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Lenin (Vladimir Ilyich Ulyanov said, 1870-1924) and Yakov Sverdlov (1885-1919) in front of the provisional monument to Karl Marx (1818-1883) and Friedriech Engels (1820-1895), Moscow, November 7, 1918 -
Lenin (Vladimir Ilyich Ulyanov said, 1870-1924) and Yakov Sverdlov (1885-1919) in front of the provisional monument to Karl Marx (1818-1883) and Friedriech Engels (1820-1895), Moscow, November 7, 1918 -

LSE4317849: Lenin (Vladimir Ilyich Ulyanov said, 1870-1924) and Yakov Sverdlov (1885-1919) in front of the provisional monument to Karl Marx (1818-1883) and Friedriech Engels (1820-1895), Moscow, November 7, 1918 -, Russian Photographer, (20th century) / Bridgeman Images

Lenin (Vladimir Ilyich Ulyanov said, 1870-1924) in front of the library of his work cabinet in the Kremlin, Moscow, October 16, 1918 -
Lenin (Vladimir Ilyich Ulyanov said, 1870-1924) in front of the library of his work cabinet in the Kremlin, Moscow, October 16, 1918 -

LSE4317868: Lenin (Vladimir Ilyich Ulyanov said, 1870-1924) in front of the library of his work cabinet in the Kremlin, Moscow, October 16, 1918 -, Russian Photographer, (20th century) / Bridgeman Images

Lenin (Vladimir Ilyich Ulyanov, 1870-1924), Demian Bedny (Iefim Pridvorov, 1883-1945) and F Panfilov, delegate of Ukraine, at the 8th Congress of the Communist Party, Moscow, March 1919 -
Lenin (Vladimir Ilyich Ulyanov, 1870-1924), Demian Bedny (Iefim Pridvorov, 1883-1945) and F Panfilov, delegate of Ukraine, at the 8th Congress of the Communist Party, Moscow, March 1919 -

LSE4317893: Lenin (Vladimir Ilyich Ulyanov, 1870-1924), Demian Bedny (Iefim Pridvorov, 1883-1945) and F Panfilov, delegate of Ukraine, at the 8th Congress of the Communist Party, Moscow, March 1919 -, Russian Photographer, (20th century) / Bridgeman Images

The coronation of Mary. Representation of the Holy Trinity: God, Jesus Christ and the dove of the Holy Spirit (Holy Spirit). Painting of the Master of the Passion of Lyversberger (active 1460-1490), oil on wood, early German art 15th century. Munich, Alte Pinakothek (Germany).
The coronation of Mary. Representation of the Holy Trinity: God, Jesus Christ and the dove of the Holy Spirit (Holy Spirit). Painting of the Master of the Passion of Lyversberger (active 1460-1490), oil on wood, early German art 15th century. Munich, Alte Pinakothek (Germany).

LSE4315094: The coronation of Mary. Representation of the Holy Trinity: God, Jesus Christ and the dove of the Holy Spirit (Holy Spirit). Painting of the Master of the Passion of Lyversberger (active 1460-1490), oil on wood, early German art 15th century. Munich, Alte Pinakothek (Germany)., Master of the Lyversberg Passion (c.1470-99) / Bridgeman Images

Portrait of Joris Karl Huysmans (1848-1907), writer and literary critic. Photography, late 19th century.
Portrait of Joris Karl Huysmans (1848-1907), writer and literary critic. Photography, late 19th century.

LSE4315410: Portrait of Joris Karl Huysmans (1848-1907), writer and literary critic. Photography, late 19th century., Unknown photographer, (19th century) / Bridgeman Images

Portrait of Charles Paul Jean Baptiste de Bourgevin de Vialart de Saint Morys (1772-1817), councillor to the Grand Chamber of the Parlement of Paris. Painting by Jean Baptiste Greuze (1725-1805), oil on wood. French Art, 18th century. Museum of Fine Arts of Nantes. Â
Portrait of Charles Paul Jean Baptiste de Bourgevin de Vialart de Saint Morys (1772-1817), councillor to the Grand Chamber of the Parlement of Paris. Painting by Jean Baptiste Greuze (1725-1805), oil on wood. French Art, 18th century. Museum of Fine Arts of Nantes. Â

LSE4315580: Portrait of Charles Paul Jean Baptiste de Bourgevin de Vialart de Saint Morys (1772-1817), councillor to the Grand Chamber of the Parlement of Paris. Painting by Jean Baptiste Greuze (1725-1805), oil on wood. French Art, 18th century. Museum of Fine Arts of Nantes. Â, Greuze, Jean Baptiste (1725-1805) / Bridgeman Images

Portrait of Lord Kitchener of Karthoum (1850-1916), English military.
Portrait of Lord Kitchener of Karthoum (1850-1916), English military.

LSE4315679: Portrait of Lord Kitchener of Karthoum (1850-1916), English military., Unknown photographer, (19th century) / Bridgeman Images

The entry of French troops in Strasbourg (Bas Rhin, France), 22 November 1918. Painting by Emile Othon Friesz (1879-1949), Oil On Canvas, 1918. Strasbourg Museum of Fine Arts.
The entry of French troops in Strasbourg (Bas Rhin, France), 22 November 1918. Painting by Emile Othon Friesz (1879-1949), Oil On Canvas, 1918. Strasbourg Museum of Fine Arts.

LSE4315777: The entry of French troops in Strasbourg (Bas Rhin, France), 22 November 1918. Painting by Emile Othon Friesz (1879-1949), Oil On Canvas, 1918. Strasbourg Museum of Fine Arts., Friesz, Achille Emile Othon (1879-1949) / Bridgeman Images

Mrs. Vallotton in a dress. Painting by Felix Vallotton (1865-1925), Oil On Canvas, 1902. Art francais beginning 20th century. Staatsgalerie, Stuttgart (Germany).
Mrs. Vallotton in a dress. Painting by Felix Vallotton (1865-1925), Oil On Canvas, 1902. Art francais beginning 20th century. Staatsgalerie, Stuttgart (Germany).

LSE4315818: Mrs. Vallotton in a dress. Painting by Felix Vallotton (1865-1925), Oil On Canvas, 1902. Art francais beginning 20th century. Staatsgalerie, Stuttgart (Germany)., Vallotton, Felix Edouard (1865-1925) / Bridgeman Images

Portrait of the cochers and a child, with a hitch in the courtyard of Count Ducos's Parisian home. Photograph, circa 1870-1886, by Paul Emile Theodore Ducos (1849-1913).
Portrait of the cochers and a child, with a hitch in the courtyard of Count Ducos's Parisian home. Photograph, circa 1870-1886, by Paul Emile Theodore Ducos (1849-1913).

LSE4316166: Portrait of the cochers and a child, with a hitch in the courtyard of Count Ducos's Parisian home. Photograph, circa 1870-1886, by Paul Emile Theodore Ducos (1849-1913)., Ducos, Paul Emile Theodore (1849-1913) / Bridgeman Images

Woman with feather hat, wearing a baby. Brittany (France), photography 1912-1913.
Woman with feather hat, wearing a baby. Brittany (France), photography 1912-1913.

LSE4316464: Woman with feather hat, wearing a baby. Brittany (France), photography 1912-1913., French Photographer, (20th century) / Bridgeman Images

Woman wrapped in her coat, passing by two children. Painting by Shin Yunbok (ca. 1758-1813), ink on paper, 18th century, Coreen art, Choson period (Joseon). National Museum of Korea, Seoul (South Korea).
Woman wrapped in her coat, passing by two children. Painting by Shin Yunbok (ca. 1758-1813), ink on paper, 18th century, Coreen art, Choson period (Joseon). National Museum of Korea, Seoul (South Korea).

LSE4316423: Woman wrapped in her coat, passing by two children. Painting by Shin Yunbok (ca. 1758-1813), ink on paper, 18th century, Coreen art, Choson period (Joseon). National Museum of Korea, Seoul (South Korea)., Shin, Yunbok (c.1758-1813) / Bridgeman Images

Mother and her child, Parc Monceau, Paris (France).
Mother and her child, Parc Monceau, Paris (France).

LSE4316517: Mother and her child, Parc Monceau, Paris (France)., French Photographer, (20th century) / Bridgeman Images

Breton peasant in traditional costume. Brittany (France), photography 1912-1913.
Breton peasant in traditional costume. Brittany (France), photography 1912-1913.

LSE4316459: Breton peasant in traditional costume. Brittany (France), photography 1912-1913., French Photographer, (20th century) / Bridgeman Images

Man in military uniform, posing in front of his car. France, Photography 1915.
Man in military uniform, posing in front of his car. France, Photography 1915.

LSE4316469: Man in military uniform, posing in front of his car. France, Photography 1915., French Photographer, (20th century) / Bridgeman Images

A man and a soldier in uniform standing in front of their broken car. The driver activates the pump to inflate the tire. France, photography, 1917.
A man and a soldier in uniform standing in front of their broken car. The driver activates the pump to inflate the tire. France, photography, 1917.

LSE4316528: A man and a soldier in uniform standing in front of their broken car. The driver activates the pump to inflate the tire. France, photography, 1917., French Photographer, (20th century) / Bridgeman Images

Elegant men, women and children, mostly wearing traditional Breton costumes. Brittany (France), photography 1921-1922.
Elegant men, women and children, mostly wearing traditional Breton costumes. Brittany (France), photography 1921-1922.

LSE4316569: Elegant men, women and children, mostly wearing traditional Breton costumes. Brittany (France), photography 1921-1922., French Photographer, (20th century) / Bridgeman Images

Lenin (Vladimir Ilyich Ulyanov said, 1870-1924) at the foot of the podium, takes notes during a session of the Third Congress of the Communist International, Moscow, June-July 1921 -
Lenin (Vladimir Ilyich Ulyanov said, 1870-1924) at the foot of the podium, takes notes during a session of the Third Congress of the Communist International, Moscow, June-July 1921 -

LSE4317983: Lenin (Vladimir Ilyich Ulyanov said, 1870-1924) at the foot of the podium, takes notes during a session of the Third Congress of the Communist International, Moscow, June-July 1921 -, Russian Photographer, (20th century) / Bridgeman Images

Portrait of Jean Frederic Oberlin (1740-1826), French pastor and preceptor. in “” Portraits des Hommes Useful”, 1833-1836.
Portrait of Jean Frederic Oberlin (1740-1826), French pastor and preceptor. in “” Portraits des Hommes Useful”, 1833-1836.

LSE4317991: Portrait of Jean Frederic Oberlin (1740-1826), French pastor and preceptor. in “” Portraits des Hommes Useful”, 1833-1836., French School, (19th century) / Bridgeman Images

A group of writers and journalists arrived in Paris, coming from New York (USA), to investigate the French renaissance. Photography 5 February 1945.
A group of writers and journalists arrived in Paris, coming from New York (USA), to investigate the French renaissance. Photography 5 February 1945.

LSE4316942: A group of writers and journalists arrived in Paris, coming from New York (USA), to investigate the French renaissance. Photography 5 February 1945., Unknown photographer, (20th century) / Bridgeman Images

The court of honour of the Ministry of the Navy was named Etienne Dorve, Lieutenant-Commander, shot by the Germans on 29 August 1941. Admiral Lemonier presents the captain's widow with a decoration. Photography 13/11/1944.
The court of honour of the Ministry of the Navy was named Etienne Dorve, Lieutenant-Commander, shot by the Germans on 29 August 1941. Admiral Lemonier presents the captain's widow with a decoration. Photography 13/11/1944.

LSE4316949: The court of honour of the Ministry of the Navy was named Etienne Dorve, Lieutenant-Commander, shot by the Germans on 29 August 1941. Admiral Lemonier presents the captain's widow with a decoration. Photography 13/11/1944., Unknown photographer, (20th century) / Bridgeman Images

Portrait of Miss Adah-Isaacs Menken, singer at the theatre de la Gaite in Paris. Cartoon by Gill, in “The Moon”, February 10, 1867.
Portrait of Miss Adah-Isaacs Menken, singer at the theatre de la Gaite in Paris. Cartoon by Gill, in “The Moon”, February 10, 1867.

LSE4318348: Portrait of Miss Adah-Isaacs Menken, singer at the theatre de la Gaite in Paris. Cartoon by Gill, in “The Moon”, February 10, 1867., Gill, Andre (1840-85) / Bridgeman Images

Portrait of Camille Schelter, actress in the role of Fanfan Benoiton. Cartoon by Gill, in “The Moon”, August 11, 1867.
Portrait of Camille Schelter, actress in the role of Fanfan Benoiton. Cartoon by Gill, in “The Moon”, August 11, 1867.

LSE4318363: Portrait of Camille Schelter, actress in the role of Fanfan Benoiton. Cartoon by Gill, in “The Moon”, August 11, 1867., Gill, Andre (1840-85) / Bridgeman Images

Alexander the Great (356-323 BC) fighting the Persians - Plaque d'azulejos de Lisbon, ca. 1745 (Alexander fighting the Persians, tiles, Lisbon, circa 1745) - National Museum of Azulejos, Lisbon (Portugal) Â
Alexander the Great (356-323 BC) fighting the Persians - Plaque d'azulejos de Lisbon, ca. 1745 (Alexander fighting the Persians, tiles, Lisbon, circa 1745) - National Museum of Azulejos, Lisbon (Portugal) Â

LSE4317200: Alexander the Great (356-323 BC) fighting the Persians - Plaque d'azulejos de Lisbon, ca. 1745 (Alexander fighting the Persians, tiles, Lisbon, circa 1745) - National Museum of Azulejos, Lisbon (Portugal) Â, Portuguese School, (18th century) / Bridgeman Images

Geometric schema of a pentagon, Tin glazed earthenware, Lisbon second half of 18th century - Musee national des azulejos, Lisbon (Portugal)
Geometric schema of a pentagon, Tin glazed earthenware, Lisbon second half of 18th century - Musee national des azulejos, Lisbon (Portugal)

LSE4317213: Geometric schema of a pentagon, Tin glazed earthenware, Lisbon second half of 18th century - Musee national des azulejos, Lisbon (Portugal), Portuguese School, (18th century) / Bridgeman Images

Map of the Mediterranean Sea - Detail of the conquete of Tunis (Tunisia) - Tapestry by Francisco and Cornelius Van der Ggot (18th century), woven into the royal tapestry factory, mid-18th century, after the tapestry of the 16th century by Willem de Pannemaker - (Tunis Conquest, detail, tapestry by F. and C. Van der Ggot, mid 18th century) - Museum of Seville (Spain) -
Map of the Mediterranean Sea - Detail of the conquete of Tunis (Tunisia) - Tapestry by Francisco and Cornelius Van der Ggot (18th century), woven into the royal tapestry factory, mid-18th century, after the tapestry of the 16th century by Willem de Pannemaker - (Tunis Conquest, detail, tapestry by F. and C. Van der Ggot, mid 18th century) - Museum of Seville (Spain) -

LSE4317460: Map of the Mediterranean Sea - Detail of the conquete of Tunis (Tunisia) - Tapestry by Francisco and Cornelius Van der Ggot (18th century), woven into the royal tapestry factory, mid-18th century, after the tapestry of the 16th century by Willem de Pannemaker - (Tunis Conquest, detail, tapestry by F. and C. Van der Ggot, mid 18th century) - Museum of Seville (Spain) -, Vandergoten Canyuwell, Francisco Ignacio (1704-1774) / Bridgeman Images

Cycle of Oedipus: Oedipus and Jocaste - On the left, Oedipus figures the enigma of the sphinx, in the center, Oedipus sits on the trone next to Queen Jocaste, her mother - Tapestry, (415 x 417 cm), cardboard attributed to Bernard van Orley (Barend, Barent, Bernaert van Brussel, 1488-1541) and at the workshop Pieter Coecke van Aelst the Elder (1502-1555), 1525-1535 - Belgian Art, 16th century - Musee de Lamego (Portugal)
Cycle of Oedipus: Oedipus and Jocaste - On the left, Oedipus figures the enigma of the sphinx, in the center, Oedipus sits on the trone next to Queen Jocaste, her mother - Tapestry, (415 x 417 cm), cardboard attributed to Bernard van Orley (Barend, Barent, Bernaert van Brussel, 1488-1541) and at the workshop Pieter Coecke van Aelst the Elder (1502-1555), 1525-1535 - Belgian Art, 16th century - Musee de Lamego (Portugal)

LSE4317507: Cycle of Oedipus: Oedipus and Jocaste - On the left, Oedipus figures the enigma of the sphinx, in the center, Oedipus sits on the trone next to Queen Jocaste, her mother - Tapestry, (415 x 417 cm), cardboard attributed to Bernard van Orley (Barend, Barent, Bernaert van Brussel, 1488-1541) and at the workshop Pieter Coecke van Aelst the Elder (1502-1555), 1525-1535 - Belgian Art, 16th century - Musee de Lamego (Portugal), Orley, Bernart van (c.1488-1541) (attr. to) / Bridgeman Images

Portrait of Jean-Francois Galaup, Count of La Perouse (Jean Francois Laperouse, 1741-1788), French navigator. in “” Portraits des Hommes Useful””, 1833-1836.
Portrait of Jean-Francois Galaup, Count of La Perouse (Jean Francois Laperouse, 1741-1788), French navigator. in “” Portraits des Hommes Useful””, 1833-1836.

LSE4317588: Portrait of Jean-Francois Galaup, Count of La Perouse (Jean Francois Laperouse, 1741-1788), French navigator. in “” Portraits des Hommes Useful””, 1833-1836., French School, (19th century) / Bridgeman Images

Lenin (Vladimir Ilyich Ulyanov said, 1870-1924) and Yakov Sverdlov (1885-1919) in front of the Kremlin Wall before the inauguration of the commemorative plaque to tombs combatants in the struggle for peace and fraternity of peoples, Moscow, Red Square, November 7, 1918 -
Lenin (Vladimir Ilyich Ulyanov said, 1870-1924) and Yakov Sverdlov (1885-1919) in front of the Kremlin Wall before the inauguration of the commemorative plaque to tombs combatants in the struggle for peace and fraternity of peoples, Moscow, Red Square, November 7, 1918 -

LSE4317881: Lenin (Vladimir Ilyich Ulyanov said, 1870-1924) and Yakov Sverdlov (1885-1919) in front of the Kremlin Wall before the inauguration of the commemorative plaque to tombs combatants in the struggle for peace and fraternity of peoples, Moscow, Red Square, November 7, 1918 -, Russian Photographer, (20th century) / Bridgeman Images

Saint Anne learning to read to the Virgin - Painting by Juan de Roelas (ca. 1558/1560-1625), oil on canvas, ca. 1615 - Museum of Fine Arts of Seville, Spain
Saint Anne learning to read to the Virgin - Painting by Juan de Roelas (ca. 1558/1560-1625), oil on canvas, ca. 1615 - Museum of Fine Arts of Seville, Spain

LSE4317632: Saint Anne learning to read to the Virgin - Painting by Juan de Roelas (ca. 1558/1560-1625), oil on canvas, ca. 1615 - Museum of Fine Arts of Seville, Spain, Roelas, Juan de (El Licenciado) (1558/60-1625) / Bridgeman Images

The Chaste Suzanne - Painting by Gonzalo Bilbao Martinez (1860-1938), Oil On Canvas, circa 1914 - Museum of Fine Arts of Seville, Spain
The Chaste Suzanne - Painting by Gonzalo Bilbao Martinez (1860-1938), Oil On Canvas, circa 1914 - Museum of Fine Arts of Seville, Spain

LSE4317768: The Chaste Suzanne - Painting by Gonzalo Bilbao Martinez (1860-1938), Oil On Canvas, circa 1914 - Museum of Fine Arts of Seville, Spain, Bilbao Martinez, Gonzalo (1860-1938) / Bridgeman Images

Head of the Goddess Junon - White marble sculpture, Roman period, Banasa (Morocco) - Musee d'Archeologie de Rabat, Morocco
Head of the Goddess Junon - White marble sculpture, Roman period, Banasa (Morocco) - Musee d'Archeologie de Rabat, Morocco

LSE4317773: Head of the Goddess Junon - White marble sculpture, Roman period, Banasa (Morocco) - Musee d'Archeologie de Rabat, Morocco, Roman / Bridgeman Images

Song on “The Fire Department of Nanterre”. Cover in “” L'Eclipse”” by Gill, December 13, 1868, Paris.
Song on “The Fire Department of Nanterre”. Cover in “” L'Eclipse”” by Gill, December 13, 1868, Paris.

LSE4318689: Song on “The Fire Department of Nanterre”. Cover in “” L'Eclipse”” by Gill, December 13, 1868, Paris., Gill, Andre (1840-85) / Bridgeman Images

The Reaper, a representation of Death. Cover in “” L'Eclipse”” by Gill, November 29, 1868, Paris.
The Reaper, a representation of Death. Cover in “” L'Eclipse”” by Gill, November 29, 1868, Paris.

LSE4318708: The Reaper, a representation of Death. Cover in “” L'Eclipse”” by Gill, November 29, 1868, Paris., Gill, Andre (1840-85) / Bridgeman Images

La Curee. Cover in “” L'Eclipse”” by Pepin, February 7, 1869, Paris.
La Curee. Cover in “” L'Eclipse”” by Pepin, February 7, 1869, Paris.

LSE4318734: La Curee. Cover in “” L'Eclipse”” by Pepin, February 7, 1869, Paris., Pepin, (fl.1880) / Bridgeman Images

Albert Humbert (1835-1886), French writer. Cover in “” L'Eclipse”” by Boquillon, July 31, 1869, Paris.
Albert Humbert (1835-1886), French writer. Cover in “” L'Eclipse”” by Boquillon, July 31, 1869, Paris.

LSE4318845: Albert Humbert (1835-1886), French writer. Cover in “” L'Eclipse”” by Boquillon, July 31, 1869, Paris., Boquillon, (active 19th century) / Bridgeman Images


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