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Illustration of
Illustration of

XEE4133126: Illustration of "Le petit Poucet" tale by Charles Perrault, late 19th century (print), French School, (19th century) / Bridgeman Images

Illustration of the tale
Illustration of the tale

XEE4133143: Illustration of the tale "The wolf, the goat and the seven birches", late 19th century (print), French School, (19th century) / Bridgeman Images

Illustration of the tale
Illustration of the tale

XEE4133154: Illustration of the tale "The wolf, the goat and the seven birches", late 19th century (print), French School, (19th century) / Bridgeman Images

Illustration of
Illustration of

XEE4133164: Illustration of "Little Red Riding Hood" by Charles Perrault, late 19th century (print), French School, (19th century) / Bridgeman Images

Illustration for the Arabian Nights tales. Ali-Baba, late 19th century (print)
Illustration for the Arabian Nights tales. Ali-Baba, late 19th century (print)

XEE4133178: Illustration for the Arabian Nights tales. Ali-Baba, late 19th century (print), French School, (19th century) / Bridgeman Images

Illustration for the Arabian Nights tales. Ali-Baba, late 19th century (print)
Illustration for the Arabian Nights tales. Ali-Baba, late 19th century (print)

XEE4133197: Illustration for the Arabian Nights tales. Ali-Baba, late 19th century (print), French School, (19th century) / Bridgeman Images

Illustration of Charles Perrault's fairy tale
Illustration of Charles Perrault's fairy tale

XEE4133217: Illustration of Charles Perrault's fairy tale "Cinderella or The Little Glass Slipper". late 19th century (print), French School, (19th century) / Bridgeman Images

Illustration of Charles Perrault's fairy tale
Illustration of Charles Perrault's fairy tale

XEE4133223: Illustration of Charles Perrault's fairy tale "Le chat botte". late 19th century (print), French School, (19th century) / Bridgeman Images

Illustration of Charles Perrault's fairy tale
Illustration of Charles Perrault's fairy tale

XEE4133228: Illustration of Charles Perrault's fairy tale "Le chat botte". late 19th century (print), French School, (19th century) / Bridgeman Images

Mission Marchand. A barkship on the Upper Nile. Cover of “Le petit Parisien” from 1898.
Mission Marchand. A barkship on the Upper Nile. Cover of “Le petit Parisien” from 1898.

XEE4133249: Mission Marchand. A barkship on the Upper Nile. Cover of “Le petit Parisien” from 1898., French School, (19th century) / Bridgeman Images

Illustration for
Illustration for

XEE4133257: Illustration for "Barbe bleue", fairy tale by Charles Perrault, late 19th century (print), French School, (19th century) / Bridgeman Images

The Place du Marche in Zanzibar in the 19th century in the “Youth Journal” of 1888.
The Place du Marche in Zanzibar in the 19th century in the “Youth Journal” of 1888.

XEE4133284: The Place du Marche in Zanzibar in the 19th century in the “Youth Journal” of 1888., Unknown Artist, (19th century) / Bridgeman Images

The library of the Ecole Normale Superieure de la rue d'Ulm in Paris. Engraving in the journal “” La jeunesse””, 1888.
The library of the Ecole Normale Superieure de la rue d'Ulm in Paris. Engraving in the journal “” La jeunesse””, 1888.

XEE4133304: The library of the Ecole Normale Superieure de la rue d'Ulm in Paris. Engraving in the journal “” La jeunesse””, 1888., Unknown Artist, (19th century) / Bridgeman Images

The lecture at the Ecole Normale Superieure de la rue d'Ulm in Paris (ENS or E.N.S.). Engraving in the journal “” la jeunesse””, 1888.
The lecture at the Ecole Normale Superieure de la rue d'Ulm in Paris (ENS or E.N.S.). Engraving in the journal “” la jeunesse””, 1888.

XEE4133313: The lecture at the Ecole Normale Superieure de la rue d'Ulm in Paris (ENS or E.N.S.). Engraving in the journal “” la jeunesse””, 1888., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Louis Joseph Marquis de Montcalm (1712-1759) lieutenant general of the Armees of France, famous for his conquete of Quebec.
Portrait of Louis Joseph Marquis de Montcalm (1712-1759) lieutenant general of the Armees of France, famous for his conquete of Quebec.

XEE4133323: Portrait of Louis Joseph Marquis de Montcalm (1712-1759) lieutenant general of the Armees of France, famous for his conquete of Quebec., Unknown Artist, (19th century) / Bridgeman Images

Le grand amphiteatre de l'Ecole de droit de Paris, Engraving in “Le journal de” La jeunesse”, 1888.
Le grand amphiteatre de l'Ecole de droit de Paris, Engraving in “Le journal de” La jeunesse”, 1888.

XEE4133324: Le grand amphiteatre de l'Ecole de droit de Paris, Engraving in “Le journal de” La jeunesse”, 1888., Unknown Artist, (19th century) / Bridgeman Images

Invention of the Smith and Edison system for communication of running trains. Engraving in the journal of “” La jeunesse””, 1886.
Invention of the Smith and Edison system for communication of running trains. Engraving in the journal of “” La jeunesse””, 1886.

XEE4133330: Invention of the Smith and Edison system for communication of running trains. Engraving in the journal of “” La jeunesse””, 1886., Unknown Artist, (19th century) / Bridgeman Images

French soldiers in Sudan: May 1898. Sack of Sikasso by Colonel Audeoud (Sudan). The capture of Sikasso. Cover of “” Le petit parisien””” of June 1898.
French soldiers in Sudan: May 1898. Sack of Sikasso by Colonel Audeoud (Sudan). The capture of Sikasso. Cover of “” Le petit parisien””” of June 1898.

XEE4133537: French soldiers in Sudan: May 1898. Sack of Sikasso by Colonel Audeoud (Sudan). The capture of Sikasso. Cover of “” Le petit parisien””” of June 1898., French School, (19th century) / Bridgeman Images

A Proposal for General Disarmament (made to the European Powers) - Tsar Nicholas II (1868-1918) reading his recript to his advisers. Le Petit Parisien, 11/09/1898.
A Proposal for General Disarmament (made to the European Powers) - Tsar Nicholas II (1868-1918) reading his recript to his advisers. Le Petit Parisien, 11/09/1898.

XEE4133542: A Proposal for General Disarmament (made to the European Powers) - Tsar Nicholas II (1868-1918) reading his recript to his advisers. Le Petit Parisien, 11/09/1898., French School, (19th century) / Bridgeman Images

Philomenes dying to laugh at the sight of Sycophagus donkey eating figs while a valet brings wine into an amphora. Pantagruel. llustration by Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897.
Philomenes dying to laugh at the sight of Sycophagus donkey eating figs while a valet brings wine into an amphora. Pantagruel. llustration by Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897.

YAC4122315: Philomenes dying to laugh at the sight of Sycophagus donkey eating figs while a valet brings wine into an amphora. Pantagruel. llustration by Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897. / Bridgeman Images

Old women plunged into the water and coming out again. Kingdom of Entelechie. Pantagruel. llustration by Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897.
Old women plunged into the water and coming out again. Kingdom of Entelechie. Pantagruel. llustration by Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897.

YAC4122363: Old women plunged into the water and coming out again. Kingdom of Entelechie. Pantagruel. llustration by Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897. / Bridgeman Images

Sileneus (Silene) on a donkey leading the army of Bacchus (Dionysos, Bacco) during the battle between Bacchus (Dyonisos, Bacco) and the Indians. Mosaic in the Temple of the Bottle. Pantagruel. llustration by Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897.
Sileneus (Silene) on a donkey leading the army of Bacchus (Dionysos, Bacco) during the battle between Bacchus (Dyonisos, Bacco) and the Indians. Mosaic in the Temple of the Bottle. Pantagruel. llustration by Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897.

YAC4122367: Sileneus (Silene) on a donkey leading the army of Bacchus (Dionysos, Bacco) during the battle between Bacchus (Dyonisos, Bacco) and the Indians. Mosaic in the Temple of the Bottle. Pantagruel. llustration by Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897. / Bridgeman Images

Inside a hostel in Chinon. Pantagruel and Panurge on the stopover. Pantagruel. llustration by Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897.
Inside a hostel in Chinon. Pantagruel and Panurge on the stopover. Pantagruel. llustration by Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897.

YAC4122370: Inside a hostel in Chinon. Pantagruel and Panurge on the stopover. Pantagruel. llustration by Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897. / Bridgeman Images

At the entrance of a church, Panurge giving water benite a woman. Pantagruel. Illustration by Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897.
At the entrance of a church, Panurge giving water benite a woman. Pantagruel. Illustration by Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897.

YAC4122203: At the entrance of a church, Panurge giving water benite a woman. Pantagruel. Illustration by Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897. / Bridgeman Images

Cleopatra (Cleopatre) selling onions. Pantagruel. llustration by Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897.
Cleopatra (Cleopatre) selling onions. Pantagruel. llustration by Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897.

YAC4122222: Cleopatra (Cleopatre) selling onions. Pantagruel. llustration by Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897. / Bridgeman Images

Pantagruel on his horse watching his army in the rain. Land of the Dipsodes. Pantagruel. llustration by Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897.
Pantagruel on his horse watching his army in the rain. Land of the Dipsodes. Pantagruel. llustration by Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897.

YAC4122231: Pantagruel on his horse watching his army in the rain. Land of the Dipsodes. Pantagruel. llustration by Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897. / Bridgeman Images

Panzoust's Sibyl reels her dress and uncovers her butt while Panurge and Epistemon move away. Pantagruel. The lustration of Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897.
Panzoust's Sibyl reels her dress and uncovers her butt while Panurge and Epistemon move away. Pantagruel. The lustration of Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897.

YAC4122242: Panzoust's Sibyl reels her dress and uncovers her butt while Panurge and Epistemon move away. Pantagruel. The lustration of Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897. / Bridgeman Images

The nuns of the Abbey of Coingnaufond opening the box donated by Pope Ian (John) XXII. Pantagruel. llustration by Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897.
The nuns of the Abbey of Coingnaufond opening the box donated by Pope Ian (John) XXII. Pantagruel. llustration by Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897.

YAC4122256: The nuns of the Abbey of Coingnaufond opening the box donated by Pope Ian (John) XXII. Pantagruel. llustration by Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897. / Bridgeman Images

Sheep of Panurge: on the boat of Dindenaut (Dindenault), sheep and merchants throwing themselves into the sea. Pantagruel. llustration by Jules Garnier. Rabelais and the Work of Jules Garnier, 1897.
Sheep of Panurge: on the boat of Dindenaut (Dindenault), sheep and merchants throwing themselves into the sea. Pantagruel. llustration by Jules Garnier. Rabelais and the Work of Jules Garnier, 1897.

YAC4122305: Sheep of Panurge: on the boat of Dindenaut (Dindenault), sheep and merchants throwing themselves into the sea. Pantagruel. llustration by Jules Garnier. Rabelais and the Work of Jules Garnier, 1897. / Bridgeman Images

The wife of the emperor of Milan, Federic (Frederic) Barberossa, hunted out of the city by the Milanese. She rides the Thacor mule. Pantagruel. llustration by Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897.
The wife of the emperor of Milan, Federic (Frederic) Barberossa, hunted out of the city by the Milanese. She rides the Thacor mule. Pantagruel. llustration by Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897.

YAC4122325: The wife of the emperor of Milan, Federic (Frederic) Barberossa, hunted out of the city by the Milanese. She rides the Thacor mule. Pantagruel. llustration by Jules Garnier. In “” Rabelais et l'Oeuvre de Jules Garnier”, 1897. / Bridgeman Images

Human Zoo - ethnographic exhibition of West Africa at Champ de mars (Paris), 1895: a group of Sudanese women in the village built at Champ de Mars. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 17 August 1895.
Human Zoo - ethnographic exhibition of West Africa at Champ de mars (Paris), 1895: a group of Sudanese women in the village built at Champ de Mars. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 17 August 1895.

XEE4134598: Human Zoo - ethnographic exhibition of West Africa at Champ de mars (Paris), 1895: a group of Sudanese women in the village built at Champ de Mars. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 17 August 1895., Unknown Artist, (19th century) / Bridgeman Images

Electricite experiment performed by William Watson (1715-1787), English physicist, on the banks of the Thames in the 18th century. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 18 May 1889.
Electricite experiment performed by William Watson (1715-1787), English physicist, on the banks of the Thames in the 18th century. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 18 May 1889.

XEE4134546: Electricite experiment performed by William Watson (1715-1787), English physicist, on the banks of the Thames in the 18th century. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 18 May 1889., Unknown Artist, (19th century) / Bridgeman Images

Josue Heilmann (1796-1848), a French inventor, observes her daughters comb their hair. He inwore himself in this scene to create the mechanical comber in 1843. Engraving in “” La Nature: revue des sciences et de ses applications aux arts et a l'industrie”” of 25 Oct.1879.
Josue Heilmann (1796-1848), a French inventor, observes her daughters comb their hair. He inwore himself in this scene to create the mechanical comber in 1843. Engraving in “” La Nature: revue des sciences et de ses applications aux arts et a l'industrie”” of 25 Oct.1879.

XEE4134623: Josue Heilmann (1796-1848), a French inventor, observes her daughters comb their hair. He inwore himself in this scene to create the mechanical comber in 1843. Engraving in “” La Nature: revue des sciences et de ses applications aux arts et a l'industrie”” of 25 Oct.1879., Unknown Artist, (19th century) / Bridgeman Images

Human Zoo: young galibi man (Amerindian people) at the Jardin d'Acclimatation in Paris. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 19 August 1882.
Human Zoo: young galibi man (Amerindian people) at the Jardin d'Acclimatation in Paris. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 19 August 1882.

XEE4134709: Human Zoo: young galibi man (Amerindian people) at the Jardin d'Acclimatation in Paris. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 19 August 1882., Unknown Artist, (19th century) / Bridgeman Images

Verso of a portrait of a Mughal Prince, probably Shah Shuja, c.1645-50 (opaque pigments & gold on paper)
Verso of a portrait of a Mughal Prince, probably Shah Shuja, c.1645-50 (opaque pigments & gold on paper)

CH4059517: Verso of a portrait of a Mughal Prince, probably Shah Shuja, c.1645-50 (opaque pigments & gold on paper), Persian School, (17th century) / Bridgeman Images

The Triumph of the Innocents, engraved by Charles Robert Ashbee (engraving)
The Triumph of the Innocents, engraved by Charles Robert Ashbee (engraving)

MAN3960781: The Triumph of the Innocents, engraved by Charles Robert Ashbee (engraving), Hunt, William Holman (1827-1910) / Bridgeman Images


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