1. Home
  2. Search Results

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

2533220 Search Results

Rosine, Count Almaviva and the Doctor, scene from Act II scene 13 of 'The Barber of Seville' by Pierre Augustin Caron de Beamarchais (1732-99) (coloured engraving)
Rosine, Count Almaviva and the Doctor, scene from Act II scene 13 of 'The Barber of Seville' by Pierre Augustin Caron de Beamarchais (1732-99) (coloured engraving)

CHT238772: Rosine, Count Almaviva and the Doctor, scene from Act II scene 13 of 'The Barber of Seville' by Pierre Augustin Caron de Beamarchais (1732-99) (coloured engraving), French School, (18th century) / Bridgeman Images

ID: CHT238772

Rosine, Count Almaviva and the Doctor, scene from Act II scene 13 of 'The Barber of Seville' by Pierre Augustin Caron de Beamarchais (1732-99) (coloured engraving)

French School, (18th century)

Workers Building a House (pen & ink and w/c on paper)
Workers Building a House (pen & ink and w/c on paper)

CHT238796: Workers Building a House (pen & ink and w/c on paper), Indian School / Bridgeman Images

ID: CHT238796

Workers Building a House (pen & ink and w/c on paper)

Indian School

Head of a monk, from the The Vallardi Album (pen & ink on paper) (b/w photo)
Head of a monk, from the The Vallardi Album (pen & ink on paper) (b/w photo)

XIR242757: Head of a monk, from the The Vallardi Album (pen & ink on paper) (b/w photo), Pisanello, Antonio (1395-1455) / Bridgeman Images

ID: XIR242757

Head of a monk, from the The Vallardi Album (pen & ink on paper) (b/w photo)

Pisanello, Antonio (1395-1455)

Leon Trotsky (1879-1940) at Brest-Litovsk, 1917 (b/w photo)
Leon Trotsky (1879-1940) at Brest-Litovsk, 1917 (b/w photo)

CHT242762: Leon Trotsky (1879-1940) at Brest-Litovsk, 1917 (b/w photo), Russian Photographer (20th century) / Bridgeman Images

ID: CHT242762

Leon Trotsky (1879-1940) at Brest-Litovsk, 1917 (b/w photo)

Russian Photographer (20th century)

Ulysses and Diomedes recognizing Achilles disguised as the female Pyrrha among the Daughters of Lycomedes at Skyros, from Pompeii (fresco) (b/w photo)
Ulysses and Diomedes recognizing Achilles disguised as the female Pyrrha among the Daughters of Lycomedes at Skyros, from Pompeii (fresco) (b/w photo)

FAF242790: Ulysses and Diomedes recognizing Achilles disguised as the female Pyrrha among the Daughters of Lycomedes at Skyros, from Pompeii (fresco) (b/w photo), Roman, (1st century AD) / Bridgeman Images

ID: FAF242790

Ulysses and Diomedes recognizing Achilles disguised as the female Pyrrha among the Daughters of Lycomedes at Skyros, from Pompeii (fresco) (b/w photo)

Roman, (1st century AD)

Reburial of the victims of the Rajk Trial, illustration from 'Budapest Soir', 6th October 1956 (photolitho) (b/w photo)
Reburial of the victims of the Rajk Trial, illustration from 'Budapest Soir', 6th October 1956 (photolitho) (b/w photo)

CHT242816: Reburial of the victims of the Rajk Trial, illustration from 'Budapest Soir', 6th October 1956 (photolitho) (b/w photo), Hungarian Photographer, (20th century) / Bridgeman Images

ID: CHT242816

Reburial of the victims of the Rajk Trial, illustration from 'Budapest Soir', 6th October 1956 (photolitho) (b/w photo)

Hungarian Photographer, (20th century)

The College of Navarre in 1440 (litho) (b/w photo)
The College of Navarre in 1440 (litho) (b/w photo)

XIR242823: The College of Navarre in 1440 (litho) (b/w photo), Pernot, Francois Alexandre (1793-1865) (after) / Bridgeman Images

ID: XIR242823

The College of Navarre in 1440 (litho) (b/w photo)

Pernot, Francois Alexandre (1793-1865) (after)

Grove of the Baths of Apollo, 1930 (b/w photo)
Grove of the Baths of Apollo, 1930 (b/w photo)

XIR242846: Grove of the Baths of Apollo, 1930 (b/w photo), Giraudon, studio (1912-53) / Bridgeman Images

ID: XIR242846

Grove of the Baths of Apollo, 1930 (b/w photo)

Giraudon, studio (1912-53)

Tritons grooming two horses of the sun in the grove of the Baths of Apollo, c.1667-72 (see 242850, 242856 to 242860) (marble) (b/w photo)
Tritons grooming two horses of the sun in the grove of the Baths of Apollo, c.1667-72 (see 242850, 242856 to 242860) (marble) (b/w photo)

XIR242858: Tritons grooming two horses of the sun in the grove of the Baths of Apollo, c.1667-72 (see 242850, 242856 to 242860) (marble) (b/w photo), Marsy, Gaspard (1624-81) & Marsy, Balthazar (1628-74) / Bridgeman Images

ID: XIR242858

Tritons grooming two horses of the sun in the grove of the Baths of Apollo, c.1667-72 (see 242850, 242856 to 242860) (marble) (b/w photo)

Marsy, Gaspard (1624-81) & Marsy, Balthazar (1628-74)

Tritons watering the horses of the sun in the grove of the Baths of Apollo, 1666 (marble) (b/w photo)
Tritons watering the horses of the sun in the grove of the Baths of Apollo, 1666 (marble) (b/w photo)

XIR242861: Tritons watering the horses of the sun in the grove of the Baths of Apollo, 1666 (marble) (b/w photo), Guerin, Gilles (c.1609-78) / Bridgeman Images

ID: XIR242861

Tritons watering the horses of the sun in the grove of the Baths of Apollo, 1666 (marble) (b/w photo)

Guerin, Gilles (c.1609-78)

Page of text from 'La Gazette de France' n.63, 4 March 1813 (print) (b/w photo)
Page of text from 'La Gazette de France' n.63, 4 March 1813 (print) (b/w photo)

CHT242872: Page of text from 'La Gazette de France' n.63, 4 March 1813 (print) (b/w photo) / Bridgeman Images

ID: CHT242872

Page of text from 'La Gazette de France' n.63, 4 March 1813 (print) (b/w photo)

The Theatre de l'Odeon, c.1830 (engraving) (b/w photo)
The Theatre de l'Odeon, c.1830 (engraving) (b/w photo)

XIR242878: The Theatre de l'Odeon, c.1830 (engraving) (b/w photo), French School, (19th century) / Bridgeman Images

ID: XIR242878

The Theatre de l'Odeon, c.1830 (engraving) (b/w photo)

French School, (19th century)

Admetus and Alcestis listening to the oracle, from Pompeii, House of the Tragic Poet (fresco) (b/w photo)
Admetus and Alcestis listening to the oracle, from Pompeii, House of the Tragic Poet (fresco) (b/w photo)

FAF242881: Admetus and Alcestis listening to the oracle, from Pompeii, House of the Tragic Poet (fresco) (b/w photo), Roman / Bridgeman Images

ID: FAF242881

Admetus and Alcestis listening to the oracle, from Pompeii, House of the Tragic Poet (fresco) (b/w photo)

Roman

Costumes of French marines from 1680 to 1854 (litho)
Costumes of French marines from 1680 to 1854 (litho)

XIR242886: Costumes of French marines from 1680 to 1854 (litho), Vernier, Charles (1831-87) / Bridgeman Images

ID: XIR242886

Costumes of French marines from 1680 to 1854 (litho)

Vernier, Charles (1831-87)

Doctor Durand de Gros experience at the cercle of Scientific Press (engraving) (b/w photo)
Doctor Durand de Gros experience at the cercle of Scientific Press (engraving) (b/w photo)

CHT242897: Doctor Durand de Gros experience at the cercle of Scientific Press (engraving) (b/w photo), French School, (19th century) / Bridgeman Images

ID: CHT242897

Doctor Durand de Gros experience at the cercle of Scientific Press (engraving) (b/w photo)

French School, (19th century)

View of the exterior, built 1995 (photo)
View of the exterior, built 1995 (photo)

WNB242902: View of the exterior, built 1995 (photo), Rossi, Alberto (1931-97) / Bridgeman Images

ID: WNB242902

View of the exterior, built 1995 (photo)

Rossi, Alberto (1931-97)

View of the dome, built 1995 (photo)
View of the dome, built 1995 (photo)

WNB242904: View of the dome, built 1995 (photo), Rossi, Alberto (1931-97) / Bridgeman Images

ID: WNB242904

View of the dome, built 1995 (photo)

Rossi, Alberto (1931-97)

Forwards Backwards, 1991, on display in the touring exhibition 'Post Human' 1992-93 (mixed media) (see also 242906)
Forwards Backwards, 1991, on display in the touring exhibition 'Post Human' 1992-93 (mixed media) (see also 242906)

WNB242908: Forwards Backwards, 1991, on display in the touring exhibition 'Post Human' 1992-93 (mixed media) (see also 242906), Kippenberger, Martin (1953-97) / Bridgeman Images

ID: WNB242908

Forwards Backwards, 1991, on display in the touring exhibition 'Post Human' 1992-93 (mixed media) (see also 242906)

Kippenberger, Martin (1953-97)

Dining Room interior, completed 1986 (photo)
Dining Room interior, completed 1986 (photo)

WNB242942: Dining Room interior, completed 1986 (photo), Graves, Michael 1934-2015) / Bridgeman Images

ID: WNB242942

Dining Room interior, completed 1986 (photo)

Graves, Michael 1934-2015)

A Philosopher Shewing an Experiment on the Air Pump, 1769 (mezzotint, scratched letter proof)
A Philosopher Shewing an Experiment on the Air Pump, 1769 (mezzotint, scratched letter proof)

XYC242992: A Philosopher Shewing an Experiment on the Air Pump, 1769 (mezzotint, scratched letter proof), Wright of Derby, Joseph (1734-97) (after) / Bridgeman Images

ID: XYC242992

A Philosopher Shewing an Experiment on the Air Pump, 1769 (mezzotint, scratched letter proof)

Wright of Derby, Joseph (1734-97) (after)

Gone Away - A Hunting Group, c.1887 (bronze)
Gone Away - A Hunting Group, c.1887 (bronze)

XYC239868: Gone Away - A Hunting Group, c.1887 (bronze), Jones, Adrian (1845-1938) / Bridgeman Images

ID: XYC239868

Gone Away - A Hunting Group, c.1887 (bronze)

Jones, Adrian (1845-1938)

Avarice (oil on canvas)
Avarice (oil on canvas)

XIR239917: Avarice (oil on canvas), Stomer, (Stom) Matthias (c.1600-p.1650) / Bridgeman Images

ID: XIR239917

Avarice (oil on canvas)

Stomer, (Stom) Matthias (c.1600-p.1650)

The First Appearance of the Son of Man with the Seven Churches of Asia and the Seven Stars, from the Apocalypse of St. Jean de Lorvao (vellum)
The First Appearance of the Son of Man with the Seven Churches of Asia and the Seven Stars, from the Apocalypse of St. Jean de Lorvao (vellum)

XIR239989: The First Appearance of the Son of Man with the Seven Churches of Asia and the Seven Stars, from the Apocalypse of St. Jean de Lorvao (vellum), Portuguese School, (12th century) / Bridgeman Images

ID: XIR239989

The First Appearance of the Son of Man with the Seven Churches of Asia and the Seven Stars, from the Apocalypse of St. Jean de Lorvao (vellum)

Portuguese School, (12th century)

A rustic pavilion with belvedere, illustration from 'Habitations Champetres' published Paris, c.1895 (chromolitho)
A rustic pavilion with belvedere, illustration from 'Habitations Champetres' published Paris, c.1895 (chromolitho)

STC240011: A rustic pavilion with belvedere, illustration from 'Habitations Champetres' published Paris, c.1895 (chromolitho), Petit, Victor Jean-Baptiste (1817-c.1863) (after) / Bridgeman Images

ID: STC240011

A rustic pavilion with belvedere, illustration from 'Habitations Champetres' published Paris, c.1895 (chromolitho)

Petit, Victor Jean-Baptiste (1817-c.1863) (after)

A Game-keeper's house, illustration from 'Habitations Champetres' published Paris, c.1895 (chromolitho)
A Game-keeper's house, illustration from 'Habitations Champetres' published Paris, c.1895 (chromolitho)

STC240012: A Game-keeper's house, illustration from 'Habitations Champetres' published Paris, c.1895 (chromolitho), Petit, Victor Jean-Baptiste (1817-c.1863) (after) / Bridgeman Images

ID: STC240012

A Game-keeper's house, illustration from 'Habitations Champetres' published Paris, c.1895 (chromolitho)

Petit, Victor Jean-Baptiste (1817-c.1863) (after)

The Ice-house at Courbeton, illustration from 'Habitations Champetres' published Paris, c.1895 (chromolitho)
The Ice-house at Courbeton, illustration from 'Habitations Champetres' published Paris, c.1895 (chromolitho)

STC240013: The Ice-house at Courbeton, illustration from 'Habitations Champetres' published Paris, c.1895 (chromolitho), Petit, Victor Jean-Baptiste (1817-c.1863) (after) / Bridgeman Images

ID: STC240013

The Ice-house at Courbeton, illustration from 'Habitations Champetres' published Paris, c.1895 (chromolitho)

Petit, Victor Jean-Baptiste (1817-c.1863) (after)

The Glassmaker's chalet, illustration from 'Habitations Champetres' published Paris, c.1895 (chromolitho)
The Glassmaker's chalet, illustration from 'Habitations Champetres' published Paris, c.1895 (chromolitho)

STC240018: The Glassmaker's chalet, illustration from 'Habitations Champetres' published Paris, c.1895 (chromolitho), Petit, Victor Jean-Baptiste (1817-c.1863) (after) / Bridgeman Images

ID: STC240018

The Glassmaker's chalet, illustration from 'Habitations Champetres' published Paris, c.1895 (chromolitho)

Petit, Victor Jean-Baptiste (1817-c.1863) (after)

Stage Design for 'The Goldfish' by Minkus, 1903 (coal, tempera & gold on cardboard)
Stage Design for 'The Goldfish' by Minkus, 1903 (coal, tempera & gold on cardboard)

XAB240140: Stage Design for 'The Goldfish' by Minkus, 1903 (coal, tempera & gold on cardboard), Korovin, Konstantin Alekseevich (1861-1939) / Bridgeman Images

ID: XAB240140

Stage Design for 'The Goldfish' by Minkus, 1903 (coal, tempera & gold on cardboard)

Korovin, Konstantin Alekseevich (1861-1939)

The Flight into Egypt and the Adoration of the Magi, 1565 (tapestry)
The Flight into Egypt and the Adoration of the Magi, 1565 (tapestry)

XIR240250: The Flight into Egypt and the Adoration of the Magi, 1565 (tapestry), French School, (16th century) / Bridgeman Images

ID: XIR240250

The Flight into Egypt and the Adoration of the Magi, 1565 (tapestry)

French School, (16th century)

The French Citizen (pen & ink and w/c on paper)
The French Citizen (pen & ink and w/c on paper)

XIR240256: The French Citizen (pen & ink and w/c on paper), David, Jacques Louis (1748-1825) / Bridgeman Images

ID: XIR240256

The French Citizen (pen & ink and w/c on paper)

David, Jacques Louis (1748-1825)

The Town Hall (photo)
The Town Hall (photo)

XZO237381: The Town Hall (photo), French School / Bridgeman Images

ID: XZO237381

The Town Hall (photo)

French School

Statue of Moses Maimonides (1135-1204) (stone)
Statue of Moses Maimonides (1135-1204) (stone)

XZO237390: Statue of Moses Maimonides (1135-1204) (stone), Spanish School / Bridgeman Images

ID: XZO237390

Statue of Moses Maimonides (1135-1204) (stone)

Spanish School

Tomb of Archbishop Theodore, c.677-88 (marble)
Tomb of Archbishop Theodore, c.677-88 (marble)

FAF237399: Tomb of Archbishop Theodore, c.677-88 (marble), Byzantine School (7th century) / Bridgeman Images

ID: FAF237399

Tomb of Archbishop Theodore, c.677-88 (marble)

Byzantine School (7th century)

Majolica depicting tiles of a dog chasing a lion, from 'The Hunting Room' at Palacio da Praia, Belem, c.1680 (ceramic)
Majolica depicting tiles of a dog chasing a lion, from 'The Hunting Room' at Palacio da Praia, Belem, c.1680 (ceramic)

KWE237495: Majolica depicting tiles of a dog chasing a lion, from 'The Hunting Room' at Palacio da Praia, Belem, c.1680 (ceramic), Portuguese School, (17th century) / Bridgeman Images

ID: KWE237495

Majolica depicting tiles of a dog chasing a lion, from 'The Hunting Room' at Palacio da Praia, Belem, c.1680 (ceramic)

Portuguese School, (17th century)

Tintern Abbey, 1835 (w/c gouache with pen & ink and pencil on paper)
Tintern Abbey, 1835 (w/c gouache with pen & ink and pencil on paper)

XYC237810: Tintern Abbey, 1835 (w/c gouache with pen & ink and pencil on paper), Palmer, Samuel (1805-81) / Bridgeman Images

ID: XYC237810

Tintern Abbey, 1835 (w/c gouache with pen & ink and pencil on paper)

Palmer, Samuel (1805-81)

'But when the morn arose...', plate 8 from 'Visions of the Daughters of Albion', 1793 (relief etching printed in green with w/c)
'But when the morn arose...', plate 8 from 'Visions of the Daughters of Albion', 1793 (relief etching printed in green with w/c)

XYC237818: 'But when the morn arose...', plate 8 from 'Visions of the Daughters of Albion', 1793 (relief etching printed in green with w/c), Blake, William (1757-1827) / Bridgeman Images

ID: XYC237818

'But when the morn arose...', plate 8 from 'Visions of the Daughters of Albion', 1793 (relief etching printed in green with w/c)

Blake, William (1757-1827)


Back to top