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Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)
Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)

XEE4135982: Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving), Austrian School, (19th century) / Bridgeman Images

ID: XEE4135982

Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)

Austrian School, (19th century)

Hydraulic: demonstration and verification of Toricelli formula, 1925 (print)
Hydraulic: demonstration and verification of Toricelli formula, 1925 (print)

XEE4139637: Hydraulic: demonstration and verification of Toricelli formula, 1925 (print), Anonymous / Bridgeman Images

ID: XEE4139637

Hydraulic: demonstration and verification of Toricelli formula, 1925 (print)

Anonymous

A snow collector with his shovel. Anonymous chromolithography, late 19th century.
A snow collector with his shovel. Anonymous chromolithography, late 19th century.

XEE4136442: A snow collector with his shovel. Anonymous chromolithography, late 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4136442

A snow collector with his shovel. Anonymous chromolithography, late 19th century.

Unknown Artist, (19th century)

A man with crouches walks with an elegant young woman in the alleys of a park, 1891 (engraving)
A man with crouches walks with an elegant young woman in the alleys of a park, 1891 (engraving)

XEE4136989: A man with crouches walks with an elegant young woman in the alleys of a park, 1891 (engraving), Meaulle, Fortune Louis (1844-1901) / Bridgeman Images

ID: XEE4136989

A man with crouches walks with an elegant young woman in the alleys of a park, 1891 (engraving)

Meaulle, Fortune Louis (1844-1901)

The art of sounds: your middle finger. Claude Joseph Rouget de L'Isle composing the Marseillaise piano in 1792. 1925 (print)
The art of sounds: your middle finger. Claude Joseph Rouget de L'Isle composing the Marseillaise piano in 1792. 1925 (print)

XEE4139974: The art of sounds: your middle finger. Claude Joseph Rouget de L'Isle composing the Marseillaise piano in 1792. 1925 (print), Anonymous / Bridgeman Images

ID: XEE4139974

The art of sounds: your middle finger. Claude Joseph Rouget de L'Isle composing the Marseillaise piano in 1792. 1925 (print)

Anonymous

Ships and ships: the log and astrolabe, navigational instruments. 1925 (print)
Ships and ships: the log and astrolabe, navigational instruments. 1925 (print)

XEE4139900: Ships and ships: the log and astrolabe, navigational instruments. 1925 (print), Anonymous / Bridgeman Images

ID: XEE4139900

Ships and ships: the log and astrolabe, navigational instruments. 1925 (print)

Anonymous

La Marne in Champagne Ardenne, France, 1910 (chromo)
La Marne in Champagne Ardenne, France, 1910 (chromo)

XEE4135025: La Marne in Champagne Ardenne, France, 1910 (chromo), French School, (20th century) / Bridgeman Images

ID: XEE4135025

La Marne in Champagne Ardenne, France, 1910 (chromo)

French School, (20th century)

The sublime Dechou. Illustration by Joseph Beuzon for “New Cambodian” by Leon Charpentier (1862-1928). A newspaper. Engraving in “” Journal des Voyages”” of 1907.
The sublime Dechou. Illustration by Joseph Beuzon for “New Cambodian” by Leon Charpentier (1862-1928). A newspaper. Engraving in “” Journal des Voyages”” of 1907.

XEE4139372: The sublime Dechou. Illustration by Joseph Beuzon for “New Cambodian” by Leon Charpentier (1862-1928). A newspaper. Engraving in “” Journal des Voyages”” of 1907., Beuzon, Joseph (1864-1940) / Bridgeman Images

ID: XEE4139372

The sublime Dechou. Illustration by Joseph Beuzon for “New Cambodian” by Leon Charpentier (1862-1928). A newspaper. Engraving in “” Journal des Voyages”” of 1907.

Beuzon, Joseph (1864-1940)

Illustration for the Royaumont Bible, 1811 (engraving)
Illustration for the Royaumont Bible, 1811 (engraving)

XEE4138271: Illustration for the Royaumont Bible, 1811 (engraving), Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4138271

Illustration for the Royaumont Bible, 1811 (engraving)

Unknown Artist, (19th century)

Illustration for the Royaumont Bible, 1811 (engraving)
Illustration for the Royaumont Bible, 1811 (engraving)

XEE4138479: Illustration for the Royaumont Bible, 1811 (engraving), Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4138479

Illustration for the Royaumont Bible, 1811 (engraving)

Unknown Artist, (19th century)

Vibratory movements: concentric spheres have a vibration center are called wave surfaces. 1925 (print)
Vibratory movements: concentric spheres have a vibration center are called wave surfaces. 1925 (print)

XEE4139921: Vibratory movements: concentric spheres have a vibration center are called wave surfaces. 1925 (print), Anonymous / Bridgeman Images

ID: XEE4139921

Vibratory movements: concentric spheres have a vibration center are called wave surfaces. 1925 (print)

Anonymous

Movements: scene in the restaurant of a train where passengers do not move as the train moves forward. 1925 (print)
Movements: scene in the restaurant of a train where passengers do not move as the train moves forward. 1925 (print)

XEE4139702: Movements: scene in the restaurant of a train where passengers do not move as the train moves forward. 1925 (print), Anonymous / Bridgeman Images

ID: XEE4139702

Movements: scene in the restaurant of a train where passengers do not move as the train moves forward. 1925 (print)

Anonymous

Ritual of Muslim Ablutions: everyone saddles his clothes and shoes, squatting and whispering verses from the Qur'an, takes his 'abdests'
Ritual of Muslim Ablutions: everyone saddles his clothes and shoes, squatting and whispering verses from the Qur'an, takes his 'abdests'

XEE4139380: Ritual of Muslim Ablutions: everyone saddles his clothes and shoes, squatting and whispering verses from the Qur'an, takes his 'abdests'"Journal des Voyages" of 1907., French School, (20th century) / Bridgeman Images

ID: XEE4139380

Ritual of Muslim Ablutions: everyone saddles his clothes and shoes, squatting and whispering verses from the Qur'an, takes his 'abdests'"Journal des Voyages" of 1907.

French School, (20th century)

Paris: view of the Avenue des Champs Elysees (Champs-Elysees) taken from the Arc de Triomphe, Place de l'Etoile. Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection.
Paris: view of the Avenue des Champs Elysees (Champs-Elysees) taken from the Arc de Triomphe, Place de l'Etoile. Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection.

XEE4136270: Paris: view of the Avenue des Champs Elysees (Champs-Elysees) taken from the Arc de Triomphe, Place de l'Etoile. Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection., Anonymous / Bridgeman Images

ID: XEE4136270

Paris: view of the Avenue des Champs Elysees (Champs-Elysees) taken from the Arc de Triomphe, Place de l'Etoile. Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection.

Anonymous

Transplantation of trees on Place de la Bourse in Paris during the winter of 1858. Engraving by Riou in
Transplantation of trees on Place de la Bourse in Paris during the winter of 1858. Engraving by Riou in

XEE4138712: Transplantation of trees on Place de la Bourse in Paris during the winter of 1858. Engraving by Riou in "Le Monde Illustré" n°46 of 27 February 1858., Riou, Edouard (1833-1900) / Bridgeman Images

ID: XEE4138712

Transplantation of trees on Place de la Bourse in Paris during the winter of 1858. Engraving by Riou in "Le Monde Illustré" n°46 of 27 February 1858.

Riou, Edouard (1833-1900)

Le Maine-et-Loire, Pays de la Loire, France, 1910 (chromo)
Le Maine-et-Loire, Pays de la Loire, France, 1910 (chromo)

XEE4135030: Le Maine-et-Loire, Pays de la Loire, France, 1910 (chromo), French School, (20th century) / Bridgeman Images

ID: XEE4135030

Le Maine-et-Loire, Pays de la Loire, France, 1910 (chromo)

French School, (20th century)

Incest: Pope John XII (c.937-964) with his grand mother, and alleged mistress, Marozia (Mariuccia, Mariozza) (c. 890-c. 936).
Incest: Pope John XII (c.937-964) with his grand mother, and alleged mistress, Marozia (Mariuccia, Mariozza) (c. 890-c. 936).

XEE4139147: Incest: Pope John XII (c.937-964) with his grand mother, and alleged mistress, Marozia (Mariuccia, Mariozza) (c. 890-c. 936)., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4139147

Incest: Pope John XII (c.937-964) with his grand mother, and alleged mistress, Marozia (Mariuccia, Mariozza) (c. 890-c. 936).

Unknown Artist, (19th century)

The pendulum: application to clocks with the escape anchor. 1925 (print)
The pendulum: application to clocks with the escape anchor. 1925 (print)

XEE4139776: The pendulum: application to clocks with the escape anchor. 1925 (print), Anonymous / Bridgeman Images

ID: XEE4139776

The pendulum: application to clocks with the escape anchor. 1925 (print)

Anonymous

Les balloons: ballon haubanne by Henri Dupuy de Lome in 1872. 1925 (print)
Les balloons: ballon haubanne by Henri Dupuy de Lome in 1872. 1925 (print)

XEE4139851: Les balloons: ballon haubanne by Henri Dupuy de Lome in 1872. 1925 (print), Anonymous / Bridgeman Images

ID: XEE4139851

Les balloons: ballon haubanne by Henri Dupuy de Lome in 1872. 1925 (print)

Anonymous

The clergyman of France and Italy met in Paris for National Council in 1811 (engraving)
The clergyman of France and Italy met in Paris for National Council in 1811 (engraving)

XEE4136169: The clergyman of France and Italy met in Paris for National Council in 1811 (engraving), Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4136169

The clergyman of France and Italy met in Paris for National Council in 1811 (engraving)

Unknown Artist, (19th century)

Illustration for the Royaumont Bible, 1811 (engraving)
Illustration for the Royaumont Bible, 1811 (engraving)

XEE4138368: Illustration for the Royaumont Bible, 1811 (engraving), Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4138368

Illustration for the Royaumont Bible, 1811 (engraving)

Unknown Artist, (19th century)

Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)
Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)

XEE4135643: Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving), Austrian School, (19th century) / Bridgeman Images

ID: XEE4135643

Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)

Austrian School, (19th century)

History of France: War of the Succession of Mantua (1628-1631) during the Thirty-Year War. The battle of the Pas de Suze (Susa) representing King Louis XIII (1601-1643) and Cardinal Richelieu (Armand Jean du Plessis, 1585-1642) during the invasion of the Duche of Savoy in 1629. In General History of Coins. Chocolate-foal chromolithography of the end of the 19th century. Private collection.
History of France: War of the Succession of Mantua (1628-1631) during the Thirty-Year War. The battle of the Pas de Suze (Susa) representing King Louis XIII (1601-1643) and Cardinal Richelieu (Armand Jean du Plessis, 1585-1642) during the invasion of the Duche of Savoy in 1629. In General History of Coins. Chocolate-foal chromolithography of the end of the 19th century. Private collection.

XEE4138766: History of France: War of the Succession of Mantua (1628-1631) during the Thirty-Year War. The battle of the Pas de Suze (Susa) representing King Louis XIII (1601-1643) and Cardinal Richelieu (Armand Jean du Plessis, 1585-1642) during the invasion of the Duche of Savoy in 1629. In General History of Coins. Chocolate-foal chromolithography of the end of the 19th century. Private collection., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4138766

History of France: War of the Succession of Mantua (1628-1631) during the Thirty-Year War. The battle of the Pas de Suze (Susa) representing King Louis XIII (1601-1643) and Cardinal Richelieu (Armand Jean du Plessis, 1585-1642) during the invasion of the Duche of Savoy in 1629. In General History of Coins. Chocolate-foal chromolithography of the end of the 19th century. Private collection.

Unknown Artist, (19th century)

Illustration for the Royaumont Bible, 1811 (engraving)
Illustration for the Royaumont Bible, 1811 (engraving)

XEE4137910: Illustration for the Royaumont Bible, 1811 (engraving), Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4137910

Illustration for the Royaumont Bible, 1811 (engraving)

Unknown Artist, (19th century)

Illustration for the Royaumont Bible, 1811 (engraving)
Illustration for the Royaumont Bible, 1811 (engraving)

XEE4138476: Illustration for the Royaumont Bible, 1811 (engraving), Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4138476

Illustration for the Royaumont Bible, 1811 (engraving)

Unknown Artist, (19th century)

Gas pressure: compressors. Anonymous illustration of 1925 (print)
Gas pressure: compressors. Anonymous illustration of 1925 (print)

XEE4139847: Gas pressure: compressors. Anonymous illustration of 1925 (print), Anonymous / Bridgeman Images

ID: XEE4139847

Gas pressure: compressors. Anonymous illustration of 1925 (print)

Anonymous

Kinetic energy: aurige at the time of Antiquitye driving a tank drags by horses. 1925 (print)
Kinetic energy: aurige at the time of Antiquitye driving a tank drags by horses. 1925 (print)

XEE4139647: Kinetic energy: aurige at the time of Antiquitye driving a tank drags by horses. 1925 (print), Anonymous / Bridgeman Images

ID: XEE4139647

Kinetic energy: aurige at the time of Antiquitye driving a tank drags by horses. 1925 (print)

Anonymous

Portrait of Abraham, Marquis Duquesne, French sailor, late 19th century.
Portrait of Abraham, Marquis Duquesne, French sailor, late 19th century.

XEE4135167: Portrait of Abraham, Marquis Duquesne, French sailor, late 19th century., Gilbert, (19th century) / Bridgeman Images

ID: XEE4135167

Portrait of Abraham, Marquis Duquesne, French sailor, late 19th century.

Gilbert, (19th century)

Paris: exterior view of the Grand Palais opened in 1900. Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection.
Paris: exterior view of the Grand Palais opened in 1900. Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection.

XEE4136252: Paris: exterior view of the Grand Palais opened in 1900. Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection., Anonymous / Bridgeman Images

ID: XEE4136252

Paris: exterior view of the Grand Palais opened in 1900. Photograph of 1920 in “” Artistic Album”” of the city of Paris. Private collection.

Anonymous

Balloons: Adjutant Reau at the beginning of the 20th century. 1925 (print)
Balloons: Adjutant Reau at the beginning of the 20th century. 1925 (print)

XEE4139874: Balloons: Adjutant Reau at the beginning of the 20th century. 1925 (print), Anonymous / Bridgeman Images

ID: XEE4139874

Balloons: Adjutant Reau at the beginning of the 20th century. 1925 (print)

Anonymous

A crocodile fight on the banks of the Mekong River in Cambodia1907 (print)
A crocodile fight on the banks of the Mekong River in Cambodia1907 (print)

XEE4139342: A crocodile fight on the banks of the Mekong River in Cambodia1907 (print), Beuzon, Joseph (1864-1940) / Bridgeman Images

ID: XEE4139342

A crocodile fight on the banks of the Mekong River in Cambodia1907 (print)

Beuzon, Joseph (1864-1940)

Song
Song

XEE4137833: Song "la jeune bateliere ou le voyage a l'ile d'amour", late 19th century (print), French School, (19th century) / Bridgeman Images

ID: XEE4137833

Song "la jeune bateliere ou le voyage a l'ile d'amour", late 19th century (print)

French School, (19th century)

Man observing a defile of the Tarasque on the port of the island of Port Tarascon, 1890 (engraving)
Man observing a defile of the Tarasque on the port of the island of Port Tarascon, 1890 (engraving)

XEE4136978: Man observing a defile of the Tarasque on the port of the island of Port Tarascon, 1890 (engraving), Montegut, Louis (b.1855) / Bridgeman Images

ID: XEE4136978

Man observing a defile of the Tarasque on the port of the island of Port Tarascon, 1890 (engraving)

Montegut, Louis (b.1855)

Vibratory movements: Christiaan Huygens studies the elasticity of the material by observing ivory beads. 1925 (print)
Vibratory movements: Christiaan Huygens studies the elasticity of the material by observing ivory beads. 1925 (print)

XEE4139926: Vibratory movements: Christiaan Huygens studies the elasticity of the material by observing ivory beads. 1925 (print), Anonymous / Bridgeman Images

ID: XEE4139926

Vibratory movements: Christiaan Huygens studies the elasticity of the material by observing ivory beads. 1925 (print)

Anonymous

Clemence allegory. She is represented holding a spear and an olive branch to indicate that she has the power to punish but also to forgive. The lion is the attribute of generosite. Engraving in “” Iconologie oder Ideen aus dem Gebiete der Leidenschaften und Allegorien bildich dargestellt fur Zeichner, Mahler, Dichter, Gelehrte, Erzieher und freunde Hoherer Geschmacksbildung” (Iconologie ou idees de la sphere des passions et des allegories...), Vienna 1801. Book containing 225 illustrations. Private collection.
Clemence allegory. She is represented holding a spear and an olive branch to indicate that she has the power to punish but also to forgive. The lion is the attribute of generosite. Engraving in “” Iconologie oder Ideen aus dem Gebiete der Leidenschaften und Allegorien bildich dargestellt fur Zeichner, Mahler, Dichter, Gelehrte, Erzieher und freunde Hoherer Geschmacksbildung” (Iconologie ou idees de la sphere des passions et des allegories...), Vienna 1801. Book containing 225 illustrations. Private collection.

XEE4135703: Clemence allegory. She is represented holding a spear and an olive branch to indicate that she has the power to punish but also to forgive. The lion is the attribute of generosite. Engraving in “” Iconologie oder Ideen aus dem Gebiete der Leidenschaften und Allegorien bildich dargestellt fur Zeichner, Mahler, Dichter, Gelehrte, Erzieher und freunde Hoherer Geschmacksbildung” (Iconologie ou idees de la sphere des passions et des allegories...), Vienna 1801. Book containing 225 illustrations. Private collection., Austrian School, (19th century) / Bridgeman Images

ID: XEE4135703

Clemence allegory. She is represented holding a spear and an olive branch to indicate that she has the power to punish but also to forgive. The lion is the attribute of generosite. Engraving in “” Iconologie oder Ideen aus dem Gebiete der Leidenschaften und Allegorien bildich dargestellt fur Zeichner, Mahler, Dichter, Gelehrte, Erzieher und freunde Hoherer Geschmacksbildung” (Iconologie ou idees de la sphere des passions et des allegories...), Vienna 1801. Book containing 225 illustrations. Private collection.

Austrian School, (19th century)

Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)
Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)

XEE4135563: Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving), Austrian School, (19th century) / Bridgeman Images

ID: XEE4135563

Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)

Austrian School, (19th century)


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