1. Home
  2. Search Results

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

2502026 Search Results

Portrait of Paul-Armand Challemel-Lacour (1827-1896), politician, diplomat and historian of French philosophy. Cartoon by Gill, in “Les Homme d'Today”, Paris, 1878.
Portrait of Paul-Armand Challemel-Lacour (1827-1896), politician, diplomat and historian of French philosophy. Cartoon by Gill, in “Les Homme d'Today”, Paris, 1878.

LSE4321111: Portrait of Paul-Armand Challemel-Lacour (1827-1896), politician, diplomat and historian of French philosophy. Cartoon by Gill, in “Les Homme d'Today”, Paris, 1878., Gill, Andre (1840-85) / Bridgeman Images

ID: LSE4321111

Portrait of Paul-Armand Challemel-Lacour (1827-1896), politician, diplomat and historian of French philosophy. Cartoon by Gill, in “Les Homme d'Today”, Paris, 1878.

Gill, Andre (1840-85)

Museum of Xian. Photography, Leonard de Selva, 2006.
Museum of Xian. Photography, Leonard de Selva, 2006.

LSE4321136: Museum of Xian. Photography, Leonard de Selva, 2006., Chinese School, (3rd century BC) / Bridgeman Images

ID: LSE4321136

Museum of Xian. Photography, Leonard de Selva, 2006.

Chinese School, (3rd century BC)

Terracotta Army warrior, Mausoleum of Emperor Qin Shi Huang, 3rd century BC (photo)
Terracotta Army warrior, Mausoleum of Emperor Qin Shi Huang, 3rd century BC (photo)

LSE4321164: Terracotta Army warrior, Mausoleum of Emperor Qin Shi Huang, 3rd century BC (photo), Chinese School, (3rd century BC) / Bridgeman Images

ID: LSE4321164

Terracotta Army warrior, Mausoleum of Emperor Qin Shi Huang, 3rd century BC (photo)

Chinese School, (3rd century BC)

Ceramic, child-shaped pillow, with a poem evoking a night landscape, from Cizhou, Jin Dynasty (1115-1234), Shanghai National Museum. Photography, Leonard de Selva, China, 2006.
Ceramic, child-shaped pillow, with a poem evoking a night landscape, from Cizhou, Jin Dynasty (1115-1234), Shanghai National Museum. Photography, Leonard de Selva, China, 2006.

LSE4321247: Ceramic, child-shaped pillow, with a poem evoking a night landscape, from Cizhou, Jin Dynasty (1115-1234), Shanghai National Museum. Photography, Leonard de Selva, China, 2006., Chinese School, Jin Dynasty (1115-1234) / Bridgeman Images

ID: LSE4321247

Ceramic, child-shaped pillow, with a poem evoking a night landscape, from Cizhou, Jin Dynasty (1115-1234), Shanghai National Museum. Photography, Leonard de Selva, China, 2006.

Chinese School, Jin Dynasty (1115-1234)

Painted pottery and doree, female figurine, Tang Dynasty (618-907), Shanghai National Museum. Photography, Leonard de Selva, China, 2006.
Painted pottery and doree, female figurine, Tang Dynasty (618-907), Shanghai National Museum. Photography, Leonard de Selva, China, 2006.

LSE4321245: Painted pottery and doree, female figurine, Tang Dynasty (618-907), Shanghai National Museum. Photography, Leonard de Selva, China, 2006., Chinese School, Tang Dynasty (618-907) / Bridgeman Images

ID: LSE4321245

Painted pottery and doree, female figurine, Tang Dynasty (618-907), Shanghai National Museum. Photography, Leonard de Selva, China, 2006.

Chinese School, Tang Dynasty (618-907)

Country beggar in the Dashanzi Art District, Pekin, China, 2006.
Country beggar in the Dashanzi Art District, Pekin, China, 2006.

LSE4321297: Country beggar in the Dashanzi Art District, Pekin, China, 2006. / Bridgeman Images

ID: LSE4321297

Country beggar in the Dashanzi Art District, Pekin, China, 2006.

Terracotta stele with dancer, Tang Dynasty (618-907), discovered in Shaanxi Province, Steles Forest Museum in Xian. Photography, Leonard de Selva, China, 2006.
Terracotta stele with dancer, Tang Dynasty (618-907), discovered in Shaanxi Province, Steles Forest Museum in Xian. Photography, Leonard de Selva, China, 2006.

LSE4321334: Terracotta stele with dancer, Tang Dynasty (618-907), discovered in Shaanxi Province, Steles Forest Museum in Xian. Photography, Leonard de Selva, China, 2006., Chinese School, Tang Dynasty (618-907) / Bridgeman Images

ID: LSE4321334

Terracotta stele with dancer, Tang Dynasty (618-907), discovered in Shaanxi Province, Steles Forest Museum in Xian. Photography, Leonard de Selva, China, 2006.

Chinese School, Tang Dynasty (618-907)

Terracotta stele with musician, Tang Dynasty (618-907), discovered in Shaanxi Province, Steles Forest Museum in Xian. Photography, Leonard de Selva, China, 2006.
Terracotta stele with musician, Tang Dynasty (618-907), discovered in Shaanxi Province, Steles Forest Museum in Xian. Photography, Leonard de Selva, China, 2006.

LSE4321364: Terracotta stele with musician, Tang Dynasty (618-907), discovered in Shaanxi Province, Steles Forest Museum in Xian. Photography, Leonard de Selva, China, 2006., Chinese School, Tang Dynasty (618-907) / Bridgeman Images

ID: LSE4321364

Terracotta stele with musician, Tang Dynasty (618-907), discovered in Shaanxi Province, Steles Forest Museum in Xian. Photography, Leonard de Selva, China, 2006.

Chinese School, Tang Dynasty (618-907)

Emperor Qin Shihuang's Terracotta Armee (-260 to -210 BC), Shaanxi History Museum, Xian. Photography, Leonard de Selva, 2006.
Emperor Qin Shihuang's Terracotta Armee (-260 to -210 BC), Shaanxi History Museum, Xian. Photography, Leonard de Selva, 2006.

LSE4321404: Emperor Qin Shihuang's Terracotta Armee (-260 to -210 BC), Shaanxi History Museum, Xian. Photography, Leonard de Selva, 2006., Chinese School, (3rd century AD) / Bridgeman Images

ID: LSE4321404

Emperor Qin Shihuang's Terracotta Armee (-260 to -210 BC), Shaanxi History Museum, Xian. Photography, Leonard de Selva, 2006.

Chinese School, (3rd century AD)

The rope of justice waiting for Americans. Cartoon, in “The Anthology of Chinese Cartoons to Support the Corean Communists Against the United States”, Edition Les Beaux-Arts Populaire, Pekin, 1952.
The rope of justice waiting for Americans. Cartoon, in “The Anthology of Chinese Cartoons to Support the Corean Communists Against the United States”, Edition Les Beaux-Arts Populaire, Pekin, 1952.

LSE4321532: The rope of justice waiting for Americans. Cartoon, in “The Anthology of Chinese Cartoons to Support the Corean Communists Against the United States”, Edition Les Beaux-Arts Populaire, Pekin, 1952. / Bridgeman Images

ID: LSE4321532

The rope of justice waiting for Americans. Cartoon, in “The Anthology of Chinese Cartoons to Support the Corean Communists Against the United States”, Edition Les Beaux-Arts Populaire, Pekin, 1952.

The Japanese used to be criminals by the United States and today, in 1951, invited by Americans. Cartoon, in “The Anthology of Chinese Cartoons to Support the Corean Communists Against the United States”, Edition Les Beaux-Arts Populaire, Pekin, 1952.
The Japanese used to be criminals by the United States and today, in 1951, invited by Americans. Cartoon, in “The Anthology of Chinese Cartoons to Support the Corean Communists Against the United States”, Edition Les Beaux-Arts Populaire, Pekin, 1952.

LSE4321539: The Japanese used to be criminals by the United States and today, in 1951, invited by Americans. Cartoon, in “The Anthology of Chinese Cartoons to Support the Corean Communists Against the United States”, Edition Les Beaux-Arts Populaire, Pekin, 1952. / Bridgeman Images

ID: LSE4321539

The Japanese used to be criminals by the United States and today, in 1951, invited by Americans. Cartoon, in “The Anthology of Chinese Cartoons to Support the Corean Communists Against the United States”, Edition Les Beaux-Arts Populaire, Pekin, 1952.

The traveling merchant of Hsia Feng, walking merchant of the countryside. Wood engraving, in “Woodcuts of war-time China 1937-1945”, Shanghai, 1946.
The traveling merchant of Hsia Feng, walking merchant of the countryside. Wood engraving, in “Woodcuts of war-time China 1937-1945”, Shanghai, 1946.

LSE4321650: The traveling merchant of Hsia Feng, walking merchant of the countryside. Wood engraving, in “Woodcuts of war-time China 1937-1945”, Shanghai, 1946. / Bridgeman Images

ID: LSE4321650

The traveling merchant of Hsia Feng, walking merchant of the countryside. Wood engraving, in “Woodcuts of war-time China 1937-1945”, Shanghai, 1946.

The rescue of the victims of Aubervilliers, following the collapse of the friable terrain, weakened by the manoeuvres of the soldiers of the 16th artillery battalion, 5 victims were swallowed into the collapse. Engraving in “” Le petit journal”” 11/06/1892. Selva's collection.
The rescue of the victims of Aubervilliers, following the collapse of the friable terrain, weakened by the manoeuvres of the soldiers of the 16th artillery battalion, 5 victims were swallowed into the collapse. Engraving in “” Le petit journal”” 11/06/1892. Selva's collection.

LSE4323645: The rescue of the victims of Aubervilliers, following the collapse of the friable terrain, weakened by the manoeuvres of the soldiers of the 16th artillery battalion, 5 victims were swallowed into the collapse. Engraving in “” Le petit journal”” 11/06/1892. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4323645

The rescue of the victims of Aubervilliers, following the collapse of the friable terrain, weakened by the manoeuvres of the soldiers of the 16th artillery battalion, 5 victims were swallowed into the collapse. Engraving in “” Le petit journal”” 11/06/1892. Selva's collection.

Unknown Artist, (19th century)

The entrance to the port of New York, drawing by Paul Huet (1803-1869), to illustrate the voyages to North America in 1854-1855, by L. Deville. Engraving in “” Le tour du monde”” 1861. Selva's collection.
The entrance to the port of New York, drawing by Paul Huet (1803-1869), to illustrate the voyages to North America in 1854-1855, by L. Deville. Engraving in “” Le tour du monde”” 1861. Selva's collection.

LSE4324544: The entrance to the port of New York, drawing by Paul Huet (1803-1869), to illustrate the voyages to North America in 1854-1855, by L. Deville. Engraving in “” Le tour du monde”” 1861. Selva's collection., Huet, Paul (1803-69) / Bridgeman Images

ID: LSE4324544

The entrance to the port of New York, drawing by Paul Huet (1803-1869), to illustrate the voyages to North America in 1854-1855, by L. Deville. Engraving in “” Le tour du monde”” 1861. Selva's collection.

Huet, Paul (1803-69)

View of Montreal, drawing by Paul Huet (1803-1869), to illustrate the voyages to North America in 1854-1855, by L. Deville. Engraving in “” Le tour du monde”” 1861. Selva's collection.
View of Montreal, drawing by Paul Huet (1803-1869), to illustrate the voyages to North America in 1854-1855, by L. Deville. Engraving in “” Le tour du monde”” 1861. Selva's collection.

LSE4324559: View of Montreal, drawing by Paul Huet (1803-1869), to illustrate the voyages to North America in 1854-1855, by L. Deville. Engraving in “” Le tour du monde”” 1861. Selva's collection., Huet, Paul (1803-69) / Bridgeman Images

ID: LSE4324559

View of Montreal, drawing by Paul Huet (1803-1869), to illustrate the voyages to North America in 1854-1855, by L. Deville. Engraving in “” Le tour du monde”” 1861. Selva's collection.

Huet, Paul (1803-69)

Milestones of a road in the pampa, drawing by Paul Marcoy, to illustrate his journey from the Atlantic Ocean to the Pacific Ocean, through South America, 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1862. Selva's collection.
Milestones of a road in the pampa, drawing by Paul Marcoy, to illustrate his journey from the Atlantic Ocean to the Pacific Ocean, through South America, 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1862. Selva's collection.

LSE4324803: Milestones of a road in the pampa, drawing by Paul Marcoy, to illustrate his journey from the Atlantic Ocean to the Pacific Ocean, through South America, 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1862. Selva's collection., Marcoy, Paul (1815-1887) / Bridgeman Images

ID: LSE4324803

Milestones of a road in the pampa, drawing by Paul Marcoy, to illustrate his journey from the Atlantic Ocean to the Pacific Ocean, through South America, 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1862. Selva's collection.

Marcoy, Paul (1815-1887)

Portrait of Eugene Turpin (1848-1927), chemist specializing in explosives, (inventor of melinite in 1884), unjustly accuses of having sold his inventions to the enemy, he is the source of inpiration for the character of Thomas Roch in Jules Verne's novel “Face au drapeau” (1828-1905). Engraving in “” Le petit journal”” 18/06/1894. Selva's collection.
Portrait of Eugene Turpin (1848-1927), chemist specializing in explosives, (inventor of melinite in 1884), unjustly accuses of having sold his inventions to the enemy, he is the source of inpiration for the character of Thomas Roch in Jules Verne's novel “Face au drapeau” (1828-1905). Engraving in “” Le petit journal”” 18/06/1894. Selva's collection.

LSE4323918: Portrait of Eugene Turpin (1848-1927), chemist specializing in explosives, (inventor of melinite in 1884), unjustly accuses of having sold his inventions to the enemy, he is the source of inpiration for the character of Thomas Roch in Jules Verne's novel “Face au drapeau” (1828-1905). Engraving in “” Le petit journal”” 18/06/1894. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4323918

Portrait of Eugene Turpin (1848-1927), chemist specializing in explosives, (inventor of melinite in 1884), unjustly accuses of having sold his inventions to the enemy, he is the source of inpiration for the character of Thomas Roch in Jules Verne's novel “Face au drapeau” (1828-1905). Engraving in “” Le petit journal”” 18/06/1894. Selva's collection.

Unknown Artist, (19th century)

Portrait of Charles I (Charles Ferdinand of Bragance, 1863-1908) (known as the diplomat), King of Portugal and Emperor of Brazil. Engraving in “” Le petit journal”” 20/10/1895. Selva's collection.
Portrait of Charles I (Charles Ferdinand of Bragance, 1863-1908) (known as the diplomat), King of Portugal and Emperor of Brazil. Engraving in “” Le petit journal”” 20/10/1895. Selva's collection.

LSE4324120: Portrait of Charles I (Charles Ferdinand of Bragance, 1863-1908) (known as the diplomat), King of Portugal and Emperor of Brazil. Engraving in “” Le petit journal”” 20/10/1895. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4324120

Portrait of Charles I (Charles Ferdinand of Bragance, 1863-1908) (known as the diplomat), King of Portugal and Emperor of Brazil. Engraving in “” Le petit journal”” 20/10/1895. Selva's collection.

Unknown Artist, (19th century)

Rade and peak of the island of Borabora, drawing by Evremond Auguste de Berard (1824-1881), to illustrate the journey of a naturalist in the Galapagos archipelago and the coral islands, in 1858 by Charles Darwin (1809-1882). Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.
Rade and peak of the island of Borabora, drawing by Evremond Auguste de Berard (1824-1881), to illustrate the journey of a naturalist in the Galapagos archipelago and the coral islands, in 1858 by Charles Darwin (1809-1882). Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.

LSE4324316: Rade and peak of the island of Borabora, drawing by Evremond Auguste de Berard (1824-1881), to illustrate the journey of a naturalist in the Galapagos archipelago and the coral islands, in 1858 by Charles Darwin (1809-1882). Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection., Berard, Evremond de (19th century) (after) / Bridgeman Images

ID: LSE4324316

Rade and peak of the island of Borabora, drawing by Evremond Auguste de Berard (1824-1881), to illustrate the journey of a naturalist in the Galapagos archipelago and the coral islands, in 1858 by Charles Darwin (1809-1882). Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.

Berard, Evremond de (19th century) (after)

View of Kabra, Port of Timbuktu, on the Niger River (Mali), drawing by Adolphe Rouargue (1810-187?) and Emile Rouargue (ca1795-1865), to illustrate the journey of Dr. Henri Barth to central Africa in 1849-1855. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.
View of Kabra, Port of Timbuktu, on the Niger River (Mali), drawing by Adolphe Rouargue (1810-187?) and Emile Rouargue (ca1795-1865), to illustrate the journey of Dr. Henri Barth to central Africa in 1849-1855. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.

LSE4324327: View of Kabra, Port of Timbuktu, on the Niger River (Mali), drawing by Adolphe Rouargue (1810-187?) and Emile Rouargue (ca1795-1865), to illustrate the journey of Dr. Henri Barth to central Africa in 1849-1855. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection., French School, (19th century) / Bridgeman Images

ID: LSE4324327

View of Kabra, Port of Timbuktu, on the Niger River (Mali), drawing by Adolphe Rouargue (1810-187?) and Emile Rouargue (ca1795-1865), to illustrate the journey of Dr. Henri Barth to central Africa in 1849-1855. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.

French School, (19th century)

General view of Havana, capital of Cuba, drawing by Lancelot to illustrate the voyage to the island of Cuba, in 1859, by Richard Dana (1815-1882). Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.
General view of Havana, capital of Cuba, drawing by Lancelot to illustrate the voyage to the island of Cuba, in 1859, by Richard Dana (1815-1882). Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.

LSE4324358: General view of Havana, capital of Cuba, drawing by Lancelot to illustrate the voyage to the island of Cuba, in 1859, by Richard Dana (1815-1882). Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection., Lancelot, Dieudonne Auguste (1822-94) / Bridgeman Images

ID: LSE4324358

General view of Havana, capital of Cuba, drawing by Lancelot to illustrate the voyage to the island of Cuba, in 1859, by Richard Dana (1815-1882). Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.

Lancelot, Dieudonne Auguste (1822-94)

Buffalo hunting among the Delawares, Amerindians living on the banks of the river of the same name, drawing by Gustave dore (1832-1883), to illustrate the voyage of the Mississippi to the Pacific Ocean in 1853-54 by Baudouin Mollhausen (1825-1905). Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.
Buffalo hunting among the Delawares, Amerindians living on the banks of the river of the same name, drawing by Gustave dore (1832-1883), to illustrate the voyage of the Mississippi to the Pacific Ocean in 1853-54 by Baudouin Mollhausen (1825-1905). Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.

LSE4324488: Buffalo hunting among the Delawares, Amerindians living on the banks of the river of the same name, drawing by Gustave dore (1832-1883), to illustrate the voyage of the Mississippi to the Pacific Ocean in 1853-54 by Baudouin Mollhausen (1825-1905). Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection., Dore, Gustave (1832-83) / Bridgeman Images

ID: LSE4324488

Buffalo hunting among the Delawares, Amerindians living on the banks of the river of the same name, drawing by Gustave dore (1832-1883), to illustrate the voyage of the Mississippi to the Pacific Ocean in 1853-54 by Baudouin Mollhausen (1825-1905). Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.

Dore, Gustave (1832-83)

Inauguration of the port of Tunis, in the presence of French ministers Raymond Poincare (1860-1934) and Eugene Guerin (1849-1929). Engraving in “” Le petit journal”” 10/06/1893. Selva's collection.
Inauguration of the port of Tunis, in the presence of French ministers Raymond Poincare (1860-1934) and Eugene Guerin (1849-1929). Engraving in “” Le petit journal”” 10/06/1893. Selva's collection.

LSE4323769: Inauguration of the port of Tunis, in the presence of French ministers Raymond Poincare (1860-1934) and Eugene Guerin (1849-1929). Engraving in “” Le petit journal”” 10/06/1893. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4323769

Inauguration of the port of Tunis, in the presence of French ministers Raymond Poincare (1860-1934) and Eugene Guerin (1849-1929). Engraving in “” Le petit journal”” 10/06/1893. Selva's collection.

Unknown Artist, (19th century)

The discovery of the remains of the Ripple (Norwegian ship), caught in the ice at the North Pole. Engraving in “” Le petit journal”” 16/12/1893. Selva's collection.
The discovery of the remains of the Ripple (Norwegian ship), caught in the ice at the North Pole. Engraving in “” Le petit journal”” 16/12/1893. Selva's collection.

LSE4323842: The discovery of the remains of the Ripple (Norwegian ship), caught in the ice at the North Pole. Engraving in “” Le petit journal”” 16/12/1893. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4323842

The discovery of the remains of the Ripple (Norwegian ship), caught in the ice at the North Pole. Engraving in “” Le petit journal”” 16/12/1893. Selva's collection.

Unknown Artist, (19th century)

The rue des chevaliers, in Rhodes, drawing by Eugene Flandin, to illustrate his journey to the island of Rhodes in 1844. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1862. Selva's collection.
The rue des chevaliers, in Rhodes, drawing by Eugene Flandin, to illustrate his journey to the island of Rhodes in 1844. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1862. Selva's collection.

LSE4324787: The rue des chevaliers, in Rhodes, drawing by Eugene Flandin, to illustrate his journey to the island of Rhodes in 1844. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1862. Selva's collection., Flandin, Eugene (1809-76) / Bridgeman Images

ID: LSE4324787

The rue des chevaliers, in Rhodes, drawing by Eugene Flandin, to illustrate his journey to the island of Rhodes in 1844. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1862. Selva's collection.

Flandin, Eugene (1809-76)

Inside the temple of fetiches snakes, in Wydah, in Dahomey (present-day Benin), drawing by Jean Antoine Foulquier (1822-1896), to illustrate Dr. Repin's journey to Dahomey in 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.
Inside the temple of fetiches snakes, in Wydah, in Dahomey (present-day Benin), drawing by Jean Antoine Foulquier (1822-1896), to illustrate Dr. Repin's journey to Dahomey in 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.

LSE4324951: Inside the temple of fetiches snakes, in Wydah, in Dahomey (present-day Benin), drawing by Jean Antoine Foulquier (1822-1896), to illustrate Dr. Repin's journey to Dahomey in 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection., Foulquier, Jean Antoine Valentin (1822-1896) / Bridgeman Images

ID: LSE4324951

Inside the temple of fetiches snakes, in Wydah, in Dahomey (present-day Benin), drawing by Jean Antoine Foulquier (1822-1896), to illustrate Dr. Repin's journey to Dahomey in 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.

Foulquier, Jean Antoine Valentin (1822-1896)

The capture of Thiassale (Ivory Coast), by Captain Jean Baptiste Marchand (1863-1934), commander of the colony's military forces, with a troop of 115 men, they fought the Baoule warriors between the Bendama River and the virgin forest. Engraving in “” Le petit journal”” 26/08/1893. Selva's collection.
The capture of Thiassale (Ivory Coast), by Captain Jean Baptiste Marchand (1863-1934), commander of the colony's military forces, with a troop of 115 men, they fought the Baoule warriors between the Bendama River and the virgin forest. Engraving in “” Le petit journal”” 26/08/1893. Selva's collection.

LSE4323818: The capture of Thiassale (Ivory Coast), by Captain Jean Baptiste Marchand (1863-1934), commander of the colony's military forces, with a troop of 115 men, they fought the Baoule warriors between the Bendama River and the virgin forest. Engraving in “” Le petit journal”” 26/08/1893. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4323818

The capture of Thiassale (Ivory Coast), by Captain Jean Baptiste Marchand (1863-1934), commander of the colony's military forces, with a troop of 115 men, they fought the Baoule warriors between the Bendama River and the virgin forest. Engraving in “” Le petit journal”” 26/08/1893. Selva's collection.

Unknown Artist, (19th century)

General repetition of “The Rake's Progress””, opera by Igor Stravinsky at Opera Gernier, Frevrier 2008. Orchestre et choreurs de l'Opera de Paris directed by Edward Gardner and directed by Olivier Py. Photography
General repetition of “The Rake's Progress””, opera by Igor Stravinsky at Opera Gernier, Frevrier 2008. Orchestre et choreurs de l'Opera de Paris directed by Edward Gardner and directed by Olivier Py. Photography

TOU4350756: General repetition of “The Rake's Progress””, opera by Igor Stravinsky at Opera Gernier, Frevrier 2008. Orchestre et choreurs de l'Opera de Paris directed by Edward Gardner and directed by Olivier Py. Photography, Toulet, Frederique / Bridgeman Images

ID: TOU4350756

General repetition of “The Rake's Progress””, opera by Igor Stravinsky at Opera Gernier, Frevrier 2008. Orchestre et choreurs de l'Opera de Paris directed by Edward Gardner and directed by Olivier Py. Photography

Toulet, Frederique

Maria Bengtsson (Pamina) and Russell Braun (Papageno). The enchanted flute, opera by Wolfgang Amadeus Mozart at the Opera Bastille, Paris, November 2008. Orchestre et choreurs de l'Opera de Paris directed by Thomas Hengelbrock and directed by La Fura Dels Baus. Photography
Maria Bengtsson (Pamina) and Russell Braun (Papageno). The enchanted flute, opera by Wolfgang Amadeus Mozart at the Opera Bastille, Paris, November 2008. Orchestre et choreurs de l'Opera de Paris directed by Thomas Hengelbrock and directed by La Fura Dels Baus. Photography

TOU4351116: Maria Bengtsson (Pamina) and Russell Braun (Papageno). The enchanted flute, opera by Wolfgang Amadeus Mozart at the Opera Bastille, Paris, November 2008. Orchestre et choreurs de l'Opera de Paris directed by Thomas Hengelbrock and directed by La Fura Dels Baus. Photography, Toulet, Frederique / Bridgeman Images

ID: TOU4351116

Maria Bengtsson (Pamina) and Russell Braun (Papageno). The enchanted flute, opera by Wolfgang Amadeus Mozart at the Opera Bastille, Paris, November 2008. Orchestre et choreurs de l'Opera de Paris directed by Thomas Hengelbrock and directed by La Fura Dels Baus. Photography

Toulet, Frederique

Erika Miklosa (Konigin der Nacht) and Maria Bengtsson (Pamina). The enchanted flute, opera by Wolfgang Amadeus Mozart at the Opera Bastille, Paris, November 2008. Orchestre et choreurs de l'Opera de Paris directed by Thomas Hengelbrock and directed by La Fura Dels Baus. Photography
Erika Miklosa (Konigin der Nacht) and Maria Bengtsson (Pamina). The enchanted flute, opera by Wolfgang Amadeus Mozart at the Opera Bastille, Paris, November 2008. Orchestre et choreurs de l'Opera de Paris directed by Thomas Hengelbrock and directed by La Fura Dels Baus. Photography

TOU4351136: Erika Miklosa (Konigin der Nacht) and Maria Bengtsson (Pamina). The enchanted flute, opera by Wolfgang Amadeus Mozart at the Opera Bastille, Paris, November 2008. Orchestre et choreurs de l'Opera de Paris directed by Thomas Hengelbrock and directed by La Fura Dels Baus. Photography, Toulet, Frederique / Bridgeman Images

ID: TOU4351136

Erika Miklosa (Konigin der Nacht) and Maria Bengtsson (Pamina). The enchanted flute, opera by Wolfgang Amadeus Mozart at the Opera Bastille, Paris, November 2008. Orchestre et choreurs de l'Opera de Paris directed by Thomas Hengelbrock and directed by La Fura Dels Baus. Photography

Toulet, Frederique

Klaus Florian Vogt (Erik), Adrianne Pieczonka (Senta) and Marie Ange (Marie-Ange) Todorovitch (Mary) The ghost ship, opera by Richard Wagner at the Opera Bastille, September 2010. Orchestra and choir of the Opera de Paris directed by Peter Schneider and directed by Willy Decker. Photography
Klaus Florian Vogt (Erik), Adrianne Pieczonka (Senta) and Marie Ange (Marie-Ange) Todorovitch (Mary) The ghost ship, opera by Richard Wagner at the Opera Bastille, September 2010. Orchestra and choir of the Opera de Paris directed by Peter Schneider and directed by Willy Decker. Photography

TOU4351263: Klaus Florian Vogt (Erik), Adrianne Pieczonka (Senta) and Marie Ange (Marie-Ange) Todorovitch (Mary) The ghost ship, opera by Richard Wagner at the Opera Bastille, September 2010. Orchestra and choir of the Opera de Paris directed by Peter Schneider and directed by Willy Decker. Photography, Toulet, Frederique / Bridgeman Images

ID: TOU4351263

Klaus Florian Vogt (Erik), Adrianne Pieczonka (Senta) and Marie Ange (Marie-Ange) Todorovitch (Mary) The ghost ship, opera by Richard Wagner at the Opera Bastille, September 2010. Orchestra and choir of the Opera de Paris directed by Peter Schneider and directed by Willy Decker. Photography

Toulet, Frederique

Adrianne Pieczonka (Senta) and James Morris (Der Hollander). The ghost ship, Richard Wagner's opera at Opera Bastille, September 2010. Orchestra and choir of the Opera de Paris directed by Peter Schneider and directed by Willy Decker. Photography
Adrianne Pieczonka (Senta) and James Morris (Der Hollander). The ghost ship, Richard Wagner's opera at Opera Bastille, September 2010. Orchestra and choir of the Opera de Paris directed by Peter Schneider and directed by Willy Decker. Photography

TOU4351288: Adrianne Pieczonka (Senta) and James Morris (Der Hollander). The ghost ship, Richard Wagner's opera at Opera Bastille, September 2010. Orchestra and choir of the Opera de Paris directed by Peter Schneider and directed by Willy Decker. Photography, Toulet, Frederique / Bridgeman Images

ID: TOU4351288

Adrianne Pieczonka (Senta) and James Morris (Der Hollander). The ghost ship, Richard Wagner's opera at Opera Bastille, September 2010. Orchestra and choir of the Opera de Paris directed by Peter Schneider and directed by Willy Decker. Photography

Toulet, Frederique

General repetition of “The Rake's Progress””, opera by Igor Stravinsky at Opera Gernier, Frevrier 2008. Orchestre et choreurs de l'Opera de Paris directed by Edward Gardner and directed by Olivier Py. Photography
General repetition of “The Rake's Progress””, opera by Igor Stravinsky at Opera Gernier, Frevrier 2008. Orchestre et choreurs de l'Opera de Paris directed by Edward Gardner and directed by Olivier Py. Photography

TOU4350793: General repetition of “The Rake's Progress””, opera by Igor Stravinsky at Opera Gernier, Frevrier 2008. Orchestre et choreurs de l'Opera de Paris directed by Edward Gardner and directed by Olivier Py. Photography, Toulet, Frederique / Bridgeman Images

ID: TOU4350793

General repetition of “The Rake's Progress””, opera by Igor Stravinsky at Opera Gernier, Frevrier 2008. Orchestre et choreurs de l'Opera de Paris directed by Edward Gardner and directed by Olivier Py. Photography

Toulet, Frederique

Shawa Mathey (Tamino) and Jose Van Dam (Der Sprecher). The enchanted flute, opera by Wolfgang Amadeus Mozart at the Opera Bastille, Paris, November 2008. Orchestre et choreurs de l'Opera de Paris directed by Thomas Hengelbrock and directed by La Fura Dels Baus. Photography
Shawa Mathey (Tamino) and Jose Van Dam (Der Sprecher). The enchanted flute, opera by Wolfgang Amadeus Mozart at the Opera Bastille, Paris, November 2008. Orchestre et choreurs de l'Opera de Paris directed by Thomas Hengelbrock and directed by La Fura Dels Baus. Photography

TOU4351078: Shawa Mathey (Tamino) and Jose Van Dam (Der Sprecher). The enchanted flute, opera by Wolfgang Amadeus Mozart at the Opera Bastille, Paris, November 2008. Orchestre et choreurs de l'Opera de Paris directed by Thomas Hengelbrock and directed by La Fura Dels Baus. Photography, Toulet, Frederique / Bridgeman Images

ID: TOU4351078

Shawa Mathey (Tamino) and Jose Van Dam (Der Sprecher). The enchanted flute, opera by Wolfgang Amadeus Mozart at the Opera Bastille, Paris, November 2008. Orchestre et choreurs de l'Opera de Paris directed by Thomas Hengelbrock and directed by La Fura Dels Baus. Photography

Toulet, Frederique

Russell Braun (Papageno) and Maria Virginia Savastano (Papagena). The enchanted flute, opera by Wolfgang Amadeus Mozart at the Opera Bastille, Paris, November 2008. Orchestre et choreurs de l'Opera de Paris directed by Thomas Hengelbrock and directed by La Fura Dels Baus. Photography
Russell Braun (Papageno) and Maria Virginia Savastano (Papagena). The enchanted flute, opera by Wolfgang Amadeus Mozart at the Opera Bastille, Paris, November 2008. Orchestre et choreurs de l'Opera de Paris directed by Thomas Hengelbrock and directed by La Fura Dels Baus. Photography

TOU4351089: Russell Braun (Papageno) and Maria Virginia Savastano (Papagena). The enchanted flute, opera by Wolfgang Amadeus Mozart at the Opera Bastille, Paris, November 2008. Orchestre et choreurs de l'Opera de Paris directed by Thomas Hengelbrock and directed by La Fura Dels Baus. Photography, Toulet, Frederique / Bridgeman Images

ID: TOU4351089

Russell Braun (Papageno) and Maria Virginia Savastano (Papagena). The enchanted flute, opera by Wolfgang Amadeus Mozart at the Opera Bastille, Paris, November 2008. Orchestre et choreurs de l'Opera de Paris directed by Thomas Hengelbrock and directed by La Fura Dels Baus. Photography

Toulet, Frederique

Barbara Frittoli (la Contessa), Dalibor Jenis (Il Conte di Almaviva) and Luca Pisaroni (Figaro). Les Noces de Figaro, opera by Wolfgang Amadeus Mozart at opera Bastille, October 2010. Orchestra and choir of the Opera de Paris directed by Philippe Jordan and directed by Giorgio Strehler. Photography
Barbara Frittoli (la Contessa), Dalibor Jenis (Il Conte di Almaviva) and Luca Pisaroni (Figaro). Les Noces de Figaro, opera by Wolfgang Amadeus Mozart at opera Bastille, October 2010. Orchestra and choir of the Opera de Paris directed by Philippe Jordan and directed by Giorgio Strehler. Photography

TOU4351405: Barbara Frittoli (la Contessa), Dalibor Jenis (Il Conte di Almaviva) and Luca Pisaroni (Figaro). Les Noces de Figaro, opera by Wolfgang Amadeus Mozart at opera Bastille, October 2010. Orchestra and choir of the Opera de Paris directed by Philippe Jordan and directed by Giorgio Strehler. Photography, Toulet, Frederique / Bridgeman Images

ID: TOU4351405

Barbara Frittoli (la Contessa), Dalibor Jenis (Il Conte di Almaviva) and Luca Pisaroni (Figaro). Les Noces de Figaro, opera by Wolfgang Amadeus Mozart at opera Bastille, October 2010. Orchestra and choir of the Opera de Paris directed by Philippe Jordan and directed by Giorgio Strehler. Photography

Toulet, Frederique


Back to top