Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

2497596 Search Results

Don Quixote and Sancho Panca (Panza) in the sky, between the moon and the stars, riding the wooden horse Clavilegne. Engraving by Gustave Dore illustrating the 1869 Hachette edition of the book “” L'ingenieux hidalgo Don Quixote de la Mancha”” (Mancha) by Miguel de Cervantes Saavedra, translation by Louis Viardot, 370 compositions engraved on wood by H. Pisan.
Don Quixote and Sancho Panca (Panza) in the sky, between the moon and the stars, riding the wooden horse Clavilegne. Engraving by Gustave Dore illustrating the 1869 Hachette edition of the book “” L'ingenieux hidalgo Don Quixote de la Mancha”” (Mancha) by Miguel de Cervantes Saavedra, translation by Louis Viardot, 370 compositions engraved on wood by H. Pisan.

PCT4266999: Don Quixote and Sancho Panca (Panza) in the sky, between the moon and the stars, riding the wooden horse Clavilegne. Engraving by Gustave Dore illustrating the 1869 Hachette edition of the book “” L'ingenieux hidalgo Don Quixote de la Mancha”” (Mancha) by Miguel de Cervantes Saavedra, translation by Louis Viardot, 370 compositions engraved on wood by H. Pisan., Dore, Gustave (1832-83) / Bridgeman Images

The Capitol Wolf (Lupa) Bronze sculpture of Etruscan origin dating back to 500 BC. Romulus and Remus were added to the Renaissance period. Many reproductions of this sculpted group exist all over the world. It is located at the entrance of the Archeological Museum of Tarragona (Catalonia, Spain).
The Capitol Wolf (Lupa) Bronze sculpture of Etruscan origin dating back to 500 BC. Romulus and Remus were added to the Renaissance period. Many reproductions of this sculpted group exist all over the world. It is located at the entrance of the Archeological Museum of Tarragona (Catalonia, Spain).

PCT4266909: The Capitol Wolf (Lupa) Bronze sculpture of Etruscan origin dating back to 500 BC. Romulus and Remus were added to the Renaissance period. Many reproductions of this sculpted group exist all over the world. It is located at the entrance of the Archeological Museum of Tarragona (Catalonia, Spain)., Cartier, Patrice / Bridgeman Images

Two bums, under a bridge, wonder, “” what are restrictions? 1919 (print)
Two bums, under a bridge, wonder, “” what are restrictions? 1919 (print)

PCT4267033: Two bums, under a bridge, wonder, “” what are restrictions? 1919 (print), Hautot, Georges (1887-1963) / Bridgeman Images

Illsutration for  'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving)
Illsutration for  'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving)

PCT4267159: Illsutration for 'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Rural ball improvised in the countryside of Alsace in the 19th century. Young people from the region of Saverne met in the spring, Sunday, in an orchard to dance under the blossoming apple trees. The musicians of the small local orchestra stand on a barrel platform. Illustration by Riou of a short story by Erckmann-Chatrian (Erckmann Chatrian), “Histoire d'un homme du peuple”, edition Hetzel 1873.
Rural ball improvised in the countryside of Alsace in the 19th century. Young people from the region of Saverne met in the spring, Sunday, in an orchard to dance under the blossoming apple trees. The musicians of the small local orchestra stand on a barrel platform. Illustration by Riou of a short story by Erckmann-Chatrian (Erckmann Chatrian), “Histoire d'un homme du peuple”, edition Hetzel 1873.

PCT4267227: Rural ball improvised in the countryside of Alsace in the 19th century. Young people from the region of Saverne met in the spring, Sunday, in an orchard to dance under the blossoming apple trees. The musicians of the small local orchestra stand on a barrel platform. Illustration by Riou of a short story by Erckmann-Chatrian (Erckmann Chatrian), “Histoire d'un homme du peuple”, edition Hetzel 1873., Riou, Edouard (1833-1900) / Bridgeman Images

Illsutration for  'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving)
Illsutration for  'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving)

PCT4267163: Illsutration for 'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Burial in a village cemetery in the Vosges Mountains. The priest gives his blessing above the pit surrounded by the villagers. Illustration by Riou of a short story by Erckmann-Chatrian (Erckmann Chatrian), “The invasion”, edition Hetzel 1873.
Burial in a village cemetery in the Vosges Mountains. The priest gives his blessing above the pit surrounded by the villagers. Illustration by Riou of a short story by Erckmann-Chatrian (Erckmann Chatrian), “The invasion”, edition Hetzel 1873.

PCT4267229: Burial in a village cemetery in the Vosges Mountains. The priest gives his blessing above the pit surrounded by the villagers. Illustration by Riou of a short story by Erckmann-Chatrian (Erckmann Chatrian), “The invasion”, edition Hetzel 1873., Riou, Edouard (1833-1900) / Bridgeman Images

Illsutration for  'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving)
Illsutration for  'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving)

PCT4267152: Illsutration for 'Voyage en Espagne' written by Charles Davillier published in 1866 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

The workers of the ugling, caricature of Albert Robida around 1900. “Municipal demolisers”” who are involved in planning the construction of the architectural heritage.
The workers of the ugling, caricature of Albert Robida around 1900. “Municipal demolisers”” who are involved in planning the construction of the architectural heritage.

PCT4267169: The workers of the ugling, caricature of Albert Robida around 1900. “Municipal demolisers”” who are involved in planning the construction of the architectural heritage., Robida, Albert (1848-1926) / Bridgeman Images

Covers of the adventures of Tartarin de Tarascon (and Tartarin on the Alps) by Alphonse Daudet, as published in fascicles by the Fayard editions at the beginning of the 20th century. Illustrations by Jose Roy.
Covers of the adventures of Tartarin de Tarascon (and Tartarin on the Alps) by Alphonse Daudet, as published in fascicles by the Fayard editions at the beginning of the 20th century. Illustrations by Jose Roy.

PCT4267249: Covers of the adventures of Tartarin de Tarascon (and Tartarin on the Alps) by Alphonse Daudet, as published in fascicles by the Fayard editions at the beginning of the 20th century. Illustrations by Jose Roy., Cartier, Patrice / Bridgeman Images

Adam and Eve. Drawing graves by Meaulle, illustrating the poem by Victor Hugo “Les misheureux””, in the collection “” Les contemplations”, edition Paul Ollendorff, beginning 20th century.
Adam and Eve. Drawing graves by Meaulle, illustrating the poem by Victor Hugo “Les misheureux””, in the collection “” Les contemplations”, edition Paul Ollendorff, beginning 20th century.

PCT4267516: Adam and Eve. Drawing graves by Meaulle, illustrating the poem by Victor Hugo “Les misheureux””, in the collection “” Les contemplations”, edition Paul Ollendorff, beginning 20th century., Meaulle, Fortune Louis (1844-1901) / Bridgeman Images

Coquelin Constant in the costume and posture of Napoleon Bonaparte, 1899 (print)
Coquelin Constant in the costume and posture of Napoleon Bonaparte, 1899 (print)

PCT4267606: Coquelin Constant in the costume and posture of Napoleon Bonaparte, 1899 (print) / Bridgeman Images

Magical lantern projection in the 19th century. The Fantascope produced by the Belgian aeronautic physicist Etienne Gaspard (Etienne Gaspard) Robert (known as Robertson 1763-1837) in 1784 showed images of spectra and ghosts. Anonymous engraving showing spectators frightened by a horrible appearance on the screen.
Magical lantern projection in the 19th century. The Fantascope produced by the Belgian aeronautic physicist Etienne Gaspard (Etienne Gaspard) Robert (known as Robertson 1763-1837) in 1784 showed images of spectra and ghosts. Anonymous engraving showing spectators frightened by a horrible appearance on the screen.

PCT4268100: Magical lantern projection in the 19th century. The Fantascope produced by the Belgian aeronautic physicist Etienne Gaspard (Etienne Gaspard) Robert (known as Robertson 1763-1837) in 1784 showed images of spectra and ghosts. Anonymous engraving showing spectators frightened by a horrible appearance on the screen. / Bridgeman Images

Illustration of the reading book of nursery school Remi et Colette. It rains it wet, it's a frog feast (rhyme) learning the sound “” ouille””. Illustration by Rene Bresson, years 1950-1960.
Illustration of the reading book of nursery school Remi et Colette. It rains it wet, it's a frog feast (rhyme) learning the sound “” ouille””. Illustration by Rene Bresson, years 1950-1960.

PCT4268283: Illustration of the reading book of nursery school Remi et Colette. It rains it wet, it's a frog feast (rhyme) learning the sound “” ouille””. Illustration by Rene Bresson, years 1950-1960. / Bridgeman Images

Poster for a real estate agency in Issy les Moulineaux (lithography)
Poster for a real estate agency in Issy les Moulineaux (lithography)

PCT4255915: Poster for a real estate agency in Issy les Moulineaux (lithography) / Bridgeman Images

The bridge, 18th century (watercolour)
The bridge, 18th century (watercolour)

PCT4256000: The bridge, 18th century (watercolour), Harunobu, Suzuki (1725-70) / Bridgeman Images

Country scene, 18th century (oil on canvas)
Country scene, 18th century (oil on canvas)

PCT4255952: Country scene, 18th century (oil on canvas), Anonymous / Bridgeman Images

La Sainte Famille. n.d. (oil on canvas)
La Sainte Famille. n.d. (oil on canvas)

PCT4256003: La Sainte Famille. n.d. (oil on canvas), Italian School / Bridgeman Images

Les voix de France, 1924 (oil on canvas)
Les voix de France, 1924 (oil on canvas)

PCT4256089: Les voix de France, 1924 (oil on canvas), Sibra, Paul (1889-1951) / Bridgeman Images

Untitled, 1989 (painting)
Untitled, 1989 (painting)

PCT4256131: Untitled, 1989 (painting), Loste, Patrick (b.1955) / Bridgeman Images

Narbonne (Aude). (photo)
Narbonne (Aude). (photo)

PCT4256169: Narbonne (Aude). (photo), Cartier, Patrice / Bridgeman Images

A mine, in
A mine, in

PCT4256299: A mine, in "De Re metallica", 1621, dealing with the extraction and shaping of metals (engraving), Agricola, Georgius (1494-1555) / Bridgeman Images

In the steps of Moliere to Pezenas (34, Herault, Languedoc): park of the domain of La Grange des Pres, basin and bust of Moliere under the plane trees. This place welcomed Moliere from 1653 to 1656, then the Comedie Francaise which played here many times, between 1893 and 1973.
In the steps of Moliere to Pezenas (34, Herault, Languedoc): park of the domain of La Grange des Pres, basin and bust of Moliere under the plane trees. This place welcomed Moliere from 1653 to 1656, then the Comedie Francaise which played here many times, between 1893 and 1973.

PCT4265436: In the steps of Moliere to Pezenas (34, Herault, Languedoc): park of the domain of La Grange des Pres, basin and bust of Moliere under the plane trees. This place welcomed Moliere from 1653 to 1656, then the Comedie Francaise which played here many times, between 1893 and 1973., Cartier, Patrice / Bridgeman Images

In the steps of Moliere to Pezenas (34, Herault, Languedoc): inner courtyard of the former hotelerie du Bat d'Argent (17th century, 42-44 rue de Conti) where Moliere and De Dassoucy met.
In the steps of Moliere to Pezenas (34, Herault, Languedoc): inner courtyard of the former hotelerie du Bat d'Argent (17th century, 42-44 rue de Conti) where Moliere and De Dassoucy met.

PCT4265463: In the steps of Moliere to Pezenas (34, Herault, Languedoc): inner courtyard of the former hotelerie du Bat d'Argent (17th century, 42-44 rue de Conti) where Moliere and De Dassoucy met., Cartier, Patrice / Bridgeman Images

Tram of the agglomeration of Montpellier (34, Herault, Languedoc Roussillon) on its lawn area, passing in front of buildings, one of which bears a red, yellow and white sign of the Languedoc Roussillon Region. The rails are long by an avenue leading to a roundabout, signalled by a sign (city traffic, public transit). Photo by Patrice Cartier, May 2007.
Tram of the agglomeration of Montpellier (34, Herault, Languedoc Roussillon) on its lawn area, passing in front of buildings, one of which bears a red, yellow and white sign of the Languedoc Roussillon Region. The rails are long by an avenue leading to a roundabout, signalled by a sign (city traffic, public transit). Photo by Patrice Cartier, May 2007.

PCT4265282: Tram of the agglomeration of Montpellier (34, Herault, Languedoc Roussillon) on its lawn area, passing in front of buildings, one of which bears a red, yellow and white sign of the Languedoc Roussillon Region. The rails are long by an avenue leading to a roundabout, signalled by a sign (city traffic, public transit). Photo by Patrice Cartier, May 2007., Cartier, Patrice / Bridgeman Images

In the steps of Moliere to Pezenas (34, Herault, Languedoc): park of the domain of La Grange des Pres, bust of Moliere under the plane trees. This place welcomed Moliere from 1653 to 1656, then the Comedie Francaise which played here many times, between 1893 and 1973.
In the steps of Moliere to Pezenas (34, Herault, Languedoc): park of the domain of La Grange des Pres, bust of Moliere under the plane trees. This place welcomed Moliere from 1653 to 1656, then the Comedie Francaise which played here many times, between 1893 and 1973.

PCT4265424: In the steps of Moliere to Pezenas (34, Herault, Languedoc): park of the domain of La Grange des Pres, bust of Moliere under the plane trees. This place welcomed Moliere from 1653 to 1656, then the Comedie Francaise which played here many times, between 1893 and 1973., Cartier, Patrice / Bridgeman Images

Second grammar book, Librairie Larousse, early 20th century.
Second grammar book, Librairie Larousse, early 20th century.

PCT4265540: Second grammar book, Librairie Larousse, early 20th century., Cartier, Patrice / Bridgeman Images

Cite de Carcassonne (Languedoc, Aude, Pays Cathare). Engraving 19th century showing the ramparts, the Montee de la Barbacane, the entrance to the Porte d'Aude and the castle comtal. Gusman/Leemage
Cite de Carcassonne (Languedoc, Aude, Pays Cathare). Engraving 19th century showing the ramparts, the Montee de la Barbacane, the entrance to the Porte d'Aude and the castle comtal. Gusman/Leemage

PCT4266277: Cite de Carcassonne (Languedoc, Aude, Pays Cathare). Engraving 19th century showing the ramparts, the Montee de la Barbacane, the entrance to the Porte d'Aude and the castle comtal. Gusman/Leemage / Bridgeman Images

Cite of Carcassonne (Languedoc, Aude, Pays Cathare), fire and fireworks on the ramparts and the castle comtal, July 14, national fete. Photo by Patrice Cartier
Cite of Carcassonne (Languedoc, Aude, Pays Cathare), fire and fireworks on the ramparts and the castle comtal, July 14, national fete. Photo by Patrice Cartier

PCT4266274: Cite of Carcassonne (Languedoc, Aude, Pays Cathare), fire and fireworks on the ramparts and the castle comtal, July 14, national fete. Photo by Patrice Cartier, Cartier, Patrice / Bridgeman Images

The two little orphans Andre and Julien laid down their toggles and rest under a large pine (or fir) of the Vosges forest. Illustration of the famous book by G. Bruno (pseudonym by Augustine Fouillee) “Le tour de la France par deux enfants””, edition Belin 1908. This flagship book has been republished many times since its first publication in 1877.
The two little orphans Andre and Julien laid down their toggles and rest under a large pine (or fir) of the Vosges forest. Illustration of the famous book by G. Bruno (pseudonym by Augustine Fouillee) “Le tour de la France par deux enfants””, edition Belin 1908. This flagship book has been republished many times since its first publication in 1877.

PCT4266429: The two little orphans Andre and Julien laid down their toggles and rest under a large pine (or fir) of the Vosges forest. Illustration of the famous book by G. Bruno (pseudonym by Augustine Fouillee) “Le tour de la France par deux enfants””, edition Belin 1908. This flagship book has been republished many times since its first publication in 1877. / Bridgeman Images

Stationery at the end of the 19th century. Illustration of the famous book by G. Bruno (pseudonym by Augustine Fouillee) “Le tour de France par deux enfants””, edition Belin 1908. This flagship book has been republished many times since its first publication in 1877.
Stationery at the end of the 19th century. Illustration of the famous book by G. Bruno (pseudonym by Augustine Fouillee) “Le tour de France par deux enfants””, edition Belin 1908. This flagship book has been republished many times since its first publication in 1877.

PCT4266368: Stationery at the end of the 19th century. Illustration of the famous book by G. Bruno (pseudonym by Augustine Fouillee) “Le tour de France par deux enfants””, edition Belin 1908. This flagship book has been republished many times since its first publication in 1877. / Bridgeman Images

Cinematographer screening, invention of the Lumiere brothers: illustration of the famous book by G. Bruno (pseudonym by Augustine Fouillee) “” Le tour de France par deux enfants””, edition Belin 1908. This flagship book has been republished many times since its first publication in 1877.
Cinematographer screening, invention of the Lumiere brothers: illustration of the famous book by G. Bruno (pseudonym by Augustine Fouillee) “” Le tour de France par deux enfants””, edition Belin 1908. This flagship book has been republished many times since its first publication in 1877.

PCT4266394: Cinematographer screening, invention of the Lumiere brothers: illustration of the famous book by G. Bruno (pseudonym by Augustine Fouillee) “” Le tour de France par deux enfants””, edition Belin 1908. This flagship book has been republished many times since its first publication in 1877. / Bridgeman Images

A poacher, caught in the forest with a gun in his hand, is given a verbal hearing by a game guard (or gendarme?). Behind him his wife cries. Postcard beginning 20th century.
A poacher, caught in the forest with a gun in his hand, is given a verbal hearing by a game guard (or gendarme?). Behind him his wife cries. Postcard beginning 20th century.

PCT4266428: A poacher, caught in the forest with a gun in his hand, is given a verbal hearing by a game guard (or gendarme?). Behind him his wife cries. Postcard beginning 20th century., Unknown photographer, (20th century) / Bridgeman Images

Cite de Carcassonne (Aude, Languedoc, Pays Cathare): fire and fireworks on 14 July, summer party. Photo by Patrice Cartier
Cite de Carcassonne (Aude, Languedoc, Pays Cathare): fire and fireworks on 14 July, summer party. Photo by Patrice Cartier

PCT4266061: Cite de Carcassonne (Aude, Languedoc, Pays Cathare): fire and fireworks on 14 July, summer party. Photo by Patrice Cartier, Cartier, Patrice / Bridgeman Images

Cavalcade in the village of Cennes-Monesties (Aude, 11) in 1914. The young people have costumes, the whole population poses for the photographer.
Cavalcade in the village of Cennes-Monesties (Aude, 11) in 1914. The young people have costumes, the whole population poses for the photographer.

PCT4266161: Cavalcade in the village of Cennes-Monesties (Aude, 11) in 1914. The young people have costumes, the whole population poses for the photographer. / Bridgeman Images

Chateau de Puivert (Aude, Pays Cathare, Pyrenees Audoises) key and sculptures, 1848 (lithograph)
Chateau de Puivert (Aude, Pays Cathare, Pyrenees Audoises) key and sculptures, 1848 (lithograph)

PCT4266250: Chateau de Puivert (Aude, Pays Cathare, Pyrenees Audoises) key and sculptures, 1848 (lithograph) / Bridgeman Images


Back to top