bridge in 1886, which was to be completed for the 1900 World Expo. One of the most beautiful bridges in Paris has a single-flight metal structure. / Bridgeman Images

ID: OMG4597048

The Alexandre III Bridge in Paris. Tsar Alexander III of Russia (1845-1894) laid the first stone of the bridge in 1886, which was to be completed for the 1900 World Expo. One of the most beautiful bridges in Paris has a single-flight metal structure.

The Royal Village in Paris.
The Royal Village in Paris.

OMG4597093: The Royal Village in Paris. / Bridgeman Images

ID: OMG4597093

The Royal Village in Paris.

Drugstore Publicis Saint Germain in Paris, launched in 1965 to ceder the place in 2002 to the fashion emperor Armani.
Drugstore Publicis Saint Germain in Paris, launched in 1965 to ceder the place in 2002 to the fashion emperor Armani.

OMG4599629: Drugstore Publicis Saint Germain in Paris, launched in 1965 to ceder the place in 2002 to the fashion emperor Armani. / Bridgeman Images

ID: OMG4599629

Drugstore Publicis Saint Germain in Paris, launched in 1965 to ceder the place in 2002 to the fashion emperor Armani.

Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles. For its reopening in April 2009, after two years of construction, the school welcomes Giuseppe Penone's sculpture “Matrix de Seve””. It is a tree of 24 meters cut in its length and whose hollow heart is covered with seve. Photography 03/06/09.
Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles. For its reopening in April 2009, after two years of construction, the school welcomes Giuseppe Penone's sculpture “Matrix de Seve””. It is a tree of 24 meters cut in its length and whose hollow heart is covered with seve. Photography 03/06/09.

OMG4599685: Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles. For its reopening in April 2009, after two years of construction, the school welcomes Giuseppe Penone's sculpture “Matrix de Seve””. It is a tree of 24 meters cut in its length and whose hollow heart is covered with seve. Photography 03/06/09. / Bridgeman Images

ID: OMG4599685

Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles. For its reopening in April 2009, after two years of construction, the school welcomes Giuseppe Penone's sculpture “Matrix de Seve””. It is a tree of 24 meters cut in its length and whose hollow heart is covered with se

Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles.Photography 03/06/09.
Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles.Photography 03/06/09.

OMG4599702: Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles.Photography 03/06/09. / Bridgeman Images

ID: OMG4599702

Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles.Photography 03/06/09.

Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles.Photography 03/06/09.
Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles.Photography 03/06/09.

OMG4599716: Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles.Photography 03/06/09. / Bridgeman Images

ID: OMG4599716

Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles.Photography 03/06/09.

Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles.Photography 03/06/09.
Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles.Photography 03/06/09.

OMG4599767: Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles.Photography 03/06/09. / Bridgeman Images

ID: OMG4599767

Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles.Photography 03/06/09.

Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles.Photography 03/06/09.
Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles.Photography 03/06/09.

OMG4599791: Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles.Photography 03/06/09. / Bridgeman Images

ID: OMG4599791

Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles.Photography 03/06/09.

Town hall of the 4th arrondissement of Paris, 2 place Baudoyer. Construction 1866-1868, architect Antoine Nicolas Bailly (1810-1892). Photography 1999.
Town hall of the 4th arrondissement of Paris, 2 place Baudoyer. Construction 1866-1868, architect Antoine Nicolas Bailly (1810-1892). Photography 1999.

OMG4602257: Town hall of the 4th arrondissement of Paris, 2 place Baudoyer. Construction 1866-1868, architect Antoine Nicolas Bailly (1810-1892). Photography 1999. / Bridgeman Images

ID: OMG4602257

Town hall of the 4th arrondissement of Paris, 2 place Baudoyer. Construction 1866-1868, architect Antoine Nicolas Bailly (1810-1892). Photography 1999.

Hotel Costes, 239 rue Saint Honore, Paris.
Hotel Costes, 239 rue Saint Honore, Paris.

OMG4606427: Hotel Costes, 239 rue Saint Honore, Paris. / Bridgeman Images

ID: OMG4606427

Hotel Costes, 239 rue Saint Honore, Paris.

Bas reliefs of the Vendome column, representing the 1806 campaign, work by Etienne Bergeret, Paris. Today's Place Vendome dates back to 1699 and was designed by Jules Hardouin Mansart (1646-1708). And it was only with the piercing of the Rue de la Paix that the Vendome Column was erected in 1806 by Napoleon Bonaparte (1769-1821) to the glory of the victors of Austerlitz (1805). An admirer of Roman Antiquity, the Emperor took as model the Trajane column raised in Rome and had his statue erected as an imperator by Antoine Chaudet (1763-1810). After the regime changes, Napoleon III (1808-1873) installed a copy of the statue of the Emperor by Augustine Dumont (1801-1884).
Bas reliefs of the Vendome column, representing the 1806 campaign, work by Etienne Bergeret, Paris. Today's Place Vendome dates back to 1699 and was designed by Jules Hardouin Mansart (1646-1708). And it was only with the piercing of the Rue de la Paix that the Vendome Column was erected in 1806 by Napoleon Bonaparte (1769-1821) to the glory of the victors of Austerlitz (1805). An admirer of Roman Antiquity, the Emperor took as model the Trajane column raised in Rome and had his statue erected as an imperator by Antoine Chaudet (1763-1810). After the regime changes, Napoleon III (1808-1873) installed a copy of the statue of the Emperor by Augustine Dumont (1801-1884).

OMG4606448: Bas reliefs of the Vendome column, representing the 1806 campaign, work by Etienne Bergeret, Paris. Today's Place Vendome dates back to 1699 and was designed by Jules Hardouin Mansart (1646-1708). And it was only with the piercing of the Rue de la Paix that the Vendome Column was erected in 1806 by Napoleon Bonaparte (1769-1821) to the glory of the victors of Austerlitz (1805). An admirer of Roman Antiquity, the Emperor took as model the Trajane column raised in Rome and had his statue erected as an imperator by Antoine Chaudet (1763-1810). After the regime changes, Napoleon III (1808-1873) installed a copy of the statue of the Emperor by Augustine Dumont (1801-1884). / Bridgeman Images

ID: OMG4606448

Bas reliefs of the Vendome column, representing the 1806 campaign, work by Etienne Bergeret, Paris. Today's Place Vendome dates back to 1699 and was designed by Jules Hardouin Mansart (1646-1708). And it was only with the piercing of the Rue de la Paix that the Vendome Column was erected in 1806 by Napoleon Bonaparte (1769-1821) to the glory of the victors of Austerlitz (1805). An admirer of Roman Antiquity, the Emperor took as model the Trajane column raised in Rome and had his statue erected as an imperator by Antoine Chaudet (1763-1810). After the regime changes, Napoleon III (1808-1873) installed a copy of the statue of the Emperor by Augustine Dumont (1801-1884).

La Colonne Vendome, Place Vendome, the night in Paris. Today's square dates back to 1699 and was designed by Jules Hardouin Mansart (1646-1708). And it was only with the piercing of the Rue de la Paix that the Vendome Column was erected in 1806 by Napoleon Bonaparte (1769-1821) to the glory of the victors of Austerlitz (1805). An admirer of Roman Antiquity, the Emperor took as model the Trajane column raised in Rome and had his statue erected as an imperator by Antoine Chaudet (1763-1810). After the regime changes, Napoleon III (1808-1873) installed a copy of the statue of the Emperor by Augustine Dumont (1801-1884).
La Colonne Vendome, Place Vendome, the night in Paris. Today's square dates back to 1699 and was designed by Jules Hardouin Mansart (1646-1708). And it was only with the piercing of the Rue de la Paix that the Vendome Column was erected in 1806 by Napoleon Bonaparte (1769-1821) to the glory of the victors of Austerlitz (1805). An admirer of Roman Antiquity, the Emperor took as model the Trajane column raised in Rome and had his statue erected as an imperator by Antoine Chaudet (1763-1810). After the regime changes, Napoleon III (1808-1873) installed a copy of the statue of the Emperor by Augustine Dumont (1801-1884).

OMG4606451: La Colonne Vendome, Place Vendome, the night in Paris. Today's square dates back to 1699 and was designed by Jules Hardouin Mansart (1646-1708). And it was only with the piercing of the Rue de la Paix that the Vendome Column was erected in 1806 by Napoleon Bonaparte (1769-1821) to the glory of the victors of Austerlitz (1805). An admirer of Roman Antiquity, the Emperor took as model the Trajane column raised in Rome and had his statue erected as an imperator by Antoine Chaudet (1763-1810). After the regime changes, Napoleon III (1808-1873) installed a copy of the statue of the Emperor by Augustine Dumont (1801-1884). / Bridgeman Images

ID: OMG4606451

La Colonne Vendome, Place Vendome, the night in Paris. Today's square dates back to 1699 and was designed by Jules Hardouin Mansart (1646-1708). And it was only with the piercing of the Rue de la Paix that the Vendome Column was erected in 1806 by Napoleon Bonaparte (1769-1821) to the glory of the victors of Austerlitz (1805). An admirer of Roman Antiquity, the Emperor took as model the Trajane column raised in Rome and had his statue erected as an imperator by Antoine Chaudet (1763-1810). After the regime changes, Napoleon III (1808-1873) installed a copy of the statue of the Emperor by Augustine Dumont (1801-1884).

Le Ritz, 15 place Vendome, Paris. Built in 1705 for Jean Baillet de la Cour, the mansion was transformed into a palace by Charles Mewes for Cesar Ritz in 1896.
Le Ritz, 15 place Vendome, Paris. Built in 1705 for Jean Baillet de la Cour, the mansion was transformed into a palace by Charles Mewes for Cesar Ritz in 1896.

OMG4606477: Le Ritz, 15 place Vendome, Paris. Built in 1705 for Jean Baillet de la Cour, the mansion was transformed into a palace by Charles Mewes for Cesar Ritz in 1896. / Bridgeman Images

ID: OMG4606477

Le Ritz, 15 place Vendome, Paris. Built in 1705 for Jean Baillet de la Cour, the mansion was transformed into a palace by Charles Mewes for Cesar Ritz in 1896.

Le Ritz, 15 place Vendome, Paris. Built in 1705 for Jean Baillet de la Cour, the mansion was transformed into a palace by Charles Mewes for Cesar Ritz in 1896.
Le Ritz, 15 place Vendome, Paris. Built in 1705 for Jean Baillet de la Cour, the mansion was transformed into a palace by Charles Mewes for Cesar Ritz in 1896.

OMG4606487: Le Ritz, 15 place Vendome, Paris. Built in 1705 for Jean Baillet de la Cour, the mansion was transformed into a palace by Charles Mewes for Cesar Ritz in 1896. / Bridgeman Images

ID: OMG4606487

Le Ritz, 15 place Vendome, Paris. Built in 1705 for Jean Baillet de la Cour, the mansion was transformed into a palace by Charles Mewes for Cesar Ritz in 1896.

Le Ritz, 15 place Vendome, Paris. Built in 1705 for Jean Baillet de la Cour, the mansion was transformed into a palace by Charles Mewes for Cesar Ritz in 1896.
Le Ritz, 15 place Vendome, Paris. Built in 1705 for Jean Baillet de la Cour, the mansion was transformed into a palace by Charles Mewes for Cesar Ritz in 1896.

OMG4606493: Le Ritz, 15 place Vendome, Paris. Built in 1705 for Jean Baillet de la Cour, the mansion was transformed into a palace by Charles Mewes for Cesar Ritz in 1896. / Bridgeman Images

ID: OMG4606493

Le Ritz, 15 place Vendome, Paris. Built in 1705 for Jean Baillet de la Cour, the mansion was transformed into a palace by Charles Mewes for Cesar Ritz in 1896.

The Church Am Steinhof in Vienna, Austria. Architect Otto Wagner (1841-1918), construction 1904-1907. Photography 31/01/08.
The Church Am Steinhof in Vienna, Austria. Architect Otto Wagner (1841-1918), construction 1904-1907. Photography 31/01/08.

OMG4606901: The Church Am Steinhof in Vienna, Austria. Architect Otto Wagner (1841-1918), construction 1904-1907. Photography 31/01/08., Wagner, Otto (1841-1918) / Bridgeman Images

ID: OMG4606901

The Church Am Steinhof in Vienna, Austria. Architect Otto Wagner (1841-1918), construction 1904-1907. Photography 31/01/08.

Wagner, Otto (1841-1918)

The Church Am Steinhof in Vienna, Austria. Architect Otto Wagner (1841-1918), construction 1904-1907. Photography 31/02/08.
The Church Am Steinhof in Vienna, Austria. Architect Otto Wagner (1841-1918), construction 1904-1907. Photography 31/02/08.

OMG4606916: The Church Am Steinhof in Vienna, Austria. Architect Otto Wagner (1841-1918), construction 1904-1907. Photography 31/02/08., Wagner, Otto (1841-1918) / Bridgeman Images

ID: OMG4606916

The Church Am Steinhof in Vienna, Austria. Architect Otto Wagner (1841-1918), construction 1904-1907. Photography 31/02/08.

Wagner, Otto (1841-1918)

The Church Am Steinhof in Vienna, Austria. Architect Otto Wagner (1841-1918), construction 1904-1907. Photography 31/02/08.
The Church Am Steinhof in Vienna, Austria. Architect Otto Wagner (1841-1918), construction 1904-1907. Photography 31/02/08.

OMG4606920: The Church Am Steinhof in Vienna, Austria. Architect Otto Wagner (1841-1918), construction 1904-1907. Photography 31/02/08., Wagner, Otto (1841-1918) / Bridgeman Images

ID: OMG4606920

The Church Am Steinhof in Vienna, Austria. Architect Otto Wagner (1841-1918), construction 1904-1907. Photography 31/02/08.

Wagner, Otto (1841-1918)

Congreso district of Buenos Aires (Argentina).
Congreso district of Buenos Aires (Argentina).

OMG4607561: Congreso district of Buenos Aires (Argentina). / Bridgeman Images

ID: OMG4607561

Congreso district of Buenos Aires (Argentina).

Congreso district of Buenos Aires (Argentina).
Congreso district of Buenos Aires (Argentina).

OMG4607566: Congreso district of Buenos Aires (Argentina). / Bridgeman Images

ID: OMG4607566

Congreso district of Buenos Aires (Argentina).

The Retiro district in Buenos Aires (Argentina).
The Retiro district in Buenos Aires (Argentina).

OMG4607601: The Retiro district in Buenos Aires (Argentina). / Bridgeman Images

ID: OMG4607601

The Retiro district in Buenos Aires (Argentina).

Microcentro district in Buenos Aires (Argentina).
Microcentro district in Buenos Aires (Argentina).

OMG4607629: Microcentro district in Buenos Aires (Argentina). / Bridgeman Images

ID: OMG4607629

Microcentro district in Buenos Aires (Argentina).

Avenida de Mayo (avenue de Mai) in Buenos Aires (Argentina).
Avenida de Mayo (avenue de Mai) in Buenos Aires (Argentina).

OMG4607636: Avenida de Mayo (avenue de Mai) in Buenos Aires (Argentina). / Bridgeman Images

ID: OMG4607636

Avenida de Mayo (avenue de Mai) in Buenos Aires (Argentina).

San Telmo district in Buenos Aires (Argentina).
San Telmo district in Buenos Aires (Argentina).

OMG4607678: San Telmo district in Buenos Aires (Argentina). / Bridgeman Images

ID: OMG4607678

San Telmo district in Buenos Aires (Argentina).

Puerto Madero district in Buenos Aires (Argentina).
Puerto Madero district in Buenos Aires (Argentina).

OMG4607727: Puerto Madero district in Buenos Aires (Argentina). / Bridgeman Images

ID: OMG4607727

Puerto Madero district in Buenos Aires (Argentina).

Cafe Tortoni, 825 Avenidaæde Mayo in Buenos Aires (Argentina). Cafe Tortoni, built in 1828, is one of the oldest cafes in the city. It was the meeting place for many artists, intellectuals and politicians. Photography 10/06/05.
Cafe Tortoni, 825 Avenidaæde Mayo in Buenos Aires (Argentina). Cafe Tortoni, built in 1828, is one of the oldest cafes in the city. It was the meeting place for many artists, intellectuals and politicians. Photography 10/06/05.

OMG4607795: Cafe Tortoni, 825 Avenidaæde Mayo in Buenos Aires (Argentina). Cafe Tortoni, built in 1828, is one of the oldest cafes in the city. It was the meeting place for many artists, intellectuals and politicians. Photography 10/06/05. / Bridgeman Images

ID: OMG4607795

Cafe Tortoni, 825 Avenidaæde Mayo in Buenos Aires (Argentina). Cafe Tortoni, built in 1828, is one of the oldest cafes in the city. It was the meeting place for many artists, intellectuals and politicians. Photography 10/06/05.

Cafe Tortoni, 825 Avenidaæde Mayo in Buenos Aires (Argentina). Cafe Tortoni, built in 1828, is one of the oldest cafes in the city. It was the meeting place for many artists, intellectuals and politicians. Photography 10/06/05.
Cafe Tortoni, 825 Avenidaæde Mayo in Buenos Aires (Argentina). Cafe Tortoni, built in 1828, is one of the oldest cafes in the city. It was the meeting place for many artists, intellectuals and politicians. Photography 10/06/05.

OMG4607823: Cafe Tortoni, 825 Avenidaæde Mayo in Buenos Aires (Argentina). Cafe Tortoni, built in 1828, is one of the oldest cafes in the city. It was the meeting place for many artists, intellectuals and politicians. Photography 10/06/05. / Bridgeman Images

ID: OMG4607823

Cafe Tortoni, 825 Avenidaæde Mayo in Buenos Aires (Argentina). Cafe Tortoni, built in 1828, is one of the oldest cafes in the city. It was the meeting place for many artists, intellectuals and politicians. Photography 10/06/05.

The centre of Brno, Moravia, Czech Republic.
The centre of Brno, Moravia, Czech Republic.

OMG4607860: The centre of Brno, Moravia, Czech Republic. / Bridgeman Images

ID: OMG4607860

The centre of Brno, Moravia, Czech Republic.

The centre of Brno, Moravia, Czech Republic.
The centre of Brno, Moravia, Czech Republic.

OMG4607869: The centre of Brno, Moravia, Czech Republic. / Bridgeman Images

ID: OMG4607869

The centre of Brno, Moravia, Czech Republic.

The centre of Brno, Moravia, Czech Republic.
The centre of Brno, Moravia, Czech Republic.

OMG4607882: The centre of Brno, Moravia, Czech Republic. / Bridgeman Images

ID: OMG4607882

The centre of Brno, Moravia, Czech Republic.

Paris seen from the 20th arrondissement.
Paris seen from the 20th arrondissement.

OMG4616905: Paris seen from the 20th arrondissement. / Bridgeman Images

ID: OMG4616905

Paris seen from the 20th arrondissement.


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