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Ice Carving, Winterlude Celebration, Ottawa, Ontario, Canada (photo)
Ice Carving, Winterlude Celebration, Ottawa, Ontario, Canada (photo)

ANM1111006: Ice Carving, Winterlude Celebration, Ottawa, Ontario, Canada (photo) / Bridgeman Images

ID: ANM1111006

Ice Carving, Winterlude Celebration, Ottawa, Ontario, Canada (photo)

Votive Candles, Oaxaca City, Oaxaca, Mexico (photo)
Votive Candles, Oaxaca City, Oaxaca, Mexico (photo)

ANM1111025: Votive Candles, Oaxaca City, Oaxaca, Mexico (photo) / Bridgeman Images

ID: ANM1111025

Votive Candles, Oaxaca City, Oaxaca, Mexico (photo)

Mardi Gras, Ponce, Puerto Rico, U.S. Territory, Caribbean.. (photo)
Mardi Gras, Ponce, Puerto Rico, U.S. Territory, Caribbean.. (photo)

ANM1111029: Mardi Gras, Ponce, Puerto Rico, U.S. Territory, Caribbean.. (photo) / Bridgeman Images

ID: ANM1111029

Mardi Gras, Ponce, Puerto Rico, U.S. Territory, Caribbean.. (photo)

Ngaruawahia River Regatta, Maori Festival, Ngaruawahia, New Zealand.. (photo)
Ngaruawahia River Regatta, Maori Festival, Ngaruawahia, New Zealand.. (photo)

ANM1111033: Ngaruawahia River Regatta, Maori Festival, Ngaruawahia, New Zealand.. (photo) / Bridgeman Images

ID: ANM1111033

Ngaruawahia River Regatta, Maori Festival, Ngaruawahia, New Zealand.. (photo)

San Miguel de Allende, Guanajuato, Mexico.. (photo)
San Miguel de Allende, Guanajuato, Mexico.. (photo)

ANM1111036: San Miguel de Allende, Guanajuato, Mexico.. (photo) / Bridgeman Images

ID: ANM1111036

San Miguel de Allende, Guanajuato, Mexico.. (photo)

Bar Mitzvah, Wailing Wail, Jerusalem, Israel. (photo)
Bar Mitzvah, Wailing Wail, Jerusalem, Israel. (photo)

ANM1111057: Bar Mitzvah, Wailing Wail, Jerusalem, Israel. (photo) / Bridgeman Images

ID: ANM1111057

Bar Mitzvah, Wailing Wail, Jerusalem, Israel. (photo)

Elephants Playing Soccer, Elephant Round-Up, Surin, Thailand (photo)
Elephants Playing Soccer, Elephant Round-Up, Surin, Thailand (photo)

ANM1111115: Elephants Playing Soccer, Elephant Round-Up, Surin, Thailand (photo) / Bridgeman Images

ID: ANM1111115

Elephants Playing Soccer, Elephant Round-Up, Surin, Thailand (photo)

Kyoka Hassen Sono Ni, Eight Kyoka Poets 2., Yajima, Gogaku, Active 19th Century, Artist, [Between 1818 and 1824], 1 Print : Woodcut, Color ; 18.3 X 25 Cm., Print Shows Three Men and A Woman (Poets); One Man is Standing Behind A Low Screen, Reading; Another is Sitting On the Floor in Front of the Screen, Feeding A Turtle From A Bowl; The Third Man and the Woman Are Standing On the Left.
Kyoka Hassen Sono Ni, Eight Kyoka Poets 2., Yajima, Gogaku, Active 19th Century, Artist, [Between 1818 and 1824], 1 Print : Woodcut, Color ; 18.3 X 25 Cm., Print Shows Three Men and A Woman (Poets); One Man is Standing Behind A Low Screen, Reading; Another is Sitting On the Floor in Front of the Screen, Feeding A Turtle From A Bowl; The Third Man and the Woman Are Standing On the Left.

LZT1111725: Kyoka Hassen Sono Ni, Eight Kyoka Poets 2., Yajima, Gogaku, Active 19th Century, Artist, [Between 1818 and 1824], 1 Print : Woodcut, Color ; 18.3 X 25 Cm., Print Shows Three Men and A Woman (Poets); One Man is Standing Behind A Low Screen, Reading; Another is Sitting On the Floor in Front of the Screen, Feeding A Turtle From A Bowl; The Third Man and the Woman Are Standing On the Left., Unknown Artist, (19th century) / Bridgeman Images

ID: LZT1111725

Kyoka Hassen Sono Ni, Eight Kyoka Poets 2., Yajima, Gogaku, Active 19th Century, Artist, [Between 1818 and 1824], 1 Print : Woodcut, Color ; 18.3 X 25 Cm., Print Shows Three Men and A Woman (Poets); One Man is Standing Behind A Low Screen, Reading; Another is Sitting On the Floor in Front of the Screen, Feeding A Turtle From A Bowl; The Third Man and the Woman Are Standing On the Left.

Unknown Artist, (19th century)

Maisaka, Ando [Ca. 1855], 1 Print : Woodcut, Color ; 36 X 24.7 ., Print Shows a Bird's-Eye View of Ships Offshore with Small Peninsula and Large Mountain; Station 31 on the Tokaido Road.
Maisaka, Ando [Ca. 1855], 1 Print : Woodcut, Color ; 36 X 24.7 ., Print Shows a Bird's-Eye View of Ships Offshore with Small Peninsula and Large Mountain; Station 31 on the Tokaido Road.

LZT1111786: Maisaka, Ando [Ca. 1855], 1 Print : Woodcut, Color ; 36 X 24.7 ., Print Shows a Bird's-Eye View of Ships Offshore with Small Peninsula and Large Mountain; Station 31 on the Tokaido Road., Hiroshige, Ando or Utagawa (1797-1858) / Bridgeman Images

ID: LZT1111786

Maisaka, Ando [Ca. 1855], 1 Print : Woodcut, Color ; 36 X 24.7 ., Print Shows a Bird's-Eye View of Ships Offshore with Small Peninsula and Large Mountain; Station 31 on the Tokaido Road.

Hiroshige, Ando or Utagawa (1797-1858)

Fujieda, Ando [Ca. 1855], 1 Print : Woodcut, Color ; 36 X 24.7 ., Print Shows a Group of Pilgrims Crossing a Shallow River, One Being Carried in a Sedan Chair, and Three Borne on the Backs of Others, at the 23rd Station on the Tokaido Road.
Fujieda, Ando [Ca. 1855], 1 Print : Woodcut, Color ; 36 X 24.7 ., Print Shows a Group of Pilgrims Crossing a Shallow River, One Being Carried in a Sedan Chair, and Three Borne on the Backs of Others, at the 23rd Station on the Tokaido Road.

LZT1111792: Fujieda, Ando [Ca. 1855], 1 Print : Woodcut, Color ; 36 X 24.7 ., Print Shows a Group of Pilgrims Crossing a Shallow River, One Being Carried in a Sedan Chair, and Three Borne on the Backs of Others, at the 23rd Station on the Tokaido Road., Hiroshige, Ando or Utagawa (1797-1858) / Bridgeman Images

ID: LZT1111792

Fujieda, Ando [Ca. 1855], 1 Print : Woodcut, Color ; 36 X 24.7 ., Print Shows a Group of Pilgrims Crossing a Shallow River, One Being Carried in a Sedan Chair, and Three Borne on the Backs of Others, at the 23rd Station on the Tokaido Road.

Hiroshige, Ando or Utagawa (1797-1858)

Nakamaru Matsue No Keisei Miyako, the Actor Nakamura Matsue in the Role of Keisei Miyako. Print Shows the Actor Nakamura Matsue in an Onnagata Role As the Keisei (Courtesan) Miyako, Standing at a Gate in the Wall Around a City, Beating a Small Drum.
Nakamaru Matsue No Keisei Miyako, the Actor Nakamura Matsue in the Role of Keisei Miyako. Print Shows the Actor Nakamura Matsue in an Onnagata Role As the Keisei (Courtesan) Miyako, Standing at a Gate in the Wall Around a City, Beating a Small Drum.

LZT1111808: Nakamaru Matsue No Keisei Miyako, the Actor Nakamura Matsue in the Role of Keisei Miyako. Print Shows the Actor Nakamura Matsue in an Onnagata Role As the Keisei (Courtesan) Miyako, Standing at a Gate in the Wall Around a City, Beating a Small Drum. / Bridgeman Images

ID: LZT1111808

Nakamaru Matsue No Keisei Miyako, the Actor Nakamura Matsue in the Role of Keisei Miyako. Print Shows the Actor Nakamura Matsue in an Onnagata Role As the Keisei (Courtesan) Miyako, Standing at a Gate in the Wall Around a City, Beating a Small Drum.

Kudanme, Act Nine [of the Chushingura]. [Between 1815 and 1818], 1 Print : Woodcut, Color ; 19.7 X 26 ., Print Shows a Man (Possibly Yuranosuke) and Two Women (Possibly Tonase and Her Step-Daughter Konami, or Oishi, Wife of Yuranosuke) in a Room with Doorway to the Outside in the Background.
Kudanme, Act Nine [of the Chushingura]. [Between 1815 and 1818], 1 Print : Woodcut, Color ; 19.7 X 26 ., Print Shows a Man (Possibly Yuranosuke) and Two Women (Possibly Tonase and Her Step-Daughter Konami, or Oishi, Wife of Yuranosuke) in a Room with Doorway to the Outside in the Background.

LZT1111816: Kudanme, Act Nine [of the Chushingura]. [Between 1815 and 1818], 1 Print : Woodcut, Color ; 19.7 X 26 ., Print Shows a Man (Possibly Yuranosuke) and Two Women (Possibly Tonase and Her Step-Daughter Konami, or Oishi, Wife of Yuranosuke) in a Room with Doorway to the Outside in the Background., Kuniyasu, Utagawa (1794-1832) / Bridgeman Images

ID: LZT1111816

Kudanme, Act Nine [of the Chushingura]. [Between 1815 and 1818], 1 Print : Woodcut, Color ; 19.7 X 26 ., Print Shows a Man (Possibly Yuranosuke) and Two Women (Possibly Tonase and Her Step-Daughter Konami, or Oishi, Wife of Yuranosuke) in a Room with Doorway to the Outside in the Background.

Kuniyasu, Utagawa (1794-1832)

Judanme, Act Ten [of the Chushingura]. [Between 1815 and 1818], 1 Print : Woodcut, Color ; 19 X 25.9 ., Print Shows a Masked Man, One of the Ronin, with a Sword Attacking Osono, the Estranged Wife of Gihei, in Order to Cut Her Hair to the Customary Length of a Nun Making It Impossible for Her Father to Marry Her Off to Someone Else. While This is Taking Place Gihei is Standing behind a Wooden Screen. Having Passed the Test of Loyalty to the Ronin's Plan, Gihei is About to Be Rewarded with His Wife's Hair and Receipt of the Divorce Letter He Wrote in Duress.
Judanme, Act Ten [of the Chushingura]. [Between 1815 and 1818], 1 Print : Woodcut, Color ; 19 X 25.9 ., Print Shows a Masked Man, One of the Ronin, with a Sword Attacking Osono, the Estranged Wife of Gihei, in Order to Cut Her Hair to the Customary Length of a Nun Making It Impossible for Her Father to Marry Her Off to Someone Else. While This is Taking Place Gihei is Standing behind a Wooden Screen. Having Passed the Test of Loyalty to the Ronin's Plan, Gihei is About to Be Rewarded with His Wife's Hair and Receipt of the Divorce Letter He Wrote in Duress.

LZT1111820: Judanme, Act Ten [of the Chushingura]. [Between 1815 and 1818], 1 Print : Woodcut, Color ; 19 X 25.9 ., Print Shows a Masked Man, One of the Ronin, with a Sword Attacking Osono, the Estranged Wife of Gihei, in Order to Cut Her Hair to the Customary Length of a Nun Making It Impossible for Her Father to Marry Her Off to Someone Else. While This is Taking Place Gihei is Standing behind a Wooden Screen. Having Passed the Test of Loyalty to the Ronin's Plan, Gihei is About to Be Rewarded with His Wife's Hair and Receipt of the Divorce Letter He Wrote in Duress., Kuniyasu, Utagawa (1794-1832) / Bridgeman Images

ID: LZT1111820

Judanme, Act Ten [of the Chushingura]. [Between 1815 and 1818], 1 Print : Woodcut, Color ; 19 X 25.9 ., Print Shows a Masked Man, One of the Ronin, with a Sword Attacking Osono, the Estranged Wife of Gihei, in Order to Cut Her Hair to the Customary Length of a Nun Making It Impossible for Her Father to Marry Her Off to Someone Else. While This is Taking Place Gihei is Standing behind a Wooden Screen. Having Passed the Test of Loyalty to the Ronin's Plan, Gihei is About to Be Rewarded with His Wife's Hair and Receipt of the Divorce Letter He Wrote in Duress.

Kuniyasu, Utagawa (1794-1832)

Tekkai Sennin, Parody of the Chinese Sage Tieqiao. [Between 1711 and 1716], 1 Print : Woodcut ; 26.8 X 39 ., Print Shows a Woman Holding Her Hands Over a Man's Eyes and Blowing a Puff of Air Upon which a Small Male Figure Ascends; Another Woman is Waving to the Man on the Puff of Air and Appears to Be Offering Him a Small Package.
Tekkai Sennin, Parody of the Chinese Sage Tieqiao. [Between 1711 and 1716], 1 Print : Woodcut ; 26.8 X 39 ., Print Shows a Woman Holding Her Hands Over a Man's Eyes and Blowing a Puff of Air Upon which a Small Male Figure Ascends; Another Woman is Waving to the Man on the Puff of Air and Appears to Be Offering Him a Small Package.

LZT1111836: Tekkai Sennin, Parody of the Chinese Sage Tieqiao. [Between 1711 and 1716], 1 Print : Woodcut ; 26.8 X 39 ., Print Shows a Woman Holding Her Hands Over a Man's Eyes and Blowing a Puff of Air Upon which a Small Male Figure Ascends; Another Woman is Waving to the Man on the Puff of Air and Appears to Be Offering Him a Small Package., Masanobu, Okumura (1686-1764) / Bridgeman Images

ID: LZT1111836

Tekkai Sennin, Parody of the Chinese Sage Tieqiao. [Between 1711 and 1716], 1 Print : Woodcut ; 26.8 X 39 ., Print Shows a Woman Holding Her Hands Over a Man's Eyes and Blowing a Puff of Air Upon which a Small Male Figure Ascends; Another Woman is Waving to the Man on the Puff of Air and Appears to Be Offering Him a Small Package.

Masanobu, Okumura (1686-1764)

Yoru No Fukagawa Geisha, a Geisha on an Evening Stroll in Fukagawa. [Between 1828 and 1833], 1 Print : Woodcut, Color ; 21.2 X 18 .
Yoru No Fukagawa Geisha, a Geisha on an Evening Stroll in Fukagawa. [Between 1828 and 1833], 1 Print : Woodcut, Color ; 21.2 X 18 .

LZT1111853: Yoru No Fukagawa Geisha, a Geisha on an Evening Stroll in Fukagawa. [Between 1828 and 1833], 1 Print : Woodcut, Color ; 21.2 X 18 ., Toyokuni, Utagawa (1769-1825) / Bridgeman Images

ID: LZT1111853

Yoru No Fukagawa Geisha, a Geisha on an Evening Stroll in Fukagawa. [Between 1828 and 1833], 1 Print : Woodcut, Color ; 21.2 X 18 .

Toyokuni, Utagawa (1769-1825)

Katada No Rakugan, Descending Geese at Katada. [Between 1804 and 1810], 1 Print : Woodcut, Color ; 23.1 X 17.3 ., Print Shows a Bird's-Eye View of a Coastline with a Thatch-Roofed Structure at the End of a Long Pier, Pilgrims Standing at the Entrance to the Pier, and in a Boat Near Shore, and Geese on the Water in the Distance.
Katada No Rakugan, Descending Geese at Katada. [Between 1804 and 1810], 1 Print : Woodcut, Color ; 23.1 X 17.3 ., Print Shows a Bird's-Eye View of a Coastline with a Thatch-Roofed Structure at the End of a Long Pier, Pilgrims Standing at the Entrance to the Pier, and in a Boat Near Shore, and Geese on the Water in the Distance.

LZT1111926: Katada No Rakugan, Descending Geese at Katada. [Between 1804 and 1810], 1 Print : Woodcut, Color ; 23.1 X 17.3 ., Print Shows a Bird's-Eye View of a Coastline with a Thatch-Roofed Structure at the End of a Long Pier, Pilgrims Standing at the Entrance to the Pier, and in a Boat Near Shore, and Geese on the Water in the Distance., Hokusai, Katsushika (1760-1849) / Bridgeman Images

ID: LZT1111926

Katada No Rakugan, Descending Geese at Katada. [Between 1804 and 1810], 1 Print : Woodcut, Color ; 23.1 X 17.3 ., Print Shows a Bird's-Eye View of a Coastline with a Thatch-Roofed Structure at the End of a Long Pier, Pilgrims Standing at the Entrance to the Pier, and in a Boat Near Shore, and Geese on the Water in the Distance.

Hokusai, Katsushika (1760-1849)

Yoshiwara, Katsushika 1804., 1 Print : Woodcut, Color ; 11.2 X 16 ., Print Shows an Older Man and Two Young Apprentices, Possibly Women, Manually Operating a Stirring Device, or Possibly Making Pulp for Paper.
Yoshiwara, Katsushika 1804., 1 Print : Woodcut, Color ; 11.2 X 16 ., Print Shows an Older Man and Two Young Apprentices, Possibly Women, Manually Operating a Stirring Device, or Possibly Making Pulp for Paper.

LZT1111953: Yoshiwara, Katsushika 1804., 1 Print : Woodcut, Color ; 11.2 X 16 ., Print Shows an Older Man and Two Young Apprentices, Possibly Women, Manually Operating a Stirring Device, or Possibly Making Pulp for Paper., Hokusai, Katsushika (1760-1849) / Bridgeman Images

ID: LZT1111953

Yoshiwara, Katsushika 1804., 1 Print : Woodcut, Color ; 11.2 X 16 ., Print Shows an Older Man and Two Young Apprentices, Possibly Women, Manually Operating a Stirring Device, or Possibly Making Pulp for Paper.

Hokusai, Katsushika (1760-1849)

Shimada, Katsushika 1804., 1 Print : Woodcut, Color ; 11.8 X 16.6 ., Print Shows Porters Carrying a Large Sedan Chair, Pilgrims, and Packages Across a Wide Stream.
Shimada, Katsushika 1804., 1 Print : Woodcut, Color ; 11.8 X 16.6 ., Print Shows Porters Carrying a Large Sedan Chair, Pilgrims, and Packages Across a Wide Stream.

LZT1111966: Shimada, Katsushika 1804., 1 Print : Woodcut, Color ; 11.8 X 16.6 ., Print Shows Porters Carrying a Large Sedan Chair, Pilgrims, and Packages Across a Wide Stream., Hokusai, Katsushika (1760-1849) / Bridgeman Images

ID: LZT1111966

Shimada, Katsushika 1804., 1 Print : Woodcut, Color ; 11.8 X 16.6 ., Print Shows Porters Carrying a Large Sedan Chair, Pilgrims, and Packages Across a Wide Stream.

Hokusai, Katsushika (1760-1849)

Kameyama, Katsushika 1804., 1 Print : Woodcut, Color ; 11.6 X 16.3 ., Print Shows Two Travelers, One Possibly a Porter, with Luggage and Shoulder Pole at a Rest Stop, with Large Building, Possibly a Temple or Castle in the Background.
Kameyama, Katsushika 1804., 1 Print : Woodcut, Color ; 11.6 X 16.3 ., Print Shows Two Travelers, One Possibly a Porter, with Luggage and Shoulder Pole at a Rest Stop, with Large Building, Possibly a Temple or Castle in the Background.

LZT1111971: Kameyama, Katsushika 1804., 1 Print : Woodcut, Color ; 11.6 X 16.3 ., Print Shows Two Travelers, One Possibly a Porter, with Luggage and Shoulder Pole at a Rest Stop, with Large Building, Possibly a Temple or Castle in the Background., Hokusai, Katsushika (1760-1849) / Bridgeman Images

ID: LZT1111971

Kameyama, Katsushika 1804., 1 Print : Woodcut, Color ; 11.6 X 16.3 ., Print Shows Two Travelers, One Possibly a Porter, with Luggage and Shoulder Pole at a Rest Stop, with Large Building, Possibly a Temple or Castle in the Background.

Hokusai, Katsushika (1760-1849)

Sangatsu[Yayoi?] Hanazumo Shigatsu[Uduki?] Shaka Tanjo, the Third Month: Going to See a Sumo Match; the Fourth Month: Buddha's Birthday. [1791 or 1792], 1 Print : Woodcut, Color ; 21.9 X 15.4 ., Print Shows Three Women Dancing.
Sangatsu[Yayoi?] Hanazumo Shigatsu[Uduki?] Shaka Tanjo, the Third Month: Going to See a Sumo Match; the Fourth Month: Buddha's Birthday. [1791 or 1792], 1 Print : Woodcut, Color ; 21.9 X 15.4 ., Print Shows Three Women Dancing.

LZT1111996: Sangatsu[Yayoi?] Hanazumo Shigatsu[Uduki?] Shaka Tanjo, the Third Month: Going to See a Sumo Match; the Fourth Month: Buddha's Birthday. [1791 or 1792], 1 Print : Woodcut, Color ; 21.9 X 15.4 ., Print Shows Three Women Dancing., Hokusai, Katsushika (1760-1849) / Bridgeman Images

ID: LZT1111996

Sangatsu[Yayoi?] Hanazumo Shigatsu[Uduki?] Shaka Tanjo, the Third Month: Going to See a Sumo Match; the Fourth Month: Buddha's Birthday. [1791 or 1792], 1 Print : Woodcut, Color ; 21.9 X 15.4 ., Print Shows Three Women Dancing.

Hokusai, Katsushika (1760-1849)

So¯Shu Oyama Roben No Taki, Roben Waterfall at Oyama in Soshu. [1832 or 1833, Printed Later], 1 Print : Woodcut, Color ; 37.7 X 26 ., Print Shows Male Bathers Standing Beneath Mountain Waterfall, with Bathhouse on the Right.
So¯Shu Oyama Roben No Taki, Roben Waterfall at Oyama in Soshu. [1832 or 1833, Printed Later], 1 Print : Woodcut, Color ; 37.7 X 26 ., Print Shows Male Bathers Standing Beneath Mountain Waterfall, with Bathhouse on the Right.

LZT1112007: So¯Shu Oyama Roben No Taki, Roben Waterfall at Oyama in Soshu. [1832 or 1833, Printed Later], 1 Print : Woodcut, Color ; 37.7 X 26 ., Print Shows Male Bathers Standing Beneath Mountain Waterfall, with Bathhouse on the Right., Hokusai, Katsushika (1760-1849) / Bridgeman Images

ID: LZT1112007

So¯Shu Oyama Roben No Taki, Roben Waterfall at Oyama in Soshu. [1832 or 1833, Printed Later], 1 Print : Woodcut, Color ; 37.7 X 26 ., Print Shows Male Bathers Standing Beneath Mountain Waterfall, with Bathhouse on the Right.

Hokusai, Katsushika (1760-1849)

Aoyama Enza No Matsu, the Cushion Pine at Aoyama. [1832 or 1833], 1 Print : Woodcut, Color ; 25.3 X 36.9 ., Print Shows Travelers Sitting on a Bluff above a Grove of Pines with Mount Fuji in the Distance.
Aoyama Enza No Matsu, the Cushion Pine at Aoyama. [1832 or 1833], 1 Print : Woodcut, Color ; 25.3 X 36.9 ., Print Shows Travelers Sitting on a Bluff above a Grove of Pines with Mount Fuji in the Distance.

LZT1112012: Aoyama Enza No Matsu, the Cushion Pine at Aoyama. [1832 or 1833], 1 Print : Woodcut, Color ; 25.3 X 36.9 ., Print Shows Travelers Sitting on a Bluff above a Grove of Pines with Mount Fuji in the Distance., Hokusai, Katsushika (1760-1849) / Bridgeman Images

ID: LZT1112012

Aoyama Enza No Matsu, the Cushion Pine at Aoyama. [1832 or 1833], 1 Print : Woodcut, Color ; 25.3 X 36.9 ., Print Shows Travelers Sitting on a Bluff above a Grove of Pines with Mount Fuji in the Distance.

Hokusai, Katsushika (1760-1849)

Gyoja Busho, Kubo [Between 1804 and 1818], 1 Print : Woodcut, Color ; 20.2 X 9 ., Print Shows a Woman, Wearing Kimono with a Tiger Design Identifying Her As Gyoja Busho, Holding a Toy on a String, Playing with a Cat.
Gyoja Busho, Kubo [Between 1804 and 1818], 1 Print : Woodcut, Color ; 20.2 X 9 ., Print Shows a Woman, Wearing Kimono with a Tiger Design Identifying Her As Gyoja Busho, Holding a Toy on a String, Playing with a Cat.

LZT1111733: Gyoja Busho, Kubo [Between 1804 and 1818], 1 Print : Woodcut, Color ; 20.2 X 9 ., Print Shows a Woman, Wearing Kimono with a Tiger Design Identifying Her As Gyoja Busho, Holding a Toy on a String, Playing with a Cat., Shunman, Kubo (1757-1820) / Bridgeman Images

ID: LZT1111733

Gyoja Busho, Kubo [Between 1804 and 1818], 1 Print : Woodcut, Color ; 20.2 X 9 ., Print Shows a Woman, Wearing Kimono with a Tiger Design Identifying Her As Gyoja Busho, Holding a Toy on a String, Playing with a Cat.

Shunman, Kubo (1757-1820)

Komatsu Ni Yamadori, Wildfowl and Pine. Print Shows Wild Birds and a Young Pine Tree.
Komatsu Ni Yamadori, Wildfowl and Pine. Print Shows Wild Birds and a Young Pine Tree.

LZT1111771: Komatsu Ni Yamadori, Wildfowl and Pine. Print Shows Wild Birds and a Young Pine Tree. / Bridgeman Images

ID: LZT1111771

Komatsu Ni Yamadori, Wildfowl and Pine. Print Shows Wild Birds and a Young Pine Tree.

Goyu, Ando [Ca. 1855], 1 Print : Woodcut, Color ; 36 X 24.7 ., Print Shows a Bird's-Eye View of Pilgrims at the 36th Station on the Tokaido Road Passing a Lake with Two Children Fishing, and in the Distance, Mount Fuji.
Goyu, Ando [Ca. 1855], 1 Print : Woodcut, Color ; 36 X 24.7 ., Print Shows a Bird's-Eye View of Pilgrims at the 36th Station on the Tokaido Road Passing a Lake with Two Children Fishing, and in the Distance, Mount Fuji.

LZT1111787: Goyu, Ando [Ca. 1855], 1 Print : Woodcut, Color ; 36 X 24.7 ., Print Shows a Bird's-Eye View of Pilgrims at the 36th Station on the Tokaido Road Passing a Lake with Two Children Fishing, and in the Distance, Mount Fuji., Hiroshige, Ando or Utagawa (1797-1858) / Bridgeman Images

ID: LZT1111787

Goyu, Ando [Ca. 1855], 1 Print : Woodcut, Color ; 36 X 24.7 ., Print Shows a Bird's-Eye View of Pilgrims at the 36th Station on the Tokaido Road Passing a Lake with Two Children Fishing, and in the Distance, Mount Fuji.

Hiroshige, Ando or Utagawa (1797-1858)

Hachidanme, Act Eight [of the Chushingura]. [Between 1799 and 1801], 1 Print : Woodcut, Color ; 34.2 X 23.1 ., Print Shows Two Women (One Probably Konami on Her Bridal Journey to Rikiya's Home) in a Landscape Setting with Mount Fuji in the Background.
Hachidanme, Act Eight [of the Chushingura]. [Between 1799 and 1801], 1 Print : Woodcut, Color ; 34.2 X 23.1 ., Print Shows Two Women (One Probably Konami on Her Bridal Journey to Rikiya's Home) in a Landscape Setting with Mount Fuji in the Background.

LZT1111802: Hachidanme, Act Eight [of the Chushingura]. [Between 1799 and 1801], 1 Print : Woodcut, Color ; 34.2 X 23.1 ., Print Shows Two Women (One Probably Konami on Her Bridal Journey to Rikiya's Home) in a Landscape Setting with Mount Fuji in the Background., Utamaro, Kitagawa (1753-1806) / Bridgeman Images

ID: LZT1111802

Hachidanme, Act Eight [of the Chushingura]. [Between 1799 and 1801], 1 Print : Woodcut, Color ; 34.2 X 23.1 ., Print Shows Two Women (One Probably Konami on Her Bridal Journey to Rikiya's Home) in a Landscape Setting with Mount Fuji in the Background.

Utamaro, Kitagawa (1753-1806)

Shodan, Act One [of the Chushingura]. [Between 1815 and 1818], 1 Print : Woodcut, Color ; 19.8 X 25.7 ., Print Shows a Woman on the Left, Kaoyo, Wife of Enya (Asano Naganori), Who Has Received a Love Letter from Morono (Kira Yoshinaka), Who is Standing on the Right, and, in the Middle, Wakasanosuke About to Draw His Sword.
Shodan, Act One [of the Chushingura]. [Between 1815 and 1818], 1 Print : Woodcut, Color ; 19.8 X 25.7 ., Print Shows a Woman on the Left, Kaoyo, Wife of Enya (Asano Naganori), Who Has Received a Love Letter from Morono (Kira Yoshinaka), Who is Standing on the Right, and, in the Middle, Wakasanosuke About to Draw His Sword.

LZT1111817: Shodan, Act One [of the Chushingura]. [Between 1815 and 1818], 1 Print : Woodcut, Color ; 19.8 X 25.7 ., Print Shows a Woman on the Left, Kaoyo, Wife of Enya (Asano Naganori), Who Has Received a Love Letter from Morono (Kira Yoshinaka), Who is Standing on the Right, and, in the Middle, Wakasanosuke About to Draw His Sword., Kuniyasu, Utagawa (1794-1832) / Bridgeman Images

ID: LZT1111817

Shodan, Act One [of the Chushingura]. [Between 1815 and 1818], 1 Print : Woodcut, Color ; 19.8 X 25.7 ., Print Shows a Woman on the Left, Kaoyo, Wife of Enya (Asano Naganori), Who Has Received a Love Letter from Morono (Kira Yoshinaka), Who is Standing on the Right, and, in the Middle, Wakasanosuke About to Draw His Sword.

Kuniyasu, Utagawa (1794-1832)

Sandanme, Act Three [of the Chushingura]. [Between 1815 and 1818], 1 Print : Woodcut, Color ; 19.7 X 25.6 ., Print Shows, at the Entrance to a Foot-Bridge, a Man (Kampei) with Sword Raised Over His Head, Poised to Strike, and Standing Next to Him is a Woman (Okaru), and Lying on the Ground is a Man Who is Possibly One of Moronô's (Kira Yoshinaka) Ruffians.
Sandanme, Act Three [of the Chushingura]. [Between 1815 and 1818], 1 Print : Woodcut, Color ; 19.7 X 25.6 ., Print Shows, at the Entrance to a Foot-Bridge, a Man (Kampei) with Sword Raised Over His Head, Poised to Strike, and Standing Next to Him is a Woman (Okaru), and Lying on the Ground is a Man Who is Possibly One of Moronô's (Kira Yoshinaka) Ruffians.

LZT1111821: Sandanme, Act Three [of the Chushingura]. [Between 1815 and 1818], 1 Print : Woodcut, Color ; 19.7 X 25.6 ., Print Shows, at the Entrance to a Foot-Bridge, a Man (Kampei) with Sword Raised Over His Head, Poised to Strike, and Standing Next to Him is a Woman (Okaru), and Lying on the Ground is a Man Who is Possibly One of Moronô's (Kira Yoshinaka) Ruffians., Kuniyasu, Utagawa (1794-1832) / Bridgeman Images

ID: LZT1111821

Sandanme, Act Three [of the Chushingura]. [Between 1815 and 1818], 1 Print : Woodcut, Color ; 19.7 X 25.6 ., Print Shows, at the Entrance to a Foot-Bridge, a Man (Kampei) with Sword Raised Over His Head, Poised to Strike, and Standing Next to Him is a Woman (Okaru), and Lying on the Ground is a Man Who is Possibly One of Moronô's (Kira Yoshinaka) Ruffians.

Kuniyasu, Utagawa (1794-1832)

Niwatori, Hen and Chick. [Between 1804 and 1818], 1 Print : Woodcut, Color ; 22.1 X 17 .
Niwatori, Hen and Chick. [Between 1804 and 1818], 1 Print : Woodcut, Color ; 22.1 X 17 .

LZT1111829: Niwatori, Hen and Chick. [Between 1804 and 1818], 1 Print : Woodcut, Color ; 22.1 X 17 ., Toyohiro, Utagawa (1773-1828) / Bridgeman Images

ID: LZT1111829

Niwatori, Hen and Chick. [Between 1804 and 1818], 1 Print : Woodcut, Color ; 22.1 X 17 .

Toyohiro, Utagawa (1773-1828)

Ichimura Uzaemon No Kidomaru, the Actor Ichimura Uzaemon As Kidomaru. [Between 1764 and 1772], 1 Print : Woodcut, Color ; 30.6 X 13.3 ., Print Shows Ichimura Uzaemon As the Bandit Kidomaru Riding a Hobby Horse.
Ichimura Uzaemon No Kidomaru, the Actor Ichimura Uzaemon As Kidomaru. [Between 1764 and 1772], 1 Print : Woodcut, Color ; 30.6 X 13.3 ., Print Shows Ichimura Uzaemon As the Bandit Kidomaru Riding a Hobby Horse.

LZT1111840: Ichimura Uzaemon No Kidomaru, the Actor Ichimura Uzaemon As Kidomaru. [Between 1764 and 1772], 1 Print : Woodcut, Color ; 30.6 X 13.3 ., Print Shows Ichimura Uzaemon As the Bandit Kidomaru Riding a Hobby Horse., Shigemasa, Kitao (1739-1820) / Bridgeman Images

ID: LZT1111840

Ichimura Uzaemon No Kidomaru, the Actor Ichimura Uzaemon As Kidomaru. [Between 1764 and 1772], 1 Print : Woodcut, Color ; 30.6 X 13.3 ., Print Shows Ichimura Uzaemon As the Bandit Kidomaru Riding a Hobby Horse.

Shigemasa, Kitao (1739-1820)

Wakamurasaki No Hanashi, Tale of the Courtesan Wakamurasaki. 1860., 1 Print : Woodcut, Color ; 36.8 X 24.8 .
Wakamurasaki No Hanashi, Tale of the Courtesan Wakamurasaki. 1860., 1 Print : Woodcut, Color ; 36.8 X 24.8 .

LZT1111860: Wakamurasaki No Hanashi, Tale of the Courtesan Wakamurasaki. 1860., 1 Print : Woodcut, Color ; 36.8 X 24.8 ., Toyokuni, Utagawa (1769-1825) / Bridgeman Images

ID: LZT1111860

Wakamurasaki No Hanashi, Tale of the Courtesan Wakamurasaki. 1860., 1 Print : Woodcut, Color ; 36.8 X 24.8 .

Toyokuni, Utagawa (1769-1825)

Shinpan Kinryusan Niomon No Zu, a New Print of Niomon in Kinryuzan Temple. [Between 1795 and 1801], 1 Print : Woodcut, Color ; 24 X 37.3 ., Print Shows a Crowd of Pilgrims Near Gate to the Kinryuzan Temple.
Shinpan Kinryusan Niomon No Zu, a New Print of Niomon in Kinryuzan Temple. [Between 1795 and 1801], 1 Print : Woodcut, Color ; 24 X 37.3 ., Print Shows a Crowd of Pilgrims Near Gate to the Kinryuzan Temple.

LZT1111889: Shinpan Kinryusan Niomon No Zu, a New Print of Niomon in Kinryuzan Temple. [Between 1795 and 1801], 1 Print : Woodcut, Color ; 24 X 37.3 ., Print Shows a Crowd of Pilgrims Near Gate to the Kinryuzan Temple., Shucho, Tamagawa (18th-19th century) / Bridgeman Images

ID: LZT1111889

Shinpan Kinryusan Niomon No Zu, a New Print of Niomon in Kinryuzan Temple. [Between 1795 and 1801], 1 Print : Woodcut, Color ; 24 X 37.3 ., Print Shows a Crowd of Pilgrims Near Gate to the Kinryuzan Temple.

Shucho, Tamagawa (18th-19th century)

[Juichidanme - Act Eleven of the Chushingura - Assualt on Kira Yoshinaka's Home - Pursuing the Guards] [Between 1800 and 1850] Print Shows a Scene During the Attack on Kira Yoshinaka's Home by the 47 Ronin, with the Samurai Chasing Kira's Guards Into the House.
[Juichidanme - Act Eleven of the Chushingura - Assualt on Kira Yoshinaka's Home - Pursuing the Guards] [Between 1800 and 1850] Print Shows a Scene During the Attack on Kira Yoshinaka's Home by the 47 Ronin, with the Samurai Chasing Kira's Guards Into the House.

LZT1111905: [Juichidanme - Act Eleven of the Chushingura - Assualt on Kira Yoshinaka's Home - Pursuing the Guards] [Between 1800 and 1850] Print Shows a Scene During the Attack on Kira Yoshinaka's Home by the 47 Ronin, with the Samurai Chasing Kira's Guards Into the House. / Bridgeman Images

ID: LZT1111905

[Juichidanme - Act Eleven of the Chushingura - Assualt on Kira Yoshinaka's Home - Pursuing the Guards] [Between 1800 and 1850] Print Shows a Scene During the Attack on Kira Yoshinaka's Home by the 47 Ronin, with the Samurai Chasing Kira's Guards Into the House.

[a Man or Monk Seated, Seen from behind 1 Drawing.
[a Man or Monk Seated, Seen from behind 1 Drawing.

LZT1111908: [a Man or Monk Seated, Seen from behind 1 Drawing. / Bridgeman Images

ID: LZT1111908

[a Man or Monk Seated, Seen from behind 1 Drawing.

[a Monk Wearing a Mask(?) with a Horn, Sitting on the Ground Beating a Drum (Tsuri-Daiko)], [Between 1750 and 1850] 1 Painting : Color.
[a Monk Wearing a Mask(?) with a Horn, Sitting on the Ground Beating a Drum (Tsuri-Daiko)], [Between 1750 and 1850] 1 Painting : Color.

LZT1111916: [a Monk Wearing a Mask(?) with a Horn, Sitting on the Ground Beating a Drum (Tsuri-Daiko)], [Between 1750 and 1850] 1 Painting : Color. / Bridgeman Images

ID: LZT1111916

[a Monk Wearing a Mask(?) with a Horn, Sitting on the Ground Beating a Drum (Tsuri-Daiko)], [Between 1750 and 1850] 1 Painting : Color.

Seta No Sekisho, Evening Glow at Seta. [Between 1804 and 1810], 1 Print : Woodcut, Color ; 23.1 X 17.3 ., Print Shows a Bird's-Eye View of the Crowded Seta Bridge Across a Large River.
Seta No Sekisho, Evening Glow at Seta. [Between 1804 and 1810], 1 Print : Woodcut, Color ; 23.1 X 17.3 ., Print Shows a Bird's-Eye View of the Crowded Seta Bridge Across a Large River.

LZT1111927: Seta No Sekisho, Evening Glow at Seta. [Between 1804 and 1810], 1 Print : Woodcut, Color ; 23.1 X 17.3 ., Print Shows a Bird's-Eye View of the Crowded Seta Bridge Across a Large River., Hokusai, Katsushika (1760-1849) / Bridgeman Images

ID: LZT1111927

Seta No Sekisho, Evening Glow at Seta. [Between 1804 and 1810], 1 Print : Woodcut, Color ; 23.1 X 17.3 ., Print Shows a Bird's-Eye View of the Crowded Seta Bridge Across a Large River.

Hokusai, Katsushika (1760-1849)


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