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ULYSSES AND THE SIRENS Ulysses, tied to the mast of his ship, hears the music of the Sirens who lure sailors to their destruction. Line engraving, 16th century.
ULYSSES AND THE SIRENS Ulysses, tied to the mast of his ship, hears the music of the Sirens who lure sailors to their destruction. Line engraving, 16th century.

GCL3128327: ULYSSES AND THE SIRENS Ulysses, tied to the mast of his ship, hears the music of the Sirens who lure sailors to their destruction. Line engraving, 16th century. / Bridgeman Images

ID: GCL3128327

ULYSSES AND THE SIRENS Ulysses, tied to the mast of his ship, hears the music of the Sirens who lure sailors to their destruction. Line engraving, 16th century.

ZULU WAR, 1879 The Battle of Kambula Hill, 29 March 1879, between British troops and Zulu fighters on the Transvaal frontier of Zululand. Wood engraving from a contemporary British newspaper.
ZULU WAR, 1879 The Battle of Kambula Hill, 29 March 1879, between British troops and Zulu fighters on the Transvaal frontier of Zululand. Wood engraving from a contemporary British newspaper.

GCL3128333: ZULU WAR, 1879 The Battle of Kambula Hill, 29 March 1879, between British troops and Zulu fighters on the Transvaal frontier of Zululand. Wood engraving from a contemporary British newspaper. / Bridgeman Images

ID: GCL3128333

ZULU WAR, 1879 The Battle of Kambula Hill, 29 March 1879, between British troops and Zulu fighters on the Transvaal frontier of Zululand. Wood engraving from a contemporary British newspaper.

VEGETABLE VENDOR, c.1900 A New Orleans woman vendor carrying her vegetables in the traditional manner. Photographed c.1900.
VEGETABLE VENDOR, c.1900 A New Orleans woman vendor carrying her vegetables in the traditional manner. Photographed c.1900.

GCL3128334: VEGETABLE VENDOR, c.1900 A New Orleans woman vendor carrying her vegetables in the traditional manner. Photographed c.1900. / Bridgeman Images

ID: GCL3128334

VEGETABLE VENDOR, c.1900 A New Orleans woman vendor carrying her vegetables in the traditional manner. Photographed c.1900.

GIOVANNI SCHIAPARELLI (1835-1910). Giovanni Virginio Schiaparelli. Italian astronomer. Line engraving.
GIOVANNI SCHIAPARELLI (1835-1910). Giovanni Virginio Schiaparelli. Italian astronomer. Line engraving.

GCL3128336: GIOVANNI SCHIAPARELLI (1835-1910). Giovanni Virginio Schiaparelli. Italian astronomer. Line engraving. / Bridgeman Images

ID: GCL3128336

GIOVANNI SCHIAPARELLI (1835-1910). Giovanni Virginio Schiaparelli. Italian astronomer. Line engraving.

WILLEM BARENTS ( c.1550-1597) Dutch navigator. Willem Barents and his men removing supplies from their ice-bound ship to over-winter in the arctic during Barents' last voyage. Line engraving, 1598.
WILLEM BARENTS ( c.1550-1597) Dutch navigator. Willem Barents and his men removing supplies from their ice-bound ship to over-winter in the arctic during Barents' last voyage. Line engraving, 1598.

GCL3128339: WILLEM BARENTS ( c.1550-1597) Dutch navigator. Willem Barents and his men removing supplies from their ice-bound ship to over-winter in the arctic during Barents' last voyage. Line engraving, 1598. / Bridgeman Images

ID: GCL3128339

WILLEM BARENTS ( c.1550-1597) Dutch navigator. Willem Barents and his men removing supplies from their ice-bound ship to over-winter in the arctic during Barents' last voyage. Line engraving, 1598.

ALEXANDER THE GREAT (356-323 B.C.). King of Macedonia. Alexander the Great with his mentor, Aristotle. Engraving, 19th century.
ALEXANDER THE GREAT (356-323 B.C.). King of Macedonia. Alexander the Great with his mentor, Aristotle. Engraving, 19th century.

GCL3128072: ALEXANDER THE GREAT (356-323 B.C.). King of Macedonia. Alexander the Great with his mentor, Aristotle. Engraving, 19th century. / Bridgeman Images

ID: GCL3128072

ALEXANDER THE GREAT (356-323 B.C.). King of Macedonia. Alexander the Great with his mentor, Aristotle. Engraving, 19th century.

DAVID & THE ARK David rejoicing before the Ark, having slain the Philistine (II Samuel 6: 14-17). Wood engraving, English, late 19th century.
DAVID & THE ARK David rejoicing before the Ark, having slain the Philistine (II Samuel 6: 14-17). Wood engraving, English, late 19th century.

GCL3128075: DAVID & THE ARK David rejoicing before the Ark, having slain the Philistine (II Samuel 6: 14-17). Wood engraving, English, late 19th century. / Bridgeman Images

ID: GCL3128075

DAVID & THE ARK David rejoicing before the Ark, having slain the Philistine (II Samuel 6: 14-17). Wood engraving, English, late 19th century.

HUNTING SCENE, c.1800 Woodcut, c.1800, by Thomas Bewick (1753-1828).
HUNTING SCENE, c.1800 Woodcut, c.1800, by Thomas Bewick (1753-1828).

GCL3128088: HUNTING SCENE, c.1800 Woodcut, c.1800, by Thomas Bewick (1753-1828)., Bewick, Thomas (1753-1828) / Bridgeman Images

ID: GCL3128088

HUNTING SCENE, c.1800 Woodcut, c.1800, by Thomas Bewick (1753-1828).

Bewick, Thomas (1753-1828)

LOUISVILLE: BRIDGE, c.1850 Bridge over Bluegrass Creek, Louisville, Kentucky. Wood engraving, c.1850.
LOUISVILLE: BRIDGE, c.1850 Bridge over Bluegrass Creek, Louisville, Kentucky. Wood engraving, c.1850.

GCL3128092: LOUISVILLE: BRIDGE, c.1850 Bridge over Bluegrass Creek, Louisville, Kentucky. Wood engraving, c.1850. / Bridgeman Images

ID: GCL3128092

LOUISVILLE: BRIDGE, c.1850 Bridge over Bluegrass Creek, Louisville, Kentucky. Wood engraving, c.1850.

MAYAN RELIEF, c300 A.D Stone relief, c300 A.D., from a Mayan temple at Palenque, Mexico, depicting the Mayan rain god, Chac, smoking a cloud-blowing pipe.
MAYAN RELIEF, c300 A.D Stone relief, c300 A.D., from a Mayan temple at Palenque, Mexico, depicting the Mayan rain god, Chac, smoking a cloud-blowing pipe.

GCL3128095: MAYAN RELIEF, c300 A.D Stone relief, c300 A.D., from a Mayan temple at Palenque, Mexico, depicting the Mayan rain god, Chac, smoking a cloud-blowing pipe. / Bridgeman Images

ID: GCL3128095

MAYAN RELIEF, c300 A.D Stone relief, c300 A.D., from a Mayan temple at Palenque, Mexico, depicting the Mayan rain god, Chac, smoking a cloud-blowing pipe.

ANGEL WRITING Copper engraving, French, 18th century.
ANGEL WRITING Copper engraving, French, 18th century.

GCL3128105: ANGEL WRITING Copper engraving, French, 18th century. / Bridgeman Images

ID: GCL3128105

ANGEL WRITING Copper engraving, French, 18th century.

STEREOSCOPE, 19th CENTURY Wood engraving, mid-19th century.
STEREOSCOPE, 19th CENTURY Wood engraving, mid-19th century.

GCL3128111: STEREOSCOPE, 19th CENTURY Wood engraving, mid-19th century. / Bridgeman Images

ID: GCL3128111

STEREOSCOPE, 19th CENTURY Wood engraving, mid-19th century.

DENSMORE TYPEWRITER Wood engraving, 1890s.
DENSMORE TYPEWRITER Wood engraving, 1890s.

GCL3128114: DENSMORE TYPEWRITER Wood engraving, 1890s. / Bridgeman Images

ID: GCL3128114

DENSMORE TYPEWRITER Wood engraving, 1890s.

MAN OF WAR, c.1565 Man of War with three small ships at right and left. Line engraving, c.1565, by Frans Huys after Peter Bruegel the Elder.
MAN OF WAR, c.1565 Man of War with three small ships at right and left. Line engraving, c.1565, by Frans Huys after Peter Bruegel the Elder.

GCL3128137: MAN OF WAR, c.1565 Man of War with three small ships at right and left. Line engraving, c.1565, by Frans Huys after Peter Bruegel the Elder. / Bridgeman Images

ID: GCL3128137

MAN OF WAR, c.1565 Man of War with three small ships at right and left. Line engraving, c.1565, by Frans Huys after Peter Bruegel the Elder.

JOHANN FRIEDRICH BLUMENBACH (1752-1840). German zoologist and anthropologist. Wood engraving, German, 19th century.
JOHANN FRIEDRICH BLUMENBACH (1752-1840). German zoologist and anthropologist. Wood engraving, German, 19th century.

GCL3128139: JOHANN FRIEDRICH BLUMENBACH (1752-1840). German zoologist and anthropologist. Wood engraving, German, 19th century. / Bridgeman Images

ID: GCL3128139

JOHANN FRIEDRICH BLUMENBACH (1752-1840). German zoologist and anthropologist. Wood engraving, German, 19th century.

GREEK MYTHOLOGY: JASON Jason conquers the fire-breathing bulls with brazen feet and steals the Golden Fleece: line engraving.
GREEK MYTHOLOGY: JASON Jason conquers the fire-breathing bulls with brazen feet and steals the Golden Fleece: line engraving.

GCL3128155: GREEK MYTHOLOGY: JASON Jason conquers the fire-breathing bulls with brazen feet and steals the Golden Fleece: line engraving. / Bridgeman Images

ID: GCL3128155

GREEK MYTHOLOGY: JASON Jason conquers the fire-breathing bulls with brazen feet and steals the Golden Fleece: line engraving.

EARTH FROM SPACE: San Francisco Bay (color infra-red).
EARTH FROM SPACE: San Francisco Bay (color infra-red).

GCL3128157: EARTH FROM SPACE: San Francisco Bay (color infra-red). / Bridgeman Images

ID: GCL3128157

EARTH FROM SPACE: San Francisco Bay (color infra-red).

VESALIUS: MUSCLES, 1543 The second figure of the muscles. Woodcut from the 'Epitome' of Andreas Vesalius' 'De Humani Corporis Fabrica,' published in 1543 at Basel, Switzerland.
VESALIUS: MUSCLES, 1543 The second figure of the muscles. Woodcut from the 'Epitome' of Andreas Vesalius' 'De Humani Corporis Fabrica,' published in 1543 at Basel, Switzerland.

GCL3128166: VESALIUS: MUSCLES, 1543 The second figure of the muscles. Woodcut from the 'Epitome' of Andreas Vesalius' 'De Humani Corporis Fabrica,' published in 1543 at Basel, Switzerland. / Bridgeman Images

ID: GCL3128166

VESALIUS: MUSCLES, 1543 The second figure of the muscles. Woodcut from the 'Epitome' of Andreas Vesalius' 'De Humani Corporis Fabrica,' published in 1543 at Basel, Switzerland.

VESALIUS: MUSCLES The fourth plate of the muscles. Woodcut from the second book of Andreas Vesalius' 'De Humani Corporis Fabrica,' published at Basel, Switzerland, 1543.
VESALIUS: MUSCLES The fourth plate of the muscles. Woodcut from the second book of Andreas Vesalius' 'De Humani Corporis Fabrica,' published at Basel, Switzerland, 1543.

GCL3128169: VESALIUS: MUSCLES The fourth plate of the muscles. Woodcut from the second book of Andreas Vesalius' 'De Humani Corporis Fabrica,' published at Basel, Switzerland, 1543. / Bridgeman Images

ID: GCL3128169

VESALIUS: MUSCLES The fourth plate of the muscles. Woodcut from the second book of Andreas Vesalius' 'De Humani Corporis Fabrica,' published at Basel, Switzerland, 1543.

JOHN ANDRE (1751-1780) English soldier. Steel engraving, American, 1855.
JOHN ANDRE (1751-1780) English soldier. Steel engraving, American, 1855.

GCL3128601: JOHN ANDRE (1751-1780) English soldier. Steel engraving, American, 1855. / Bridgeman Images

ID: GCL3128601

JOHN ANDRE (1751-1780) English soldier. Steel engraving, American, 1855.

JESUS IN JERUSALEM The entry of Jesus into Jerusalem (Matthew 21: 8,9). Wood engraving, American, 19th century.
JESUS IN JERUSALEM The entry of Jesus into Jerusalem (Matthew 21: 8,9). Wood engraving, American, 19th century.

GCL3128622: JESUS IN JERUSALEM The entry of Jesus into Jerusalem (Matthew 21: 8,9). Wood engraving, American, 19th century., Dore, Gustave (1832-83) / Bridgeman Images

ID: GCL3128622

JESUS IN JERUSALEM The entry of Jesus into Jerusalem (Matthew 21: 8,9). Wood engraving, American, 19th century.

Dore, Gustave (1832-83)

GABRIELLE-EMILIE CHATELET, 18th century (engraving)
GABRIELLE-EMILIE CHATELET, 18th century (engraving)

GCL3128627: GABRIELLE-EMILIE CHATELET, 18th century (engraving) / Bridgeman Images

ID: GCL3128627

GABRIELLE-EMILIE CHATELET, 18th century (engraving)

ANTI-SEMITISM, 1935
ANTI-SEMITISM, 1935

GCL3128617: ANTI-SEMITISM, 1935 "Protection": 'Nebbish, you would not molest a member of the family, would you?': German cartoon, 1935., Unknown Artist, (20th century) / Bridgeman Images

ID: GCL3128617

ANTI-SEMITISM, 1935 "Protection": 'Nebbish, you would not molest a member of the family, would you?': German cartoon, 1935.

Unknown Artist, (20th century)

PLAGUE OF FLIES The Plague of Flies (Exodus 8: 20-24). Woodcut from the Cologne Bible of 1478-80.
PLAGUE OF FLIES The Plague of Flies (Exodus 8: 20-24). Woodcut from the Cologne Bible of 1478-80.

GCL3128646: PLAGUE OF FLIES The Plague of Flies (Exodus 8: 20-24). Woodcut from the Cologne Bible of 1478-80. / Bridgeman Images

ID: GCL3128646

PLAGUE OF FLIES The Plague of Flies (Exodus 8: 20-24). Woodcut from the Cologne Bible of 1478-80.

SPIES SENT TO CANAAN The spies sent to scout the land of Canaan return with a bunch of grapes so large it takes two men to carry it (Numbers 13: 23-27). Woodcut from the Cologne Bible, 1478-80.
SPIES SENT TO CANAAN The spies sent to scout the land of Canaan return with a bunch of grapes so large it takes two men to carry it (Numbers 13: 23-27). Woodcut from the Cologne Bible, 1478-80.

GCL3128650: SPIES SENT TO CANAAN The spies sent to scout the land of Canaan return with a bunch of grapes so large it takes two men to carry it (Numbers 13: 23-27). Woodcut from the Cologne Bible, 1478-80. / Bridgeman Images

ID: GCL3128650

SPIES SENT TO CANAAN The spies sent to scout the land of Canaan return with a bunch of grapes so large it takes two men to carry it (Numbers 13: 23-27). Woodcut from the Cologne Bible, 1478-80.

ANDRE MARIE AMPERE (1775-1836). French physicist. Title-page of the first edition of Andre Marie Ampere's 'Theorie des Phenomenes Electro-dynamiques,' Paris, France, 1826.
ANDRE MARIE AMPERE (1775-1836). French physicist. Title-page of the first edition of Andre Marie Ampere's 'Theorie des Phenomenes Electro-dynamiques,' Paris, France, 1826.

GCL3128792: ANDRE MARIE AMPERE (1775-1836). French physicist. Title-page of the first edition of Andre Marie Ampere's 'Theorie des Phenomenes Electro-dynamiques,' Paris, France, 1826. / Bridgeman Images

ID: GCL3128792

ANDRE MARIE AMPERE (1775-1836). French physicist. Title-page of the first edition of Andre Marie Ampere's 'Theorie des Phenomenes Electro-dynamiques,' Paris, France, 1826.

MOSES & BURNING BUSH Moses and the burning bush, from which God speaks (Exodus iii, I-IV). Woodcut from the
MOSES & BURNING BUSH Moses and the burning bush, from which God speaks (Exodus iii, I-IV). Woodcut from the

GCL3128794: MOSES & BURNING BUSH Moses and the burning bush, from which God speaks (Exodus iii, I-IV). Woodcut from the "Nuremberg Chronicle", 1493. / Bridgeman Images

ID: GCL3128794

MOSES & BURNING BUSH Moses and the burning bush, from which God speaks (Exodus iii, I-IV). Woodcut from the "Nuremberg Chronicle", 1493.

ALEXANDER I (1777-1825) Czar of Russia, 1801-1825. Contemporary French line engraving.
ALEXANDER I (1777-1825) Czar of Russia, 1801-1825. Contemporary French line engraving.

GCL3128778: ALEXANDER I (1777-1825) Czar of Russia, 1801-1825. Contemporary French line engraving. / Bridgeman Images

ID: GCL3128778

ALEXANDER I (1777-1825) Czar of Russia, 1801-1825. Contemporary French line engraving.

FARMING: HARVESTING American bank-note engraving, c.1870.
FARMING: HARVESTING American bank-note engraving, c.1870.

GCL3128815: FARMING: HARVESTING American bank-note engraving, c.1870. / Bridgeman Images

ID: GCL3128815

FARMING: HARVESTING American bank-note engraving, c.1870.

ALFRED THE GREAT (849-899) King of Wessex, 871-899. A fictitious 19th cenutry engraved portrait.
ALFRED THE GREAT (849-899) King of Wessex, 871-899. A fictitious 19th cenutry engraved portrait.

GCL3128781: ALFRED THE GREAT (849-899) King of Wessex, 871-899. A fictitious 19th cenutry engraved portrait. / Bridgeman Images

ID: GCL3128781

ALFRED THE GREAT (849-899) King of Wessex, 871-899. A fictitious 19th cenutry engraved portrait.

DANCING THE TANGO. Sheet music cover by Willy Herzig for 'Zum 5 Uhr Tee' ('Five o'clock Tea'), Vienna, 1926.
DANCING THE TANGO. Sheet music cover by Willy Herzig for 'Zum 5 Uhr Tee' ('Five o'clock Tea'), Vienna, 1926.

GCL3128862: DANCING THE TANGO. Sheet music cover by Willy Herzig for 'Zum 5 Uhr Tee' ('Five o'clock Tea'), Vienna, 1926. / Bridgeman Images

ID: GCL3128862

DANCING THE TANGO. Sheet music cover by Willy Herzig for 'Zum 5 Uhr Tee' ('Five o'clock Tea'), Vienna, 1926.

Jane Addams and fellow pacifists on the S.S. Noordam enroute to Europe in 1915. Oil over a photograph, 1915.
Jane Addams and fellow pacifists on the S.S. Noordam enroute to Europe in 1915. Oil over a photograph, 1915.

GCL3128771: Jane Addams and fellow pacifists on the S.S. Noordam enroute to Europe in 1915. Oil over a photograph, 1915. / Bridgeman Images

ID: GCL3128771

Jane Addams and fellow pacifists on the S.S. Noordam enroute to Europe in 1915. Oil over a photograph, 1915.

Self-portrait, c.1894 (illustration)
Self-portrait, c.1894 (illustration)

GCL3128846: Self-portrait, c.1894 (illustration), Beardsley, Aubrey (1872-98) / Bridgeman Images

ID: GCL3128846

Self-portrait, c.1894 (illustration)

Beardsley, Aubrey (1872-98)

NIX AND OPIUM POPPIES Nix, the Greek goddess of night, bestowing opium poppies. Line engraving after an antique cameo.
NIX AND OPIUM POPPIES Nix, the Greek goddess of night, bestowing opium poppies. Line engraving after an antique cameo.

GCL3128806: NIX AND OPIUM POPPIES Nix, the Greek goddess of night, bestowing opium poppies. Line engraving after an antique cameo. / Bridgeman Images

ID: GCL3128806

NIX AND OPIUM POPPIES Nix, the Greek goddess of night, bestowing opium poppies. Line engraving after an antique cameo.

ALFRED THE GREAT (849-899) King of Wessex, 871-899. Engraving of King Alfred's Jewel, worked in cloisonne enamel at the end of the 9th century and attributed to Alfred the Great. It probably depicts a king in majesty.
ALFRED THE GREAT (849-899) King of Wessex, 871-899. Engraving of King Alfred's Jewel, worked in cloisonne enamel at the end of the 9th century and attributed to Alfred the Great. It probably depicts a king in majesty.

GCL3128780: ALFRED THE GREAT (849-899) King of Wessex, 871-899. Engraving of King Alfred's Jewel, worked in cloisonne enamel at the end of the 9th century and attributed to Alfred the Great. It probably depicts a king in majesty. / Bridgeman Images

ID: GCL3128780

ALFRED THE GREAT (849-899) King of Wessex, 871-899. Engraving of King Alfred's Jewel, worked in cloisonne enamel at the end of the 9th century and attributed to Alfred the Great. It probably depicts a king in majesty.

ST. PAUL AND SILAS After the earthquake at Philippi, the jailer cries, 'What must I do to be saved?' to St. Paul and Silas (Acts 16:30). Wood engraving, American, 1884.
ST. PAUL AND SILAS After the earthquake at Philippi, the jailer cries, 'What must I do to be saved?' to St. Paul and Silas (Acts 16:30). Wood engraving, American, 1884.

GCL3128819: ST. PAUL AND SILAS After the earthquake at Philippi, the jailer cries, 'What must I do to be saved?' to St. Paul and Silas (Acts 16:30). Wood engraving, American, 1884. / Bridgeman Images

ID: GCL3128819

ST. PAUL AND SILAS After the earthquake at Philippi, the jailer cries, 'What must I do to be saved?' to St. Paul and Silas (Acts 16:30). Wood engraving, American, 1884.


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