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Portrait of Luca Signorelli and the chamberlain Niccolò d'Agnolo Franchi, 1503 (tempera on terracotta)
Portrait of Luca Signorelli and the chamberlain Niccolò d'Agnolo Franchi, 1503 (tempera on terracotta)

GRL6262967: Portrait of Luca Signorelli and the chamberlain Niccolò d'Agnolo Franchi, 1503 (tempera on terracotta), Signorelli, Luca (c.1450-1523) / Bridgeman Images

ID: GRL6262967

Portrait of Luca Signorelli and the chamberlain Niccolò d'Agnolo Franchi, 1503 (tempera on terracotta)

Signorelli, Luca (c.1450-1523)

Portraits of Abu Ma'shar (Albumasar) and Ptolemy, 1501-03 (monochrome fresco)
Portraits of Abu Ma'shar (Albumasar) and Ptolemy, 1501-03 (monochrome fresco)

GRL6262987: Portraits of Abu Ma'shar (Albumasar) and Ptolemy, 1501-03 (monochrome fresco), Signorelli, Luca (c.1450-1523) (workshop of) / Bridgeman Images

ID: GRL6262987

Portraits of Abu Ma'shar (Albumasar) and Ptolemy, 1501-03 (monochrome fresco)

Signorelli, Luca (c.1450-1523) (workshop of)

Procession cross, 1617
Procession cross, 1617

MAE6263647: Procession cross, 1617, Surmont, Guillaume de (17th century) / Bridgeman Images

ID: MAE6263647

Procession cross, 1617

Surmont, Guillaume de (17th century)

Procession cross, 1617
Procession cross, 1617

MAE6263650: Procession cross, 1617, Surmont, Guillaume de (17th century) / Bridgeman Images

ID: MAE6263650

Procession cross, 1617

Surmont, Guillaume de (17th century)

Four saltcellars: Left to the right: 1636 (inv AG 0024), 18e S (inv AG 0020), 1636 (inv AG 0023), saltcellar of Soeur Marie Du Bois 17th century
Four saltcellars: Left to the right: 1636 (inv AG 0024), 18e S (inv AG 0020), 1636 (inv AG 0023), saltcellar of Soeur Marie Du Bois 17th century

MAE6263671: Four saltcellars: Left to the right: 1636 (inv AG 0024), 18e S (inv AG 0020), 1636 (inv AG 0023), saltcellar of Soeur Marie Du Bois 17th century, Unknown Artist, (17th century) / Bridgeman Images

ID: MAE6263671

Four saltcellars: Left to the right: 1636 (inv AG 0024), 18e S (inv AG 0020), 1636 (inv AG 0023), saltcellar of Soeur Marie Du Bois 17th century

Unknown Artist, (17th century)

Four saltcellars: Left to the right: 1636 (inv AG 0024), 18e S (inv AG 0020), 1636 (inv AG 0023), saltcellar of Soeur Marie Du Bois 17th century
Four saltcellars: Left to the right: 1636 (inv AG 0024), 18e S (inv AG 0020), 1636 (inv AG 0023), saltcellar of Soeur Marie Du Bois 17th century

MAE6263674: Four saltcellars: Left to the right: 1636 (inv AG 0024), 18e S (inv AG 0020), 1636 (inv AG 0023), saltcellar of Soeur Marie Du Bois 17th century, Unknown Artist, (17th century) / Bridgeman Images

ID: MAE6263674

Four saltcellars: Left to the right: 1636 (inv AG 0024), 18e S (inv AG 0020), 1636 (inv AG 0023), saltcellar of Soeur Marie Du Bois 17th century

Unknown Artist, (17th century)

In the restaurant, 1888
In the restaurant, 1888

OVR6263707: In the restaurant, 1888, Strom, Halfdan Frithjof (1863-1949) / Bridgeman Images

ID: OVR6263707

In the restaurant, 1888

Strom, Halfdan Frithjof (1863-1949)

Carte de Visite, James Henry Lane (b/w photo)
Carte de Visite, James Henry Lane (b/w photo)

XOS6344310: Carte de Visite, James Henry Lane (b/w photo), American Photographer, (19th century) / Bridgeman Images

ID: XOS6344310

Carte de Visite, James Henry Lane (b/w photo)

American Photographer, (19th century)

Operation of the thoracentese, needle aspiration of fluid from a pleural deflection (engraving)
Operation of the thoracentese, needle aspiration of fluid from a pleural deflection (engraving)

ELD6344968: Operation of the thoracentese, needle aspiration of fluid from a pleural deflection (engraving), French School, (19th century) / Bridgeman Images

ID: ELD6344968

Operation of the thoracentese, needle aspiration of fluid from a pleural deflection (engraving)

French School, (19th century)

Syria, Halaf Culture (6100-5100 BC), Neolithic, Settlement of Tell Halaf, Relief of a lion, guarding the temple of Tell Halaf, at the entrance of the National Museum of Aleppo
Syria, Halaf Culture (6100-5100 BC), Neolithic, Settlement of Tell Halaf, Relief of a lion, guarding the temple of Tell Halaf, at the entrance of the National Museum of Aleppo

TRK6345078: Syria, Halaf Culture (6100-5100 BC), Neolithic, Settlement of Tell Halaf, Relief of a lion, guarding the temple of Tell Halaf, at the entrance of the National Museum of Aleppo, Syrian School, (7th century BC) / Bridgeman Images

ID: TRK6345078

Syria, Halaf Culture (6100-5100 BC), Neolithic, Settlement of Tell Halaf, Relief of a lion, guarding the temple of Tell Halaf, at the entrance of the National Museum of Aleppo

Syrian School, (7th century BC)

F G Farmer and Geometre.
F G Farmer and Geometre.

DUV6345093: F G Farmer and Geometre., French School, (20th century) / Bridgeman Images

ID: DUV6345093

F G Farmer and Geometre.

French School, (20th century)

X is Xerces in her beautiful costume.
X is Xerces in her beautiful costume.

DUV6345187: X is Xerces in her beautiful costume., French School, (20th century) / Bridgeman Images

ID: DUV6345187

X is Xerces in her beautiful costume.

French School, (20th century)

Eugene Labiche (1815-1888), French playwright, author of “La poudre aux yeux”, comedy in two acts (1861)
Eugene Labiche (1815-1888), French playwright, author of “La poudre aux yeux”, comedy in two acts (1861)

DUV6345223: Eugene Labiche (1815-1888), French playwright, author of “La poudre aux yeux”, comedy in two acts (1861), French School, (19th century) / Bridgeman Images

ID: DUV6345223

Eugene Labiche (1815-1888), French playwright, author of “La poudre aux yeux”, comedy in two acts (1861)

French School, (19th century)

C: Oak, Horse, Rider, Hunter, Horn, Dog, Deer, Sky
C: Oak, Horse, Rider, Hunter, Horn, Dog, Deer, Sky

DUV6345231: C: Oak, Horse, Rider, Hunter, Horn, Dog, Deer, Sky, French School, (20th century) / Bridgeman Images

ID: DUV6345231

C: Oak, Horse, Rider, Hunter, Horn, Dog, Deer, Sky

French School, (20th century)

Jean Racine (1639-1699), French playwright and poet, author of “Les plaideurs”, comedy in three acts and verse (1668)
Jean Racine (1639-1699), French playwright and poet, author of “Les plaideurs”, comedy in three acts and verse (1668)

DUV6345254: Jean Racine (1639-1699), French playwright and poet, author of “Les plaideurs”, comedy in three acts and verse (1668), French School, (19th century) / Bridgeman Images

ID: DUV6345254

Jean Racine (1639-1699), French playwright and poet, author of “Les plaideurs”, comedy in three acts and verse (1668)

French School, (19th century)

William Shakespeare (1564-1616), poet, playwright and writer of Anglo-Saxon culture, author of “Romeo and Juliet”, tragedie
William Shakespeare (1564-1616), poet, playwright and writer of Anglo-Saxon culture, author of “Romeo and Juliet”, tragedie

DUV6345273: William Shakespeare (1564-1616), poet, playwright and writer of Anglo-Saxon culture, author of “Romeo and Juliet”, tragedie, French School, (19th century) / Bridgeman Images

ID: DUV6345273

William Shakespeare (1564-1616), poet, playwright and writer of Anglo-Saxon culture, author of “Romeo and Juliet”, tragedie

French School, (19th century)

Page 3: Diphthongs, all kinds of words Squirrel, Pipistrelle, Ear, Jaguar or American Tiger, Antelope, Gluton
Page 3: Diphthongs, all kinds of words Squirrel, Pipistrelle, Ear, Jaguar or American Tiger, Antelope, Gluton

DUV6345291: Page 3: Diphthongs, all kinds of words Squirrel, Pipistrelle, Ear, Jaguar or American Tiger, Antelope, Gluton, Gostiaux, Gabriel (E. Phosty) (1838-1910) / Bridgeman Images

ID: DUV6345291

Page 3: Diphthongs, all kinds of words Squirrel, Pipistrelle, Ear, Jaguar or American Tiger, Antelope, Gluton

Gostiaux, Gabriel (E. Phosty) (1838-1910)

G H I: General - Heros - Infantry
G H I: General - Heros - Infantry

DUV6345322: G H I: General - Heros - Infantry, Neziere, Raymond de la (1865-1953) / Bridgeman Images

ID: DUV6345322

G H I: General - Heros - Infantry

Neziere, Raymond de la (1865-1953)

F: Fruits are sweet on the palate and refreshing on the body
F: Fruits are sweet on the palate and refreshing on the body

DUV6345337: F: Fruits are sweet on the palate and refreshing on the body, French School, (20th century) / Bridgeman Images

ID: DUV6345337

F: Fruits are sweet on the palate and refreshing on the body

French School, (20th century)

J: The Japanese has a yellow skin, his eyes are strangled, and he is very intelligent
J: The Japanese has a yellow skin, his eyes are strangled, and he is very intelligent

DUV6345346: J: The Japanese has a yellow skin, his eyes are strangled, and he is very intelligent, French School, (20th century) / Bridgeman Images

ID: DUV6345346

J: The Japanese has a yellow skin, his eyes are strangled, and he is very intelligent

French School, (20th century)

Q: Le Quadrille is a dance with four couples
Q: Le Quadrille is a dance with four couples

DUV6345361: Q: Le Quadrille is a dance with four couples, French School, (20th century) / Bridgeman Images

ID: DUV6345361

Q: Le Quadrille is a dance with four couples

French School, (20th century)

F G: Frog, fife, goat, gymnastics
F G: Frog, fife, goat, gymnastics

DUV6345364: F G: Frog, fife, goat, gymnastics, French School, (19th century) / Bridgeman Images

ID: DUV6345364

F G: Frog, fife, goat, gymnastics

French School, (19th century)

I: Insects battailleurs, you show your pride Without even guessing that it is for you
I: Insects battailleurs, you show your pride Without even guessing that it is for you

DUV6345373: I: Insects battailleurs, you show your pride Without even guessing that it is for you, French School, (19th century) / Bridgeman Images

ID: DUV6345373

I: Insects battailleurs, you show your pride Without even guessing that it is for you

French School, (19th century)

W: Wagons are large cars running on railways
W: Wagons are large cars running on railways

DUV6345376: W: Wagons are large cars running on railways, French School, (20th century) / Bridgeman Images

ID: DUV6345376

W: Wagons are large cars running on railways

French School, (20th century)

L: Laundry detergents heard, these two master sheep would also be perfect pots
L: Laundry detergents heard, these two master sheep would also be perfect pots

DUV6345382: L: Laundry detergents heard, these two master sheep would also be perfect pots, French School, (19th century) / Bridgeman Images

ID: DUV6345382

L: Laundry detergents heard, these two master sheep would also be perfect pots

French School, (19th century)

Untitled [Female figure] (pencil)
Untitled [Female figure] (pencil)

DNE6200458: Untitled [Female figure] (pencil), Duncan, John (1866-1945) / Bridgeman Images

ID: DNE6200458

Untitled [Female figure] (pencil)

Duncan, John (1866-1945)

Portrait of the painter Giuseppe Canella in his studio in Milan, 1837 (oil on canvas)
Portrait of the painter Giuseppe Canella in his studio in Milan, 1837 (oil on canvas)

GRL6200527: Portrait of the painter Giuseppe Canella in his studio in Milan, 1837 (oil on canvas), Canella, Carlo (b.1800) / Bridgeman Images

ID: GRL6200527

Portrait of the painter Giuseppe Canella in his studio in Milan, 1837 (oil on canvas)

Canella, Carlo (b.1800)

A Doric Tmeple with Castelmola and Taormina in the background, 1849 (oil on canvas)
A Doric Tmeple with Castelmola and Taormina in the background, 1849 (oil on canvas)

GRL6200549: A Doric Tmeple with Castelmola and Taormina in the background, 1849 (oil on canvas), Waldmuller, Ferdinand Georg (1793-1865) / Bridgeman Images

ID: GRL6200549

A Doric Tmeple with Castelmola and Taormina in the background, 1849 (oil on canvas)

Waldmuller, Ferdinand Georg (1793-1865)

Paul and Virginie, 1844 (marble)
Paul and Virginie, 1844 (marble)

GRL6200601: Paul and Virginie, 1844 (marble), Puttinati, Alessandro (1801-72) / Bridgeman Images

ID: GRL6200601

Paul and Virginie, 1844 (marble)

Puttinati, Alessandro (1801-72)

Portrait of Antonietta Tarsis Basilico, 1851 (oil on canvas)
Portrait of Antonietta Tarsis Basilico, 1851 (oil on canvas)

GRL6200604: Portrait of Antonietta Tarsis Basilico, 1851 (oil on canvas), Hayez, Francesco (1791-1882) / Bridgeman Images

ID: GRL6200604

Portrait of Antonietta Tarsis Basilico, 1851 (oil on canvas)

Hayez, Francesco (1791-1882)

Psyche Abandoned, Model, 1816 (marble)
Psyche Abandoned, Model, 1816 (marble)

GRL6200640: Psyche Abandoned, Model, 1816 (marble), Tenerani, Pietro (1789-1869) / Bridgeman Images

ID: GRL6200640

Psyche Abandoned, Model, 1816 (marble)

Tenerani, Pietro (1789-1869)

Portrait of Francesca Gommi Maratti, c.1701 (oil on canvas)
Portrait of Francesca Gommi Maratti, c.1701 (oil on canvas)

XCL6200696: Portrait of Francesca Gommi Maratti, c.1701 (oil on canvas), Maratti, Carlo (1625-1713) / Bridgeman Images

ID: XCL6200696

Portrait of Francesca Gommi Maratti, c.1701 (oil on canvas)

Maratti, Carlo (1625-1713)

Magic Box of Butterflies, 1909 (woodcuts)
Magic Box of Butterflies, 1909 (woodcuts)

DNE6200820: Magic Box of Butterflies, 1909 (woodcuts), Peddie, George Salmond (1883-1911) / Bridgeman Images

ID: DNE6200820

Magic Box of Butterflies, 1909 (woodcuts)

Peddie, George Salmond (1883-1911)

The Lyric, 1904-06 (oil on canvas)
The Lyric, 1904-06 (oil on canvas)

DNE6200869: The Lyric, 1904-06 (oil on canvas), Orchardson, William Quiller (1832-1910) / Bridgeman Images

ID: DNE6200869

The Lyric, 1904-06 (oil on canvas)

Orchardson, William Quiller (1832-1910)

Peasants outside a Cottage (oil on canvas)
Peasants outside a Cottage (oil on canvas)

XCS6201660: Peasants outside a Cottage (oil on canvas), Hand, Thomas (c.1771-1804) / Bridgeman Images

ID: XCS6201660

Peasants outside a Cottage (oil on canvas)

Hand, Thomas (c.1771-1804)

The Finish for the Ascot Cup, 1842 (oil on canvas)
The Finish for the Ascot Cup, 1842 (oil on canvas)

XCS6201707: The Finish for the Ascot Cup, 1842 (oil on canvas), Dalby, John of York (1810-1865) / Bridgeman Images

ID: XCS6201707

The Finish for the Ascot Cup, 1842 (oil on canvas)

Dalby, John of York (1810-1865)


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