Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

2491557 Search Results

Pugri badge, Malay State Guides, 1901-1907 (silver and gilt)
Pugri badge, Malay State Guides, 1901-1907 (silver and gilt)

NAM5928461: Pugri badge, Malay State Guides, 1901-1907 (silver and gilt), British School, (20th century) / Bridgeman Images

Pugri badge, Malay State Guides, 1907-1919 (metal)
Pugri badge, Malay State Guides, 1907-1919 (metal)

NAM5928464: Pugri badge, Malay State Guides, 1907-1919 (metal), British School, (20th century) / Bridgeman Images

Shoulder button, Malay State Guides, 1896-1919 (brass)
Shoulder button, Malay State Guides, 1896-1919 (brass)

NAM5928470: Shoulder button, Malay State Guides, 1896-1919 (brass), English School, (19th century) / Bridgeman Images

Cap badge button, Malay State Guides, 1896-1919 (metal)
Cap badge button, Malay State Guides, 1896-1919 (metal)

NAM5928476: Cap badge button, Malay State Guides, 1896-1919 (metal), English School, (19th century) / Bridgeman Images

Captain Bowcher Clarke, 2nd Battalion The Worcestershire Regiment, November 1914 (b/w photo)
Captain Bowcher Clarke, 2nd Battalion The Worcestershire Regiment, November 1914 (b/w photo)

NAM5928488: Captain Bowcher Clarke, 2nd Battalion The Worcestershire Regiment, November 1914 (b/w photo), Unknown photographer, (20th century) / Bridgeman Images

A woman standing by a tree, holding a flower, c.1720  (opaque w/c and gold on paper)
A woman standing by a tree, holding a flower, c.1720  (opaque w/c and gold on paper)

SD6040471: A woman standing by a tree, holding a flower, c.1720 (opaque w/c and gold on paper), Mughal School (18th century) / Bridgeman Images

A maharaja of Samode, c.1760  (opaque w/c silver and gold on paper)
A maharaja of Samode, c.1760  (opaque w/c silver and gold on paper)

SD6040503: A maharaja of Samode, c.1760 (opaque w/c silver and gold on paper), Indian School, (18th century) / Bridgeman Images

A Bhoti prince prepares for the hunt, c.1800  (opaque w/c on paper)
A Bhoti prince prepares for the hunt, c.1800  (opaque w/c on paper)

SD6040515: A Bhoti prince prepares for the hunt, c.1800 (opaque w/c on paper), Pahari School (19th Century) / Bridgeman Images

A lady disconsolate, while the others play Holi, c.1790  (opaque w/c, silver and gold on paper)
A lady disconsolate, while the others play Holi, c.1790  (opaque w/c, silver and gold on paper)

SD6040521: A lady disconsolate, while the others play Holi, c.1790 (opaque w/c, silver and gold on paper), Pahari School (18th century) / Bridgeman Images

Temple of Philae, Egypt, 1846 (pencil, pen and ink and watercolour)
Temple of Philae, Egypt, 1846 (pencil, pen and ink and watercolour)

XCS6041465: Temple of Philae, Egypt, 1846 (pencil, pen and ink and watercolour), Roberts, David (1796-1864) / Bridgeman Images

Couverture
Couverture

XCS6041491: Couverture "L'Estampe Originale", 1893 (colour lithograph), Toulouse-Lautrec, Henri de (1864-1901) / Bridgeman Images

Durham from the Fields, 1830 (watercolour)
Durham from the Fields, 1830 (watercolour)

XCS6041528: Durham from the Fields, 1830 (watercolour), Boys, Thomas Shotter (1803-74) / Bridgeman Images

The End of a Weary Day (oil on canvas)
The End of a Weary Day (oil on canvas)

XCS6201849: The End of a Weary Day (oil on canvas), Downing, Delapoer (1852-1926) / Bridgeman Images

A Caravel Attacked by a Sea Monster, Mughal India, c.1590 (opaque pigments heightened with gold & silver on paper)
A Caravel Attacked by a Sea Monster, Mughal India, c.1590 (opaque pigments heightened with gold & silver on paper)

CH6203786: A Caravel Attacked by a Sea Monster, Mughal India, c.1590 (opaque pigments heightened with gold & silver on paper), Indian School, (16th century) / Bridgeman Images

A battle scene, Miniature from a Divan of Hafez Shirazi, Safavid, 16th century (ink and pigments on laid Persian paper)
A battle scene, Miniature from a Divan of Hafez Shirazi, Safavid, 16th century (ink and pigments on laid Persian paper)

XOS6203904: A battle scene, Miniature from a Divan of Hafez Shirazi, Safavid, 16th century (ink and pigments on laid Persian paper), Persian School, (16th century) / Bridgeman Images

Detail with two ladies, Camera Pinta (Painted Room) (fresco)
Detail with two ladies, Camera Pinta (Painted Room) (fresco)

GRL6204082: Detail with two ladies, Camera Pinta (Painted Room) (fresco), Italian School, (14th-15th century) / Bridgeman Images

Virgin Mary and God, detail of Coronation of Mary, 1468-69 (fresco)
Virgin Mary and God, detail of Coronation of Mary, 1468-69 (fresco)

GRL6204117: Virgin Mary and God, detail of Coronation of Mary, 1468-69 (fresco), Lippi, Filippo (c.1406-69) / Bridgeman Images

Transit of Mary, 1468-69 (fresco)
Transit of Mary, 1468-69 (fresco)

GRL6204126: Transit of Mary, 1468-69 (fresco), Lippi, Filippo (c.1406-69) / Bridgeman Images

Nativity with the Annunciation and the Eternal among angels and cherubs, 1503 (fresco)
Nativity with the Annunciation and the Eternal among angels and cherubs, 1503 (fresco)

GRL6204244: Nativity with the Annunciation and the Eternal among angels and cherubs, 1503 (fresco), Perugino, Pietro (c.1445-1523) / Bridgeman Images

Mrs. Belva Lockwood, 1903-05 (b/w photo)
Mrs. Belva Lockwood, 1903-05 (b/w photo)

XOS6219575: Mrs. Belva Lockwood, 1903-05 (b/w photo), Bell, Charles Milton (1848-93) / Bridgeman Images

Fifth and Wood Streets, Pittsburgh, Pa., 1903-04 (colour litho)
Fifth and Wood Streets, Pittsburgh, Pa., 1903-04 (colour litho)

XOS6219984: Fifth and Wood Streets, Pittsburgh, Pa., 1903-04 (colour litho), Detroit Publishing Co. (1880-1920) / Bridgeman Images

Ėmir Bukharskīĭ. Bukhara, 1911 (photo)
Ėmir Bukharskīĭ. Bukhara, 1911 (photo)

XOS6249478: Ėmir Bukharskīĭ. Bukhara, 1911 (photo), Prokudin-Gorsky, Sergei Mikhailovich (1863-1944) / Bridgeman Images

Detail of one wall: The Apostles take leave from Mary and Death of Mary, 1424
Detail of one wall: The Apostles take leave from Mary and Death of Mary, 1424

GRL6254041: Detail of one wall: The Apostles take leave from Mary and Death of Mary, 1424, Nelli, Ottaviano (c.1370-c.1444) / Bridgeman Images

The Hall of Liberal Arts and Planets
The Hall of Liberal Arts and Planets

GRL6255409: The Hall of Liberal Arts and Planets, Fabriano, Gentile da (c.1370-1427) / Bridgeman Images

History of Saint Piat and Saint Eleuthère, Scene 5: How the saint Piat founded the church of Our Lady and made the baptismal fonts
History of Saint Piat and Saint Eleuthère, Scene 5: How the saint Piat founded the church of Our Lady and made the baptismal fonts

MAE6261515: History of Saint Piat and Saint Eleuthère, Scene 5: How the saint Piat founded the church of Our Lady and made the baptismal fonts, Unknown Artist, (14th-15th century) / Bridgeman Images

Birds hear Hestmandoe, 1877
Birds hear Hestmandoe, 1877

OVR6340541: Birds hear Hestmandoe, 1877, Boe, Frants Diderik (1820-91) / Bridgeman Images

History of Saint Piat and Saint Eleuthère, Scene 14: The plague is quashing the city of Tournai
History of Saint Piat and Saint Eleuthère, Scene 14: The plague is quashing the city of Tournai

MAE6261542: History of Saint Piat and Saint Eleuthère, Scene 14: The plague is quashing the city of Tournai, Unknown Artist, (14th-15th century) / Bridgeman Images

At the farm yard, 1890
At the farm yard, 1890

OVR6340581: At the farm yard, 1890, Thaulow, Fritz (1847-1906) / Bridgeman Images

History of Saint Piat and Saint Eleuthère, Scene 10: Saint Eleuthère is sacred as bishop (D'evesques, a ce ordenés fu li benois sains consacrés. Detail.
History of Saint Piat and Saint Eleuthère, Scene 10: Saint Eleuthère is sacred as bishop (D'evesques, a ce ordenés fu li benois sains consacrés. Detail.

MAE6261637: History of Saint Piat and Saint Eleuthère, Scene 10: Saint Eleuthère is sacred as bishop (D'evesques, a ce ordenés fu li benois sains consacrés. Detail., Unknown Artist, (14th-15th century) / Bridgeman Images

History of Saint Piat and Saint Eleuthère, Scene 12: The resurrection of the tribune's daughter (Comment Jehsucrist reclama le bon saint et ressuscita par chy la fille de tribun present son père et le commun). Detail.
History of Saint Piat and Saint Eleuthère, Scene 12: The resurrection of the tribune's daughter (Comment Jehsucrist reclama le bon saint et ressuscita par chy la fille de tribun present son père et le commun). Detail.

MAE6261649: History of Saint Piat and Saint Eleuthère, Scene 12: The resurrection of the tribune's daughter (Comment Jehsucrist reclama le bon saint et ressuscita par chy la fille de tribun present son père et le commun). Detail., Unknown Artist, (14th-15th century) / Bridgeman Images

History of Saint Piat and Saint Eleuthère, Scene 13: baptism of Blanda (Comment li bons sains baptisa la fille tribun que leva de fons par tres grande mistere: Blande qui au bon saint fu mère). Detail.
History of Saint Piat and Saint Eleuthère, Scene 13: baptism of Blanda (Comment li bons sains baptisa la fille tribun que leva de fons par tres grande mistere: Blande qui au bon saint fu mère). Detail.

MAE6261652: History of Saint Piat and Saint Eleuthère, Scene 13: baptism of Blanda (Comment li bons sains baptisa la fille tribun que leva de fons par tres grande mistere: Blande qui au bon saint fu mère). Detail., Unknown Artist, (14th-15th century) / Bridgeman Images

History of Saint Piat and Saint Eleuthère, Scene 14: The plague is quashing the city of Tournai (Tribuns voit sa fille retraire des crestiens et elle atraire a sa loy dont la mors soudaine en fut tost as paiens prochaine). Detail.
History of Saint Piat and Saint Eleuthère, Scene 14: The plague is quashing the city of Tournai (Tribuns voit sa fille retraire des crestiens et elle atraire a sa loy dont la mors soudaine en fut tost as paiens prochaine). Detail.

MAE6261658: History of Saint Piat and Saint Eleuthère, Scene 14: The plague is quashing the city of Tournai (Tribuns voit sa fille retraire des crestiens et elle atraire a sa loy dont la mors soudaine en fut tost as paiens prochaine). Detail., Unknown Artist, (14th-15th century) / Bridgeman Images

Reliquary cross. Metalsmithing with juwels. Origin abbey (Saint-Amand Tournai, ex-Elnone. 16th century. Detail centre of the cross.
Reliquary cross. Metalsmithing with juwels. Origin abbey (Saint-Amand Tournai, ex-Elnone. 16th century. Detail centre of the cross.

MAE6261781: Reliquary cross. Metalsmithing with juwels. Origin abbey (Saint-Amand Tournai, ex-Elnone. 16th century. Detail centre of the cross., Unknown Artist, (16th century) / Bridgeman Images

Reliquary cross. Metalsmithing with jewels. Origin abbey (Saint-Amand Tournai, ex-Elnone. 16th century. Detail.
Reliquary cross. Metalsmithing with jewels. Origin abbey (Saint-Amand Tournai, ex-Elnone. 16th century. Detail.

MAE6261784: Reliquary cross. Metalsmithing with jewels. Origin abbey (Saint-Amand Tournai, ex-Elnone. 16th century. Detail., Unknown Artist, (16th century) / Bridgeman Images

Candelabrum (?), silversmithing, 16th-17th century
Candelabrum (?), silversmithing, 16th-17th century

MAE6261834: Candelabrum (?), silversmithing, 16th-17th century, Unknown Artist, (16th-17th century) / Bridgeman Images

Chalice of chaplain Georges Coquere. Metelsmithing, gold and silver
Chalice of chaplain Georges Coquere. Metelsmithing, gold and silver

MAE6261857: Chalice of chaplain Georges Coquere. Metelsmithing, gold and silver, Unknown Artist, (16th century) / Bridgeman Images


Back to top