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Representation of the Passion in 1936: the Devil and Christ. The actors Saint Granier (Saint Granier) and Romuald Joube in the respective roles of Satan and Jesus. Photographs by Andre Steiner published in Mirror du Monde magazine n°329, June 1936.
Representation of the Passion in 1936: the Devil and Christ. The actors Saint Granier (Saint Granier) and Romuald Joube in the respective roles of Satan and Jesus. Photographs by Andre Steiner published in Mirror du Monde magazine n°329, June 1936.

PCT4270697: Representation of the Passion in 1936: the Devil and Christ. The actors Saint Granier (Saint Granier) and Romuald Joube in the respective roles of Satan and Jesus. Photographs by Andre Steiner published in Mirror du Monde magazine n°329, June 1936. / Bridgeman Images

ID: PCT4270697

Representation of the Passion in 1936: the Devil and Christ. The actors Saint Granier (Saint Granier) and Romuald Joube in the respective roles of Satan and Jesus. Photographs by Andre Steiner published in Mirror du Monde magazine n°329, June 1936.

PCT4270872: "Bourree d'Auvergne" villagers dancing, c.1930 (postcard) / Bridgeman Images

ID: PCT4270872

"Bourree d'Auvergne" villagers dancing, c.1930 (postcard)

Theatral show presented by local amateur actors during a village party around 1950. Photographic tiirage of period without mention of author.
Theatral show presented by local amateur actors during a village party around 1950. Photographic tiirage of period without mention of author.

PCT4270978: Theatral show presented by local amateur actors during a village party around 1950. Photographic tiirage of period without mention of author. / Bridgeman Images

ID: PCT4270978

Theatral show presented by local amateur actors during a village party around 1950. Photographic tiirage of period without mention of author.

Here in operation at Camp du Larzac, the Renault FT-17 tank, the manufacture of which was initiated by Colonel Estienne, is the best known armoured vehicle of the First World War. This caterpillar self-gun, produced in approximately 3500 copies, influenced the weapons industry around the world by fixing the very type of battle tank, using a turret weapon. It's the first to have a 360° swivel turret. It remained in service in the French army until the beginning of the Second World War, and was then used by the German Wehrmacht for occupation and training tasks. Postcard published at the end or shortly after the 1st World War.
Here in operation at Camp du Larzac, the Renault FT-17 tank, the manufacture of which was initiated by Colonel Estienne, is the best known armoured vehicle of the First World War. This caterpillar self-gun, produced in approximately 3500 copies, influenced the weapons industry around the world by fixing the very type of battle tank, using a turret weapon. It's the first to have a 360° swivel turret. It remained in service in the French army until the beginning of the Second World War, and was then used by the German Wehrmacht for occupation and training tasks. Postcard published at the end or shortly after the 1st World War.

PCT4271063: Here in operation at Camp du Larzac, the Renault FT-17 tank, the manufacture of which was initiated by Colonel Estienne, is the best known armoured vehicle of the First World War. This caterpillar self-gun, produced in approximately 3500 copies, influenced the weapons industry around the world by fixing the very type of battle tank, using a turret weapon. It's the first to have a 360° swivel turret. It remained in service in the French army until the beginning of the Second World War, and was then used by the German Wehrmacht for occupation and training tasks. Postcard published at the end or shortly after the 1st World War. / Bridgeman Images

ID: PCT4271063

Here in operation at Camp du Larzac, the Renault FT-17 tank, the manufacture of which was initiated by Colonel Estienne, is the best known armoured vehicle of the First World War. This caterpillar self-gun, produced in approximately 3500 copies, influenced the weapons industry around the world by fixing the very type of battle tank, using a turret weapon. It's the first to have a 360° swivel turret. It remained in service in the French army until the beginning of the Second World War, and was then used by the German Wehrmacht for occupation and training tasks. Postcard published at the end or shortly after the 1st World War.

Offices (administration, management, accounting, employees, personnel) of a large company in 1935. Photograph in helioengraving from a promotional booklet from the Byrrh aperitif company.
Offices (administration, management, accounting, employees, personnel) of a large company in 1935. Photograph in helioengraving from a promotional booklet from the Byrrh aperitif company.

PCT4271181: Offices (administration, management, accounting, employees, personnel) of a large company in 1935. Photograph in helioengraving from a promotional booklet from the Byrrh aperitif company. / Bridgeman Images

ID: PCT4271181

Offices (administration, management, accounting, employees, personnel) of a large company in 1935. Photograph in helioengraving from a promotional booklet from the Byrrh aperitif company.

Photographic portrait of Felix Faure in 1896 by Camus.
Photographic portrait of Felix Faure in 1896 by Camus.

PCT4261540: Photographic portrait of Felix Faure in 1896 by Camus. / Bridgeman Images

ID: PCT4261540

Photographic portrait of Felix Faure in 1896 by Camus.

5 children in a rowboat on the sea in front of a jetee near Marseille around 1900. Anonymous cliche on glass plate 2 times 4x4,5 cm.
5 children in a rowboat on the sea in front of a jetee near Marseille around 1900. Anonymous cliche on glass plate 2 times 4x4,5 cm.

PCT4262049: 5 children in a rowboat on the sea in front of a jetee near Marseille around 1900. Anonymous cliche on glass plate 2 times 4x4,5 cm. / Bridgeman Images

ID: PCT4262049

5 children in a rowboat on the sea in front of a jetee near Marseille around 1900. Anonymous cliche on glass plate 2 times 4x4,5 cm.

Bethleem's wife in traditional costume at the beginning of the 20th century. Christian population of Palestine.
Bethleem's wife in traditional costume at the beginning of the 20th century. Christian population of Palestine.

PCT4262148: Bethleem's wife in traditional costume at the beginning of the 20th century. Christian population of Palestine. / Bridgeman Images

ID: PCT4262148

Bethleem's wife in traditional costume at the beginning of the 20th century. Christian population of Palestine.

Holiday homework book offered by the newspaper La Depeche du Midi in 1941. Cover showing studious children, working in the middle of flowers while others have fun. First page where the young student applied to answer the questions of the calculation exercise (problem). Photo by Patrice Cartier.
Holiday homework book offered by the newspaper La Depeche du Midi in 1941. Cover showing studious children, working in the middle of flowers while others have fun. First page where the young student applied to answer the questions of the calculation exercise (problem). Photo by Patrice Cartier.

PCT4277497: Holiday homework book offered by the newspaper La Depeche du Midi in 1941. Cover showing studious children, working in the middle of flowers while others have fun. First page where the young student applied to answer the questions of the calculation exercise (problem). Photo by Patrice Cartier. / Bridgeman Images

ID: PCT4277497

Holiday homework book offered by the newspaper La Depeche du Midi in 1941. Cover showing studious children, working in the middle of flowers while others have fun. First page where the young student applied to answer the questions of the calculation exercise (problem). Photo by Patrice Cartier.

Mosquee Hassan II (built on the seafront between 1986 and 1993 by architect Michel Pinseau and built by the French construction group Bouygues), Casablanca, Morocco - With its 201 meters, its minaret is the highest in the world - Islam - beton - Minaret of the Hassan II Mosque, Casablanca, Morocco - Photography Patrice Cartier 23/02/2014 -
Mosquee Hassan II (built on the seafront between 1986 and 1993 by architect Michel Pinseau and built by the French construction group Bouygues), Casablanca, Morocco - With its 201 meters, its minaret is the highest in the world - Islam - beton - Minaret of the Hassan II Mosque, Casablanca, Morocco - Photography Patrice Cartier 23/02/2014 -

PCT4285343: Mosquee Hassan II (built on the seafront between 1986 and 1993 by architect Michel Pinseau and built by the French construction group Bouygues), Casablanca, Morocco - With its 201 meters, its minaret is the highest in the world - Islam - beton - Minaret of the Hassan II Mosque, Casablanca, Morocco - Photography Patrice Cartier 23/02/2014 -, Pinseau, Michel (1926-99) / Bridgeman Images

ID: PCT4285343

Mosquee Hassan II (built on the seafront between 1986 and 1993 by architect Michel Pinseau and built by the French construction group Bouygues), Casablanca, Morocco - With its 201 meters, its minaret is the highest in the world - Islam - beton - Minaret of the Hassan II Mosque, Casablanca, Morocco - Photography Patrice Cartier 23/02/2014 -

Pinseau, Michel (1926-99)

Giant puppets in front of the minaret of the Hassan II Mosque in Casablanca, Morocco - With its 201 meters, this minaret is the highest in the world - Islam - Minaret of the Hassan II Mosque, Casablanca, Morocco - Photography Patrice Cartier 23/02/2014 -
Giant puppets in front of the minaret of the Hassan II Mosque in Casablanca, Morocco - With its 201 meters, this minaret is the highest in the world - Islam - Minaret of the Hassan II Mosque, Casablanca, Morocco - Photography Patrice Cartier 23/02/2014 -

PCT4285387: Giant puppets in front of the minaret of the Hassan II Mosque in Casablanca, Morocco - With its 201 meters, this minaret is the highest in the world - Islam - Minaret of the Hassan II Mosque, Casablanca, Morocco - Photography Patrice Cartier 23/02/2014 -, Pinseau, Michel (1926-99) / Bridgeman Images

ID: PCT4285387

Giant puppets in front of the minaret of the Hassan II Mosque in Casablanca, Morocco - With its 201 meters, this minaret is the highest in the world - Islam - Minaret of the Hassan II Mosque, Casablanca, Morocco - Photography Patrice Cartier 23/02/2014 -

Pinseau, Michel (1926-99)

Alcoholism and childhood: advertising card of La Blanquette de Limoux Guinot circa 1930 - “The youngest customer of the house”
Alcoholism and childhood: advertising card of La Blanquette de Limoux Guinot circa 1930 - “The youngest customer of the house”

PCT4292070: Alcoholism and childhood: advertising card of La Blanquette de Limoux Guinot circa 1930 - “The youngest customer of the house” / Bridgeman Images

ID: PCT4292070

Alcoholism and childhood: advertising card of La Blanquette de Limoux Guinot circa 1930 - “The youngest customer of the house”

Extract from the magazine “” Mirror Sprint “” No. 3 of June 13, 1946, announcing the Ronde de France test, rival cycling race of the Tour de France, which will take place from 10 to 14 July, in five stages from Bordeaux to Grenoble, at the initiative of the newspaper “Ce Soir” - sport, post-war, cycling, pass, mountain road-
Extract from the magazine “” Mirror Sprint “” No. 3 of June 13, 1946, announcing the Ronde de France test, rival cycling race of the Tour de France, which will take place from 10 to 14 July, in five stages from Bordeaux to Grenoble, at the initiative of the newspaper “Ce Soir” - sport, post-war, cycling, pass, mountain road-

PCT4291280: Extract from the magazine “” Mirror Sprint “” No. 3 of June 13, 1946, announcing the Ronde de France test, rival cycling race of the Tour de France, which will take place from 10 to 14 July, in five stages from Bordeaux to Grenoble, at the initiative of the newspaper “Ce Soir” - sport, post-war, cycling, pass, mountain road- / Bridgeman Images

ID: PCT4291280

Extract from the magazine “” Mirror Sprint “” No. 3 of June 13, 1946, announcing the Ronde de France test, rival cycling race of the Tour de France, which will take place from 10 to 14 July, in five stages from Bordeaux to Grenoble, at the initiative of the newspaper “Ce Soir” - sport, post-war, cycling, pass, mountain road-

Place du Chatelet and the Tour Saint Jacques, Paris, 1948 (postcard)
Place du Chatelet and the Tour Saint Jacques, Paris, 1948 (postcard)

PCT4291504: Place du Chatelet and the Tour Saint Jacques, Paris, 1948 (postcard), French Photographer, (20th century) / Bridgeman Images

ID: PCT4291504

Place du Chatelet and the Tour Saint Jacques, Paris, 1948 (postcard)

French Photographer, (20th century)

Toulouse (31, Haute-Garonne, Occitanie): Cloitre des Augustins (Musee) - Photo Patrice Cartier 2017 -
Toulouse (31, Haute-Garonne, Occitanie): Cloitre des Augustins (Musee) - Photo Patrice Cartier 2017 -

PCT4294745: Toulouse (31, Haute-Garonne, Occitanie): Cloitre des Augustins (Musee) - Photo Patrice Cartier 2017 - / Bridgeman Images

ID: PCT4294745

Toulouse (31, Haute-Garonne, Occitanie): Cloitre des Augustins (Musee) - Photo Patrice Cartier 2017 -

Winter 1954 in France, bordering the departments of Aude and Herault (Caunes-Minervois, Occitanie) - Winter 54 was particularly harsh. France experienced an intense cold wave. The south was not sparked, the region between Carcassonne and Montpellier retains exceptional snowfalls, about 40 cm on the ground. On 1 February 1954, Abbe Pierre launched an appeal for solidarity with the homeless on Radio-Luxembourg, which led to the creation on 23 March of the Emmaus Association. Photo Chabarthes -
Winter 1954 in France, bordering the departments of Aude and Herault (Caunes-Minervois, Occitanie) - Winter 54 was particularly harsh. France experienced an intense cold wave. The south was not sparked, the region between Carcassonne and Montpellier retains exceptional snowfalls, about 40 cm on the ground. On 1 February 1954, Abbe Pierre launched an appeal for solidarity with the homeless on Radio-Luxembourg, which led to the creation on 23 March of the Emmaus Association. Photo Chabarthes -

PCT4293899: Winter 1954 in France, bordering the departments of Aude and Herault (Caunes-Minervois, Occitanie) - Winter 54 was particularly harsh. France experienced an intense cold wave. The south was not sparked, the region between Carcassonne and Montpellier retains exceptional snowfalls, about 40 cm on the ground. On 1 February 1954, Abbe Pierre launched an appeal for solidarity with the homeless on Radio-Luxembourg, which led to the creation on 23 March of the Emmaus Association. Photo Chabarthes - / Bridgeman Images

ID: PCT4293899

Winter 1954 in France, bordering the departments of Aude and Herault (Caunes-Minervois, Occitanie) - Winter 54 was particularly harsh. France experienced an intense cold wave. The south was not sparked, the region between Carcassonne and Montpellier retains exceptional snowfalls, about 40 cm on the ground. On 1 February 1954, Abbe Pierre launched an appeal for solidarity with the homeless on Radio-Luxembourg, which led to the creation on 23 March of the Emmaus Association. Photo Chabarthes -

Joseph Albert, dit Albert Libertad (1875-1908) militant anarchist, holding in his hands the newspaper “” The Anarchy””” - photograph from Victor Meric's book “The tragic bandits””, Simon Kra editor, 1926 -
Joseph Albert, dit Albert Libertad (1875-1908) militant anarchist, holding in his hands the newspaper “” The Anarchy””” - photograph from Victor Meric's book “The tragic bandits””, Simon Kra editor, 1926 -

PCT4288774: Joseph Albert, dit Albert Libertad (1875-1908) militant anarchist, holding in his hands the newspaper “” The Anarchy””” - photograph from Victor Meric's book “The tragic bandits””, Simon Kra editor, 1926 - / Bridgeman Images

ID: PCT4288774

Joseph Albert, dit Albert Libertad (1875-1908) militant anarchist, holding in his hands the newspaper “” The Anarchy””” - photograph from Victor Meric's book “The tragic bandits””, Simon Kra editor, 1926 -

A busty starlet photographed in the studio by a local photographer, surrounded by films (in reality 35 mm film rolls), on the occasion of the 10th Cannes Film Festival in 1957 (10th, 10th Festival) - Photographer not credite (no mention or inscription on the back of this original print on silver paper 9 x 14 cm) - photo of nude, nude, cagole -
A busty starlet photographed in the studio by a local photographer, surrounded by films (in reality 35 mm film rolls), on the occasion of the 10th Cannes Film Festival in 1957 (10th, 10th Festival) - Photographer not credite (no mention or inscription on the back of this original print on silver paper 9 x 14 cm) - photo of nude, nude, cagole -

PCT4295135: A busty starlet photographed in the studio by a local photographer, surrounded by films (in reality 35 mm film rolls), on the occasion of the 10th Cannes Film Festival in 1957 (10th, 10th Festival) - Photographer not credite (no mention or inscription on the back of this original print on silver paper 9 x 14 cm) - photo of nude, nude, cagole -, Unknown photographer, (20th century) / Bridgeman Images

ID: PCT4295135

A busty starlet photographed in the studio by a local photographer, surrounded by films (in reality 35 mm film rolls), on the occasion of the 10th Cannes Film Festival in 1957 (10th, 10th Festival) - Photographer not credite (no mention or inscription on the back of this original print on silver paper 9 x 14 cm) - photo of nude, nude, cagole -

Unknown photographer, (20th century)

Algiers (Algeria) in the middle of the 20th century (between 1950 and 1960) - the municipal stadium and swimming pools with buildings and factories: postcard La Stork (true photography) -
Algiers (Algeria) in the middle of the 20th century (between 1950 and 1960) - the municipal stadium and swimming pools with buildings and factories: postcard La Stork (true photography) -

PCT4282502: Algiers (Algeria) in the middle of the 20th century (between 1950 and 1960) - the municipal stadium and swimming pools with buildings and factories: postcard La Stork (true photography) -, Unknown photographer, (20th century) / Bridgeman Images

ID: PCT4282502

Algiers (Algeria) in the middle of the 20th century (between 1950 and 1960) - the municipal stadium and swimming pools with buildings and factories: postcard La Stork (true photography) -

Unknown photographer, (20th century)

Taroudant (Morocco, Souss) around 1940-1950: souks (souk) - the inhabitants and children of the medina welcome the arrival of a merchant bringing bags on a camel (dromedary) - real-photo postcard (true photo) CAP (Compagnie des Arts Photomecaniques)
Taroudant (Morocco, Souss) around 1940-1950: souks (souk) - the inhabitants and children of the medina welcome the arrival of a merchant bringing bags on a camel (dromedary) - real-photo postcard (true photo) CAP (Compagnie des Arts Photomecaniques)

PCT4284111: Taroudant (Morocco, Souss) around 1940-1950: souks (souk) - the inhabitants and children of the medina welcome the arrival of a merchant bringing bags on a camel (dromedary) - real-photo postcard (true photo) CAP (Compagnie des Arts Photomecaniques) / Bridgeman Images

ID: PCT4284111

Taroudant (Morocco, Souss) around 1940-1950: souks (souk) - the inhabitants and children of the medina welcome the arrival of a merchant bringing bags on a camel (dromedary) - real-photo postcard (true photo) CAP (Compagnie des Arts Photomecaniques)

Businessman or representative of the French administration on the bridge of the liner Sidi-Brahim crossing France to Algeria (Marseille - Algiers - Oran) on February 22, 1947. This ship, commissioned in 1911, provided the rapid line of the Societe Generale de Transports Maritimes a Steam (SGTM) - colony, colonization, blackfoot, black foot - Amateur photography, period black and white print, family archives, private collection Patrice Cartier -
Businessman or representative of the French administration on the bridge of the liner Sidi-Brahim crossing France to Algeria (Marseille - Algiers - Oran) on February 22, 1947. This ship, commissioned in 1911, provided the rapid line of the Societe Generale de Transports Maritimes a Steam (SGTM) - colony, colonization, blackfoot, black foot - Amateur photography, period black and white print, family archives, private collection Patrice Cartier -

PCT4290771: Businessman or representative of the French administration on the bridge of the liner Sidi-Brahim crossing France to Algeria (Marseille - Algiers - Oran) on February 22, 1947. This ship, commissioned in 1911, provided the rapid line of the Societe Generale de Transports Maritimes a Steam (SGTM) - colony, colonization, blackfoot, black foot - Amateur photography, period black and white print, family archives, private collection Patrice Cartier - / Bridgeman Images

ID: PCT4290771

Businessman or representative of the French administration on the bridge of the liner Sidi-Brahim crossing France to Algeria (Marseille - Algiers - Oran) on February 22, 1947. This ship, commissioned in 1911, provided the rapid line of the Societe Generale de Transports Maritimes a Steam (SGTM) - colony, colonization, blackfoot, black foot - Amateur photography, period black and white print, family archives, private collection Patrice Cartier -

George Footitt (sometimes wrote Foottitt or Footitt, by his real name Tudor Hall, white clown, 1864-1921) picking up with his son Tommy the sketch of the araignee “” c'est pour rire”” which he had created with his comparse the “clown negre””” Chocolate (Rafael Padilla, 1866 or 1868-1917) see GUT7801 and GUT7801 T7830 - comedy show - Photography illustrating an article about the circus in the magazine “Touche a tout””, December 1911 -
George Footitt (sometimes wrote Foottitt or Footitt, by his real name Tudor Hall, white clown, 1864-1921) picking up with his son Tommy the sketch of the araignee “” c'est pour rire”” which he had created with his comparse the “clown negre””” Chocolate (Rafael Padilla, 1866 or 1868-1917) see GUT7801 and GUT7801 T7830 - comedy show - Photography illustrating an article about the circus in the magazine “Touche a tout””, December 1911 -

PCT4290896: George Footitt (sometimes wrote Foottitt or Footitt, by his real name Tudor Hall, white clown, 1864-1921) picking up with his son Tommy the sketch of the araignee “” c'est pour rire”” which he had created with his comparse the “clown negre””” Chocolate (Rafael Padilla, 1866 or 1868-1917) see GUT7801 and GUT7801 T7830 - comedy show - Photography illustrating an article about the circus in the magazine “Touche a tout””, December 1911 - / Bridgeman Images

ID: PCT4290896

George Footitt (sometimes wrote Foottitt or Footitt, by his real name Tudor Hall, white clown, 1864-1921) picking up with his son Tommy the sketch of the araignee “” c'est pour rire”” which he had created with his comparse the “clown negre””” Chocolate (Rafael Padilla, 1866 or 1868-1917) see GUT7801 and GUT7801 T7830 - comedy show - Photography illustrating an article about the circus in the magazine “Touche a tout””, December 1911 -

Pantagruel, le Quart livre (quarterbook) - La diablerie de Maistre Francois Villon - Illustration de Robida for the complete works of Francois Rabelais published by the Illustree Librairie in 1885 - 1890 - Fete des fools, halloween, Jack-o-lantern, devils, demons -
Pantagruel, le Quart livre (quarterbook) - La diablerie de Maistre Francois Villon - Illustration de Robida for the complete works of Francois Rabelais published by the Illustree Librairie in 1885 - 1890 - Fete des fools, halloween, Jack-o-lantern, devils, demons -

PCT4290963: Pantagruel, le Quart livre (quarterbook) - La diablerie de Maistre Francois Villon - Illustration de Robida for the complete works of Francois Rabelais published by the Illustree Librairie in 1885 - 1890 - Fete des fools, halloween, Jack-o-lantern, devils, demons - / Bridgeman Images

ID: PCT4290963

Pantagruel, le Quart livre (quarterbook) - La diablerie de Maistre Francois Villon - Illustration de Robida for the complete works of Francois Rabelais published by the Illustree Librairie in 1885 - 1890 - Fete des fools, halloween, Jack-o-lantern, devils, demons -

Sculpture Pic-NIC (2008) in Cape Roig Botanical Park - (Costa Brava, Catalonia, Spain) (photo)
Sculpture Pic-NIC (2008) in Cape Roig Botanical Park - (Costa Brava, Catalonia, Spain) (photo)

PCT4288604: Sculpture Pic-NIC (2008) in Cape Roig Botanical Park - (Costa Brava, Catalonia, Spain) (photo), Domene, Quim (b.1948) / Bridgeman Images

ID: PCT4288604

Sculpture Pic-NIC (2008) in Cape Roig Botanical Park - (Costa Brava, Catalonia, Spain) (photo)

Domene, Quim (b.1948)

Arab dancers in Marrakech (Morocco) at the beginning of the 20th century on the square Djema el Fena (Jamaa al-Fna - Jema el Fna - Jema el Fna - Jemaa el Fna - Jamaa al-Fna - Jamaa el-Fna - Jemaa-el-Fna - Djema el Fna - Djemaa-el-Fna) - In fact the representation of an ancestral Berber tradition, the Boujloud: a few days after the celebration of Aid al-Adha or Aid al-Kabir (Aid el-Kebir - Aid el-Kebir), young men wear the skin of sacrificed sheep (sheep), hide their faces with masks, dress with horns or branches, and chase passers-by by hitting them with the legs of animals or sticks if they do not give money - Photo Felix (postcard) - see modern images (21st century) of this custom: GUT6251 a GUT6263 -
Arab dancers in Marrakech (Morocco) at the beginning of the 20th century on the square Djema el Fena (Jamaa al-Fna - Jema el Fna - Jema el Fna - Jemaa el Fna - Jamaa al-Fna - Jamaa el-Fna - Jemaa-el-Fna - Djema el Fna - Djemaa-el-Fna) - In fact the representation of an ancestral Berber tradition, the Boujloud: a few days after the celebration of Aid al-Adha or Aid al-Kabir (Aid el-Kebir - Aid el-Kebir), young men wear the skin of sacrificed sheep (sheep), hide their faces with masks, dress with horns or branches, and chase passers-by by hitting them with the legs of animals or sticks if they do not give money - Photo Felix (postcard) - see modern images (21st century) of this custom: GUT6251 a GUT6263 -

PCT4284222: Arab dancers in Marrakech (Morocco) at the beginning of the 20th century on the square Djema el Fena (Jamaa al-Fna - Jema el Fna - Jema el Fna - Jemaa el Fna - Jamaa al-Fna - Jamaa el-Fna - Jemaa-el-Fna - Djema el Fna - Djemaa-el-Fna) - In fact the representation of an ancestral Berber tradition, the Boujloud: a few days after the celebration of Aid al-Adha or Aid al-Kabir (Aid el-Kebir - Aid el-Kebir), young men wear the skin of sacrificed sheep (sheep), hide their faces with masks, dress with horns or branches, and chase passers-by by hitting them with the legs of animals or sticks if they do not give money - Photo Felix (postcard) - see modern images (21st century) of this custom: GUT6251 a GUT6263 - / Bridgeman Images

ID: PCT4284222

Arab dancers in Marrakech (Morocco) at the beginning of the 20th century on the square Djema el Fena (Jamaa al-Fna - Jema el Fna - Jema el Fna - Jemaa el Fna - Jamaa al-Fna - Jamaa el-Fna - Jemaa-el-Fna - Djema el Fna - Djemaa-el-Fna) - In fact the representation of an ancestral Berber tradition, the Boujloud: a few days after the celebration of Aid al-Adha or Aid al-Kabir (Aid el-Kebir - Aid el-Kebir), young men wear the skin of sacrificed sheep (sheep), hide their faces with masks, dress with horns or branches, and chase passers-by by hitting them with the legs of animals or sticks if they do not give money - Photo Felix (postcard) - see modern images (21st century) of this custom: GUT6251 a GUT6263 -

Great Alpine Road, c.1937 (photo)
Great Alpine Road, c.1937 (photo)

PCT4289822: Great Alpine Road, c.1937 (photo), French Photographer, (20th century) / Bridgeman Images

ID: PCT4289822

Great Alpine Road, c.1937 (photo)

French Photographer, (20th century)

Postcard “Vive Sainte Anne” depicting a seamstress.
Postcard “Vive Sainte Anne” depicting a seamstress.

LSE4111534: Postcard “Vive Sainte Anne” depicting a seamstress., Unknown Artist, (20th century) / Bridgeman Images

ID: LSE4111534

Postcard “Vive Sainte Anne” depicting a seamstress.

Unknown Artist, (20th century)

Postcard of Lourdes: Father's house of Bernadette Soubirous.
Postcard of Lourdes: Father's house of Bernadette Soubirous.

LSE4111794: Postcard of Lourdes: Father's house of Bernadette Soubirous., Unknown Artist, (20th century) / Bridgeman Images

ID: LSE4111794

Postcard of Lourdes: Father's house of Bernadette Soubirous.

Unknown Artist, (20th century)

View of the Quai de la Fraternite on the Old Port in Marseille, Bouches du Rhone (13). In the background we see the ferry bridge. Photography around 1935.
View of the Quai de la Fraternite on the Old Port in Marseille, Bouches du Rhone (13). In the background we see the ferry bridge. Photography around 1935.

XEE4136684: View of the Quai de la Fraternite on the Old Port in Marseille, Bouches du Rhone (13). In the background we see the ferry bridge. Photography around 1935., French Photographer, (20th century) / Bridgeman Images

ID: XEE4136684

View of the Quai de la Fraternite on the Old Port in Marseille, Bouches du Rhone (13). In the background we see the ferry bridge. Photography around 1935.

French Photographer, (20th century)

The casino and garden Albert I in Nice in 1950 (photo)
The casino and garden Albert I in Nice in 1950 (photo)

XEE4141237: The casino and garden Albert I in Nice in 1950 (photo), Unknown photographer, (20th century) / Bridgeman Images

ID: XEE4141237

The casino and garden Albert I in Nice in 1950 (photo)

Unknown photographer, (20th century)

Medieval architecture: exterior defense of the comtal castle. Cite de Carcassonne, Aude (11), Languedoc Roussillon (Languedoc-Roussillon).Restoration by Eugene Viollet-le-Duc (Viollet le Duc) (1814-1879). Photography around 1910.
Medieval architecture: exterior defense of the comtal castle. Cite de Carcassonne, Aude (11), Languedoc Roussillon (Languedoc-Roussillon).Restoration by Eugene Viollet-le-Duc (Viollet le Duc) (1814-1879). Photography around 1910.

XEE4137060: Medieval architecture: exterior defense of the comtal castle. Cite de Carcassonne, Aude (11), Languedoc Roussillon (Languedoc-Roussillon).Restoration by Eugene Viollet-le-Duc (Viollet le Duc) (1814-1879). Photography around 1910., French Photographer, (20th century) / Bridgeman Images

ID: XEE4137060

Medieval architecture: exterior defense of the comtal castle. Cite de Carcassonne, Aude (11), Languedoc Roussillon (Languedoc-Roussillon).Restoration by Eugene Viollet-le-Duc (Viollet le Duc) (1814-1879). Photography around 1910.

French Photographer, (20th century)

View of Germany: Ehrenbreitstein fortress in Koblenz (Koblenz).
View of Germany: Ehrenbreitstein fortress in Koblenz (Koblenz).

AUL4127453: View of Germany: Ehrenbreitstein fortress in Koblenz (Koblenz). / Bridgeman Images

ID: AUL4127453

View of Germany: Ehrenbreitstein fortress in Koblenz (Koblenz).

Place de la Bastille and Column de July in Paris.
Place de la Bastille and Column de July in Paris.

AUL4127477: Place de la Bastille and Column de July in Paris. / Bridgeman Images

ID: AUL4127477

Place de la Bastille and Column de July in Paris.

The Promenade des Anglais and the Palace of the Mediterranee in Nice.
The Promenade des Anglais and the Palace of the Mediterranee in Nice.

AUL4127487: The Promenade des Anglais and the Palace of the Mediterranee in Nice. / Bridgeman Images

ID: AUL4127487

The Promenade des Anglais and the Palace of the Mediterranee in Nice.

Tomb of Arthur Rimbaud and his sister Vitaliy Rimbaud with on the ground that of his mother, Vitaliy Cuif, and his grandfather, Jean Nicolas Cuif. Charleville Mezieres cemetery (Charleville-Mezieres).
Tomb of Arthur Rimbaud and his sister Vitaliy Rimbaud with on the ground that of his mother, Vitaliy Cuif, and his grandfather, Jean Nicolas Cuif. Charleville Mezieres cemetery (Charleville-Mezieres).

AUL4125035: Tomb of Arthur Rimbaud and his sister Vitaliy Rimbaud with on the ground that of his mother, Vitaliy Cuif, and his grandfather, Jean Nicolas Cuif. Charleville Mezieres cemetery (Charleville-Mezieres). / Bridgeman Images

ID: AUL4125035

Tomb of Arthur Rimbaud and his sister Vitaliy Rimbaud with on the ground that of his mother, Vitaliy Cuif, and his grandfather, Jean Nicolas Cuif. Charleville Mezieres cemetery (Charleville-Mezieres).

Detail of the replica of the amber room of Frederic I of Prussia, offered by his successor Frederic William I to Pierre the Great in 1716, it will be open to the public for the first time at the residence of the Russian Ambassador in France in Paris (79, rue de Grenelle, 75007) as part of the European Heritage Days on 16 and 17 September 2017. (The replica was carried out by the artists and craftsmen of the Amber Restoration Workshop of Tsarskoie Selo, according to the project of the well-known architect-restaurateur Mr. Alexandre KEDRINSKY, prepared in the archives.)
Detail of the replica of the amber room of Frederic I of Prussia, offered by his successor Frederic William I to Pierre the Great in 1716, it will be open to the public for the first time at the residence of the Russian Ambassador in France in Paris (79, rue de Grenelle, 75007) as part of the European Heritage Days on 16 and 17 September 2017. (The replica was carried out by the artists and craftsmen of the Amber Restoration Workshop of Tsarskoie Selo, according to the project of the well-known architect-restaurateur Mr. Alexandre KEDRINSKY, prepared in the archives.)

DBO4123684: Detail of the replica of the amber room of Frederic I of Prussia, offered by his successor Frederic William I to Pierre the Great in 1716, it will be open to the public for the first time at the residence of the Russian Ambassador in France in Paris (79, rue de Grenelle, 75007) as part of the European Heritage Days on 16 and 17 September 2017. (The replica was carried out by the artists and craftsmen of the Amber Restoration Workshop of Tsarskoie Selo, according to the project of the well-known architect-restaurateur Mr. Alexandre KEDRINSKY, prepared in the archives.) / Bridgeman Images

ID: DBO4123684

Detail of the replica of the amber room of Frederic I of Prussia, offered by his successor Frederic William I to Pierre the Great in 1716, it will be open to the public for the first time at the residence of the Russian Ambassador in France in Paris (79, rue de Grenelle, 75007) as part of the European Heritage Days on 16 and 17 September 2017. (The replica was carried out by the artists and craftsmen of the Amber Restoration Workshop of Tsarskoie Selo, according to the project of the well-known architect-restaurateur Mr. Alexandre KEDRINSKY, prepared in the archives.)


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