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Le Centre Georges Pompidou, Place Georges Pompidou, Paris 75004. Architecture of Renzo Piano and Richard Rogers, 1971-1977. Photography 11/02/00
Le Centre Georges Pompidou, Place Georges Pompidou, Paris 75004. Architecture of Renzo Piano and Richard Rogers, 1971-1977. Photography 11/02/00

MDA4686757: Le Centre Georges Pompidou, Place Georges Pompidou, Paris 75004. Architecture of Renzo Piano and Richard Rogers, 1971-1977. Photography 11/02/00, Rogers, Richard (b.1933) and Piano, Renzo (b.1937) / Bridgeman Images

ID: MDA4686757

Le Centre Georges Pompidou, Place Georges Pompidou, Paris 75004. Architecture of Renzo Piano and Richard Rogers, 1971-1977. Photography 11/02/00

Rogers, Richard (b.1933) and Piano, Renzo (b.1937)

Le Centre Georges Pompidou, Place Georges Pompidou, Paris 75004. Architecture of Renzo Piano and Richard Rogers, 1971-1977. Photography 11/02/00
Le Centre Georges Pompidou, Place Georges Pompidou, Paris 75004. Architecture of Renzo Piano and Richard Rogers, 1971-1977. Photography 11/02/00

MDA4686767: Le Centre Georges Pompidou, Place Georges Pompidou, Paris 75004. Architecture of Renzo Piano and Richard Rogers, 1971-1977. Photography 11/02/00, Rogers, Richard (b.1933) and Piano, Renzo (b.1937) / Bridgeman Images

ID: MDA4686767

Le Centre Georges Pompidou, Place Georges Pompidou, Paris 75004. Architecture of Renzo Piano and Richard Rogers, 1971-1977. Photography 11/02/00

Rogers, Richard (b.1933) and Piano, Renzo (b.1937)

Parade In Postdam, 1817 (oil on canvas)
Parade In Postdam, 1817 (oil on canvas)

JLJ4686816: Parade In Postdam, 1817 (oil on canvas), Kruger, Franz (1797-1857) / Bridgeman Images

ID: JLJ4686816

Parade In Postdam, 1817 (oil on canvas)

Kruger, Franz (1797-1857)

Tripod dish, decorated with beetles, 250 to 900 AD (polychrome clay)
Tripod dish, decorated with beetles, 250 to 900 AD (polychrome clay)

LRI4688638: Tripod dish, decorated with beetles, 250 to 900 AD (polychrome clay), Mayan / Bridgeman Images

ID: LRI4688638

Tripod dish, decorated with beetles, 250 to 900 AD (polychrome clay)

Mayan

Zoomorphic axe representing the head of a deer, 250 to 900 AD (sculpted stone)
Zoomorphic axe representing the head of a deer, 250 to 900 AD (sculpted stone)

LRI4688646: Zoomorphic axe representing the head of a deer, 250 to 900 AD (sculpted stone), Mayan / Bridgeman Images

ID: LRI4688646

Zoomorphic axe representing the head of a deer, 250 to 900 AD (sculpted stone)

Mayan

First World War: A portrait of General Ferdinand Foch in Cassel in 1915 examining a map, 1915 (drawing)
First World War: A portrait of General Ferdinand Foch in Cassel in 1915 examining a map, 1915 (drawing)

JLJ4688691: First World War: A portrait of General Ferdinand Foch in Cassel in 1915 examining a map, 1915 (drawing), Requin, E. (20th century) / Bridgeman Images

ID: JLJ4688691

First World War: A portrait of General Ferdinand Foch in Cassel in 1915 examining a map, 1915 (drawing)

Requin, E. (20th century)

Les Abattoirs, Centre d'art contemporain in Toulouse (Haute Garonne). Architects Antoine Stinco and Remi Papillault, 2000. In the background, Pablo Picasso's painting “The Minotaur's remains in a harlequin costume, stage curtain “” July 14” “by Romain Rolland”””. Photography 2000.
Les Abattoirs, Centre d'art contemporain in Toulouse (Haute Garonne). Architects Antoine Stinco and Remi Papillault, 2000. In the background, Pablo Picasso's painting “The Minotaur's remains in a harlequin costume, stage curtain “” July 14” “by Romain Rolland”””. Photography 2000.

LBY4688714: Les Abattoirs, Centre d'art contemporain in Toulouse (Haute Garonne). Architects Antoine Stinco and Remi Papillault, 2000. In the background, Pablo Picasso's painting “The Minotaur's remains in a harlequin costume, stage curtain “” July 14” “by Romain Rolland”””. Photography 2000., Stinco, Antoine (b.1934) & Papillault, Remi (b.1960) / Bridgeman Images

ID: LBY4688714

Les Abattoirs, Centre d'art contemporain in Toulouse (Haute Garonne). Architects Antoine Stinco and Remi Papillault, 2000. In the background, Pablo Picasso's painting “The Minotaur's remains in a harlequin costume, stage curtain “” July 14” “by Romain Rolland”””. Photography 2000.

Stinco, Antoine (b.1934) & Papillault, Remi (b.1960)

Les Abattoirs, Centre d'art contemporain in Toulouse (Haute Garonne). Architects Antoine Stinco and Remi Papillault, 2000. Photography 2000.
Les Abattoirs, Centre d'art contemporain in Toulouse (Haute Garonne). Architects Antoine Stinco and Remi Papillault, 2000. Photography 2000.

LBY4688730: Les Abattoirs, Centre d'art contemporain in Toulouse (Haute Garonne). Architects Antoine Stinco and Remi Papillault, 2000. Photography 2000., Stinco, Antoine (b.1934) & Papillault, Remi (b.1960) / Bridgeman Images

ID: LBY4688730

Les Abattoirs, Centre d'art contemporain in Toulouse (Haute Garonne). Architects Antoine Stinco and Remi Papillault, 2000. Photography 2000.

Stinco, Antoine (b.1934) & Papillault, Remi (b.1960)

Start, tournament and death. Miniature of the Master Dit De Charles Du Maine, c.1450-1460 (miniature)
Start, tournament and death. Miniature of the Master Dit De Charles Du Maine, c.1450-1460 (miniature)

JLJ4689746: Start, tournament and death. Miniature of the Master Dit De Charles Du Maine, c.1450-1460 (miniature), Charles du Maine Master (active 1450-1460) / Bridgeman Images

ID: JLJ4689746

Start, tournament and death. Miniature of the Master Dit De Charles Du Maine, c.1450-1460 (miniature)

Charles du Maine Master (active 1450-1460)

The Getty Center, 1200 Getty Center Drive in Los Angeles, California (United States). Architect Richard Meier, 1984-1997. Photography 01/11/04.
The Getty Center, 1200 Getty Center Drive in Los Angeles, California (United States). Architect Richard Meier, 1984-1997. Photography 01/11/04.

TEC4689444: The Getty Center, 1200 Getty Center Drive in Los Angeles, California (United States). Architect Richard Meier, 1984-1997. Photography 01/11/04., Meier, Richard (b.1934) / Bridgeman Images

ID: TEC4689444

The Getty Center, 1200 Getty Center Drive in Los Angeles, California (United States). Architect Richard Meier, 1984-1997. Photography 01/11/04.

Meier, Richard (b.1934)

Aurillac gold bracelet, 3rd century BC.
Aurillac gold bracelet, 3rd century BC.

LRI4685863: Aurillac gold bracelet, 3rd century BC., Celtic, (3rd century BC) / Bridgeman Images

ID: LRI4685863

Aurillac gold bracelet, 3rd century BC.

Celtic, (3rd century BC)

Man's torso, terracotta sculpture, 4th century BC
Man's torso, terracotta sculpture, 4th century BC

LRI4689720: Man's torso, terracotta sculpture, 4th century BC, Etruscan, (4th century BC) / Bridgeman Images

ID: LRI4689720

Man's torso, terracotta sculpture, 4th century BC

Etruscan, (4th century BC)

To the pelvis, Mrs. Prat, 20th century (oil on canvas)
To the pelvis, Mrs. Prat, 20th century (oil on canvas)

JLJ4689825: To the pelvis, Mrs. Prat, 20th century (oil on canvas), Prat, Loys (1879-1934) / Bridgeman Images

ID: JLJ4689825

To the pelvis, Mrs. Prat, 20th century (oil on canvas)

Prat, Loys (1879-1934)

Musee d'art et industrie, 2 place Louis Comte in Saint Etienne (Loire). Architect Jean Michel Wilmotte, 2001. Photography 2001.
Musee d'art et industrie, 2 place Louis Comte in Saint Etienne (Loire). Architect Jean Michel Wilmotte, 2001. Photography 2001.

LBY4689571: Musee d'art et industrie, 2 place Louis Comte in Saint Etienne (Loire). Architect Jean Michel Wilmotte, 2001. Photography 2001. / Bridgeman Images

ID: LBY4689571

Musee d'art et industrie, 2 place Louis Comte in Saint Etienne (Loire). Architect Jean Michel Wilmotte, 2001. Photography 2001.

Imperial War Museum in Manchester (United Kingdom). Architect Daniel Libeskind, 2002. Photography 2002.
Imperial War Museum in Manchester (United Kingdom). Architect Daniel Libeskind, 2002. Photography 2002.

LBY4689661: Imperial War Museum in Manchester (United Kingdom). Architect Daniel Libeskind, 2002. Photography 2002. / Bridgeman Images

ID: LBY4689661

Imperial War Museum in Manchester (United Kingdom). Architect Daniel Libeskind, 2002. Photography 2002.

Imperial War Museum in Manchester (United Kingdom). Architect Daniel Libeskind, 2002. Photography 2002.
Imperial War Museum in Manchester (United Kingdom). Architect Daniel Libeskind, 2002. Photography 2002.

LBY4689691: Imperial War Museum in Manchester (United Kingdom). Architect Daniel Libeskind, 2002. Photography 2002. / Bridgeman Images

ID: LBY4689691

Imperial War Museum in Manchester (United Kingdom). Architect Daniel Libeskind, 2002. Photography 2002.

Portrait Of Hector Berlioz (1803-1869), French Composer. detail, 19th century (oil on canvas)
Portrait Of Hector Berlioz (1803-1869), French Composer. detail, 19th century (oil on canvas)

JLJ4689782: Portrait Of Hector Berlioz (1803-1869), French Composer. detail, 19th century (oil on canvas), Gill, Andre (1840-85) / Bridgeman Images

ID: JLJ4689782

Portrait Of Hector Berlioz (1803-1869), French Composer. detail, 19th century (oil on canvas)

Gill, Andre (1840-85)

Byzantine architecture: view of the central nave of the Basilica of San Marco in Venice. The apse bowl is visible with Christ Almighty (reworked in 1506) and the iconostasis separating the presbytery from the rest of the church, crown of statues made by Jacobello and Pier Paolo delle Masegne (late 14th century).
Byzantine architecture: view of the central nave of the Basilica of San Marco in Venice. The apse bowl is visible with Christ Almighty (reworked in 1506) and the iconostasis separating the presbytery from the rest of the church, crown of statues made by Jacobello and Pier Paolo delle Masegne (late 14th century).

LRI4689872: Byzantine architecture: view of the central nave of the Basilica of San Marco in Venice. The apse bowl is visible with Christ Almighty (reworked in 1506) and the iconostasis separating the presbytery from the rest of the church, crown of statues made by Jacobello and Pier Paolo delle Masegne (late 14th century)., Byzantine / Bridgeman Images

ID: LRI4689872

Byzantine architecture: view of the central nave of the Basilica of San Marco in Venice. The apse bowl is visible with Christ Almighty (reworked in 1506) and the iconostasis separating the presbytery from the rest of the church, crown of statues made by Jacobello and Pier Paolo delle Masegne (late 14th century).

Byzantine

Byzantine architecture: view of the domes with mosaics on a golden background (Romanesque and Byzantine style) illustrating the Pentecote (1250-1300) and the Ascension (early 13th century). Basilica San Marco (Basilica of San Marco) Venice
Byzantine architecture: view of the domes with mosaics on a golden background (Romanesque and Byzantine style) illustrating the Pentecote (1250-1300) and the Ascension (early 13th century). Basilica San Marco (Basilica of San Marco) Venice

LRI4689972: Byzantine architecture: view of the domes with mosaics on a golden background (Romanesque and Byzantine style) illustrating the Pentecote (1250-1300) and the Ascension (early 13th century). Basilica San Marco (Basilica of San Marco) Venice, Byzantine, (13th century) / Bridgeman Images

ID: LRI4689972

Byzantine architecture: view of the domes with mosaics on a golden background (Romanesque and Byzantine style) illustrating the Pentecote (1250-1300) and the Ascension (early 13th century). Basilica San Marco (Basilica of San Marco) Venice

Byzantine, (13th century)

Byzantine architecture: view of the north transept (with dome dedicated to Saint John the Evangelist), with mosaic background representing the genealogical tree of the Virgin made by the Bianchini family. 1542-1551 Basilica di San Marco (Basilica of Saint Mark), Venice
Byzantine architecture: view of the north transept (with dome dedicated to Saint John the Evangelist), with mosaic background representing the genealogical tree of the Virgin made by the Bianchini family. 1542-1551 Basilica di San Marco (Basilica of Saint Mark), Venice

LRI4689887: Byzantine architecture: view of the north transept (with dome dedicated to Saint John the Evangelist), with mosaic background representing the genealogical tree of the Virgin made by the Bianchini family. 1542-1551 Basilica di San Marco (Basilica of Saint Mark), Venice, Byzantine / Bridgeman Images

ID: LRI4689887

Byzantine architecture: view of the north transept (with dome dedicated to Saint John the Evangelist), with mosaic background representing the genealogical tree of the Virgin made by the Bianchini family. 1542-1551 Basilica di San Marco (Basilica of Saint Mark), Venice

Byzantine

Byzantine architecture: view of the dome with mosaics on a golden background (Romanesque and Byzantine style) illustrating Joseph's life. 1270-1280. Basilica San Marco (Basilica of San Marco) Venice
Byzantine architecture: view of the dome with mosaics on a golden background (Romanesque and Byzantine style) illustrating Joseph's life. 1270-1280. Basilica San Marco (Basilica of San Marco) Venice

LRI4689938: Byzantine architecture: view of the dome with mosaics on a golden background (Romanesque and Byzantine style) illustrating Joseph's life. 1270-1280. Basilica San Marco (Basilica of San Marco) Venice, Byzantine / Bridgeman Images

ID: LRI4689938

Byzantine architecture: view of the dome with mosaics on a golden background (Romanesque and Byzantine style) illustrating Joseph's life. 1270-1280. Basilica San Marco (Basilica of San Marco) Venice

Byzantine

Byzantine architecture: view of the central nave of the Basilica of San Marco in Venice. The apse bowl is visible with Christ Almighty (reworked in 1506), in the foreground the dome of Pentecote.
Byzantine architecture: view of the central nave of the Basilica of San Marco in Venice. The apse bowl is visible with Christ Almighty (reworked in 1506), in the foreground the dome of Pentecote.

LRI4689896: Byzantine architecture: view of the central nave of the Basilica of San Marco in Venice. The apse bowl is visible with Christ Almighty (reworked in 1506), in the foreground the dome of Pentecote., Byzantine / Bridgeman Images

ID: LRI4689896

Byzantine architecture: view of the central nave of the Basilica of San Marco in Venice. The apse bowl is visible with Christ Almighty (reworked in 1506), in the foreground the dome of Pentecote.

Byzantine

View of the dome with mosaics on a golden background (Romanesque and Byzantine style) illustrating the Ascension. In the pendants, the four evangelists. Saint Mark and Saint Mathieu redone in 1843-1864. The beginning of the 13th century. Basilica San Marco (Basilica of San Marco) Venice
View of the dome with mosaics on a golden background (Romanesque and Byzantine style) illustrating the Ascension. In the pendants, the four evangelists. Saint Mark and Saint Mathieu redone in 1843-1864. The beginning of the 13th century. Basilica San Marco (Basilica of San Marco) Venice

LRI4689954: View of the dome with mosaics on a golden background (Romanesque and Byzantine style) illustrating the Ascension. In the pendants, the four evangelists. Saint Mark and Saint Mathieu redone in 1843-1864. The beginning of the 13th century. Basilica San Marco (Basilica of San Marco) Venice, Veneto-Byzantine School, (13th century) / Bridgeman Images

ID: LRI4689954

View of the dome with mosaics on a golden background (Romanesque and Byzantine style) illustrating the Ascension. In the pendants, the four evangelists. Saint Mark and Saint Mathieu redone in 1843-1864. The beginning of the 13th century. Basilica San Marco (Basilica of San Marco) Venice

Veneto-Byzantine School, (13th century)

Museum and archaeological site of Saint Romain en Gal (Rhone). Realisation 1996, architects Jean Paul Morel and Philippe Chaix. Photography 1996.
Museum and archaeological site of Saint Romain en Gal (Rhone). Realisation 1996, architects Jean Paul Morel and Philippe Chaix. Photography 1996.

LBY4687745: Museum and archaeological site of Saint Romain en Gal (Rhone). Realisation 1996, architects Jean Paul Morel and Philippe Chaix. Photography 1996., Chaix, Philippe (b.1949) & Morel, Jean-Paul (b.1948) / Bridgeman Images

ID: LBY4687745

Museum and archaeological site of Saint Romain en Gal (Rhone). Realisation 1996, architects Jean Paul Morel and Philippe Chaix. Photography 1996.

Chaix, Philippe (b.1949) & Morel, Jean-Paul (b.1948)

A family of Karibs Indians from the island of Saint Vincent in the West Indies, 19th century (engraving)
A family of Karibs Indians from the island of Saint Vincent in the West Indies, 19th century (engraving)

JLJ4687766: A family of Karibs Indians from the island of Saint Vincent in the West Indies, 19th century (engraving), French School, (19th century) / Bridgeman Images

ID: JLJ4687766

A family of Karibs Indians from the island of Saint Vincent in the West Indies, 19th century (engraving)

French School, (19th century)

Museum and archaeological site of Saint Romain en Gal (Rhone). Realisation 1996, architects Jean Paul Morel and Philippe Chaix. Photography 1996.
Museum and archaeological site of Saint Romain en Gal (Rhone). Realisation 1996, architects Jean Paul Morel and Philippe Chaix. Photography 1996.

LBY4687810: Museum and archaeological site of Saint Romain en Gal (Rhone). Realisation 1996, architects Jean Paul Morel and Philippe Chaix. Photography 1996., Chaix, Philippe (b.1949) & Morel, Jean-Paul (b.1948) / Bridgeman Images

ID: LBY4687810

Museum and archaeological site of Saint Romain en Gal (Rhone). Realisation 1996, architects Jean Paul Morel and Philippe Chaix. Photography 1996.

Chaix, Philippe (b.1949) & Morel, Jean-Paul (b.1948)

Musee Jean Tinguely in Bale in Switzerland. Construction 1996, architect Mario Botta. Photography 1996.
Musee Jean Tinguely in Bale in Switzerland. Construction 1996, architect Mario Botta. Photography 1996.

LBY4687846: Musee Jean Tinguely in Bale in Switzerland. Construction 1996, architect Mario Botta. Photography 1996., Botta, Mario (b.1943) / Bridgeman Images

ID: LBY4687846

Musee Jean Tinguely in Bale in Switzerland. Construction 1996, architect Mario Botta. Photography 1996.

Botta, Mario (b.1943)

Citadel Aquarium in Besancon, Doubs, Franche-Comte (Franche Comte). Arcitecture of Bernard Quirot and Olivier Vichard, 1995. Landscape designer: Philippe Convercey. Citadel erigee by Vauban in the 15th century
Citadel Aquarium in Besancon, Doubs, Franche-Comte (Franche Comte). Arcitecture of Bernard Quirot and Olivier Vichard, 1995. Landscape designer: Philippe Convercey. Citadel erigee by Vauban in the 15th century

LBY4687880: Citadel Aquarium in Besancon, Doubs, Franche-Comte (Franche Comte). Arcitecture of Bernard Quirot and Olivier Vichard, 1995. Landscape designer: Philippe Convercey. Citadel erigee by Vauban in the 15th century / Bridgeman Images

ID: LBY4687880

Citadel Aquarium in Besancon, Doubs, Franche-Comte (Franche Comte). Arcitecture of Bernard Quirot and Olivier Vichard, 1995. Landscape designer: Philippe Convercey. Citadel erigee by Vauban in the 15th century

Museum of Celtic Civilization at Mont Beuvray, Saint Leger sous Beuvray (Saone and Loire). Realisation 1996, architect Pierre Louis Faloci. Photography 1996.
Museum of Celtic Civilization at Mont Beuvray, Saint Leger sous Beuvray (Saone and Loire). Realisation 1996, architect Pierre Louis Faloci. Photography 1996.

LBY4687918: Museum of Celtic Civilization at Mont Beuvray, Saint Leger sous Beuvray (Saone and Loire). Realisation 1996, architect Pierre Louis Faloci. Photography 1996., Faloci, Pierre-Louis (b.1949) / Bridgeman Images

ID: LBY4687918

Museum of Celtic Civilization at Mont Beuvray, Saint Leger sous Beuvray (Saone and Loire). Realisation 1996, architect Pierre Louis Faloci. Photography 1996.

Faloci, Pierre-Louis (b.1949)

Elijah asleep is straightened by an angel. 16th century (Painting)
Elijah asleep is straightened by an angel. 16th century (Painting)

LRI4687937: Elijah asleep is straightened by an angel. 16th century (Painting), Moretto, Alessandro Bonvicino (1498-1554) / Bridgeman Images

ID: LRI4687937

Elijah asleep is straightened by an angel. 16th century (Painting)

Moretto, Alessandro Bonvicino (1498-1554)

Museum of Celtic Civilization at Mont Beuvray, Saint Leger sous Beuvray (Saone and Loire). Realisation 1996, architect Pierre Louis Faloci. Photography 1996.
Museum of Celtic Civilization at Mont Beuvray, Saint Leger sous Beuvray (Saone and Loire). Realisation 1996, architect Pierre Louis Faloci. Photography 1996.

LBY4687947: Museum of Celtic Civilization at Mont Beuvray, Saint Leger sous Beuvray (Saone and Loire). Realisation 1996, architect Pierre Louis Faloci. Photography 1996., Faloci, Pierre-Louis (b.1949) / Bridgeman Images

ID: LBY4687947

Museum of Celtic Civilization at Mont Beuvray, Saint Leger sous Beuvray (Saone and Loire). Realisation 1996, architect Pierre Louis Faloci. Photography 1996.

Faloci, Pierre-Louis (b.1949)

Museum of Celtic Civilization at Mont Beuvray, Saint Leger sous Beuvray (Saone and Loire). Realisation 1996, architect Pierre Louis Faloci. Photography 1996.
Museum of Celtic Civilization at Mont Beuvray, Saint Leger sous Beuvray (Saone and Loire). Realisation 1996, architect Pierre Louis Faloci. Photography 1996.

LBY4687991: Museum of Celtic Civilization at Mont Beuvray, Saint Leger sous Beuvray (Saone and Loire). Realisation 1996, architect Pierre Louis Faloci. Photography 1996., Faloci, Pierre-Louis (b.1949) / Bridgeman Images

ID: LBY4687991

Museum of Celtic Civilization at Mont Beuvray, Saint Leger sous Beuvray (Saone and Loire). Realisation 1996, architect Pierre Louis Faloci. Photography 1996.

Faloci, Pierre-Louis (b.1949)

Museum of Celtic Civilization at Mont Beuvray, Saint Leger sous Beuvray (Saone and Loire). Realisation 1996, architect Pierre Louis Faloci. Photography 1996.
Museum of Celtic Civilization at Mont Beuvray, Saint Leger sous Beuvray (Saone and Loire). Realisation 1996, architect Pierre Louis Faloci. Photography 1996.

LBY4687998: Museum of Celtic Civilization at Mont Beuvray, Saint Leger sous Beuvray (Saone and Loire). Realisation 1996, architect Pierre Louis Faloci. Photography 1996., Faloci, Pierre-Louis (b.1949) / Bridgeman Images

ID: LBY4687998

Museum of Celtic Civilization at Mont Beuvray, Saint Leger sous Beuvray (Saone and Loire). Realisation 1996, architect Pierre Louis Faloci. Photography 1996.

Faloci, Pierre-Louis (b.1949)

Museum of Celtic Civilization at Mont Beuvray, Saint Leger sous Beuvray (Saone and Loire). Realisation 1996, architect Pierre Louis Faloci. Photography 1996.
Museum of Celtic Civilization at Mont Beuvray, Saint Leger sous Beuvray (Saone and Loire). Realisation 1996, architect Pierre Louis Faloci. Photography 1996.

LBY4688011: Museum of Celtic Civilization at Mont Beuvray, Saint Leger sous Beuvray (Saone and Loire). Realisation 1996, architect Pierre Louis Faloci. Photography 1996., Faloci, Pierre-Louis (b.1949) / Bridgeman Images

ID: LBY4688011

Museum of Celtic Civilization at Mont Beuvray, Saint Leger sous Beuvray (Saone and Loire). Realisation 1996, architect Pierre Louis Faloci. Photography 1996.

Faloci, Pierre-Louis (b.1949)

Museum of Design in Groningen, Netherlands. Architects: Alessandro Mendini, Michele de Lucchi, Coop Himmelblau and Philippe Starck, 1985-1995. Photography 1995
Museum of Design in Groningen, Netherlands. Architects: Alessandro Mendini, Michele de Lucchi, Coop Himmelblau and Philippe Starck, 1985-1995. Photography 1995

LBY4687470: Museum of Design in Groningen, Netherlands. Architects: Alessandro Mendini, Michele de Lucchi, Coop Himmelblau and Philippe Starck, 1985-1995. Photography 1995, Starck, Philippe (b.1949) / Bridgeman Images

ID: LBY4687470

Museum of Design in Groningen, Netherlands. Architects: Alessandro Mendini, Michele de Lucchi, Coop Himmelblau and Philippe Starck, 1985-1995. Photography 1995

Starck, Philippe (b.1949)

Visitation, 1445 (miniature)
Visitation, 1445 (miniature)

JLJ4687493: Visitation, 1445 (miniature), Fouquet, Jean (c.1420-80) / Bridgeman Images

ID: JLJ4687493

Visitation, 1445 (miniature)

Fouquet, Jean (c.1420-80)


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