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Letter F, G, H and I. Engraving (Chromolithography - Chromo) in “” Le grand alphabet de Bebe””. Paul Bernardin, bookseller-publisher, Paris, circa 1900. Bibliotheque des Bebes. 12 pages. Album containing a simplified reading method and an illustrated abecedary. Dim: 28,5x19cm. Private Collection
Letter F, G, H and I. Engraving (Chromolithography - Chromo) in “” Le grand alphabet de Bebe””. Paul Bernardin, bookseller-publisher, Paris, circa 1900. Bibliotheque des Bebes. 12 pages. Album containing a simplified reading method and an illustrated abecedary. Dim: 28,5x19cm. Private Collection

DUV4210181: Letter F, G, H and I. Engraving (Chromolithography - Chromo) in “” Le grand alphabet de Bebe””. Paul Bernardin, bookseller-publisher, Paris, circa 1900. Bibliotheque des Bebes. 12 pages. Album containing a simplified reading method and an illustrated abecedary. Dim: 28,5x19cm. Private Collection / Bridgeman Images

ID: DUV4210181

Letter F, G, H and I. Engraving (Chromolithography - Chromo) in “” Le grand alphabet de Bebe””. Paul Bernardin, bookseller-publisher, Paris, circa 1900. Bibliotheque des Bebes. 12 pages. Album containing a simplified reading method and an illustrated abecedary. Dim: 28,5x19cm. Private Collection

falls, falls rain... showers on a house. Engraving from a school book (elementary reading) beginning of the 20th century.
falls, falls rain... showers on a house. Engraving from a school book (elementary reading) beginning of the 20th century.

PCT4274975: falls, falls rain... showers on a house. Engraving from a school book (elementary reading) beginning of the 20th century. / Bridgeman Images

ID: PCT4274975

falls, falls rain... showers on a house. Engraving from a school book (elementary reading) beginning of the 20th century.

The little teacher: the little teacher. A little girl lectured at her doll, like a teacher. Illustration of an English book for children (Sunny days for little people), early 20th century.
The little teacher: the little teacher. A little girl lectured at her doll, like a teacher. Illustration of an English book for children (Sunny days for little people), early 20th century.

PCT4274418: The little teacher: the little teacher. A little girl lectured at her doll, like a teacher. Illustration of an English book for children (Sunny days for little people), early 20th century. / Bridgeman Images

ID: PCT4274418

The little teacher: the little teacher. A little girl lectured at her doll, like a teacher. Illustration of an English book for children (Sunny days for little people), early 20th century.

Duties to the elderly. Respect - old-fashioned. Extract from a book of morality beginning 20th century: Unique book of morality and civic instruction intended for students of the three courses of the Primary School and those of the primary classes of the Lycees et colleges - Cuffet et Bernat, edition Godchaux, Paris, drawing by Georges Dascher.
Duties to the elderly. Respect - old-fashioned. Extract from a book of morality beginning 20th century: Unique book of morality and civic instruction intended for students of the three courses of the Primary School and those of the primary classes of the Lycees et colleges - Cuffet et Bernat, edition Godchaux, Paris, drawing by Georges Dascher.

PCT4274529: Duties to the elderly. Respect - old-fashioned. Extract from a book of morality beginning 20th century: Unique book of morality and civic instruction intended for students of the three courses of the Primary School and those of the primary classes of the Lycees et colleges - Cuffet et Bernat, edition Godchaux, Paris, drawing by Georges Dascher., Unknown Artist, (20th century) / Bridgeman Images

ID: PCT4274529

Duties to the elderly. Respect - old-fashioned. Extract from a book of morality beginning 20th century: Unique book of morality and civic instruction intended for students of the three courses of the Primary School and those of the primary classes of the Lycees et colleges - Cuffet et Bernat, edition Godchaux, Paris, drawing by Georges Dascher.

Unknown Artist, (20th century)

Victor Hugo, Les Miserables. Illustration by Adrien Marie in the Ollendorff 1906 edition: in the dark, Jean Valjean helps Cosette carry his bucket.
Victor Hugo, Les Miserables. Illustration by Adrien Marie in the Ollendorff 1906 edition: in the dark, Jean Valjean helps Cosette carry his bucket.

PCT4274584: Victor Hugo, Les Miserables. Illustration by Adrien Marie in the Ollendorff 1906 edition: in the dark, Jean Valjean helps Cosette carry his bucket. / Bridgeman Images

ID: PCT4274584

Victor Hugo, Les Miserables. Illustration by Adrien Marie in the Ollendorff 1906 edition: in the dark, Jean Valjean helps Cosette carry his bucket.

Victor Hugo “The Miserables”. Illustration by Brion. Engraving of the edition Ollendorff 1906. The elephant of the Bastille: on 2/12/1808, was laid in Place de la Bastille in Paris, the first stone of a grandiose fountain in the shape of an elephant, which was to celebrate the meeting of the waters of the Ourcq Canal with the water of the Seine, thanks to an underground canal crossing the square. In 1812, a life-size model, 24 m high, made of plaster with metal frame, was made on site. She remained there until 1847 and Victor Hugo became the refuge of her heros Gavroche in the novel Les Miserables, published in 1862. See also GUT0549.
Victor Hugo “The Miserables”. Illustration by Brion. Engraving of the edition Ollendorff 1906. The elephant of the Bastille: on 2/12/1808, was laid in Place de la Bastille in Paris, the first stone of a grandiose fountain in the shape of an elephant, which was to celebrate the meeting of the waters of the Ourcq Canal with the water of the Seine, thanks to an underground canal crossing the square. In 1812, a life-size model, 24 m high, made of plaster with metal frame, was made on site. She remained there until 1847 and Victor Hugo became the refuge of her heros Gavroche in the novel Les Miserables, published in 1862. See also GUT0549.

PCT4274639: Victor Hugo “The Miserables”. Illustration by Brion. Engraving of the edition Ollendorff 1906. The elephant of the Bastille: on 2/12/1808, was laid in Place de la Bastille in Paris, the first stone of a grandiose fountain in the shape of an elephant, which was to celebrate the meeting of the waters of the Ourcq Canal with the water of the Seine, thanks to an underground canal crossing the square. In 1812, a life-size model, 24 m high, made of plaster with metal frame, was made on site. She remained there until 1847 and Victor Hugo became the refuge of her heros Gavroche in the novel Les Miserables, published in 1862. See also GUT0549. / Bridgeman Images

ID: PCT4274639

Victor Hugo “The Miserables”. Illustration by Brion. Engraving of the edition Ollendorff 1906. The elephant of the Bastille: on 2/12/1808, was laid in Place de la Bastille in Paris, the first stone of a grandiose fountain in the shape of an elephant, which was to celebrate the meeting of the waters of the Ourcq Canal with the water of the Seine, thanks to an underground canal crossing the square. In 1812, a life-size model, 24 m high, made of plaster with metal frame, was made on site. She remained there until 1847 and Victor Hugo became the refuge of her heros Gavroche in the novel Les Miserables, published in 1862. See also GUT0549.

Sleeping little girl. Detail of a 19th century English engraving.
Sleeping little girl. Detail of a 19th century English engraving.

PCT4274781: Sleeping little girl. Detail of a 19th century English engraving. / Bridgeman Images

ID: PCT4274781

Sleeping little girl. Detail of a 19th century English engraving.

Young woman offering seeds to birds flying around her. Illustration of a school book beginning 20th century.
Young woman offering seeds to birds flying around her. Illustration of a school book beginning 20th century.

PCT4274931: Young woman offering seeds to birds flying around her. Illustration of a school book beginning 20th century., Unknown Artist, (20th century) / Bridgeman Images

ID: PCT4274931

Young woman offering seeds to birds flying around her. Illustration of a school book beginning 20th century.

Unknown Artist, (20th century)

Camel and camel mounted by children, 19th century (chromo)
Camel and camel mounted by children, 19th century (chromo)

PCT4274995: Camel and camel mounted by children, 19th century (chromo) / Bridgeman Images

ID: PCT4274995

Camel and camel mounted by children, 19th century (chromo)

Hall and brick church of Mazeres, medieval bastide of Lauragais founded in 1252. (Haute Garonne, Midi Pyrenees, Pays Cathare). Photo by Patrice Cartier
Hall and brick church of Mazeres, medieval bastide of Lauragais founded in 1252. (Haute Garonne, Midi Pyrenees, Pays Cathare). Photo by Patrice Cartier

PCT4270135: Hall and brick church of Mazeres, medieval bastide of Lauragais founded in 1252. (Haute Garonne, Midi Pyrenees, Pays Cathare). Photo by Patrice Cartier, Cartier, Patrice / Bridgeman Images

ID: PCT4270135

Hall and brick church of Mazeres, medieval bastide of Lauragais founded in 1252. (Haute Garonne, Midi Pyrenees, Pays Cathare). Photo by Patrice Cartier

Cartier, Patrice

Chateau de Montsegur (Ariege, Midi Pyrenees, Pays Cathare).
Chateau de Montsegur (Ariege, Midi Pyrenees, Pays Cathare).

PCT4270148: Chateau de Montsegur (Ariege, Midi Pyrenees, Pays Cathare)., Cartier, Patrice / Bridgeman Images

ID: PCT4270148

Chateau de Montsegur (Ariege, Midi Pyrenees, Pays Cathare).

Cartier, Patrice

Languedoc: Montpellier in the 19th century. Engraving extracted from “Geographie du département de l'Herault by Alphonse Joanne” edition Hachette 1883. On the right, the arches of the aqueduct bringing water to the Peyrou watercastle.
Languedoc: Montpellier in the 19th century. Engraving extracted from “Geographie du département de l'Herault by Alphonse Joanne” edition Hachette 1883. On the right, the arches of the aqueduct bringing water to the Peyrou watercastle.

PCT4270009: Languedoc: Montpellier in the 19th century. Engraving extracted from “Geographie du département de l'Herault by Alphonse Joanne” edition Hachette 1883. On the right, the arches of the aqueduct bringing water to the Peyrou watercastle. / Bridgeman Images

ID: PCT4270009

Languedoc: Montpellier in the 19th century. Engraving extracted from “Geographie du département de l'Herault by Alphonse Joanne” edition Hachette 1883. On the right, the arches of the aqueduct bringing water to the Peyrou watercastle.

Photography around 1940: portrait of Pius XII (Eugenio Pacelli 1876-1958) in a gesture of blessing.
Photography around 1940: portrait of Pius XII (Eugenio Pacelli 1876-1958) in a gesture of blessing.

PCT4270020: Photography around 1940: portrait of Pius XII (Eugenio Pacelli 1876-1958) in a gesture of blessing. / Bridgeman Images

ID: PCT4270020

Photography around 1940: portrait of Pius XII (Eugenio Pacelli 1876-1958) in a gesture of blessing.

Beziers (Herault, Languedoc, Cathar country). At the corner of Rue Saint Esprit, the church of the Madeleine where the inhabitants of the city were massacred on 21 July 1209. “Kill them all, God will recognize his own! “” Photo by Patrice Cartier
Beziers (Herault, Languedoc, Cathar country). At the corner of Rue Saint Esprit, the church of the Madeleine where the inhabitants of the city were massacred on 21 July 1209. “Kill them all, God will recognize his own! “” Photo by Patrice Cartier

PCT4270069: Beziers (Herault, Languedoc, Cathar country). At the corner of Rue Saint Esprit, the church of the Madeleine where the inhabitants of the city were massacred on 21 July 1209. “Kill them all, God will recognize his own! “” Photo by Patrice Cartier, Cartier, Patrice / Bridgeman Images

ID: PCT4270069

Beziers (Herault, Languedoc, Cathar country). At the corner of Rue Saint Esprit, the church of the Madeleine where the inhabitants of the city were massacred on 21 July 1209. “Kill them all, God will recognize his own! “” Photo by Patrice Cartier

Cartier, Patrice

Spoulga de Bouan (Ariege, Midi Pyrenees, Pays Cathare): remains of a 14th century troglodyte castle belonging to the Lord of Chateau-Verdun (Chateau Verdun), last refuge of the heretics Albigeois chased by the Inquisition. Photo by Patrice Cartier
Spoulga de Bouan (Ariege, Midi Pyrenees, Pays Cathare): remains of a 14th century troglodyte castle belonging to the Lord of Chateau-Verdun (Chateau Verdun), last refuge of the heretics Albigeois chased by the Inquisition. Photo by Patrice Cartier

PCT4270088: Spoulga de Bouan (Ariege, Midi Pyrenees, Pays Cathare): remains of a 14th century troglodyte castle belonging to the Lord of Chateau-Verdun (Chateau Verdun), last refuge of the heretics Albigeois chased by the Inquisition. Photo by Patrice Cartier, Cartier, Patrice / Bridgeman Images

ID: PCT4270088

Spoulga de Bouan (Ariege, Midi Pyrenees, Pays Cathare): remains of a 14th century troglodyte castle belonging to the Lord of Chateau-Verdun (Chateau Verdun), last refuge of the heretics Albigeois chased by the Inquisition. Photo by Patrice Cartier

Cartier, Patrice

Fanjeaux (Aude, Languedoc, Cathar country). Village overlooking a sunflower field. Photo by Patrice Cartier
Fanjeaux (Aude, Languedoc, Cathar country). Village overlooking a sunflower field. Photo by Patrice Cartier

PCT4270118: Fanjeaux (Aude, Languedoc, Cathar country). Village overlooking a sunflower field. Photo by Patrice Cartier, Cartier, Patrice / Bridgeman Images

ID: PCT4270118

Fanjeaux (Aude, Languedoc, Cathar country). Village overlooking a sunflower field. Photo by Patrice Cartier

Cartier, Patrice

Larnat (near Bouan, Ariege, Midi Pyrenees, Pays Cathare): the Pierre Ronde de Prat de jonc, or would have preche one of the last Perfect Cathars, Pierre Authier, burns on Place Saint-Etienne in Toulouse in 1308. Photo by Patrice Cartier
Larnat (near Bouan, Ariege, Midi Pyrenees, Pays Cathare): the Pierre Ronde de Prat de jonc, or would have preche one of the last Perfect Cathars, Pierre Authier, burns on Place Saint-Etienne in Toulouse in 1308. Photo by Patrice Cartier

PCT4270128: Larnat (near Bouan, Ariege, Midi Pyrenees, Pays Cathare): the Pierre Ronde de Prat de jonc, or would have preche one of the last Perfect Cathars, Pierre Authier, burns on Place Saint-Etienne in Toulouse in 1308. Photo by Patrice Cartier, Cartier, Patrice / Bridgeman Images

ID: PCT4270128

Larnat (near Bouan, Ariege, Midi Pyrenees, Pays Cathare): the Pierre Ronde de Prat de jonc, or would have preche one of the last Perfect Cathars, Pierre Authier, burns on Place Saint-Etienne in Toulouse in 1308. Photo by Patrice Cartier

Cartier, Patrice

Nicolas Bertrand writing his book “” Gestis Tholosanorum”” (Geste de Toulouse) in 1515. “Histoire graphique du Languedoc”, Ernest Roschach, 1905.
Nicolas Bertrand writing his book “” Gestis Tholosanorum”” (Geste de Toulouse) in 1515. “Histoire graphique du Languedoc”, Ernest Roschach, 1905.

PCT4270299: Nicolas Bertrand writing his book “” Gestis Tholosanorum”” (Geste de Toulouse) in 1515. “Histoire graphique du Languedoc”, Ernest Roschach, 1905. / Bridgeman Images

ID: PCT4270299

Nicolas Bertrand writing his book “” Gestis Tholosanorum”” (Geste de Toulouse) in 1515. “Histoire graphique du Languedoc”, Ernest Roschach, 1905.

Two bunnies in love flirting on a bench, 1904 (postcard)
Two bunnies in love flirting on a bench, 1904 (postcard)

PCT4270455: Two bunnies in love flirting on a bench, 1904 (postcard) / Bridgeman Images

ID: PCT4270455

Two bunnies in love flirting on a bench, 1904 (postcard)

Old advertisement: claim for Ripolin painting painted on a wall in Beziers (Herault, France). The three Ripolin brothers paint each other, the last writing the slogan “” to ripoline, you need Ripolin””. Photo by Patrice Cartier
Old advertisement: claim for Ripolin painting painted on a wall in Beziers (Herault, France). The three Ripolin brothers paint each other, the last writing the slogan “” to ripoline, you need Ripolin””. Photo by Patrice Cartier

PCT4270194: Old advertisement: claim for Ripolin painting painted on a wall in Beziers (Herault, France). The three Ripolin brothers paint each other, the last writing the slogan “” to ripoline, you need Ripolin””. Photo by Patrice Cartier / Bridgeman Images

ID: PCT4270194

Old advertisement: claim for Ripolin painting painted on a wall in Beziers (Herault, France). The three Ripolin brothers paint each other, the last writing the slogan “” to ripoline, you need Ripolin””. Photo by Patrice Cartier

Came for watches and chronometers in 1914: advertisement of the French watchmaking brand Lip.
Came for watches and chronometers in 1914: advertisement of the French watchmaking brand Lip.

PCT4270220: Came for watches and chronometers in 1914: advertisement of the French watchmaking brand Lip. / Bridgeman Images

ID: PCT4270220

Came for watches and chronometers in 1914: advertisement of the French watchmaking brand Lip.

Illustration for
Illustration for

PCT4270277: Illustration for "Les Malheurs de Sophie" written by Countess of Segur, 1851 (engraving), Castelli, Horace (1825-1889) / Bridgeman Images

ID: PCT4270277

Illustration for "Les Malheurs de Sophie" written by Countess of Segur, 1851 (engraving)

Castelli, Horace (1825-1889)

Easter in a village of Correze (19) at the beginning of the 20th century. Allegorical engraving by J.M. Breton illustrating Rene Bazin's book “” Douce France””, 1911.
Easter in a village of Correze (19) at the beginning of the 20th century. Allegorical engraving by J.M. Breton illustrating Rene Bazin's book “” Douce France””, 1911.

PCT4270305: Easter in a village of Correze (19) at the beginning of the 20th century. Allegorical engraving by J.M. Breton illustrating Rene Bazin's book “” Douce France””, 1911. / Bridgeman Images

ID: PCT4270305

Easter in a village of Correze (19) at the beginning of the 20th century. Allegorical engraving by J.M. Breton illustrating Rene Bazin's book “” Douce France””, 1911.

Consular Seal of Beziers, 1226: Lamb supporting a cross (reference to a first chapter of the Gospel of Saint John). The peaceful character of the symbol is clearly affirmed by the legend: agnus dei qui tollis peccata mundi dona nobis pacem (lamb of God who bears the sin of the world, give us peace). In this borrowing from the liturgical text, the last words replacing the original formula testified to the worries of a troubled period (“give us peace” instead of “” takes pity on us”). Histoire graphique du Languedoc, Ernest Roschach, Toulouse, 1905.
Consular Seal of Beziers, 1226: Lamb supporting a cross (reference to a first chapter of the Gospel of Saint John). The peaceful character of the symbol is clearly affirmed by the legend: agnus dei qui tollis peccata mundi dona nobis pacem (lamb of God who bears the sin of the world, give us peace). In this borrowing from the liturgical text, the last words replacing the original formula testified to the worries of a troubled period (“give us peace” instead of “” takes pity on us”). Histoire graphique du Languedoc, Ernest Roschach, Toulouse, 1905.

PCT4270334: Consular Seal of Beziers, 1226: Lamb supporting a cross (reference to a first chapter of the Gospel of Saint John). The peaceful character of the symbol is clearly affirmed by the legend: agnus dei qui tollis peccata mundi dona nobis pacem (lamb of God who bears the sin of the world, give us peace). In this borrowing from the liturgical text, the last words replacing the original formula testified to the worries of a troubled period (“give us peace” instead of “” takes pity on us”). Histoire graphique du Languedoc, Ernest Roschach, Toulouse, 1905. / Bridgeman Images

ID: PCT4270334

Consular Seal of Beziers, 1226: Lamb supporting a cross (reference to a first chapter of the Gospel of Saint John). The peaceful character of the symbol is clearly affirmed by the legend: agnus dei qui tollis peccata mundi dona nobis pacem (lamb of God who bears the sin of the world, give us peace). In this borrowing from the liturgical text, the last words replacing the original formula testified to the worries of a troubled period (“give us peace” instead of “” takes pity on us”). Histoire graphique du Languedoc, Ernest Roschach, Toulouse, 1905.

Saint George defeating the Dragon under the eyes of the Emerald Princess. Religious chromotithography beginning 20th century.
Saint George defeating the Dragon under the eyes of the Emerald Princess. Religious chromotithography beginning 20th century.

PCT4270341: Saint George defeating the Dragon under the eyes of the Emerald Princess. Religious chromotithography beginning 20th century., Unknown Artist, (20th century) / Bridgeman Images

ID: PCT4270341

Saint George defeating the Dragon under the eyes of the Emerald Princess. Religious chromotithography beginning 20th century.

Unknown Artist, (20th century)

Canal du Midi (Canal des deux mers) - Salleles d'Aude (Aude, Minervois, Languedoc) - Boat (peniche - pinardier) carrying wine barrels, passing a lock. Heclusier. Load on boats, the wine was brought to Sete (Cette) or Bordeaux, in half muids of 600 litres, 220 litre barrels or half pieces of 110 litres. Postcard 1907.
Canal du Midi (Canal des deux mers) - Salleles d'Aude (Aude, Minervois, Languedoc) - Boat (peniche - pinardier) carrying wine barrels, passing a lock. Heclusier. Load on boats, the wine was brought to Sete (Cette) or Bordeaux, in half muids of 600 litres, 220 litre barrels or half pieces of 110 litres. Postcard 1907.

PCT4273965: Canal du Midi (Canal des deux mers) - Salleles d'Aude (Aude, Minervois, Languedoc) - Boat (peniche - pinardier) carrying wine barrels, passing a lock. Heclusier. Load on boats, the wine was brought to Sete (Cette) or Bordeaux, in half muids of 600 litres, 220 litre barrels or half pieces of 110 litres. Postcard 1907. / Bridgeman Images

ID: PCT4273965

Canal du Midi (Canal des deux mers) - Salleles d'Aude (Aude, Minervois, Languedoc) - Boat (peniche - pinardier) carrying wine barrels, passing a lock. Heclusier. Load on boats, the wine was brought to Sete (Cette) or Bordeaux, in half muids of 600 litres, 220 litre barrels or half pieces of 110 litres. Postcard 1907.

Medieval iconography: costume of the Middle Ages. Hungarian Tartar warlord. Warrior weapon of a sword. Chromolithography of chocolate from Guyenne, beginning 20th secle.
Medieval iconography: costume of the Middle Ages. Hungarian Tartar warlord. Warrior weapon of a sword. Chromolithography of chocolate from Guyenne, beginning 20th secle.

PCT4273309: Medieval iconography: costume of the Middle Ages. Hungarian Tartar warlord. Warrior weapon of a sword. Chromolithography of chocolate from Guyenne, beginning 20th secle. / Bridgeman Images

ID: PCT4273309

Medieval iconography: costume of the Middle Ages. Hungarian Tartar warlord. Warrior weapon of a sword. Chromolithography of chocolate from Guyenne, beginning 20th secle.

First World War (1914-1918): Portrait of Douglas Haig, first Earl of Bermersyde, Scottish and English soldier (1861-1928), appointed commander-in-chief of the British forces in France in 1915. Here posing for the photo on his horse on the cover of the newspaper “L'image de la guerre”” n°61, January 1916.
First World War (1914-1918): Portrait of Douglas Haig, first Earl of Bermersyde, Scottish and English soldier (1861-1928), appointed commander-in-chief of the British forces in France in 1915. Here posing for the photo on his horse on the cover of the newspaper “L'image de la guerre”” n°61, January 1916.

PCT4274009: First World War (1914-1918): Portrait of Douglas Haig, first Earl of Bermersyde, Scottish and English soldier (1861-1928), appointed commander-in-chief of the British forces in France in 1915. Here posing for the photo on his horse on the cover of the newspaper “L'image de la guerre”” n°61, January 1916., Unknown photographer, (20th century) / Bridgeman Images

ID: PCT4274009

First World War (1914-1918): Portrait of Douglas Haig, first Earl of Bermersyde, Scottish and English soldier (1861-1928), appointed commander-in-chief of the British forces in France in 1915. Here posing for the photo on his horse on the cover of the newspaper “L'image de la guerre”” n°61, January 1916.

Unknown photographer, (20th century)

Gaston Jacquet playing the role of the Bossu, 1925
Gaston Jacquet playing the role of the Bossu, 1925

PCT4274020: Gaston Jacquet playing the role of the Bossu, 1925 / Bridgeman Images

ID: PCT4274020

Gaston Jacquet playing the role of the Bossu, 1925

Events of Morocco, taken over from Marrakech by the troops of Hubert (Louis-Hubert-Gonzalve) Lyautey (1854-1934) and Charles Mangin (1866-1925). Commander Simon, after having fled the pretendant El-Hiba (El Hiba) (Ahmed al-Hiba (Al Hiba), released the nine Frenchmen he was detaining in Marrakesh. Drawing by Damblans in Le Pelerin n°1834, September 22, 1912. See also ref. GUT2011 & COR8869
Events of Morocco, taken over from Marrakech by the troops of Hubert (Louis-Hubert-Gonzalve) Lyautey (1854-1934) and Charles Mangin (1866-1925). Commander Simon, after having fled the pretendant El-Hiba (El Hiba) (Ahmed al-Hiba (Al Hiba), released the nine Frenchmen he was detaining in Marrakesh. Drawing by Damblans in Le Pelerin n°1834, September 22, 1912. See also ref. GUT2011 & COR8869

PCT4273366: Events of Morocco, taken over from Marrakech by the troops of Hubert (Louis-Hubert-Gonzalve) Lyautey (1854-1934) and Charles Mangin (1866-1925). Commander Simon, after having fled the pretendant El-Hiba (El Hiba) (Ahmed al-Hiba (Al Hiba), released the nine Frenchmen he was detaining in Marrakesh. Drawing by Damblans in Le Pelerin n°1834, September 22, 1912. See also ref. GUT2011 & COR8869, Damblans, Eugene (1865-1945) / Bridgeman Images

ID: PCT4273366

Events of Morocco, taken over from Marrakech by the troops of Hubert (Louis-Hubert-Gonzalve) Lyautey (1854-1934) and Charles Mangin (1866-1925). Commander Simon, after having fled the pretendant El-Hiba (El Hiba) (Ahmed al-Hiba (Al Hiba), released the nine Frenchmen he was detaining in Marrakesh. Drawing by Damblans in Le Pelerin n°1834, September 22, 1912. See also ref. GUT2011 & COR8869

Damblans, Eugene (1865-1945)

Caunes-Minervois (Caunes Minervois - Aude - Languedoc). The entrance to the village, horse pulling a cart and inhabitants in their daily lives. Photography. Postcard beginning 20th century.
Caunes-Minervois (Caunes Minervois - Aude - Languedoc). The entrance to the village, horse pulling a cart and inhabitants in their daily lives. Photography. Postcard beginning 20th century.

PCT4274485: Caunes-Minervois (Caunes Minervois - Aude - Languedoc). The entrance to the village, horse pulling a cart and inhabitants in their daily lives. Photography. Postcard beginning 20th century., Unknown photographer, (20th century) / Bridgeman Images

ID: PCT4274485

Caunes-Minervois (Caunes Minervois - Aude - Languedoc). The entrance to the village, horse pulling a cart and inhabitants in their daily lives. Photography. Postcard beginning 20th century.

Unknown photographer, (20th century)

Young farmer attacked by a pack of hungry wolves in 1763 at Rochebaucour. She's protecting her little brother, who she hid behind her in the loaf. Engraving by R. Victor-Meunier (Victor Meunier) in a book of children's readings 1920-1930.
Young farmer attacked by a pack of hungry wolves in 1763 at Rochebaucour. She's protecting her little brother, who she hid behind her in the loaf. Engraving by R. Victor-Meunier (Victor Meunier) in a book of children's readings 1920-1930.

PCT4274519: Young farmer attacked by a pack of hungry wolves in 1763 at Rochebaucour. She's protecting her little brother, who she hid behind her in the loaf. Engraving by R. Victor-Meunier (Victor Meunier) in a book of children's readings 1920-1930. / Bridgeman Images

ID: PCT4274519

Young farmer attacked by a pack of hungry wolves in 1763 at Rochebaucour. She's protecting her little brother, who she hid behind her in the loaf. Engraving by R. Victor-Meunier (Victor Meunier) in a book of children's readings 1920-1930.

Constitutional disease - diatheses. Herpetism (herpes) dartres. Characteristically eruptions of eczema during the second period of herpetism. Engraving from “” Les Grands Ales et les Grands Remedes”” by Jules Rengade, 1889. From “The Principal Illnesses and Their Remedies” by Jules Rengade. (Paris, 1889).
Constitutional disease - diatheses. Herpetism (herpes) dartres. Characteristically eruptions of eczema during the second period of herpetism. Engraving from “” Les Grands Ales et les Grands Remedes”” by Jules Rengade, 1889. From “The Principal Illnesses and Their Remedies” by Jules Rengade. (Paris, 1889).

PCT4273620: Constitutional disease - diatheses. Herpetism (herpes) dartres. Characteristically eruptions of eczema during the second period of herpetism. Engraving from “” Les Grands Ales et les Grands Remedes”” by Jules Rengade, 1889. From “The Principal Illnesses and Their Remedies” by Jules Rengade. (Paris, 1889). / Bridgeman Images

ID: PCT4273620

Constitutional disease - diatheses. Herpetism (herpes) dartres. Characteristically eruptions of eczema during the second period of herpetism. Engraving from “” Les Grands Ales et les Grands Remedes”” by Jules Rengade, 1889. From “The Principal Illnesses and Their Remedies” by Jules Rengade. (Paris, 1889).

Nordic mythology: songs of L'Edda, Icelandic epopee (legende) whose complilation in verse is attributed to Saemond Sigfusson, a Christian priest living in Iceland between 1056 and 1133, during the declin of the ancient Vikings civilization (Wickings). Cycle of the Ases gods: the terrible wolf Fenris (the devorant fire), tied to a rock by a magical chain made by the dwarves of the underground world, bites the right hand of the god Tyre who will then be called the penguin god. Chromolithography of Liebig meat extract, early 20th century.
Nordic mythology: songs of L'Edda, Icelandic epopee (legende) whose complilation in verse is attributed to Saemond Sigfusson, a Christian priest living in Iceland between 1056 and 1133, during the declin of the ancient Vikings civilization (Wickings). Cycle of the Ases gods: the terrible wolf Fenris (the devorant fire), tied to a rock by a magical chain made by the dwarves of the underground world, bites the right hand of the god Tyre who will then be called the penguin god. Chromolithography of Liebig meat extract, early 20th century.

PCT4273735: Nordic mythology: songs of L'Edda, Icelandic epopee (legende) whose complilation in verse is attributed to Saemond Sigfusson, a Christian priest living in Iceland between 1056 and 1133, during the declin of the ancient Vikings civilization (Wickings). Cycle of the Ases gods: the terrible wolf Fenris (the devorant fire), tied to a rock by a magical chain made by the dwarves of the underground world, bites the right hand of the god Tyre who will then be called the penguin god. Chromolithography of Liebig meat extract, early 20th century. / Bridgeman Images

ID: PCT4273735

Nordic mythology: songs of L'Edda, Icelandic epopee (legende) whose complilation in verse is attributed to Saemond Sigfusson, a Christian priest living in Iceland between 1056 and 1133, during the declin of the ancient Vikings civilization (Wickings). Cycle of the Ases gods: the terrible wolf Fenris (the devorant fire), tied to a rock by a magical chain made by the dwarves of the underground world, bites the right hand of the god Tyre who will then be called the penguin god. Chromolithography of Liebig meat extract, early 20th century.

Canal du Midi (Canal des deux mers): canal bridge (canal bridge) of the Fresquel, near Carcassonne. Artwork by Pierre Paul (Pierre-Paul) Riquet (1609-1680). Boat (boat) drawn by two horses on the towpath. Engraving of the work of Baron Claude Joseph Finds “” Description generale et statistique du Département de l'Aude””, edition Firmin Didot 1818.
Canal du Midi (Canal des deux mers): canal bridge (canal bridge) of the Fresquel, near Carcassonne. Artwork by Pierre Paul (Pierre-Paul) Riquet (1609-1680). Boat (boat) drawn by two horses on the towpath. Engraving of the work of Baron Claude Joseph Finds “” Description generale et statistique du Département de l'Aude””, edition Firmin Didot 1818.

PCT4274175: Canal du Midi (Canal des deux mers): canal bridge (canal bridge) of the Fresquel, near Carcassonne. Artwork by Pierre Paul (Pierre-Paul) Riquet (1609-1680). Boat (boat) drawn by two horses on the towpath. Engraving of the work of Baron Claude Joseph Finds “” Description generale et statistique du Département de l'Aude””, edition Firmin Didot 1818. / Bridgeman Images

ID: PCT4274175

Canal du Midi (Canal des deux mers): canal bridge (canal bridge) of the Fresquel, near Carcassonne. Artwork by Pierre Paul (Pierre-Paul) Riquet (1609-1680). Boat (boat) drawn by two horses on the towpath. Engraving of the work of Baron Claude Joseph Finds “” Description generale et statistique du Département de l'Aude””, edition Firmin Didot 1818.

Cane knob of companion of duty joiner (Henri le Languedoc 1961) Photo Patrice Cartier
Cane knob of companion of duty joiner (Henri le Languedoc 1961) Photo Patrice Cartier

PCT4273786: Cane knob of companion of duty joiner (Henri le Languedoc 1961) Photo Patrice Cartier, Cartier, Patrice / Bridgeman Images

ID: PCT4273786

Cane knob of companion of duty joiner (Henri le Languedoc 1961) Photo Patrice Cartier

Cartier, Patrice


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