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Costumes of religious elite of Ouidah, Benin, and an idol of black clay with a crown of lizards, snakes and feathers seated on a pedestal. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Costumes of religious elite of Ouidah, Benin, and an idol of black clay with a crown of lizards, snakes and feathers seated on a pedestal. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620031: Costumes of religious elite of Ouidah, Benin, and an idol of black clay with a crown of lizards, snakes and feathers seated on a pedestal. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

ID: FLO4620031

Costumes of religious elite of Ouidah, Benin, and an idol of black clay with a crown of lizards, snakes and feathers seated on a pedestal. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

Still life with musical instruments (lute, viola, mandola, violin) Painting by Evaristo Baschenis (1617-1677) 1650 Accademia Carrara, Bergamo
Still life with musical instruments (lute, viola, mandola, violin) Painting by Evaristo Baschenis (1617-1677) 1650 Accademia Carrara, Bergamo

LRI4620037: Still life with musical instruments (lute, viola, mandola, violin) Painting by Evaristo Baschenis (1617-1677) 1650 Accademia Carrara, Bergamo, Baschenis, Evaristo (1617-77) / Bridgeman Images

ID: LRI4620037

Still life with musical instruments (lute, viola, mandola, violin) Painting by Evaristo Baschenis (1617-1677) 1650 Accademia Carrara, Bergamo

Baschenis, Evaristo (1617-77)

Ottoman Turkish Pasha and Bey. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.
Ottoman Turkish Pasha and Bey. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.

FLO4620077: Ottoman Turkish Pasha and Bey. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843. / Bridgeman Images

ID: FLO4620077

Ottoman Turkish Pasha and Bey. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.

Weapons, musical instruments and gold accessories of the natives of the Gold Coast (Ghana), Africa. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Weapons, musical instruments and gold accessories of the natives of the Gold Coast (Ghana), Africa. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620082: Weapons, musical instruments and gold accessories of the natives of the Gold Coast (Ghana), Africa. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

ID: FLO4620082

Weapons, musical instruments and gold accessories of the natives of the Gold Coast (Ghana), Africa. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

Runic inscriptions left by the Vikings in Britain. Handcoloured copperplate engraving from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.
Runic inscriptions left by the Vikings in Britain. Handcoloured copperplate engraving from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.

FLO4623114: Runic inscriptions left by the Vikings in Britain. Handcoloured copperplate engraving from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847. / Bridgeman Images

ID: FLO4623114

Runic inscriptions left by the Vikings in Britain. Handcoloured copperplate engraving from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.

King Eric IX the Saint of Sweden and his consort Queen Christina of Denmark. Handcoloured copperplate engraving by Scrantoni from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.
King Eric IX the Saint of Sweden and his consort Queen Christina of Denmark. Handcoloured copperplate engraving by Scrantoni from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.

FLO4623147: King Eric IX the Saint of Sweden and his consort Queen Christina of Denmark. Handcoloured copperplate engraving by Scrantoni from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847. / Bridgeman Images

ID: FLO4623147

King Eric IX the Saint of Sweden and his consort Queen Christina of Denmark. Handcoloured copperplate engraving by Scrantoni from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.

Roman art: sarcophagus decorated with a low relief telling the legend of Phedo and Hippolytus. 3rd century AD. Rome, museo nazionale romano
Roman art: sarcophagus decorated with a low relief telling the legend of Phedo and Hippolytus. 3rd century AD. Rome, museo nazionale romano

LRI4625370: Roman art: sarcophagus decorated with a low relief telling the legend of Phedo and Hippolytus. 3rd century AD. Rome, museo nazionale romano, Roman, (3rd century AD) / Bridgeman Images

ID: LRI4625370

Roman art: sarcophagus decorated with a low relief telling the legend of Phedo and Hippolytus. 3rd century AD. Rome, museo nazionale romano

Roman, (3rd century AD)

Roman art: mosaic representing the head of a marine deity. 3rd century AD. Rome, Museo Nazionale Romano - Roman Art. Sea Divinity. Mosaic, 3rd cent AD. Museo Nazionale Romano, Rome, Italy
Roman art: mosaic representing the head of a marine deity. 3rd century AD. Rome, Museo Nazionale Romano - Roman Art. Sea Divinity. Mosaic, 3rd cent AD. Museo Nazionale Romano, Rome, Italy

LRI4625404: Roman art: mosaic representing the head of a marine deity. 3rd century AD. Rome, Museo Nazionale Romano - Roman Art. Sea Divinity. Mosaic, 3rd cent AD. Museo Nazionale Romano, Rome, Italy, Roman, (3rd century AD) / Bridgeman Images

ID: LRI4625404

Roman art: mosaic representing the head of a marine deity. 3rd century AD. Rome, Museo Nazionale Romano - Roman Art. Sea Divinity. Mosaic, 3rd cent AD. Museo Nazionale Romano, Rome, Italy

Roman, (3rd century AD)

Plalangere a fleur de liys (lis) - St Bernard's lily, Anthericum liliago - Handcoloured lithograph from Diederich von Schlechtendal's German Flora (Flora von Deutschland), Jena, 1871
Plalangere a fleur de liys (lis) - St Bernard's lily, Anthericum liliago - Handcoloured lithograph from Diederich von Schlechtendal's German Flora (Flora von Deutschland), Jena, 1871

FLO4625602: Plalangere a fleur de liys (lis) - St Bernard's lily, Anthericum liliago - Handcoloured lithograph from Diederich von Schlechtendal's German Flora (Flora von Deutschland), Jena, 1871 / Bridgeman Images

ID: FLO4625602

Plalangere a fleur de liys (lis) - St Bernard's lily, Anthericum liliago - Handcoloured lithograph from Diederich von Schlechtendal's German Flora (Flora von Deutschland), Jena, 1871

Narbonne Ornithogale - Narbonne Star-of-Bethlehem, Ornithogalum narbonense (Ornithogalum arcuatum) - Handcoloured lithograph from Diederich von Schlechtendal's German Flora (Flora von Deutschland), Jena, 1871
Narbonne Ornithogale - Narbonne Star-of-Bethlehem, Ornithogalum narbonense (Ornithogalum arcuatum) - Handcoloured lithograph from Diederich von Schlechtendal's German Flora (Flora von Deutschland), Jena, 1871

FLO4625642: Narbonne Ornithogale - Narbonne Star-of-Bethlehem, Ornithogalum narbonense (Ornithogalum arcuatum) - Handcoloured lithograph from Diederich von Schlechtendal's German Flora (Flora von Deutschland), Jena, 1871 / Bridgeman Images

ID: FLO4625642

Narbonne Ornithogale - Narbonne Star-of-Bethlehem, Ornithogalum narbonense (Ornithogalum arcuatum) - Handcoloured lithograph from Diederich von Schlechtendal's German Flora (Flora von Deutschland), Jena, 1871

Saturn from his satellite Titan - Saturn from his satellite Tita
Saturn from his satellite Titan - Saturn from his satellite Tita

PIX4625952: Saturn from his satellite Titan - Saturn from his satellite Tita, Dixon, Don (b.1951) / Bridgeman Images

ID: PIX4625952

Saturn from his satellite Titan - Saturn from his satellite Tita

Dixon, Don (b.1951)

Shallot - Shallots, Allium ascalonicum. Handcoloured lithograph from Diederich von Schlechtendal's German Flora (Flora von Deutschland), Jena, 1871.
Shallot - Shallots, Allium ascalonicum. Handcoloured lithograph from Diederich von Schlechtendal's German Flora (Flora von Deutschland), Jena, 1871.

FLO4625956: Shallot - Shallots, Allium ascalonicum. Handcoloured lithograph from Diederich von Schlechtendal's German Flora (Flora von Deutschland), Jena, 1871. / Bridgeman Images

ID: FLO4625956

Shallot - Shallots, Allium ascalonicum. Handcoloured lithograph from Diederich von Schlechtendal's German Flora (Flora von Deutschland), Jena, 1871.

Muscari a toupet - Tassel hyacinth, Leopoldia comosa (Muscari comosum) - Handcoloured lithograph from Diederich von Schlechtendal's German Flora (Flora von Deutschland), Jena, 1871
Muscari a toupet - Tassel hyacinth, Leopoldia comosa (Muscari comosum) - Handcoloured lithograph from Diederich von Schlechtendal's German Flora (Flora von Deutschland), Jena, 1871

FLO4626006: Muscari a toupet - Tassel hyacinth, Leopoldia comosa (Muscari comosum) - Handcoloured lithograph from Diederich von Schlechtendal's German Flora (Flora von Deutschland), Jena, 1871 / Bridgeman Images

ID: FLO4626006

Muscari a toupet - Tassel hyacinth, Leopoldia comosa (Muscari comosum) - Handcoloured lithograph from Diederich von Schlechtendal's German Flora (Flora von Deutschland), Jena, 1871

Cedar sage or dwarf crimson-flowered sage, Salvia roemeriana (Salvia porphyrantha). Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1856.
Cedar sage or dwarf crimson-flowered sage, Salvia roemeriana (Salvia porphyrantha). Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1856.

FLO4626224: Cedar sage or dwarf crimson-flowered sage, Salvia roemeriana (Salvia porphyrantha). Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1856. / Bridgeman Images

ID: FLO4626224

Cedar sage or dwarf crimson-flowered sage, Salvia roemeriana (Salvia porphyrantha). Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1856.

Guernsey lily, Nerine sarniensis (Amaryllis sarniensis). Cape, South Africa. Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1856.
Guernsey lily, Nerine sarniensis (Amaryllis sarniensis). Cape, South Africa. Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1856.

FLO4626307: Guernsey lily, Nerine sarniensis (Amaryllis sarniensis). Cape, South Africa. Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1856. / Bridgeman Images

ID: FLO4626307

Guernsey lily, Nerine sarniensis (Amaryllis sarniensis). Cape, South Africa. Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1856.

The Matisse room of the Musee d'Art Moderne de la Ville de Paris, Avenue du President Wilson, Paris 75016. Architecture by Jean-Claude Dondel, Andre Aubert, Paul Viard and Marcel Dastugue, 1937. Painting by Daniel Buren
The Matisse room of the Musee d'Art Moderne de la Ville de Paris, Avenue du President Wilson, Paris 75016. Architecture by Jean-Claude Dondel, Andre Aubert, Paul Viard and Marcel Dastugue, 1937. Painting by Daniel Buren

ITR4626516: The Matisse room of the Musee d'Art Moderne de la Ville de Paris, Avenue du President Wilson, Paris 75016. Architecture by Jean-Claude Dondel, Andre Aubert, Paul Viard and Marcel Dastugue, 1937. Painting by Daniel Buren, Buren, Daniel (b.1938) / Bridgeman Images

ID: ITR4626516

The Matisse room of the Musee d'Art Moderne de la Ville de Paris, Avenue du President Wilson, Paris 75016. Architecture by Jean-Claude Dondel, Andre Aubert, Paul Viard and Marcel Dastugue, 1937. Painting by Daniel Buren

Buren, Daniel (b.1938)

Armour room and school of combat, 12th century. Handcoloured copperplate engraving by Verico after Paolo Landriani from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1844.
Armour room and school of combat, 12th century. Handcoloured copperplate engraving by Verico after Paolo Landriani from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1844.

FLO4623332: Armour room and school of combat, 12th century. Handcoloured copperplate engraving by Verico after Paolo Landriani from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1844. / Bridgeman Images

ID: FLO4623332

Armour room and school of combat, 12th century. Handcoloured copperplate engraving by Verico after Paolo Landriani from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1844.

Portrait of Anna Maria Luisa de 'Medici, Palatine Electress, c.1700 (painting)
Portrait of Anna Maria Luisa de 'Medici, Palatine Electress, c.1700 (painting)

LRI4623457: Portrait of Anna Maria Luisa de 'Medici, Palatine Electress, c.1700 (painting), Douven, Jan Frans (1656-1727) / Bridgeman Images

ID: LRI4623457

Portrait of Anna Maria Luisa de 'Medici, Palatine Electress, c.1700 (painting)

Douven, Jan Frans (1656-1727)

Musicians and knights in armour at a medieval tournament. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1844
Musicians and knights in armour at a medieval tournament. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1844

FLO4623484: Musicians and knights in armour at a medieval tournament. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1844 / Bridgeman Images

ID: FLO4623484

Musicians and knights in armour at a medieval tournament. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1844

Elevation and plan of the Temple of Hathor at Dendera (Tentyra) Temple complex. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.
Elevation and plan of the Temple of Hathor at Dendera (Tentyra) Temple complex. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.

FLO4620585: Elevation and plan of the Temple of Hathor at Dendera (Tentyra) Temple complex. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843. / Bridgeman Images

ID: FLO4620585

Elevation and plan of the Temple of Hathor at Dendera (Tentyra) Temple complex. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.

Naked Nubian people (Coubli or Barabra) from beyond the Nile falls (Southern Egypt and Sudan). Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Naked Nubian people (Coubli or Barabra) from beyond the Nile falls (Southern Egypt and Sudan). Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620749: Naked Nubian people (Coubli or Barabra) from beyond the Nile falls (Southern Egypt and Sudan). Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

ID: FLO4620749

Naked Nubian people (Coubli or Barabra) from beyond the Nile falls (Southern Egypt and Sudan). Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

Medals and illustrations of Numidian and Mauritanian horse riders. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Medals and illustrations of Numidian and Mauritanian horse riders. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620803: Medals and illustrations of Numidian and Mauritanian horse riders. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

ID: FLO4620803

Medals and illustrations of Numidian and Mauritanian horse riders. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

Indian warriors: Brahmin Rajput warriors in white robes at left, Rahut or Rawat mountain warrior caste in distance, and Bahelia or B'halya soldier at right. Handcoloured copperplate engraving by Andrea Bernieri after Francois Solvyns from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.
Indian warriors: Brahmin Rajput warriors in white robes at left, Rahut or Rawat mountain warrior caste in distance, and Bahelia or B'halya soldier at right. Handcoloured copperplate engraving by Andrea Bernieri after Francois Solvyns from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

FLO4623723: Indian warriors: Brahmin Rajput warriors in white robes at left, Rahut or Rawat mountain warrior caste in distance, and Bahelia or B'halya soldier at right. Handcoloured copperplate engraving by Andrea Bernieri after Francois Solvyns from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844. / Bridgeman Images

ID: FLO4623723

Indian warriors: Brahmin Rajput warriors in white robes at left, Rahut or Rawat mountain warrior caste in distance, and Bahelia or B'halya soldier at right. Handcoloured copperplate engraving by Andrea Bernieri after Francois Solvyns from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

Path to the Olive trees with Walkers, 1885-1895 (oil on canvas)
Path to the Olive trees with Walkers, 1885-1895 (oil on canvas)

LRI4621000: Path to the Olive trees with Walkers, 1885-1895 (oil on canvas), Fattori, Giovanni (1825-1908) / Bridgeman Images

ID: LRI4621000

Path to the Olive trees with Walkers, 1885-1895 (oil on canvas)

Fattori, Giovanni (1825-1908)

View of the Tequendama Falls, Bogota River, Colombia. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.
View of the Tequendama Falls, Bogota River, Colombia. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

FLO4621021: View of the Tequendama Falls, Bogota River, Colombia. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842. / Bridgeman Images

ID: FLO4621021

View of the Tequendama Falls, Bogota River, Colombia. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

Llama, Lama glama, alpaca, Vicugna pacos, and vicuna, Vicugna vicugna. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.
Llama, Lama glama, alpaca, Vicugna pacos, and vicuna, Vicugna vicugna. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

FLO4621076: Llama, Lama glama, alpaca, Vicugna pacos, and vicuna, Vicugna vicugna. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842. / Bridgeman Images

ID: FLO4621076

Llama, Lama glama, alpaca, Vicugna pacos, and vicuna, Vicugna vicugna. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

Costumes of the people of Concepcion, Chile, with women in shawls, full skirts with many petticoats, copied from La Perouse. Handcoloured copperplate engraving by Luigi Giarre from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.
Costumes of the people of Concepcion, Chile, with women in shawls, full skirts with many petticoats, copied from La Perouse. Handcoloured copperplate engraving by Luigi Giarre from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

FLO4621207: Costumes of the people of Concepcion, Chile, with women in shawls, full skirts with many petticoats, copied from La Perouse. Handcoloured copperplate engraving by Luigi Giarre from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842. / Bridgeman Images

ID: FLO4621207

Costumes of the people of Concepcion, Chile, with women in shawls, full skirts with many petticoats, copied from La Perouse. Handcoloured copperplate engraving by Luigi Giarre from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

Indigenous Mapuche of Chile playing the game of llighetun with beans (porotos) and a ring, and kechukawe (queciucague) with a five-sided dice. Handcoloured copperplate engraving by Luigi Giarre from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.
Indigenous Mapuche of Chile playing the game of llighetun with beans (porotos) and a ring, and kechukawe (queciucague) with a five-sided dice. Handcoloured copperplate engraving by Luigi Giarre from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

FLO4621247: Indigenous Mapuche of Chile playing the game of llighetun with beans (porotos) and a ring, and kechukawe (queciucague) with a five-sided dice. Handcoloured copperplate engraving by Luigi Giarre from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842. / Bridgeman Images

ID: FLO4621247

Indigenous Mapuche of Chile playing the game of llighetun with beans (porotos) and a ring, and kechukawe (queciucague) with a five-sided dice. Handcoloured copperplate engraving by Luigi Giarre from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

Native Americans of Paraguay converted by Jesuits shown wearing clothes, plowing the land, spinning yarn, and living in a timber house with a shrine to the Virgin Mary and Jesus. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.
Native Americans of Paraguay converted by Jesuits shown wearing clothes, plowing the land, spinning yarn, and living in a timber house with a shrine to the Virgin Mary and Jesus. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

FLO4621283: Native Americans of Paraguay converted by Jesuits shown wearing clothes, plowing the land, spinning yarn, and living in a timber house with a shrine to the Virgin Mary and Jesus. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842. / Bridgeman Images

ID: FLO4621283

Native Americans of Paraguay converted by Jesuits shown wearing clothes, plowing the land, spinning yarn, and living in a timber house with a shrine to the Virgin Mary and Jesus. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

Native American village on the banks of the Nootka Sound, with totem pole, farms, and fishing boats. Handcoloured copperplate engraving by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.
Native American village on the banks of the Nootka Sound, with totem pole, farms, and fishing boats. Handcoloured copperplate engraving by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.

FLO4621286: Native American village on the banks of the Nootka Sound, with totem pole, farms, and fishing boats. Handcoloured copperplate engraving by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837. / Bridgeman Images

ID: FLO4621286

Native American village on the banks of the Nootka Sound, with totem pole, farms, and fishing boats. Handcoloured copperplate engraving by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.

Indian sapuriya or snake charmers performing to music from a tobrie or pipe musician. Handcoloured copperplate drawn and engraved by Andrea Bernieri after Francois Solvyns from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.
Indian sapuriya or snake charmers performing to music from a tobrie or pipe musician. Handcoloured copperplate drawn and engraved by Andrea Bernieri after Francois Solvyns from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

FLO4623982: Indian sapuriya or snake charmers performing to music from a tobrie or pipe musician. Handcoloured copperplate drawn and engraved by Andrea Bernieri after Francois Solvyns from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844., Bernieri, Andrea (1792-1849) / Bridgeman Images

ID: FLO4623982

Indian sapuriya or snake charmers performing to music from a tobrie or pipe musician. Handcoloured copperplate drawn and engraved by Andrea Bernieri after Francois Solvyns from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

Bernieri, Andrea (1792-1849)

Neptune bombardee of comets - Illustration - Neptune bombardee of comets - Illustratio
Neptune bombardee of comets - Illustration - Neptune bombardee of comets - Illustratio

PIX4623990: Neptune bombardee of comets - Illustration - Neptune bombardee of comets - Illustratio, Dixon, Don (b.1951) / Bridgeman Images

ID: PIX4623990

Neptune bombardee of comets - Illustration - Neptune bombardee of comets - Illustratio

Dixon, Don (b.1951)

Burmese court officials to the Emperor. Chief minister and counsellor (Woongee, Woondock) at left, privy counsellor and first secretary (Attawoon and Sere Dogee) and rhaan or priest with fan. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.
Burmese court officials to the Emperor. Chief minister and counsellor (Woongee, Woondock) at left, privy counsellor and first secretary (Attawoon and Sere Dogee) and rhaan or priest with fan. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

FLO4624032: Burmese court officials to the Emperor. Chief minister and counsellor (Woongee, Woondock) at left, privy counsellor and first secretary (Attawoon and Sere Dogee) and rhaan or priest with fan. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844. / Bridgeman Images

ID: FLO4624032

Burmese court officials to the Emperor. Chief minister and counsellor (Woongee, Woondock) at left, privy counsellor and first secretary (Attawoon and Sere Dogee) and rhaan or priest with fan. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

Hyacinth variety, Siam, Hyacinthus orientalis. Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1857.
Hyacinth variety, Siam, Hyacinthus orientalis. Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1857.

FLO4627094: Hyacinth variety, Siam, Hyacinthus orientalis. Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1857. / Bridgeman Images

ID: FLO4627094

Hyacinth variety, Siam, Hyacinthus orientalis. Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1857.

Portrait of Margaret of Lorraine (1613-1662), Duchess of Orleans and Alencon Painting of Antoine (Antoon or Anton) Van Dyck (1599-1641), 1634-1635 Dim. 203x115 cm Florence, Galleria degli Uffizi (Offices) - Portrait of Marguerite of Lorraine (1613-1662), Duchess of Orleans Alencon. painting by Anton Van Dyck (1599-1641), 1634-1635, 203-115 cm. Uffizi Gallery, Florence Italy
Portrait of Margaret of Lorraine (1613-1662), Duchess of Orleans and Alencon Painting of Antoine (Antoon or Anton) Van Dyck (1599-1641), 1634-1635 Dim. 203x115 cm Florence, Galleria degli Uffizi (Offices) - Portrait of Marguerite of Lorraine (1613-1662), Duchess of Orleans Alencon. painting by Anton Van Dyck (1599-1641), 1634-1635, 203-115 cm. Uffizi Gallery, Florence Italy

LRI4622728: Portrait of Margaret of Lorraine (1613-1662), Duchess of Orleans and Alencon Painting of Antoine (Antoon or Anton) Van Dyck (1599-1641), 1634-1635 Dim. 203x115 cm Florence, Galleria degli Uffizi (Offices) - Portrait of Marguerite of Lorraine (1613-1662), Duchess of Orleans Alencon. painting by Anton Van Dyck (1599-1641), 1634-1635, 203-115 cm. Uffizi Gallery, Florence Italy, Dyck, Anthony van (1599-1641) / Bridgeman Images

ID: LRI4622728

Portrait of Margaret of Lorraine (1613-1662), Duchess of Orleans and Alencon Painting of Antoine (Antoon or Anton) Van Dyck (1599-1641), 1634-1635 Dim. 203x115 cm Florence, Galleria degli Uffizi (Offices) - Portrait of Marguerite of Lorraine (1613-1662), Duchess of Orleans Alencon. painting by Anton Van Dyck (1599-1641), 1634-1635, 203-115 cm. Uffizi Gallery, Florence Italy

Dyck, Anthony van (1599-1641)

Japanese supreme deities, including four-armed god on a pillar on a turtle, serpent god, gods with dog and deer heads, etc. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.
Japanese supreme deities, including four-armed god on a pillar on a turtle, serpent god, gods with dog and deer heads, etc. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

FLO4622838: Japanese supreme deities, including four-armed god on a pillar on a turtle, serpent god, gods with dog and deer heads, etc. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842. / Bridgeman Images

ID: FLO4622838

Japanese supreme deities, including four-armed god on a pillar on a turtle, serpent god, gods with dog and deer heads, etc. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.


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