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The Church of San Miguel, the Oldest in Santa Fe, N.M., 1873 (albumen print, from the album geographical & geological explorations & surveys west of the 100th meridian, vol. 2)
The Church of San Miguel, the Oldest in Santa Fe, N.M., 1873 (albumen print, from the album geographical & geological explorations & surveys west of the 100th meridian, vol. 2)

XCC2971270: The Church of San Miguel, the Oldest in Santa Fe, N.M., 1873 (albumen print, from the album geographical & geological explorations & surveys west of the 100th meridian, vol. 2), O'Sullivan, Timothy (1840-82) / Bridgeman Images

ID: XCC2971270

The Church of San Miguel, the Oldest in Santa Fe, N.M., 1873 (albumen print, from the album geographical & geological explorations & surveys west of the 100th meridian, vol. 2)

O'Sullivan, Timothy (1840-82)

Splashing figure (study for The Large Bathers), 1884-85 (red, white, and black chalk, with stumping, and black conté crayon on tan wove (tracing) paper, laid down on canvas)
Splashing figure (study for The Large Bathers), 1884-85 (red, white, and black chalk, with stumping, and black conté crayon on tan wove (tracing) paper, laid down on canvas)

XCC2972354: Splashing figure (study for The Large Bathers), 1884-85 (red, white, and black chalk, with stumping, and black conté crayon on tan wove (tracing) paper, laid down on canvas), Renoir, Pierre Auguste (1841-1919) / Bridgeman Images

ID: XCC2972354

Splashing figure (study for The Large Bathers), 1884-85 (red, white, and black chalk, with stumping, and black conté crayon on tan wove (tracing) paper, laid down on canvas)

Renoir, Pierre Auguste (1841-1919)

Aristide Bruant, in His Cabaret, 1893 (colour litho on buff wove paper)
Aristide Bruant, in His Cabaret, 1893 (colour litho on buff wove paper)

XCC2972398: Aristide Bruant, in His Cabaret, 1893 (colour litho on buff wove paper), Toulouse-Lautrec, Henri de (1864-1901) / Bridgeman Images

ID: XCC2972398

Aristide Bruant, in His Cabaret, 1893 (colour litho on buff wove paper)

Toulouse-Lautrec, Henri de (1864-1901)

Standing Figure Leaning on a Staff, c.1510 (pen & brown ink on tan laid paper, edge-mounted to cream wove paper; framing lines in pen and brown ink on all four sides)
Standing Figure Leaning on a Staff, c.1510 (pen & brown ink on tan laid paper, edge-mounted to cream wove paper; framing lines in pen and brown ink on all four sides)

XCC2972444: Standing Figure Leaning on a Staff, c.1510 (pen & brown ink on tan laid paper, edge-mounted to cream wove paper; framing lines in pen and brown ink on all four sides), Cosimo, Piero di (c.1462-1521) / Bridgeman Images

ID: XCC2972444

Standing Figure Leaning on a Staff, c.1510 (pen & brown ink on tan laid paper, edge-mounted to cream wove paper; framing lines in pen and brown ink on all four sides)

Cosimo, Piero di (c.1462-1521)

Margaret Frances Langton Clarke, 1864, printed c.1866 (albumen print)
Margaret Frances Langton Clarke, 1864, printed c.1866 (albumen print)

XCC2971371: Margaret Frances Langton Clarke, 1864, printed c.1866 (albumen print), Dodgson, Charles Lutwidge (Lewis Carroll) (1832-98) / Bridgeman Images

ID: XCC2971371

Margaret Frances Langton Clarke, 1864, printed c.1866 (albumen print)

Dodgson, Charles Lutwidge (Lewis Carroll) (1832-98)

St. Barbara (engraving on paper)
St. Barbara (engraving on paper)

XCC2971459: St. Barbara (engraving on paper), Schongauer, Martin (1440-91) / Bridgeman Images

ID: XCC2971459

St. Barbara (engraving on paper)

Schongauer, Martin (1440-91)

Study, c.1893 (charcoal, with coloured crayons, on tan wove paper)
Study, c.1893 (charcoal, with coloured crayons, on tan wove paper)

XCC2971525: Study, c.1893 (charcoal, with coloured crayons, on tan wove paper), Toulouse-Lautrec, Henri de (1864-1901) / Bridgeman Images

ID: XCC2971525

Study, c.1893 (charcoal, with coloured crayons, on tan wove paper)

Toulouse-Lautrec, Henri de (1864-1901)

The Angel Departing from the Family of Tobit, c.1655 (oil on paper)
The Angel Departing from the Family of Tobit, c.1655 (oil on paper)

XCC2971631: The Angel Departing from the Family of Tobit, c.1655 (oil on paper), Castiglione, Giovanni Benedetto (Il Grechetto) (1609-64) / Bridgeman Images

ID: XCC2971631

The Angel Departing from the Family of Tobit, c.1655 (oil on paper)

Castiglione, Giovanni Benedetto (Il Grechetto) (1609-64)

Adam, modeled c.1881 (bronze with dark brown patina)
Adam, modeled c.1881 (bronze with dark brown patina)

XCC2970108: Adam, modeled c.1881 (bronze with dark brown patina), Rodin, Auguste (1840-1917) / Bridgeman Images

ID: XCC2970108

Adam, modeled c.1881 (bronze with dark brown patina)

Rodin, Auguste (1840-1917)

Eve after the Fall, 1886 (marble)
Eve after the Fall, 1886 (marble)

XCC2970318: Eve after the Fall, 1886 (marble), Rodin, Auguste (1840-1917) / Bridgeman Images

ID: XCC2970318

Eve after the Fall, 1886 (marble)

Rodin, Auguste (1840-1917)

Diptych with the Virgin and Child Enthroned and the Crucifixion, 1275-80 (tempera on panel)
Diptych with the Virgin and Child Enthroned and the Crucifixion, 1275-80 (tempera on panel)

XCC2970254: Diptych with the Virgin and Child Enthroned and the Crucifixion, 1275-80 (tempera on panel), Levantine School, (13th century) / Bridgeman Images

ID: XCC2970254

Diptych with the Virgin and Child Enthroned and the Crucifixion, 1275-80 (tempera on panel)

Levantine School, (13th century)

Altarpiece from Thuison-les-Abbeville: Saint Hugh of Lincoln, 1490-1500 (oil on panel)
Altarpiece from Thuison-les-Abbeville: Saint Hugh of Lincoln, 1490-1500 (oil on panel)

XCC2970284: Altarpiece from Thuison-les-Abbeville: Saint Hugh of Lincoln, 1490-1500 (oil on panel), French School, (15th century) / Bridgeman Images

ID: XCC2970284

Altarpiece from Thuison-les-Abbeville: Saint Hugh of Lincoln, 1490-1500 (oil on panel)

French School, (15th century)

Christ on the Living Cross, 1420-30 (oil on panel)
Christ on the Living Cross, 1420-30 (oil on panel)

XCC2970430: Christ on the Living Cross, 1420-30 (oil on panel), Master of Saint Veronica (fl.1395-1415) (follower of) / Bridgeman Images

ID: XCC2970430

Christ on the Living Cross, 1420-30 (oil on panel)

Master of Saint Veronica (fl.1395-1415) (follower of)

Landscape with the Penitent Saint Jerome, 1530-40 (oil on panel)
Landscape with the Penitent Saint Jerome, 1530-40 (oil on panel)

XCC2970628: Landscape with the Penitent Saint Jerome, 1530-40 (oil on panel), Antwerp School (16th century) / Bridgeman Images

ID: XCC2970628

Landscape with the Penitent Saint Jerome, 1530-40 (oil on panel)

Antwerp School (16th century)

Processional Cross, 1392-95 (tempera on panel)
Processional Cross, 1392-95 (tempera on panel)

XCC2970253: Processional Cross, 1392-95 (tempera on panel), Monaco, Lorenzo (1370-1425) / Bridgeman Images

ID: XCC2970253

Processional Cross, 1392-95 (tempera on panel)

Monaco, Lorenzo (1370-1425)

Fortitude (or Strength) Flanked by Two Satyrs (brush & brown wash, heightened with lead white (partially oxidized), over black chalk, on blue laid paper, squared in black chalk)
Fortitude (or Strength) Flanked by Two Satyrs (brush & brown wash, heightened with lead white (partially oxidized), over black chalk, on blue laid paper, squared in black chalk)

XCC2971461: Fortitude (or Strength) Flanked by Two Satyrs (brush & brown wash, heightened with lead white (partially oxidized), over black chalk, on blue laid paper, squared in black chalk), Veronese, (Caliari, Paolo) (1528-88) / Bridgeman Images

ID: XCC2971461

Fortitude (or Strength) Flanked by Two Satyrs (brush & brown wash, heightened with lead white (partially oxidized), over black chalk, on blue laid paper, squared in black chalk)

Veronese, (Caliari, Paolo) (1528-88)

Tynemouth Priory, England, 1881 (transparent w/c, with traces of opaque w/c, rewetting, blotting & touches of scraping, over graphite, on thick, rough-textured, cream wove paper)
Tynemouth Priory, England, 1881 (transparent w/c, with traces of opaque w/c, rewetting, blotting & touches of scraping, over graphite, on thick, rough-textured, cream wove paper)

XCC2971538: Tynemouth Priory, England, 1881 (transparent w/c, with traces of opaque w/c, rewetting, blotting & touches of scraping, over graphite, on thick, rough-textured, cream wove paper), Homer, Winslow (1836-1910) / Bridgeman Images

ID: XCC2971538

Tynemouth Priory, England, 1881 (transparent w/c, with traces of opaque w/c, rewetting, blotting & touches of scraping, over graphite, on thick, rough-textured, cream wove paper)

Homer, Winslow (1836-1910)

View of IJsselmonde Seen Across the New Maas, c.1640 (black chalk, with brush and black and grey wash, and yellow and brown w/c, on ivory laid paper)
View of IJsselmonde Seen Across the New Maas, c.1640 (black chalk, with brush and black and grey wash, and yellow and brown w/c, on ivory laid paper)

XCC2971652: View of IJsselmonde Seen Across the New Maas, c.1640 (black chalk, with brush and black and grey wash, and yellow and brown w/c, on ivory laid paper), Cuyp, Aelbert (1620-91) / Bridgeman Images

ID: XCC2971652

View of IJsselmonde Seen Across the New Maas, c.1640 (black chalk, with brush and black and grey wash, and yellow and brown w/c, on ivory laid paper)

Cuyp, Aelbert (1620-91)

The Property of John P. and Catharina Schuring, Franklin Town, Allegheny County, Pennsylvania, 1883 (graphite on paper)
The Property of John P. and Catharina Schuring, Franklin Town, Allegheny County, Pennsylvania, 1883 (graphite on paper)

XCC2972197: The Property of John P. and Catharina Schuring, Franklin Town, Allegheny County, Pennsylvania, 1883 (graphite on paper), Brader, Ferdinand A. (fl.1883-1893) / Bridgeman Images

ID: XCC2972197

The Property of John P. and Catharina Schuring, Franklin Town, Allegheny County, Pennsylvania, 1883 (graphite on paper)

Brader, Ferdinand A. (fl.1883-1893)

Pessah Table (photo)
Pessah Table (photo)

BLP2973951: Pessah Table (photo) / Bridgeman Images

ID: BLP2973951

Pessah Table (photo)

Tabgha Mosaic
Tabgha Mosaic

BLP2973927: Tabgha Mosaic / Bridgeman Images

ID: BLP2973927

Tabgha Mosaic

Plaque depicting a ruler, probably King Megiddo, enthroned, surrounded by attendants, Megiddo (ivory)
Plaque depicting a ruler, probably King Megiddo, enthroned, surrounded by attendants, Megiddo (ivory)

BLP2973946: Plaque depicting a ruler, probably King Megiddo, enthroned, surrounded by attendants, Megiddo (ivory) / Bridgeman Images

ID: BLP2973946

Plaque depicting a ruler, probably King Megiddo, enthroned, surrounded by attendants, Megiddo (ivory)

Mosaic Floor, Carmiel Church, Galilee
Mosaic Floor, Carmiel Church, Galilee

BLP2973965: Mosaic Floor, Carmiel Church, Galilee / Bridgeman Images

ID: BLP2973965

Mosaic Floor, Carmiel Church, Galilee

Carte de visite depicting the Russian Revolutionary Valerian Andreevich Osinskii (1852-1879), 1880-89
Carte de visite depicting the Russian Revolutionary Valerian Andreevich Osinskii (1852-1879), 1880-89

RPP2973468: Carte de visite depicting the Russian Revolutionary Valerian Andreevich Osinskii (1852-1879), 1880-89, Russian Photographer, (19th century) / Bridgeman Images

ID: RPP2973468

Carte de visite depicting the Russian Revolutionary Valerian Andreevich Osinskii (1852-1879), 1880-89

Russian Photographer, (19th century)

A Wood Gatherer in the Forest (brown ink & wash on buff paper)
A Wood Gatherer in the Forest (brown ink & wash on buff paper)

LST2973592: A Wood Gatherer in the Forest (brown ink & wash on buff paper), Mauve, Anton (1838-88) / Bridgeman Images

ID: LST2973592

A Wood Gatherer in the Forest (brown ink & wash on buff paper)

Mauve, Anton (1838-88)

Albania. Butrint or Buthrotum archeological site; a UNESCO World Heritage Site. The Venetian Tower. (photo)
Albania. Butrint or Buthrotum archeological site; a UNESCO World Heritage Site. The Venetian Tower. (photo)

KW2973615: Albania. Butrint or Buthrotum archeological site; a UNESCO World Heritage Site. The Venetian Tower. (photo) / Bridgeman Images

ID: KW2973615

Albania. Butrint or Buthrotum archeological site; a UNESCO World Heritage Site. The Venetian Tower. (photo)

Gjirokastra or Gjirokaster, Albania. Typical stone roofs in the old town. Gjirokastra is a UNESCO World Heritage Site. (photo)
Gjirokastra or Gjirokaster, Albania. Typical stone roofs in the old town. Gjirokastra is a UNESCO World Heritage Site. (photo)

KW2973624: Gjirokastra or Gjirokaster, Albania. Typical stone roofs in the old town. Gjirokastra is a UNESCO World Heritage Site. (photo) / Bridgeman Images

ID: KW2973624

Gjirokastra or Gjirokaster, Albania. Typical stone roofs in the old town. Gjirokastra is a UNESCO World Heritage Site. (photo)

Olympia, Peloponnese, Greece. Ancient Olympia. Ancient Olympia is a UNESCO World Heritage Site. (photo)
Olympia, Peloponnese, Greece. Ancient Olympia. Ancient Olympia is a UNESCO World Heritage Site. (photo)

KW2973630: Olympia, Peloponnese, Greece. Ancient Olympia. Ancient Olympia is a UNESCO World Heritage Site. (photo) / Bridgeman Images

ID: KW2973630

Olympia, Peloponnese, Greece. Ancient Olympia. Ancient Olympia is a UNESCO World Heritage Site. (photo)

Antequera, Malaga Province, Andalusia, southern Spain. La Menga Dolmen. Interior. (photo)
Antequera, Malaga Province, Andalusia, southern Spain. La Menga Dolmen. Interior. (photo)

KW2973648: Antequera, Malaga Province, Andalusia, southern Spain. La Menga Dolmen. Interior. (photo) / Bridgeman Images

ID: KW2973648

Antequera, Malaga Province, Andalusia, southern Spain. La Menga Dolmen. Interior. (photo)

Charge of H.M. 14th Light Dragoons at the Battle of Ramnuggur, 22nd November 1848, engraved by J. Harris, c.1851 (colour photolitho)
Charge of H.M. 14th Light Dragoons at the Battle of Ramnuggur, 22nd November 1848, engraved by J. Harris, c.1851 (colour photolitho)

NAM2973864: Charge of H.M. 14th Light Dragoons at the Battle of Ramnuggur, 22nd November 1848, engraved by J. Harris, c.1851 (colour photolitho), Martens, Henry (fl.1825-60) (after) / Bridgeman Images

ID: NAM2973864

Charge of H.M. 14th Light Dragoons at the Battle of Ramnuggur, 22nd November 1848, engraved by J. Harris, c.1851 (colour photolitho)

Martens, Henry (fl.1825-60) (after)

Bagh Nakh, ‘Tigers’ Claw’, 1945 (brass)
Bagh Nakh, ‘Tigers’ Claw’, 1945 (brass)

NAM2973874: Bagh Nakh, ‘Tigers’ Claw’, 1945 (brass), Indian School, (20th century) / Bridgeman Images

ID: NAM2973874

Bagh Nakh, ‘Tigers’ Claw’, 1945 (brass)

Indian School, (20th century)

Oil lamp (terracotta)
Oil lamp (terracotta)

BLP2973923: Oil lamp (terracotta) / Bridgeman Images

ID: BLP2973923

Oil lamp (terracotta)

Panel depicting a winged creature, Megiddo, c.1300 BC (ivory)
Panel depicting a winged creature, Megiddo, c.1300 BC (ivory)

BLP2973942: Panel depicting a winged creature, Megiddo, c.1300 BC (ivory) / Bridgeman Images

ID: BLP2973942

Panel depicting a winged creature, Megiddo, c.1300 BC (ivory)

The Incense Altar, from the 'Wilderness Tabernacle', Kibbutz Almog (photo)
The Incense Altar, from the 'Wilderness Tabernacle', Kibbutz Almog (photo)

BLP2973959: The Incense Altar, from the 'Wilderness Tabernacle', Kibbutz Almog (photo) / Bridgeman Images

ID: BLP2973959

The Incense Altar, from the 'Wilderness Tabernacle', Kibbutz Almog (photo)

Drawing for Standing Nude, c.1879 (graphite on buff wove paper, traced over for soft-ground etching with offset of soft-ground on verso, showing through)
Drawing for Standing Nude, c.1879 (graphite on buff wove paper, traced over for soft-ground etching with offset of soft-ground on verso, showing through)

XCC2972778: Drawing for Standing Nude, c.1879 (graphite on buff wove paper, traced over for soft-ground etching with offset of soft-ground on verso, showing through), Cassatt, Mary Stevenson (1844-1926) / Bridgeman Images

ID: XCC2972778

Drawing for Standing Nude, c.1879 (graphite on buff wove paper, traced over for soft-ground etching with offset of soft-ground on verso, showing through)

Cassatt, Mary Stevenson (1844-1926)

The Exhibition at the Salon du Louvre in 1787, 1787 (etching & engraving on ivory laid paper)
The Exhibition at the Salon du Louvre in 1787, 1787 (etching & engraving on ivory laid paper)

XCC2972818: The Exhibition at the Salon du Louvre in 1787, 1787 (etching & engraving on ivory laid paper), Martini, Pietro Antonio (1739-97) / Bridgeman Images

ID: XCC2972818

The Exhibition at the Salon du Louvre in 1787, 1787 (etching & engraving on ivory laid paper)

Martini, Pietro Antonio (1739-97)


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