1. Home
  2. Search Results

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

2502165 Search Results

View from the kerbside into the Volkswagen beetle or KdF car, model with folding roof, Germany 1930s (b/w photo)
View from the kerbside into the Volkswagen beetle or KdF car, model with folding roof, Germany 1930s (b/w photo)

UTD2871126: View from the kerbside into the Volkswagen beetle or KdF car, model with folding roof, Germany 1930s (b/w photo) / Bridgeman Images

ID: UTD2871126

View from the kerbside into the Volkswagen beetle or KdF car, model with folding roof, Germany 1930s (b/w photo)

A Volkswagen Karmann Ghia Type 14, Germany 1950s (b/w photo)
A Volkswagen Karmann Ghia Type 14, Germany 1950s (b/w photo)

UTD2871711: A Volkswagen Karmann Ghia Type 14, Germany 1950s (b/w photo) / Bridgeman Images

ID: UTD2871711

A Volkswagen Karmann Ghia Type 14, Germany 1950s (b/w photo)

A Lloyd LP 600 Limousine, Germany 1950s (b/w photo)
A Lloyd LP 600 Limousine, Germany 1950s (b/w photo)

UTD2871723: A Lloyd LP 600 Limousine, Germany 1950s (b/w photo) / Bridgeman Images

ID: UTD2871723

A Lloyd LP 600 Limousine, Germany 1950s (b/w photo)

Austrian actor Paul Hoerbiger visiting an angling contest and is interviewed for the radio, Germany 1930s (b/w photo)
Austrian actor Paul Hoerbiger visiting an angling contest and is interviewed for the radio, Germany 1930s (b/w photo)

UTD2871882: Austrian actor Paul Hoerbiger visiting an angling contest and is interviewed for the radio, Germany 1930s (b/w photo) / Bridgeman Images

ID: UTD2871882

Austrian actor Paul Hoerbiger visiting an angling contest and is interviewed for the radio, Germany 1930s (b/w photo)

Three models of the Volkswagen beetle, or KdF car, with open and closed roof and as a convertible near the test track near Wolfsburg, Germany 1930s (b/w photo)
Three models of the Volkswagen beetle, or KdF car, with open and closed roof and as a convertible near the test track near Wolfsburg, Germany 1930s (b/w photo)

UTD2871108: Three models of the Volkswagen beetle, or KdF car, with open and closed roof and as a convertible near the test track near Wolfsburg, Germany 1930s (b/w photo) / Bridgeman Images

ID: UTD2871108

Three models of the Volkswagen beetle, or KdF car, with open and closed roof and as a convertible near the test track near Wolfsburg, Germany 1930s (b/w photo)

A Mercedes Benz 170 V, Germany 1950s (b/w photo)
A Mercedes Benz 170 V, Germany 1950s (b/w photo)

UTD2871701: A Mercedes Benz 170 V, Germany 1950s (b/w photo) / Bridgeman Images

ID: UTD2871701

A Mercedes Benz 170 V, Germany 1950s (b/w photo)

An Opel Type Rekord parking, Germany 1950s (b/w photo)
An Opel Type Rekord parking, Germany 1950s (b/w photo)

UTD2871716: An Opel Type Rekord parking, Germany 1950s (b/w photo) / Bridgeman Images

ID: UTD2871716

An Opel Type Rekord parking, Germany 1950s (b/w photo)

A BMW V8 3200 Super, Germany 1950s (b/w photo)
A BMW V8 3200 Super, Germany 1950s (b/w photo)

UTD2871722: A BMW V8 3200 Super, Germany 1950s (b/w photo) / Bridgeman Images

ID: UTD2871722

A BMW V8 3200 Super, Germany 1950s (b/w photo)

The painter Hans Paap painting a portrait of a young woman, Germany 1930s (b/w photo)
The painter Hans Paap painting a portrait of a young woman, Germany 1930s (b/w photo)

UTD2873198: The painter Hans Paap painting a portrait of a young woman, Germany 1930s (b/w photo), Paap, Hans (c.1890-1967) / Bridgeman Images

ID: UTD2873198

The painter Hans Paap painting a portrait of a young woman, Germany 1930s (b/w photo)

Paap, Hans (c.1890-1967)

Mère Grégoire, 1855 and 1857-59 (oil on canvas)
Mère Grégoire, 1855 and 1857-59 (oil on canvas)

XCC2970140: Mère Grégoire, 1855 and 1857-59 (oil on canvas), Courbet, Gustave (1819-77) / Bridgeman Images

ID: XCC2970140

Mère Grégoire, 1855 and 1857-59 (oil on canvas)

Courbet, Gustave (1819-77)

The Nativity, 1507-10 (oil on panel)
The Nativity, 1507-10 (oil on panel)

XCC2970201: The Nativity, 1507-10 (oil on panel), Master of Pulkau (fl.c.1505–1520) / Bridgeman Images

ID: XCC2970201

The Nativity, 1507-10 (oil on panel)

Master of Pulkau (fl.c.1505–1520)

Gian Lodovico Madruzzo, 1551-52 (oil on canvas)
Gian Lodovico Madruzzo, 1551-52 (oil on canvas)

XCC2970139: Gian Lodovico Madruzzo, 1551-52 (oil on canvas), Moroni, Giovanni Battista (c.1525-79) / Bridgeman Images

ID: XCC2970139

Gian Lodovico Madruzzo, 1551-52 (oil on canvas)

Moroni, Giovanni Battista (c.1525-79)

Half armour and targe for service on foot, c.1600 (steel with gilding, brass, and leather, etched and gilded)
Half armour and targe for service on foot, c.1600 (steel with gilding, brass, and leather, etched and gilded)

XCC2970779: Half armour and targe for service on foot, c.1600 (steel with gilding, brass, and leather, etched and gilded), Master of the sign of the cuirass with the letters IPF (fl.c.1600) / Bridgeman Images

ID: XCC2970779

Half armour and targe for service on foot, c.1600 (steel with gilding, brass, and leather, etched and gilded)

Master of the sign of the cuirass with the letters IPF (fl.c.1600)

Bust of Paris, 1809 (marble)
Bust of Paris, 1809 (marble)

XCC2970807: Bust of Paris, 1809 (marble), Canova, Antonio (1757-1822) / Bridgeman Images

ID: XCC2970807

Bust of Paris, 1809 (marble)

Canova, Antonio (1757-1822)

Winter Scene, c.1786 (oil on canvas)
Winter Scene, c.1786 (oil on canvas)

XCC2970849: Winter Scene, c.1786 (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

ID: XCC2970849

Winter Scene, c.1786 (oil on canvas)

Goya y Lucientes, Francisco Jose de (1746-1828)

The Nativity, 1504-07 (oil on panel)
The Nativity, 1504-07 (oil on panel)

XCC2970925: The Nativity, 1504-07 (oil on panel), Bartolomeo, Fra (Baccio della Porta) (1472-1517) / Bridgeman Images

ID: XCC2970925

The Nativity, 1504-07 (oil on panel)

Bartolomeo, Fra (Baccio della Porta) (1472-1517)

Cañon de Chelle, Walls of the Grand Cañon, about 1200 feet in height, 1873 (albumen print)
Cañon de Chelle, Walls of the Grand Cañon, about 1200 feet in height, 1873 (albumen print)

XCC2971266: Cañon de Chelle, Walls of the Grand Cañon, about 1200 feet in height, 1873 (albumen print), O'Sullivan, Timothy (1840-82) / Bridgeman Images

ID: XCC2971266

Cañon de Chelle, Walls of the Grand Cañon, about 1200 feet in height, 1873 (albumen print)

O'Sullivan, Timothy (1840-82)

Card table, 1819-25 (mahogany, satinwood veneer, iron & brass)
Card table, 1819-25 (mahogany, satinwood veneer, iron & brass)

XCC2970638: Card table, 1819-25 (mahogany, satinwood veneer, iron & brass), Vose, Isaac & Son (fl.1819-24) / Bridgeman Images

ID: XCC2970638

Card table, 1819-25 (mahogany, satinwood veneer, iron & brass)

Vose, Isaac & Son (fl.1819-24)

Sketch for Oath on the Rütli, Female Figure (verso), 1779-81, 1785-90 (verso) (oil on canvas)
Sketch for Oath on the Rütli, Female Figure (verso), 1779-81, 1785-90 (verso) (oil on canvas)

XCC2970765: Sketch for Oath on the Rütli, Female Figure (verso), 1779-81, 1785-90 (verso) (oil on canvas), Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825) / Bridgeman Images

ID: XCC2970765

Sketch for Oath on the Rütli, Female Figure (verso), 1779-81, 1785-90 (verso) (oil on canvas)

Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825)

Standing pavise, Klausen, c.1480-90 (wood, iron, and boarskin)
Standing pavise, Klausen, c.1480-90 (wood, iron, and boarskin)

XCC2970784: Standing pavise, Klausen, c.1480-90 (wood, iron, and boarskin), German School, (15th century) / Bridgeman Images

ID: XCC2970784

Standing pavise, Klausen, c.1480-90 (wood, iron, and boarskin)

German School, (15th century)

Self-Portrait, c.1725 (oil on canvas)
Self-Portrait, c.1725 (oil on canvas)

XCC2970820: Self-Portrait, c.1725 (oil on canvas), Largilliere, Nicolas de (1656-1746) / Bridgeman Images

ID: XCC2970820

Self-Portrait, c.1725 (oil on canvas)

Largilliere, Nicolas de (1656-1746)

Charles (Robin) Langton Clarke, 1864 (albumen print)
Charles (Robin) Langton Clarke, 1864 (albumen print)

XCC2971373: Charles (Robin) Langton Clarke, 1864 (albumen print), Dodgson, Charles Lutwidge (Lewis Carroll) (1832-98) / Bridgeman Images

ID: XCC2971373

Charles (Robin) Langton Clarke, 1864 (albumen print)

Dodgson, Charles Lutwidge (Lewis Carroll) (1832-98)

The Madame B Album, 1870s (albumen prints & w/c (in album))
The Madame B Album, 1870s (albumen prints & w/c (in album))

XCC2971452: The Madame B Album, 1870s (albumen prints & w/c (in album)), Fournier, Marie-Blanche-Hennelle (1831–1906) / Bridgeman Images

ID: XCC2971452

The Madame B Album, 1870s (albumen prints & w/c (in album))

Fournier, Marie-Blanche-Hennelle (1831–1906)

Study for Arrangement in Black: Lady Meux, 1881 (pen & brown ink on ivory wove paper laid down on ivory wove board)
Study for Arrangement in Black: Lady Meux, 1881 (pen & brown ink on ivory wove paper laid down on ivory wove board)

XCC2971520: Study for Arrangement in Black: Lady Meux, 1881 (pen & brown ink on ivory wove paper laid down on ivory wove board), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: XCC2971520

Study for Arrangement in Black: Lady Meux, 1881 (pen & brown ink on ivory wove paper laid down on ivory wove board)

Whistler, James Abbott McNeill (1834-1903)

The Watcher, Tynemouth, 1882 (transparent & opaque w/c, with rewetting, blotting, & scraping, heightened with gum glaze, over graphite, on moderately thick, slightly textured, cream wove paper)
The Watcher, Tynemouth, 1882 (transparent & opaque w/c, with rewetting, blotting, & scraping, heightened with gum glaze, over graphite, on moderately thick, slightly textured, cream wove paper)

XCC2971539: The Watcher, Tynemouth, 1882 (transparent & opaque w/c, with rewetting, blotting, & scraping, heightened with gum glaze, over graphite, on moderately thick, slightly textured, cream wove paper), Homer, Winslow (1836-1910) / Bridgeman Images

ID: XCC2971539

The Watcher, Tynemouth, 1882 (transparent & opaque w/c, with rewetting, blotting, & scraping, heightened with gum glaze, over graphite, on moderately thick, slightly textured, cream wove paper)

Homer, Winslow (1836-1910)

Rev. James Langton Clark and son Charles (Robin), 1864 (albumen silver print)
Rev. James Langton Clark and son Charles (Robin), 1864 (albumen silver print)

XCC2971372: Rev. James Langton Clark and son Charles (Robin), 1864 (albumen silver print), Dodgson, Charles Lutwidge (Lewis Carroll) (1832-98) / Bridgeman Images

ID: XCC2971372

Rev. James Langton Clark and son Charles (Robin), 1864 (albumen silver print)

Dodgson, Charles Lutwidge (Lewis Carroll) (1832-98)

Portrait of Friedrich Rorbach, 1532 (oil on panel)
Portrait of Friedrich Rorbach, 1532 (oil on panel)

XCC2970341: Portrait of Friedrich Rorbach, 1532 (oil on panel), Faber von Creuznach, Conrad (c.1500-53) / Bridgeman Images

ID: XCC2970341

Portrait of Friedrich Rorbach, 1532 (oil on panel)

Faber von Creuznach, Conrad (c.1500-53)

Allegory of Venus and Cupid, c.1600 (oil on canvas)
Allegory of Venus and Cupid, c.1600 (oil on canvas)

XCC2970557: Allegory of Venus and Cupid, c.1600 (oil on canvas), Titian (Tiziano Vecellio) (c.1488-1576) (manner of) / Bridgeman Images

ID: XCC2970557

Allegory of Venus and Cupid, c.1600 (oil on canvas)

Titian (Tiziano Vecellio) (c.1488-1576) (manner of)

Virgin and Child with Angels, c.1610 (oil on panel)
Virgin and Child with Angels, c.1610 (oil on panel)

XCC2970730: Virgin and Child with Angels, c.1610 (oil on panel), Procaccini, Giulio Cesare (1574-1625) / Bridgeman Images

ID: XCC2970730

Virgin and Child with Angels, c.1610 (oil on panel)

Procaccini, Giulio Cesare (1574-1625)

Burgonet with Falling Buffe possibly from an Armour of William Herbert, 1st Earl of Pembroke, c.1550 (steel with traces of gilding & leather)
Burgonet with Falling Buffe possibly from an Armour of William Herbert, 1st Earl of Pembroke, c.1550 (steel with traces of gilding & leather)

XCC2970781: Burgonet with Falling Buffe possibly from an Armour of William Herbert, 1st Earl of Pembroke, c.1550 (steel with traces of gilding & leather), English School, (16th century) / Bridgeman Images

ID: XCC2970781

Burgonet with Falling Buffe possibly from an Armour of William Herbert, 1st Earl of Pembroke, c.1550 (steel with traces of gilding & leather)

English School, (16th century)

Vase, 1766 (marble)
Vase, 1766 (marble)

XCC2970818: Vase, 1766 (marble), Clodion, Claude Michel (1738-1814) / Bridgeman Images

ID: XCC2970818

Vase, 1766 (marble)

Clodion, Claude Michel (1738-1814)

Bireno and Olimpia, 1640-50 (bronze, traces of red-gold lacquer)
Bireno and Olimpia, 1640-50 (bronze, traces of red-gold lacquer)

XCC2970873: Bireno and Olimpia, 1640-50 (bronze, traces of red-gold lacquer), Tacca, Ferdinando (1619-86/90) / Bridgeman Images

ID: XCC2970873

Bireno and Olimpia, 1640-50 (bronze, traces of red-gold lacquer)

Tacca, Ferdinando (1619-86/90)

Le Grenouillard (Frog-Man), 1892 (patinated plaster)
Le Grenouillard (Frog-Man), 1892 (patinated plaster)

XCC2970933: Le Grenouillard (Frog-Man), 1892 (patinated plaster), Carries, Jean Joseph Marie (1855-94) / Bridgeman Images

ID: XCC2970933

Le Grenouillard (Frog-Man), 1892 (patinated plaster)

Carries, Jean Joseph Marie (1855-94)

The Church of San Miguel, the Oldest in Santa Fe, N.M., 1873 (albumen print, from the album geographical & geological explorations & surveys west of the 100th meridian, vol. 2)
The Church of San Miguel, the Oldest in Santa Fe, N.M., 1873 (albumen print, from the album geographical & geological explorations & surveys west of the 100th meridian, vol. 2)

XCC2971270: The Church of San Miguel, the Oldest in Santa Fe, N.M., 1873 (albumen print, from the album geographical & geological explorations & surveys west of the 100th meridian, vol. 2), O'Sullivan, Timothy (1840-82) / Bridgeman Images

ID: XCC2971270

The Church of San Miguel, the Oldest in Santa Fe, N.M., 1873 (albumen print, from the album geographical & geological explorations & surveys west of the 100th meridian, vol. 2)

O'Sullivan, Timothy (1840-82)

Splashing figure (study for The Large Bathers), 1884-85 (red, white, and black chalk, with stumping, and black conté crayon on tan wove (tracing) paper, laid down on canvas)
Splashing figure (study for The Large Bathers), 1884-85 (red, white, and black chalk, with stumping, and black conté crayon on tan wove (tracing) paper, laid down on canvas)

XCC2972354: Splashing figure (study for The Large Bathers), 1884-85 (red, white, and black chalk, with stumping, and black conté crayon on tan wove (tracing) paper, laid down on canvas), Renoir, Pierre Auguste (1841-1919) / Bridgeman Images

ID: XCC2972354

Splashing figure (study for The Large Bathers), 1884-85 (red, white, and black chalk, with stumping, and black conté crayon on tan wove (tracing) paper, laid down on canvas)

Renoir, Pierre Auguste (1841-1919)

Aristide Bruant, in His Cabaret, 1893 (colour litho on buff wove paper)
Aristide Bruant, in His Cabaret, 1893 (colour litho on buff wove paper)

XCC2972398: Aristide Bruant, in His Cabaret, 1893 (colour litho on buff wove paper), Toulouse-Lautrec, Henri de (1864-1901) / Bridgeman Images

ID: XCC2972398

Aristide Bruant, in His Cabaret, 1893 (colour litho on buff wove paper)

Toulouse-Lautrec, Henri de (1864-1901)


Back to top